{"id":10564,"date":"2024-11-28T20:47:08","date_gmt":"2024-11-28T20:47:08","guid":{"rendered":"https:\/\/www.housetoastonish.com\/?p=10564"},"modified":"2024-11-28T20:47:08","modified_gmt":"2024-11-28T20:47:08","slug":"the-x-axis-w-c-25-november-2024","status":"publish","type":"post","link":"https:\/\/www.housetoastonish.com\/?p=10564","title":{"rendered":"The X-Axis &#8211; w\/c 25 November 2024"},"content":{"rendered":"<p><strong>X-MEN: FROM THE ASHES INFINITY COMIC #25.<\/strong> By Tim Seeley, Eric Koda, KJ D\u00edaz &amp; Clayton Cowles. Apparently this is the final issue, though that really just means that they&#8217;re changing the name of the book. You can&#8217;t keep naming it after the relaunch forever, after all. It&#8217;s the end of the Thanksgiving arc with Beak and his family, and it doesn&#8217;t do anything that will come as a huge surprise. At the end of the last issue, Beak was downcast and depressed to learn that the Beast hadn&#8217;t been working on a cure for his daughter after all. In this issue, a chance encounter restores his sense of hope. It&#8217;s very sentimental &#8211; it&#8217;s playing the dying child card, after all &#8211; but you can get away with that in a holiday story. And it <em>does<\/em> get away with it, through some gentle pacing and some nicely observed detail both in writing and art. It&#8217;s a lot better than a summary makes it sound.<\/p>\n<p><strong>UNCANNY X-MEN #6.<\/strong> <a href=\"https:\/\/www.housetoastonish.com\/?p=10560\">(Annotations here.)<\/a> This is a transition issue between the &#8220;Red Wave&#8221; arc and the &#8220;Raid on Graymalkin&#8221; crossover &#8211; although you could equally bill it as the first part of &#8220;Raid on Graymalkin&#8221;, since it sees two of the main cast get captured and carted off to jail. But it&#8217;s got a fill-in artist, Javier Garr\u00f3n, which might explain why it&#8217;s being classed as something separate. Good art, though &#8211; closer to Nick Bradshaw than regular artist David Marquez, but a clean line and a storng sense of body language suit the book.<\/p>\n<p><!--more--><\/p>\n<p>The main focus of the issue is on the four Outliers being sent off to the local school together. Since they&#8217;re clearly part of the core cast, even if they&#8217;re not technically X-Men yet, it&#8217;s a good idea to give them a downtime issue before going into the crossover. And I&#8217;m all in favour for doing more to get the X-books into the real world more often, though I can&#8217;t help wondering whether this book and <em>Exceptional<\/em> are covering very similar territory in having so many teen trainees around. Calico is clearly getting the bulk of the attention here, but maybe that&#8217;s necessary, since she&#8217;s the one who&#8217;s going to be taken off the board, so getting us invested in her is the most pressing task. Deathdream and Ransom get fleshed out a little more too, though Jitter is still a bit sketchy.<\/p>\n<p>I&#8217;m still not sold on the Graymalkin prison as villains &#8211; it&#8217;s too early to go back to Orchis, and we haven&#8217;t really established what makes these guys different. And it feels too early to be going to a fight with them, when the X-Men have barely interacted with them to this point (except in the sense that they&#8217;re allied with Sarah Gaunt, but the X-Men don&#8217;t seem to know that). Still, we&#8217;ll see where all that is going when the crossover is underway.<\/p>\n<p><strong>MYSTIQUE #2. <\/strong>By Declan Shalvey, Matt Hollingsworth &amp; Clayton Cowles. This is going to be one of those books where I won&#8217;t know what to make of it until it ends. It&#8217;s building up a complicated mystery story which I&#8217;m not sure I&#8217;m following, and a lot is going to turn on whether it sticks the landing. In the meantime, it&#8217;s doing some quite effective things in terms of distancing us from Mystique and showing her through other people&#8217;s eyes, to play up the uncertainty about which characters might be her at any given time. Granted, there&#8217;s a bit of gratuitous shapechanging for the sake of visual flair too. But I can see that it&#8217;s making good use of Mystique as a source of confusion. What it isn&#8217;t really doing is drawing me into the story, because&#8230; well, because it&#8217;s confusing and I don&#8217;t really feel like I know what&#8217;s going on or what&#8217;s at stake. It&#8217;s a puzzle box book, and we&#8217;ll have to see it if it can pull off the solution.<\/p>\n<p><strong>DAZZLER #3.<\/strong> By Jason Loo, Rafael Loureiro, Java Tartaglia &amp; Ariana Maher. Dazzler&#8217;s tour dates are getting cancelled because of the chaos that keeps affecting her shows, and Lila Cheney takes her to Japan for an issue to have fun. That leads to a basically random fight with Arcade, who just happens to be in the area and has a stab at claiming the open contract on Dazzler. It&#8217;s really just a random fight issue, but it does that well enough. Loureiro does some fun go-kart chase scenes, which isn&#8217;t an easy thing to pull off. As with previous issues, the book&#8217;s main problem is that it&#8217;s terribly heavy-handed when it does deal directly with its core theme of Dazzler standing up to prejudice, and while that&#8217;s more marginal in this book, the lyrics of Dazzler&#8217;s songs probably would have been better left to the reader&#8217;s imagination.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>X-MEN: FROM THE ASHES INFINITY COMIC #25. By Tim Seeley, Eric Koda, KJ D\u00edaz &amp; Clayton Cowles. Apparently this is the final issue, though that really just means that they&#8217;re changing the name of the book. You can&#8217;t keep naming it after the relaunch forever, after all. It&#8217;s the end of the Thanksgiving arc with [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[27],"tags":[],"class_list":["post-10564","post","type-post","status-publish","format-standard","hentry","category-x-axis"],"_links":{"self":[{"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=\/wp\/v2\/posts\/10564","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=10564"}],"version-history":[{"count":1,"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=\/wp\/v2\/posts\/10564\/revisions"}],"predecessor-version":[{"id":10565,"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=\/wp\/v2\/posts\/10564\/revisions\/10565"}],"wp:attachment":[{"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=10564"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=10564"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=10564"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}