{"id":10114,"date":"2024-05-23T20:43:29","date_gmt":"2024-05-23T19:43:29","guid":{"rendered":"https:\/\/www.housetoastonish.com\/?p=10114"},"modified":"2024-05-25T00:11:42","modified_gmt":"2024-05-24T23:11:42","slug":"the-x-axis-w-c-21-may-2024","status":"publish","type":"post","link":"https:\/\/www.housetoastonish.com\/?p=10114","title":{"rendered":"The X-Axis &#8211; w\/c 21 May 2024"},"content":{"rendered":"<p>This shouldn&#8217;t take long.<\/p>\n<p><strong>X-MEN UNLIMITED INFINITY COMIC #140.<\/strong> By Steve Foxe, Steve Orlando, Nick Roche, Yen Nitro &amp; Travis Lanham. Well, if nothing else, we&#8217;ve reached the final boss phase. And a giant Selene made of blood is at least a strong image. But it&#8217;s pretty much just random fighting at this stage. Hey, speaking of which&#8230;<\/p>\n<p><strong>FALL OF THE HOUSE OF X<\/strong> <strong>#5.<\/strong> <a href=\"https:\/\/www.housetoastonish.com\/?p=10111\">(Annotations here.)<\/a> So there you go. We&#8217;re not quite at the end of the Krakoan era. There&#8217;s still <em>Rise of the Powers of X<\/em> #5 and one final issue of <em>X-Men<\/em> to go (oh, and a couple of stray issues of <em>Wolverine<\/em> and <em>Ms Marvel<\/em>). But this is the end of Orchis, 2019-2024.<\/p>\n<p>In many ways people are right to say that this is the strongest issue of <em>Fall of the House of X<\/em>. The art feels more polished and epic than in earlier issues; the pieces that needed to be yanked into place were already there. Now, the book can go out with the X-Men defeating Orchis by restoring Omega Sentinel&#8217;s real personality, and defeating Nimrod. We can just get on with the fight scene. And Nimrod does look good here.<\/p>\n<p><!--more--><\/p>\n<p>There are problems even on those terms. Why are the characters who know Omega Sentinel was possessed still treating her as a villain in need of redemption? It&#8217;s fine for <em>her<\/em> to think that &#8211; it&#8217;s the obvious direction for her &#8211; but it just makes the X-Men look weirdly unreasonable. The art, even if it hits the right tone, is meant to be showing two simultaneous fights with Nimrod in different locations; but there&#8217;s no sense of place to either of them, because the backgrounds are all just fire and energy effects. And if you can read &#8220;The storm that Nimrod faced even wiped out the duplicates of himself he hid from combat&#8221; without groaning, you&#8217;re a better man than me.<\/p>\n<p>And&#8230; seriously, that last one? The issue literally goes out of its way to hammer the question of &#8220;how do we beat Nimrod when he exists in multiple places at the same time.&#8221; And then its answer is &#8220;punch two of them hard enough at the same time and all the others switch off for some reason.&#8221; Really? We&#8217;re not even going to pay lip service to, I don&#8217;t know, a computer virus or something?<\/p>\n<p>In fact, when I read <em>X-Men<\/em> #31 I thought the direction must be that Synch was using his powers to somehow get the disembodied Talon into Nimrod so as to stop her from dissolving altogether. Then you&#8217;d do Talon taking down Nimrod from the inside while the X-Men fought him from the outside, and she dies heroically destroying the body that&#8217;s keeping her alive, and&#8230; I mean, it&#8217;s not Shakespeare, but it&#8217;s better than this, right? Maybe something like that was the idea and it got cut for space. Who knows.<\/p>\n<p>There&#8217;s a wider problem here, though, which was locked in place years ago when the post-Hickman direction for Orchis was settled on. Hickman&#8217;s version of Orchis were a mirror of the X-Men, with very obvious parallels; there was a very obvious theme that the X-Men kept accidentally accelerating Orchis and Nimrod with everything they did to try and stop them. I can see why you&#8217;d have second thoughts about going in that direction, given the fan reaction to Krakoa. But once all of that was stripped out, Orchis were left as one-dimensional fascists, who just weren&#8217;t very interesting. Now, you can absolutely make the case that this is not a moment in American history for nuance, and fair enough. You can make that case for the humans in Orchis.<\/p>\n<p>But the AI contingent in Orchis are&#8230; what exactly? They&#8217;re in the odd position of being the power behind the throne in <em>Fall of the House of X<\/em>, and Enigma&#8217;s dupes in <em>Rise of the Power of X<\/em>. By sheer luck the X-books committed to AI as a major theme in 2019 before it was a big deal, but the plot isn&#8217;t really set up to engage with what people are saying about AI in 2024. They want to wipe out humanity and ascend to Dominion status because&#8230; reasons? Why do they even need to wipe out humanity? Was that ever explained? They can&#8217;t be a cosmic threat beause Enigma&#8217;s doing that, so is their role really anything more than to enable Orchis to self-destruct?<\/p>\n<p>Did we start with the ambition and scale of <em>House of X<\/em>, and wind up with a fight scene with a robot? Well, in this book, yes we did, because once you&#8217;ve decided that Orchis are just going to be one-dimensional bad guys, how else was it going to go? Still, the Enigma plot is going last, and that has more ambition and scale. Whether it can serve as a resolution to the broader themes of Krakoa seems more doubtful to me, but we&#8217;ll find out next week how it manages.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>This shouldn&#8217;t take long. X-MEN UNLIMITED INFINITY COMIC #140. By Steve Foxe, Steve Orlando, Nick Roche, Yen Nitro &amp; Travis Lanham. Well, if nothing else, we&#8217;ve reached the final boss phase. And a giant Selene made of blood is at least a strong image. But it&#8217;s pretty much just random fighting at this stage. Hey, [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-10114","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=\/wp\/v2\/posts\/10114","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=10114"}],"version-history":[{"count":2,"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=\/wp\/v2\/posts\/10114\/revisions"}],"predecessor-version":[{"id":10119,"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=\/wp\/v2\/posts\/10114\/revisions\/10119"}],"wp:attachment":[{"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=10114"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=10114"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=10114"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}