No annotations this week, because… well, there’s nothing to annotate. The only X-books out this week are X-Men: Legends and X-Men Unlimited Infinity Comic (and they’re both in mid-storyline, so they’re not due for a review either).

So… yeah.

On Sunday, though, it’ll be time for Wolverine in 1994.

As always, this post contains spoilers, and page numbers go by the digital edition.

WOLVERINE vol 7 #15
“Deceiver”
by Benjamin Percy, Adam Kubert & Frank Martin

COVER / PAGE 1. Wolverine fights Sevyr Blackmore. The exposed metal is presumably meant to reflect Sevyr’s acid attack, but it looks more cyborg-like. At any rate, nothing like that happens in the issue, so let’s call it symbolic.

PAGES 2-6. Flashback: Sevyr raises Solem.

Logan points out on page 8 that Sevyr is not a reliable narrator, but it seems likely that we’re meant to take all of this at face value. The gist is that Sevyr wiped out Solem’s village when he was a child, but was impressed enough by Solem to take him prisoner, and (after his skills became apparent) make him a pirate. Solem grows to become a rogue and trickster figure, and eventually avenges himself by cutting off Sevyr’s nose and stealing his ship. All this is new information.

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KING IN BLACK: MARAUDERS #1
“Queen in Red”
by Gerry Duggan, Luke Ross & Carlos Lopez

So this is a thing. Why is this a thing?

I will grant you, I am not the most receptive audience for a “King in Black” tie-in. To say I couldn’t care less about Knull is a considerable overstatement of my level of interest in Knull. He doesn’t even interest me as a Venom concept – Venom doesn’t cry out for a mythology involving alien space demons. But hey, Venom isn’t my concern.

What’s the thinking behind line-wide crossovers like this? There used to be a fairly obvious strategy for event comics. You had a central storyline in a core miniseries, and maybe one or two central books. And then you ran a bunch of tie-ins in assorted ongoing titles – maybe side quests, maybe just things happening in the margins of the main story. And why did you do all those tie-ins? Mainly, to sell more copies of the tie-in books.

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There’s gifts on the fire and logs on the tree, and that means only one thing – it’s time for the annual House to Astonish Homies awards, where we dish out our gongs in various categories to the best and brightest comics of the year.

As always, Paul and I will individually be choosing a winner for each category, but there’s the usual proviso – we want YOU to help, so you all name your picks in the comments, and Paul and I each choose our own, and we talk a bit about each of the three on our awards show.

We’re likely to be recording at the beginning of the new year, so we’re giving you until midnight UK time (7pm Eastern, 4pm Pacific) on December 31 2020 to make your choice. When you list your picks, don’t just name names either, because we’ll be reading out the best comments on the show, so let us know your thinking!

BEST NEW SERIES

This one’s pretty self-explanatory – any comic whose first issue was published between 1 January and 31 December 2020 is eligible. What new series got your attention the most this year?

BEST ACTUALLY NEW SERIES

This one’s a little less self-explanatory – what series, again first published during 2020, did you think was best, with the proviso that it has to be something where the property wasn’t in existence prior to the start of 2020. We’re counting re-use of titles as well as concepts, so X-Factor or Amethyst wouldn’t be eligible, but (for example) Giga or Decorum would.

BEST CONTINUING SERIES

The counterpart to the categories above, which covers books whose first issue was published in 2019 or before. They’ve been around the block, but they’ve still got what it takes.

BEST MINI, ONE-SHOT OR OGN

These are explaining themselves by this point, right? We’re looking for OGNs, one-shots and minis published in 2020 (or partially in 2020, in the case of minis).

FAVOURITE WRITER

FAVOURITE ARTIST

FAVOURITE COLOURIST

Each of these three is pretty self-explanatory – whose name on the cover or credits box of a book makes you want to pick it up? Whose work do you most look forward to seeing?

MOST WANTED

This is for the comic, series or graphic novel that saw print this year which you’d want to see more of, whether that be a book that was cancelled before its time, a one-shot or mini that just begs for a follow-up, or an OGN that you’d love to see a sequel to.

