{"id":12200,"date":"2026-08-01T15:45:56","date_gmt":"2026-08-01T14:45:56","guid":{"rendered":"https:\/\/www.housetoastonish.com\/?p=12200"},"modified":"2026-08-01T15:45:56","modified_gmt":"2026-08-01T14:45:56","slug":"charts-31-july-2026","status":"publish","type":"post","link":"https:\/\/www.housetoastonish.com\/?p=12200","title":{"rendered":"Charts &#8211; 31 July 2026"},"content":{"rendered":"<p>Well, here we are.<\/p>\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=3triLkS0nq4\"><strong>1. Sam Fender &amp; Olivia Dean &#8211; &#8220;Rein Me In&#8221;<\/strong>\u00a0<\/a><\/p>\n<p>That&#8217;s 19 weeks, and that\u00a0<em>is<\/em> an all-time record, breaking last week&#8217;s tie with Frankie Laine&#8217;s &#8220;I Believe&#8221; from 1953. It should be noted that both of them did it with interrupted runs, and the record for the longest\u00a0<em>single<\/em> run at number 1 is still 16 weeks, held by Bryan Adams. I&#8217;ve written before about whether this is really comparable with earlier years, since in theory you should expect a streaming chart (which picks up\u00a0<em>continued<\/em> listening) to result in major hits sticking around for longer than a pure sales chart (which picks the point when people\u00a0<em>started\u00a0<\/em>listening).<\/p>\n<p>Nineteen weeks is exceptional even in the modern era. It&#8217;s tempting to say that it&#8217;s unlikely to be broken any time soon, even under current chart rules. But then again, &#8220;Last Christmas&#8221; has been racking up weeks at number 1 in five out of the last six years. It currently has a total of 12 weeks, and sustaining that performance for another three or four years might be a stretch even if the chart rules aren&#8217;t changed in some way in the interim &#8211; and the continued dominance of zombie records must surely be causing some industry concern.<\/p>\n<p><!--more--><\/p>\n<p>&#8220;Rein Me In&#8221; scrapes over the line to take its 19th week. Improbably, the challenger at number 2 is\u00a0<strong>&#8220;Dai Dai&#8221; by Shakira &amp; Burna Boy<\/strong>, somehow untroubled by the fact that the World Cup is over. But &#8220;Rein Me In&#8221; only beat it by the equivalent of 2,404 sales. That&#8217;s accounted for by a late surge of downloads caused by them asking fans to get them over the line. Consumption has fallen two weeks in a row, so it&#8217;s very possible that the track finally gets downweighted next week, which will put an end to its time at number 1. Then again, it&#8217;s also possible that publicity from setting the record will get some extra attention to the record &#8211; plenty of people still claim to be hearing it for the first time &#8211; and give it a one week boost that resets the clock.<\/p>\n<p><strong>16. Katseye &#8211; &#8220;Animal&#8221;<\/strong><\/p>\n<p><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/m7k9UMcHbr0\" width=\"400\" height=\"225\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>Not quite Katseye&#8217;s highest chart place to date &#8211; that&#8217;s &#8220;Pinky Up&#8221; &#8211; but this does mark something of a change of direction, since most of their hits up to this point have been meme-trolling hyperpop. (Which was working for them, to be fair.)\u00a0 This, however, is an Ed Sheeran song, and boy does it sound it. It&#8217;s the sort of track you can imagine getting rejected from an Ed Sheeran album for sounding too much like all the other Ed Sheeran songs. It is not exactly difficult to imagine what Ed Sheeran&#8217;s version of this would sound like. So offering it to a girl band seems like a reasonable move.