{"id":10474,"date":"2024-10-19T17:10:56","date_gmt":"2024-10-19T16:10:56","guid":{"rendered":"https:\/\/www.housetoastonish.com\/?p=10474"},"modified":"2024-10-19T17:10:56","modified_gmt":"2024-10-19T16:10:56","slug":"charts-18-october-2024","status":"publish","type":"post","link":"https:\/\/www.housetoastonish.com\/?p=10474","title":{"rendered":"Charts &#8211; 18 October 2024"},"content":{"rendered":"<p>Well, if you&#8217;re going to be number one for this long, you might as well go for the record.<\/p>\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=KEG7b851Ric\"><strong>1. Sabrina Carpenter &#8211; &#8220;Taste&#8221;<\/strong> <\/a><\/p>\n<p>That&#8217;s eight weeks, which means that Sabrina Carpenter has now spent twenty weeks at number 1 this year. Only Frankie Laine&#8217;s 28-week total in 1953 stands in the way of that being an all-time record. You could make a case that Sabrina has benefitted from a low turnover of hits this year, and so a lower number of challengers &#8211; but then again, she held &#8220;Good Luck Babe&#8221; off the top for months on end, and that&#8217;s a huge hit in its own right.<\/p>\n<p><strong>7. Charli XCX featuring Ariana Grande &#8211; &#8220;Sympathy is a Knife&#8221;<\/strong><\/p>\n<p><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/jfL8Vu9PfW8?si=MOWLogXFSQyDIBCZ\" width=\"400\" height=\"225\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>The remix version of <strong>&#8220;Brat&#8221;<\/strong> &#8211; &#8220;Brat and It&#8217;s Completely Different But Also Still Brat&#8221; &#8211; is out this week, but since it also includes the entire original album, the OCC is classing it as a deluxe edition of &#8220;Brat&#8221; rather than a free standing album. The remixes are extensive. <a href=\"https:\/\/www.youtube.com\/watch?v=S9s4Ckt-aKo\">The original version of &#8220;Sympathy is a Knife&#8221;<\/a> doesn&#8217;t sound much like this version at all, but for chart versions both versions count towards this streaming position &#8211; it&#8217;s just that the Ariana Grande version has now been nominated as the lead, so that she gets co-credit.<\/p>\n<p><!--more--><\/p>\n<p>The result is that &#8220;Brat&#8221; is shown as climbing from 13 to number 1 on the album chart. It only made number 2 on its release in June, although it&#8217;s never dropped below 14 in the months since. (In its release week, it was held off by &#8220;Tortured Poets Department&#8221;. It had another week at number 2 later on, but that was the week that &#8220;Rise and Fall of a Midwest Princess&#8221; reached the top.)<\/p>\n<p>The new mixes presumably also account for <a href=\"https:\/\/www.youtube.com\/watch?v=vuF38F_nMY0\"><strong>&#8220;Apple&#8221;<\/strong><\/a> climbing from 26-11, and <a href=\"https:\/\/www.youtube.com\/watch?v=bvy6aox2Sgw\"><strong>&#8220;360&#8221; <\/strong><\/a>re-entering at 20 &#8211; though the remix of &#8220;360&#8221; has actually been available for months.<\/p>\n<p><strong>9. Sabrina Carpenter &#8211; &#8220;Bed Chem&#8221;<\/strong><\/p>\n<p><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/x8VkB8ap_FQ?si=jOV6ZoD4GxCxWTgD\" width=\"400\" height=\"225\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>&#8220;Please Please Please&#8221; and &#8220;Espresso&#8221; both get hit by the downweighting rule this week. &#8220;Espresso&#8221; drops from 4 to 17, but &#8220;Please Please Please&#8221; drops below this album track &#8211; which has been hanging around as a kind of shadow hit for a while now. The result is that &#8220;Please Please Please&#8221; gets disqualified under the 3-song rule, and &#8220;Bed Chem&#8221; finally gets to register on the chart.<\/p>\n<p><strong>37. Jennie &#8211; &#8220;Mantra&#8221;<\/strong><\/p>\n<p><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/bB3-CUMERIU?si=VxMUouu3452fKLpC\" width=\"400\" height=\"225\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>A third solo hit for the Blackpink member. She got to number 39 with &#8220;You &amp; Me&#8221; last year, and also guested on a Weeknd track that reached 21.<\/p>\n<p>There are three new entries this week, plus the re-entry for &#8220;360&#8221; and another re-entry for &#8220;Austin&#8221; by Dasha at number 40. The five records leaving the top 40 are:<\/p>\n<ul>\n<li><strong>&#8220;Please Please Please&#8221; by Sabrina Carpenter<\/strong>, disqualified under the 3-song rule, and thus dropping straight out of the top 5. (It would have been downweighted this week anyway.) It had five weeks at number 1 and lasted 18 weeks in the top 40.<\/li>\n<li><strong>&#8220;Guess&#8221; by Charli XCX featuring Billie Eilish<\/strong> had a week at number 1 and lasted 10 weeks in the top 40 &#8211; I&#8217;m fairly sure it was disqualified under the 3-song rule, since it was at 12 last week.<\/li>\n<li><strong>&#8220;I&#8217;m Gonna Miss You&#8221; by Milli Vanilli<\/strong> after an unlikely single week at number 40.<\/li>\n<li><strong>&#8220;Heavy is the Crown&#8221; by Linkin Park<\/strong>, which peaked at 18 and actually lasted three weeks &#8211; very unusual for their genre.