{"id":12379,"date":"2026-09-26T15:41:09","date_gmt":"2026-09-26T14:41:09","guid":{"rendered":"https:\/\/www.housetoastonish.com\/?p=12379"},"modified":"2026-09-26T15:41:09","modified_gmt":"2026-09-26T14:41:09","slug":"charts-25-september-2026","status":"publish","type":"post","link":"https:\/\/www.housetoastonish.com\/?p=12379","title":{"rendered":"Charts &#8211; 25 September 2026"},"content":{"rendered":"<p>We don&#8217;t have much going on in terms of new entries, but at least we&#8217;ve got some tracks making progress up the chart.<\/p>\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=B452TVVco2Q\"><strong>1. Sienna Spiro &#8211; &#8220;Great Expectation&#8221;<\/strong><\/a><\/p>\n<p>Three weeks, though needless to say, it would still be behind &#8220;Rein Me In&#8221; if they were on a level playing field. She also has &#8220;Die On This Hill&#8221; just outside the top 10 as it comes up for its first anniversary in a couple of weeks, and &#8220;Pure&#8221; is still making progress, climbing to 28 this week.<\/p>\n<p><strong>29. Cloonee &amp; Prospa featuring Tristan Henry &#8211; &#8220;Good Girl&#8221;<\/strong><\/p>\n<p><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/wdTq2Aa8b4U\" width=\"400\" height=\"225\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><span style=\"display: inline-block; width: 0px; overflow: hidden; line-height: 0;\" data-mce-type=\"bookmark\" class=\"mce_SELRES_start\">\ufeff<\/span><\/iframe><\/p>\n<p>The follow-up to &#8220;Free Your Mind&#8221;, finally reaching the top 40 after two months of climbing from the lower reaches. The previous single was credited to Prospa &amp; Cloonee, while this one is credited to Cloonee &amp; Prospa. We can only imagine the delicate negotiations involved.<\/p>\n<p><!--more--><\/p>\n<p>There are also re-entries this week for &#8220;Dancing On My Own&#8221; by Robyn at number 35, &#8220;Jamaican (Bam Bam)&#8221; by Hugel &amp; Solto at 37, and, god help us, &#8220;Mr Brightside&#8221; by the Killers at number 40.<\/p>\n<p>This week&#8217;s climbers:<\/p>\n<ul>\n<li><strong>&#8220;Boston&#8221; by Stella Lefty<\/strong> climbs to number 3 after a month at number 4.<\/li>\n<li><strong>&#8220;Nicole Kidman&#8221; by Ad\u00e9la<\/strong> climbs eleven places to number 4 to become her first top 10 hit, while\u00a0<strong>&#8220;Ain&#8217;t In LA&#8221;<\/strong> returns to its previous peak of number 12. She&#8217;s having quite the breakthrough.<\/li>\n<li><strong>&#8220;Babydoll&#8221; by Jamie Miller<\/strong> climbs sixteen places to number 8, another unusually steep climb.<\/li>\n<li><strong>&#8220;My Body Isn&#8217;t Ready&#8221; by Sombr<\/strong> climbs 16-10, finally becoming his fifth top 10 hit in its 13th week on chart.<\/li>\n<li><strong>&#8220;Orbiter&#8221; by Noah Kahan<\/strong> climbs 22-18, while\u00a0<strong>&#8220;Willing And Able&#8221;\u00a0<\/strong>climbs from 35 to 21.<\/li>\n<li><strong>&#8220;Sign of the Times&#8221; by Harry Styles<\/strong> &#8211; yes, it&#8217;s still around &#8211; climbs from 21-19, the highest position it&#8217;s yet reached in its current run. (It&#8217;s made it to number 20 three times before, though.)<\/li>\n<li><strong>&#8220;Pure&#8221; by Sienna Spiro<\/strong> climbs 39-28.<\/li>\n<\/ul>\n<p>The four tracks leaving the top 40 are:<\/p>\n<ul>\n<li><strong>&#8220;Oh Yeah&#8221; by Steve Lacy<\/strong>, which peaked at number 18 and lasted seven weeks.<\/li>\n<li><strong>&#8220;Islands in the Stream&#8221; by Dolly Parton &amp; Kenny Rogers<\/strong>, which reached number 9 three weeks ago.<\/li>\n<li><strong>&#8220;Marianne&#8221; by Fontaines DC<\/strong>, which had a month in the top 40, peaking at 19.<\/li>\n<li><strong>&#8220;Sue Me&#8221; by Audrey Hobert<\/strong>, which managed eight weeks in the top 40 (after taking forever to get there in the first place), and peaked at number 21.<\/li>\n<\/ul>\n<p>There&#8217;s a bit more going on on the album chart:<\/p>\n<p><strong>1. Beabadoobee &#8211; &#8220;Pylon&#8221;<\/strong><\/p>\n<p><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/vjr9Madg_sI\" width=\"400\" height=\"225\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><span style=\"display: inline-block; width: 0px; overflow: hidden; line-height: 0;\" data-mce-type=\"bookmark\" class=\"mce_SELRES_start\">\ufeff<\/span><\/iframe><\/p>\n<p>Her fourth album, her second number one. None of the four singles made the top 100, though.