{"id":1606,"date":"2012-10-15T21:25:43","date_gmt":"2012-10-15T20:25:43","guid":{"rendered":"http:\/\/www.housetoastonish.com\/?p=1606"},"modified":"2012-10-15T21:25:43","modified_gmt":"2012-10-15T20:25:43","slug":"charts-14-october-2012","status":"publish","type":"post","link":"https:\/\/www.housetoastonish.com\/?p=1606","title":{"rendered":"Charts &#8211; 14 October 2012"},"content":{"rendered":"<p>Looks like we&#8217;re back in a phase of new entries going straight to number one each week. \u00a0<a href=\"http:\/\/www.youtube.com\/watch?v=kOGBIbqXwYE\" target=\"_blank\">Rihanna&#8217;s &#8220;Diamonds&#8221;<\/a> turns out to have been a bit front-loaded, dropping to 4 in its second week out. \u00a0It&#8217;s a grower, though, so perhaps it&#8217;ll have a resurgence.<\/p>\n<p>Before we get to the chart proper &#8211; yes,<a href=\"http:\/\/www.youtube.com\/watch?v=rPFGWVKXxm0\" target=\"_blank\"> the Rolling Stones did release a new single last week<\/a>, and no, it&#8217;s not on the charts (even though it&#8217;s surprisingly decent for a Rolling Stones single made after 1980). \u00a0That&#8217;s because it&#8217;s being offered as an advance download for people pre-ordering their upcoming compilation album, and as such, it&#8217;s ineligible for the chart. \u00a0Judging from the iTunes chart, if it had been eligible, it would probably have been somewhere in the 30s.<\/p>\n<p>On with the chart.<\/p>\n<p><a href=\"http:\/\/www.youtube.com\/watch?v=YJVmu6yttiw\" target=\"_blank\"><strong>40. \u00a0Skrillex (feat. Sirah) &#8211; &#8220;Bangarang&#8221;<\/strong><\/a><\/p>\n<p>This has been hovering around the lower end of the chart for ages and never seems to entirely go away.<\/p>\n<p><a href=\"http:\/\/www.youtube.com\/watch?v=SeIJmciN8mo\" target=\"_blank\"><strong>37. \u00a0Nicki Minaj &#8211; &#8220;Starships&#8221;<\/strong><\/a><\/p>\n<p>This was covered by Carolynne Poole on the first\u00a0<em>X Factor<\/em> live show. Slightly surprising to see it in the chart, considering she came last. \u00a0<a href=\"http:\/\/www.youtube.com\/watch?v=QfqD9B4fhhE\" target=\"_blank\">Minaj&#8217;s current single &#8220;Va Va Voom&#8221;<\/a> is a non-mover at 20.<\/p>\n<p><strong>26. \u00a0Disclosure (feat. Sam Smith) &#8211; &#8220;Latch&#8221;<\/strong><\/p>\n<p><iframe loading=\"lazy\" src=\"http:\/\/www.youtube.com\/embed\/93ASUImTedo?rel=0\" frameborder=\"0\" width=\"400\" height=\"225\"><\/iframe><\/p>\n<p><!--more-->At last, an actual new entry. \u00a0Disclosure are a synthpop duo comprised of brothers Guy and Howard Lawrence, they come from Croydon, and this is their first hit. \u00a0Absolutely no idea who Sam Smith is, and the web&#8217;s surprisingly light on information about Disclosure themselves. \u00a0Good, though, isn&#8217;t it?<\/p>\n<p>It was at 39 in the midweeks, so it&#8217;s clearly gaining steam. \u00a0I wouldn&#8217;t be surprised to see this go a little bit higher next week.<\/p>\n<p><strong><a href=\"http:\/\/youtu.be\/HY19UekAORQ\" target=\"_blank\">23. \u00a0Taylor Swift &#8211; &#8220;I Knew You Were Trouble&#8221;<\/a><\/strong><\/p>\n<p>Another preview track for her upcoming album. \u00a0It&#8217;s an odd little record that continues Swift&#8217;s migration from country-pop towards the mainstream, with a production that lurches weirdly between the two &#8211; though on balance it kind of works. \u00a0The main single <a href=\"http:\/\/www.youtube.com\/watch?v=WA4iX5D9Z64&amp;feature=related\" target=\"_blank\">&#8220;We Are Never Ever Getting Back Together&#8221;<\/a> is down to 12 this week.<\/p>\n<p><strong>18. \u00a0Maroon 5 &#8211; &#8220;One More Night&#8221;<\/strong><\/p>\n<p><iframe loading=\"lazy\" src=\"http:\/\/www.youtube.com\/embed\/fwK7ggA3-bU?rel=0\" frameborder=\"0\" width=\"400\" height=\"225\"><\/iframe><\/p>\n<p>Because you demanded it &#8211; Maroon 5 do reggae. \u00a0Yeah.