<\/p>\n<p><strong>22. Charli XCX &#8211; &#8220;Camera&#8221;<\/strong><\/p>\n<p><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/eO3zsYsDnbI\" width=\"400\" height=\"225\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>This is the release week single from her album\u00a0<strong>&#8220;Music Fashion Film&#8221;<\/strong>, which enters the album chart as her fourth number 1 &#8211; the others being &#8220;Crash&#8221; (2022), &#8220;Brat&#8221; (2024) and the &#8220;Wuthering Heights&#8221; soundtrack (2026). The first week sales\/streams are lower than for &#8220;Brat&#8221;, but roughly on par with &#8220;Wuthering Heights&#8221;. The previous singles for this album haven&#8217;t done brilliantly, with only &#8220;Rock Music&#8221; making the top 40, and that got to number 36. Whether you think that&#8217;s a problem depends on whether you think this is actually trying to be a commercial project on par with &#8220;Brat&#8221;.<\/p>\n<p><strong>35. Robyn &#8211; &#8220;Dancing On My Own&#8221;\u00a0<\/strong><\/p>\n<p><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/CcNo07Xp8aQ\" width=\"400\" height=\"225\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>It&#8217;s on the soundtrack of Netflix&#8217;s\u00a0<em>Voicemails From Isabelle<\/em>. It&#8217;s a classic, obviously, and it reached number 8 on release in 2010. She&#8217;s only had one bigger UK hit single &#8211; her 2007 number 1 <a href=\"https:\/\/www.youtube.com\/watch?v=-ojHWQrm4UM\">&#8220;With Every Heartbeat&#8221;<\/a>, which is also great. Annoyingly, the highest-charting version of &#8220;Dancing On My Own&#8221; is <a href=\"https:\/\/www.youtube.com\/watch?v=q31tGyBJhRY\">the maudlin 2016 version by Calum Scott<\/a>, which got to number 2 on the back of an appearance on\u00a0<em>Britain&#8217;s Got Talent<\/em>.<\/p>\n<p><strong>40. Audrey Hobert &#8211; &#8220;Sue Me&#8221;<\/strong><\/p>\n<p><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/ZqgKKbg2Ja8\" width=\"400\" height=\"225\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><span style=\"display: inline-block; width: 0px; overflow: hidden; line-height: 0;\" data-mce-type=\"bookmark\" class=\"mce_SELRES_start\">\ufeff<\/span><\/iframe><\/p>\n<p>Debut hit. This has been out since last May, but it&#8217;s been climbing from the lower reaches since June. She&#8217;s probably best known as a co-writer for Gracie Abrams, apparently a childhood friend, though this is more synthpop. (She&#8217;s also Malcolm Todd&#8217;s sister &#8211; Todd is his middle name.) It&#8217;s actually quite good, and merits its delayed breakout.<\/p>\n<p>This week&#8217;s climbers:<\/p>\n<ul>\n<li><strong>&#8220;Choosin&#8217; Texas&#8221; by Ella Langley<\/strong> climbs 5-3. The incredibly slow-burn hit seems to be the main story of 2026 &#8211; this has been on the top 100 for 30 weeks now and is still reaching new peaks.<\/li>\n<li><strong>&#8220;Movin&#8217; To The Sun&#8221; by Hugel, Imael Angel &amp; Ultra Nat\u00e9\u00a0<\/strong>climbs 11-7, giving Ultra Nat\u00e9 her first top ten hit since 1998.<\/li>\n<li><strong>&#8220;Material Lover&#8221; by Sienna Spiro<\/strong> climbs 14-13. It&#8217;s spent the last five weeks hovering between numbers 14 and 15.<\/li>\n<li><strong>&#8220;Boston&#8221; by Stella Lefty<\/strong> climbs 15-14.<\/li>\n<li><strong>&#8220;Great Expectation&#8221; by Sienna Spiro<\/strong>, which is meant to be the current single, climbs 19-15 &#8211; which also means that it overtakes &#8220;Die On This Hill&#8221;.<\/li>\n<li><strong>&#8220;Bloodstream&#8221; by Alyssa Grace<\/strong> climbs 23-20.<\/li>\n<li><strong>&#8220;The One That Got Away&#8221; by Katy Perry<\/strong> climbs 25-24.<\/li>\n<li><strong>&#8220;Self Aware&#8221; by Temper City<\/strong> climbs 29-27. It&#8217;s been making glacially slow progress &#8211; it reached its previous peak of number 28 four weeks ago, and got to number 29 for the first time four weeks before that.<\/li>\n<li><strong>&#8220;Die With A Smile&#8221; by Lady Gaga &amp; Bruno Mars<\/strong>, which inexplicably re-entered at number 31 last week, climbs to 28.<\/li>\n<li><strong>&#8220;Orbiter&#8221; by Noah Kahan<\/strong> climbs 40-36.<\/li>\n<\/ul>\n<p>There are five entries this week (the four above, plus &#8220;Unwritten&#8221; by Natasha Bedingfield at number 39). The tracks leaving the chart are:<\/p>\n<ul>\n<li><strong>&#8220;American Girls&#8221; by Harry Styles<\/strong>, which had a week at number 1 in March but has taken this long to be hit by downweighting. He still has &#8220;Sign of the Times&#8221; at number 23.