<\/p>\n<p><strong>6. Roger Taylor &#8211; &#8220;Violence Insane in a Beautiful World&#8221;<\/strong><\/p>\n<p><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/oQ-FF5jJWN0\" width=\"400\" height=\"225\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><span style=\"display: inline-block; width: 0px; overflow: hidden; line-height: 0;\" data-mce-type=\"bookmark\" class=\"mce_SELRES_start\">\ufeff<\/span><\/iframe><\/p>\n<p>The seventh solo album by the drummer from Queen. The highest placing was 2021&#8217;s &#8220;Outsider&#8221;, which got to number 3. None of the others made it above number 18. The track above, featuring the Ndlovu Youth Choir and entitled &#8220;Come On Summer (It&#8217;s Party Time)&#8221;, is, if nothing else, not what I&#8217;d have expected from a Roger Taylor album.<\/p>\n<p><strong>13. Miley Cyrus &#8211; &#8220;Bass Persuades&#8221;<\/strong><\/p>\n<p>The title track reached number 31 as a single. It&#8217;s her tenth album. The last three all made the top five, so this is low.<\/p>\n<p><strong>15. Beck &#8211; &#8220;Ride Lonesome&#8221;<\/strong><\/p>\n<p><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/VqQmgHcIHN0\" width=\"400\" height=\"225\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>It&#8217;s been six years since the last Beck album. That one underperformed badly, landing at number 33, so this is something of an improvement. He&#8217;s mellowing in his middle age.<\/p>\n<p><strong>17. David Bowie &#8211; &#8220;The Shel Talmy Recordings&#8221;<\/strong><\/p>\n<p><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/fKJN4qYcoUE\" width=\"400\" height=\"225\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><span style=\"display: inline-block; width: 0px; overflow: hidden; line-height: 0;\" data-mce-type=\"bookmark\" class=\"mce_SELRES_start\">\ufeff<\/span><\/iframe><\/p>\n<p>This is a bunch of very early recordings made with producer Shel Talmy in the mid sixties when Bowie was still going by &#8220;Davie Jones&#8221;, mostly unreleased demos.<\/p>\n<p><strong>19. Echo &amp; The Bunnymen &#8211; &#8220;Apples for Isaac&#8221;<\/strong><\/p>\n<p><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/gCDFLUBYxVg\" width=\"400\" height=\"225\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>That&#8217;s their highest position for a studio album since 1997, when they last made the top 10.<\/p>\n<p><strong>23. Cheap Thrills &#8211; &#8220;Keep Cheap&#8221;<\/strong><\/p>\n<p><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/WiG8xCAiZiM\" width=\"400\" height=\"225\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><span style=\"display: inline-block; width: 0px; overflow: hidden; line-height: 0;\" data-mce-type=\"bookmark\" class=\"mce_SELRES_start\">\ufeff<\/span><\/iframe><\/p>\n<p>Liverpool indie band. It&#8217;s their debut album<\/p>\n","protected":false},"excerpt":{"rendered":"<p>We don&#8217;t have much going on in terms of new entries, but at least we&#8217;ve got some tracks making progress up the chart. 1. Sienna Spiro &#8211; &#8220;Great Expectation&#8221; Three weeks, though needless to say, it would still be behind &#8220;Rein Me In&#8221; if they were on a level playing field. She also has &#8220;Die [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"footnotes":""},"categories":[22],"tags":[],"class_list":["post-12379","post","type-post","status-publish","format-standard","hentry","category-music"],"_links":{"self":[{"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=\/wp\/v2\/posts\/12379","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=12379"}],"version-history":[{"count":2,"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=\/wp\/v2\/posts\/12379\/revisions"}],"predecessor-version":[{"id":12381,"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=\/wp\/v2\/posts\/12379\/revisions\/12381"}],"wp:attachment":[{"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=12379"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=12379"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=12379"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}