{"id":10500,"date":"2024-11-02T17:01:16","date_gmt":"2024-11-02T17:01:16","guid":{"rendered":"https:\/\/www.housetoastonish.com\/?p=10500"},"modified":"2024-11-02T17:01:16","modified_gmt":"2024-11-02T17:01:16","slug":"nyx-4-annotations","status":"publish","type":"post","link":"https:\/\/www.housetoastonish.com\/?p=10500","title":{"rendered":"NYX #4 annotations"},"content":{"rendered":"<p><em>As always, this post contains spoilers, and page numbers go by the digital edition.<\/em><\/p>\n<p><a href=\"https:\/\/www.housetoastonish.com\/wp-content\/uploads\/2024\/11\/81MfQaL0PsL._AC_UY436_QL65_.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-10501 alignright\" src=\"https:\/\/www.housetoastonish.com\/wp-content\/uploads\/2024\/11\/81MfQaL0PsL._AC_UY436_QL65_-195x300.jpg\" alt=\"\" width=\"195\" height=\"300\" srcset=\"https:\/\/www.housetoastonish.com\/wp-content\/uploads\/2024\/11\/81MfQaL0PsL._AC_UY436_QL65_-195x300.jpg 195w, https:\/\/www.housetoastonish.com\/wp-content\/uploads\/2024\/11\/81MfQaL0PsL._AC_UY436_QL65_.jpg 284w\" sizes=\"auto, (max-width: 195px) 100vw, 195px\" \/><\/a><strong>NYX vol 2 #4<\/strong><br \/>\n<strong>Writers: Jackson Lanzing &amp; Collin Kelly<\/strong><br \/>\n<strong>Artist: Enid Bal\u00e1m<\/strong><br \/>\n<strong>Letterer: Joe Sabino<\/strong><br \/>\n<strong>Colour artist: Ra\u00fal Angulo<\/strong><br \/>\n<strong>Editor: Annalise Bissa<\/strong><\/p>\n<p><strong>THE CORE CAST:<\/strong><\/p>\n<p><strong>David Alleyne <\/strong>is the spotlight character in this issue. As strongly indicated in earlier issues, he&#8217;s responsible for the various mutant-themed street art that we&#8217;ve seen in the background throughout the series. He wears a costume when making his art, and shows up in the same costume to fight the Krakoan during the story.<\/p>\n<p>At first, he refuses to help Kamala against the Krakoan, even though Kamala only wants him to come along and try to talk sense into Julian as an old friend (which would be a stretch, but she doesn&#8217;t know that). David claims that his &#8220;position requires a very careful balance&#8221; and that he can&#8217;t be seen in that sort of role. Kamala interprets this as David being unwilling to compromise his own comfort, and decides that Sophie&#8217;s sell-out accusations in issue #1 were correct. However, when Ms Marvel is clearly losing to Julian, and nobody else shows up to help, David does indeed intervene, and both of them wind up being arrested. David assumes that this will cost him his job with the university, but for the moment it&#8217;s just an assumption.<\/p>\n<p>The narration in this issue consists largely of David&#8217;s &#8220;lecture notes&#8221; (which read more like brainstorming sessions). Very broadly speaking, his key points seem to be:<\/p>\n<ul>\n<li>Mutant culture is rooted in the superhero\/supervillain paradigm, and by extension in violence.<\/li>\n<li>Mutant culture has been stuck in a binary choice of Professor X&#8217;s integration and Magneto&#8217;s domination, both of which have failed. Krakoa offered a third choice of separatism, which also failed (at least for people who didn&#8217;t want to emigrate to the White Hot Room).<\/li>\n<li>Mutants have been unable to live among other people and, in trying to do so, are left with only their inner lives as the remnants of mutant community.<\/li>\n<li>Another path needs to be found for mutants which breaks out of these binaries.<\/li>\n<li>Humans (or at least human authorities) are reasonably to be assumed to be hostile, if not outright genocidal.<\/li>\n<\/ul>\n<p><!--more--><\/p>\n<p>While fighting the Krakoan, he claims that mutant culture belongs to all the remaining mutants, and identifies it with the X-Men rather than with Krakoa. Broadly speaking, what David <em>seems<\/em> to want is a peaceful mutant subculture that can exist within human society, but he has no idea of how to actually achieve it.<\/p>\n<p>The computer screen in his office is running a video entitled &#8220;Remember the X: 10 hours of Krakoan landscape&#8221;, which apparently plays in full.<\/p>\n<p><strong>Ms Marvel <\/strong>has figured out, with Sophie&#8217;s &#8220;help&#8221;, that the Krakoan is actually Julian Keller. But Kamala isn&#8217;t an idiot and realises that Sophie is setting her up &#8211; Sophie&#8217;s efforts are apparently a bit clumsy. Her reaction is to fight the Krakoan anyway (since he&#8217;s apparently going to commit a terrorist attack) and try to persuade Sophie to switch sides at the same time. She considers herself to be New York&#8217;s mutant super hero, and correctly concludes that the Krakoan&#8217;s obvious signalling of his next attack is intended to lure her out. At any rate, this is the reason she gives to David; she might actually have come to the conclusion based on Sophie&#8217;s behaviour, but she doesn&#8217;t share her suspicions about Sophie with David.