<\/li>\n<li><strong>&#8220;Angel of my Dreams&#8221; by Jade<\/strong>, which peaked at number 7 and survived 12 weeks in the top 40 &#8211; in that sense, the most successful solo release yet by a Little Mix member, although that&#8217;s slightly undermined by the fact that follow-up &#8220;Midnight Cowboy&#8221; tanked at number 93. It was technically a promotional single, I think, but the video was, um, <a href=\"https:\/\/www.youtube.com\/watch?v=ZEriLZ4VhQ8\">clearly intended to get attention<\/a>, and didn&#8217;t, really.<\/li>\n<\/ul>\n<p>We <em>do<\/em> have a lot of climbers, because the downweighting rule hits a lot of last week&#8217;s top 10, finally clearing out some dead wood:<\/p>\n<ul>\n<li><strong>&#8220;Die with a Smile&#8221; by Lady Gaga &amp; Bruno Mars<\/strong> climbs 3-2.<\/li>\n<li><strong>&#8220;Sailor Song&#8221; by Gigi Perez<\/strong> climbs 6-3.<\/li>\n<li><strong>&#8220;I Love You I&#8217;m Sorry&#8221; by Gracie Abrams<\/strong> climbs 11-4.<\/li>\n<li><strong>&#8220;Somedays&#8221; by Sonny Fodera, Jazzy &amp; DOD<\/strong> climbs 8-5.<\/li>\n<li><strong>&#8220;Hot to Go&#8221; by Chappell Roan<\/strong> climbs 10-7, which is a new peak &#8211; it previously got to 7 three weeks ago.<\/li>\n<li><strong>&#8220;Thick of It&#8221; by KSI featuring Trippie Redd<\/strong> climbs 14-8. KSI was last in the top 10 in 2022.<\/li>\n<li><strong>&#8220;Move&#8221; by Adam Port, Stryv &amp; Keinemusik<\/strong> climbs 22-10 &#8211; it had previously peaked at 11 in August.<\/li>\n<li><strong>&#8220;The Door&#8221; by Teddy Swims<\/strong> climbs 16-12 in its 21st week on the top 40; it previously reached 13 three weeks ago. The current single is meant to be &#8220;Bad Dreams&#8221;, but that falls to 33 this week.<\/li>\n<li><strong>&#8220;Diet Pepsi&#8221; by Addison Rae<\/strong> climbs 15-14.<\/li>\n<li><strong>&#8220;Wildflower&#8221; by Billie Eilish<\/strong> climbs 21-18.<\/li>\n<li><strong>&#8220;Don&#8217;t Dream It&#8217;s Over&#8221; by Crowded House<\/strong> climbs 37-32.<\/li>\n<\/ul>\n<p>The longest running track on the singles chart is still <strong>&#8220;Lose Control&#8221; by Teddy Swims<\/strong>, with 42 weeks. It&#8217;s currently at 31.<\/p>\n<p>On the album chart, <strong>&#8220;Brat&#8221; by Charli XCX<\/strong> is number 1.<\/p>\n<p><strong>2. Paul Heaton &#8211; &#8220;The Mighty Several&#8221;<\/strong><\/p>\n<p><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/jQcW5Di8IaE?si=GINQM0mxXzoY7qBo\" width=\"400\" height=\"225\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>Technically this is his highest placing solo album, but only if you ignore the albums that are credited to both him and Jacqui Abbott &#8211; their last two albums both reached number 1. Up against Charli XCX, number 2 is pretty good.<\/p>\n<p><strong>7. James Blunt &#8211; &#8220;Back to Bedlam&#8221;<\/strong><\/p>\n<p><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/oofSnsGkops?si=q2z8LAqsEL-HofGm\" width=\"400\" height=\"225\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>20th anniversary reissue. It was number 1 for a total of 10 weeks in 2005-6.<\/p>\n<p><strong>11. Lady Gaga &#8211; &#8220;Harlequin&#8221;<\/strong><\/p>\n<p><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/gdzWWkDXkis?si=6XviMIXDUHJU8RWE\" width=\"400\" height=\"225\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>This is an album of (mostly) jazz standards described as a companion album to <em>Joker: Folie a Deux<\/em>. It missed the top 40 on release last month, but the physical release gets it in here.<\/p>\n<p><strong>14. The Last Dinner Party &#8211; &#8220;Prelude to Ecstasy&#8221;<\/strong><\/p>\n<p>Deluxe re-release. It was a one-week number 1 in February.<\/p>\n<p><strong>24. Skinny Living &#8211; &#8220;Day By Day&#8221;<\/strong><\/p>\n<p><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/dzEBixwWCnA?si=eRC0a-oNqrbG7NY8\" width=\"400\" height=\"225\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>Their first studio album, although they&#8217;ve released several EPs and two live albums before.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Well, if you&#8217;re going to be number one for this long, you might as well go for the record. 1. Sabrina Carpenter &#8211; &#8220;Taste&#8221; That&#8217;s eight weeks, which means that Sabrina Carpenter has now spent twenty weeks at number 1 this year. Only Frankie Laine&#8217;s 28-week total in 1953 stands in the way of that [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[22],"tags":[],"class_list":["post-10474","post","type-post","status-publish","format-standard","hentry","category-music"],"_links":{"self":[{"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=\/wp\/v2\/posts\/10474","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=10474"}],"version-history":[{"count":2,"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=\/wp\/v2\/posts\/10474\/revisions"}],"predecessor-version":[{"id":10476,"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=\/wp\/v2\/posts\/10474\/revisions\/10476"}],"wp:attachment":[{"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=10474"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=10474"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=10474"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}