MOST PLEASANT SURPRISE

It may have seemed unappealing when you read about it online, and those preview pages may have looked unremarkable, but when you finally got the winner of this category in your hands you were ready to eat your words. What comic, series or graphic novel did you find yourself enjoying much more than you thought you would?

OUTSTANDING ACHIEVEMENT

This is exactly what it says – which creator, creative team, publisher or other contributor to the world of comics really knocked it out of the park this year?

Let us have your picks in the comments thread below, along with your thinking on each one – we’ll read out a range of the responses on our big end-of-year show. Happy nominating!

As always, this post contains spoilers, and page numbers go by the digital edition.

X-FACTOR vol 4 #5
“Suite No. 5: First Movement Finale: ‘After a Summer of Allostatic Overload”
by Leah Williams, David Baldeon & Israel Silva

“Allostatic load” is wear and tear on the body as a result of stress.

COVER / PAGE 1: Aurora and Northstar using their powers together. More of that later.

PAGES 2-4. X-Factor show the Five proof of Wind Dancer’s death.

This is picking up the storyline that was in progress before “X of Swords”. Presumably Wind Dancer’s plight was put on hold while the Five had a more pressing crisis to deal with, in the form of disruption to the whole resurrection operation.

As always, this post contains spoilers, and page numbers go by the digital edition.

JUGGERNAUT #3
“Stuck in the Past”
by Fabian Nicieza, Ron Garney & Matt Milla

COVER / PAGE 1. The Juggernaut replacing a broken statue of Lady Justice, and weighing sand in her scales.

PAGE 2. This issue’s kind-of-sort-of recap page is referencing Amazing Spider-Man vol 1 #230 (July 1982), in which Juggernaut is trying to abduct Madame Web, and winds up fighting Spider-Man on a construction site. Unable to actually hurt Juggernaut, Spider-Man defeats him by luring him into newly-poured concrete foundations which apparently go down 40 feet or so, leading him to sink to the bottom. He was indeed stuck there for quite some time – his next published appearance was in Uncanny X-Men vol 1 #183, two years later – though previous stories have given it as anything from a month to six months.

As always, this post contains spoilers, and page numbers go by the digital edition.

X-FORCE vol 6 #13
“X of Swords, Chapter 4”
by Benjamin Percy, Viktor Bogdanovic & Matthew Wilson

COVER / PAGE 1. Wolverine in the hellfire with Solem waiting. Not exactly how it plays out in the issue.

This issue is a direct continuation from Wolverine #6, which shipped on the same day – it even has the same artist. I’m not going to repeat anything that was covered already in the post for that issue, which will keep this post shorter.

PAGE 2. Epigraph from the Silver Samurai.

PAGES 3-4. Flashback: Logan confronts the Hand in the temple.

Yomi is the Japanese word for the underworld or land of the dead.

PAGES 5-6. Credits and recap.

As always, this post contains spoilers, and page numbers go by the digital edition.

X-FACTOR vol 4 #3
“Suite No. 3: Mojoverse Sonata the 2nd, a Celestial Rondo”
by Leah Williams & David Baldeon

The title of the previous issue was “Suite No. 2: Mojoverse Sonata Xf. 3 Op. 45, Danse Macabre”, so we’re continuing a theme here.

COVER / PAGE 1. Mojo (who doesn’t actually appear in the story) watches various police shows starring the X-Factor cast. Though surely X-Factor aren’t actually the Krakoan police…?

PAGES 2-3. X-Factor make short work of Durkitt’s crew, and Spiral welcomes them to her show.

This sort of playing to the crowd is out of character for Spiral, but we’ll see later that people in her position need to keep up the act. She describes Mojo with a bizarre pile-up of titles – benefactor, executive producer, democratically-elected ruler, king, supreme leader, and “most holy”. Clearly Mojo remains firmly in charge despite the supposed democratisation of the new Mojoverse. The logical end point of this direction for the Mojoverse is Mojo as Mark Zuckerberg.