<\/p>\n<p><strong>Sophie <\/strong>does actually vacillate about changing sides, but her four sisters convince her to stick with the plan. She seems increasingly unconvinced about her side by the end of the issue.<\/p>\n<p><strong>Anole <\/strong>and <strong>Wolverine<\/strong> (Laura) have brief cameos watching the fight unfold.<\/p>\n<p><strong>SUPPORTING CAST:<\/strong><\/p>\n<p><strong>Dante<\/strong>, David&#8217;s boyfriend, may not know about his art; he&#8217;s asleep when David comes back at night by sneaking in the window.<\/p>\n<p><strong>Sandra Stashwick<\/strong> is the Dean of ESU; presumably she&#8217;s the woman we see shaking hands with David in flashback on page 1 and saying &#8220;We&#8217;re so honoured to have someone like you lead this Department&#8221;. Judging from David&#8217;s phone call with her on page 8, she&#8217;s slightly panicky about mutants and supports some sort of city proposal for &#8220;mutant housing&#8221;. She seems to think that David will have some insight into &#8220;the mutant rumour mill&#8221;.<\/p>\n<p><strong>The Morlocks <\/strong>appear with Anole in a single panel, reacting to the fight (which they&#8217;re watching on an iPad). <strong>Caliban<\/strong> and <strong>Loolo<\/strong> are recognisable, along with a bunch of generics.<\/p>\n<p>Kamala&#8217;s parents <strong>Yusuf Khan<\/strong> and <strong>Muneeba Khan<\/strong>, and her brother <strong>Aamir Khan<\/strong>, appear in a single panel, waching the fight on TV along with the stridently anti-mutant cousin <strong>Bilal.<\/strong> Kamala&#8217;s mother is much more concerned about Ms Marvel.<\/p>\n<p><strong>VILLAINS:<\/strong><\/p>\n<p><strong>The Krakoan <\/strong>attacks Times Square in what&#8217;s intended to be a trap for Ms Marvel. The idea seems to be to lure her into a public fight with the Krakoan, though it&#8217;s not entirely clear what this is actually meant to achieve &#8211; Prodigy&#8217;s intervention was not part of the original plan, so we don&#8217;t exactly know how things were meant to pan out. Surely there was more to the plan than just &#8220;start a fight to make mutants look bad in public&#8221;, because that&#8217;s just baseline stuff in the Marvel Universe. (And the writers know that, because David points it out on page 1.) David sees the purpose of the stunt as being to force him back into the binary role that he&#8217;s been trying to find a way out of, but that doesn&#8217;t answer the question of how it contributes to their long term goals.<\/p>\n<p>According to Ms Marvel, the Krakoan&#8217;s seemingly random terrorist attacks on trains have been (1) forming an X pattern to lead her to his next attack, (2) taking place at regular intervals, and (3) have all involved the death of people involved in the city government, suggesting that he&#8217;s actually committing a series of assassinations under the guise of terrorism. We don&#8217;t know who, if anyone, he was supposed to kill during his Times Square attack.<\/p>\n<p><strong>The Stepford Cuckoos<\/strong> &#8211; the other four &#8211; lean heavily on Sophie to stick with the original plan. This is somehow supposed to lead to mutants taking revenge on humanity and seizing control of Manhattan. They claim that coexistence has failed (apparently meaning separatism) and appear to have concluded that conquest is the only route to mutant survival.\u00a0 Interestingly, they still seem to recognise that allying themselves with Empath is a questionable move. They seem to consider him an unwitting frontman for their plan.<\/p>\n<p>It&#8217;s not clear why Phoebe, who&#8217;s been a broadly sympathetic character for years, is going along with this, but it may simply be connected with the sisters&#8217; personalities being subsumed into one another the longer they stay together. (Or perhaps Empath is having a greater effect on them than they think.) Certainly, Sophie&#8217;s doubts seem to be connected with the fact that she&#8217;s separated from the others, though it might also just be that she&#8217;s dealing directly with the people she&#8217;s expected to manipulate.<\/p>\n<p><strong>Empath<\/strong>, consistent with the way the Cuckoos talk about him, is hanging around in the background acting as if he&#8217;s in charge, but not actually contributing a great deal.<\/p>\n<p><strong>OTHER REFERENCES:<\/strong><\/p>\n<p><strong>Page 4 panel 5: &#8220;Moira MacTaggert, the one who tried to kill the rest of us. And in my case, succeeded.&#8221;<\/strong> Prodigy was among the mutants killed in the 2023 <em>Hellfire Gala<\/em>.<\/p>\n<p><strong>Page 4 panel 8: &#8220;You&#8217;re the one protecting the oppressor now, Professor Alleyne.&#8221;<\/strong> This is a flashback to Sophie interrupting David&#8217;s lecture in issue #1. The art in this version has Kamala as rather more obviously shocked by Sophie&#8217;s comments than she was in the original scene.<\/p>\n<p><strong>Page 6 panel 2: &#8220;Which also failed, at least for everyone who didn&#8217;t want to leave this dimension.