<\/li>\n<li><strong>&#8220;Lush Life&#8221; by Zara Larsson<\/strong>, which re-entered at 35 last week. She still has &#8220;Midnight Sun&#8221; at number 29.<\/li>\n<li><strong>&#8220;Hit The Wall&#8221; by Gracie Abrams<\/strong>, which re-entered at 32 last week on the back of the album release.<\/li>\n<li><strong>&#8220;My Body Isn&#8217;t Ready&#8221; by Sombr<\/strong>, which entered at 26 and only lasted four weeks &#8211; basically a flop by his standard. He still has &#8220;Homewrecker&#8221; at number 31.<\/li>\n<li><strong>&#8220;Normal&#8221; by BTS\u00a0<\/strong>had a single week at number 36.<\/li>\n<\/ul>\n<p>On the album chart:<\/p>\n<p><strong>1. Charli XCX &#8211; &#8220;Music Fashion Film&#8221;<\/strong><\/p>\n<p>We&#8217;ve covered that above.<\/p>\n<p><strong>4. Snow Patrol &#8211; &#8220;Eyes Open&#8221;<\/strong><\/p>\n<p><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/GemKqzILV4w\" width=\"400\" height=\"225\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>20th anniversary re-issue. It had three weeks at number 1 (many weeks apart) on release in 2006.<\/p>\n<p><strong>7. Shania Twain &#8211; &#8220;Little Miss Twain&#8221;<\/strong><\/p>\n<p><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/1GJVAZhpKIw\" width=\"400\" height=\"225\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><span style=\"display: inline-block; width: 0px; overflow: hidden; line-height: 0;\" data-mce-type=\"bookmark\" class=\"mce_SELRES_start\">\ufeff<\/span><\/iframe><\/p>\n<p>Her last album reached number 1 in 2023 &#8211; in fact, this is her lowest position for a studio album since 2000. The single&#8217;s a lot better than I was expecting, in a trad-country-rock sort of way.<\/p>\n<p><strong>8. The Strokes &#8211; &#8220;Reality Awaits&#8221;\u00a0<\/strong><\/p>\n<p><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/4u3iI1WuU0k\" width=\"400\" height=\"225\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><span style=\"display: inline-block; width: 0px; overflow: hidden; line-height: 0;\" data-mce-type=\"bookmark\" class=\"mce_SELRES_start\">\ufeff<\/span><\/iframe><\/p>\n<p>Oh god, they&#8217;ve discovered autotune vocals. It&#8217;s been six years since the last Strokes album, which reached number 3; they&#8217;ve still never missed the top 10 with a studio album, though.<\/p>\n<p><strong>14. Nines &#8211; &#8220;Lost Tapes&#8221;<\/strong><\/p>\n<p><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/r3NsEDodEkM\" width=\"400\" height=\"225\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>Collection of unreleased tracks, basically. Nines normally places in the top 5, but this is explicitly a completists release.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Well, here we are. 1. Sam Fender &amp; Olivia Dean &#8211; &#8220;Rein Me In&#8221;\u00a0 That&#8217;s 19 weeks, and that\u00a0is an all-time record, breaking last week&#8217;s tie with Frankie Laine&#8217;s &#8220;I Believe&#8221; from 1953. It should be noted that both of them did it with interrupted runs, and the record for the longest\u00a0single run at number [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"footnotes":""},"categories":[22],"tags":[],"class_list":["post-12200","post","type-post","status-publish","format-standard","hentry","category-music"],"_links":{"self":[{"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=\/wp\/v2\/posts\/12200","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=12200"}],"version-history":[{"count":1,"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=\/wp\/v2\/posts\/12200\/revisions"}],"predecessor-version":[{"id":12201,"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=\/wp\/v2\/posts\/12200\/revisions\/12201"}],"wp:attachment":[{"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=12200"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=12200"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=12200"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}