&#8221;<\/strong> Krakoa, seemingly with the majority of the mutant population, has been permanently exiled to the White Hot Room since <em>X-Men<\/em> #35. We seem to be gently downplaying the idea that only a minority of mutants chose to stay, though not outright contradicting it.<\/p>\n<p><strong>Page 9 panel 2: <\/strong>The other characters in the photo, alongside Hellion and Prodigy, are <strong>Icarus<\/strong> (with the red wings), and three more indistinct figures. The gold faceless figure in the back right is probably a blurry <strong>Elixir<\/strong>, going purely by the skin tone. Since the others appear to be in New Mutants uniforms, going purely by their hair colour, they&#8217;re probably meant to be <strong>Surge<\/strong> (with the black hair) and <strong>Wind Dancer<\/strong> (front right).<\/p>\n<p><strong>Page 9 panel 3: &#8220;Julian&#8217;s had a hard life. Kept his identity a secret. His parents were hell &#8211; and rich enough to take everything from him.&#8221;<\/strong> Julian&#8217;s back story largely comes from <em>New X-Men: Hellions<\/em> #1.<\/p>\n<p><strong>Page 11 panel 5: &#8220;Hey Sophie, remember when you said all that mean stuff to Professor Alleyne in class&#8230;&#8221;<\/strong> Issue #1 again.<\/p>\n<p><strong>Page 12 panel 1: <\/strong>For some reason, one of the video screens in Times Square is showing an image of <strong>Gwenpool<\/strong> (who is a mutant these days). Also, note that the random bystanders on the left side of the panel have the pink flashes that suggest they&#8217;re under telepathic influence. Possibly Sophie is trying to make them clear the area.<\/p>\n<p><strong>Page 12 panel 2:<\/strong> David&#8217;s ten-hours-of-Krakoa video seems to be showing some sort of image of a meeting chamber, though the Quiet Council chamber didn&#8217;t actually look like this.<\/p>\n<p><strong>Page 13 panel 1: &#8220;Welcome to die.&#8221;<\/strong> It&#8217;s <a href=\"https:\/\/knowyourmeme.com\/memes\/welcome-to-die\">a line of dialogue given to Magneto in the 1992 X-Men arcade game.<\/a> Don&#8217;t ask how that works in the sliding timeline. (Though if you want to be boringly literal, nobody actually says it&#8217;s from an <em>X-Men<\/em> game in this universe.)<\/p>\n<p><strong>Page 15 panel 1: &#8220;We shouldve sent Esme. No chance of a misplaced conscience there.&#8221;<\/strong> Esme was the Cuckoo who aligned herself with Kid Omega and Magneto back in the Grant Morrison run. Phoebe may be hinting that Esme is dominating the supposedly-equal group again (as she did in that arc, because she was using Kick to boost her powers).<\/p>\n<p><strong>Page 16 panel 4: &#8220;You have new gods!&#8221; <\/strong>The Krakoan is referencing Magneto&#8217;s line to the human ambassadors from <em>House of X<\/em> #1.<\/p>\n<p><strong>Page 13 panel 3: <\/strong>Prodigy is using the &#8220;Red triangle&#8221; psychic defence taught to the X-Men, most prominently used in the <em>Hellfire Gala 2023<\/em> one-shot.<\/p>\n<p><strong>Page 13 panel 5: &#8220;I&#8217;m an omega-level mutant&#8221;.<\/strong> Julian Keller isn&#8217;t an omega-level mutant, whatever he may claim here, but he <em>is<\/em> a powerful telekinetic.<\/p>\n<p><strong>Page 24 panel 2: &#8220;Even Professor Xavier took the fight to the humans!&#8221; <\/strong>The Krakoan is taking at face value Professor X&#8217;s alliance with Nimrod during <em>Rise of the Powers of X<\/em>.<\/p>\n<p><strong>Page 26 panel 2: Graymalkin Prison.<\/strong> The former X-Men Mansion, as seen in <em>Uncanny X-Men<\/em>. I think this is the first time we&#8217;ve seen it mentioned as a destination for regular old captured supervillains, but the prison itself is not secret, so presumably this is at the very least how it&#8217;s presented to the public.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>As always, this post contains spoilers, and page numbers go by the digital edition. NYX vol 2 #4 Writers: Jackson Lanzing &amp; Collin Kelly Artist: Enid Bal\u00e1m Letterer: Joe Sabino Colour artist: Ra\u00fal Angulo Editor: Annalise Bissa THE CORE CAST: David Alleyne is the spotlight character in this issue. As strongly indicated in earlier issues, [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"footnotes":""},"categories":[31],"tags":[],"class_list":["post-10500","post","type-post","status-publish","format-standard","hentry","category-annotations"],"_links":{"self":[{"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=\/wp\/v2\/posts\/10500","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=10500"}],"version-history":[{"count":1,"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=\/wp\/v2\/posts\/10500\/revisions"}],"predecessor-version":[{"id":10502,"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=\/wp\/v2\/posts\/10500\/revisions\/10502"}],"wp:attachment":[{"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=10500"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=10500"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=10500"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}