<\/p>\n<p>The track has been available on their album &#8220;Overexposed&#8221; for ages, but for some reason they&#8217;ve only just got around to promoting it as a single in this country. \u00a0The Americans had it as a single in June. \u00a0It&#8217;s climbing the iTunes chart, so expect to see it make the top ten sooner or later.<\/p>\n<p><strong>7. \u00a0Leona Lewis (featuring Childish Gambino) &#8211; &#8220;Trouble&#8221;<\/strong><\/p>\n<p><iframe loading=\"lazy\" src=\"http:\/\/www.youtube.com\/embed\/D5U6CaNlyEQ?rel=0\" frameborder=\"0\" width=\"400\" height=\"225\"><\/iframe><\/p>\n<p>Cometh the new season of <em>X Factor<\/em>, cometh the alumni with new albums to promote.<\/p>\n<p>This is the second single from her upcoming album &#8220;Glassheart&#8221;. \u00a0The first was <a href=\"http:\/\/www.youtube.com\/watch?v=E4a82LRNdlQ\" target=\"_blank\">&#8220;Collide&#8221;<\/a>, which made number 4 in 2011 &#8211; and if that&#8217;s ringing alarm bells, it should do. \u00a0This album has been pushed back a year, and you can&#8217;t help wondering how much faith the record company really has in it. \u00a0Lewis&#8217; first two albums both generated number one singles in &#8220;Bleeding Love&#8221; and &#8220;Run&#8221;, so if they&#8217;re hoping for similar success here, there&#8217;s going to be a lot of handwringing going on.<\/p>\n<p>Then again, you can make a case that Lewis is probably better placed among the ranks of the acts who sell perfectly well in album form and don&#8217;t really need hit singles. \u00a0See below some more examples of that&#8230;<\/p>\n<p>There are eight writers credited on this, though basically they&#8217;ve all spent a lot of time listening to Massive Attack. \u00a0Childish Gambino is the name used by\u00a0<em>Community<\/em>&#8216;s Donald Glover for his musical work, and it&#8217;s his first hit.<\/p>\n<p><strong>1. \u00a0Swedish House Mafia (featuring John Martin) &#8211; &#8220;Don&#8217;t You Worry Child&#8221;<\/strong><\/p>\n<p><iframe loading=\"lazy\" src=\"http:\/\/www.youtube.com\/embed\/1y6smkh6c-0?list=UUtHY_7BXK9Bn3Dp3cjBgCLA&amp;hl=en_US\" frameborder=\"0\" width=\"400\" height=\"225\"><\/iframe><\/p>\n<p>As the video suggests, this is the sixth and final single from Swedish House Mafia. \u00a0Well, they&#8217;re taking a hiatus, at any rate.<\/p>\n<p>The SHM brand has done well for all three members. \u00a0This is their biggest hit, but all but one of the previous singles made the top ten (the straggler was <a href=\"http:\/\/www.youtube.com\/watch?v=PDboaDrHGbA\" target=\"_blank\">&#8220;Greyhound&#8221;<\/a>, which made 13). \u00a0Compare their solo track records. \u00a0They&#8217;ve all released plenty of solo material. \u00a0Still, Axwell&#8217;s only major hit was <a href=\"http:\/\/www.youtube.com\/watch?v=sLPFU1KPTFs\" target=\"_blank\">&#8220;I Found U&#8221;<\/a>, which made the top 10 in 2007. \u00a0Steve Angelo had a single number 11 hit with a cover of <a href=\"http:\/\/www.youtube.com\/watch?v=el-1fJOFC70\" target=\"_blank\">&#8220;Show Me Love&#8221;<\/a> in 2009. \u00a0And Sebastian Ingrosso made number 19 earlier this year with <a href=\"http:\/\/www.youtube.com\/watch?v=9G1I16gJBvU\" target=\"_blank\">&#8220;Calling (Lose My Mind)&#8221;<\/a>. \u00a0They&#8217;re consistently having bigger hits as Swedish House Mafia.<\/p>\n<p>Oh, as for John Martin, he&#8217;s a Swedish singer. \u00a0He previously appeared, uncredited, on SHM&#8217;s number 10 hit &#8220;Save the World&#8221;.<\/p>\n<p>Judging from iTunes, this might manage a second week &#8211; it&#8217;s currently stuck behind the new Calvin Harris single, but he has a nasty habit of winding up at number 2.<\/p>\n<p>Meanwhile, over on the album chart, we have another set of new entries that illustrate how far apart these two charts can drift:-<\/p>\n<ul>\n<li>Climbing to number 1 is\u00a0<strong>&#8220;Babel&#8221; by Mumford &amp; Sons<\/strong>, which did produce a hit single, <a href=\"http:\/\/www.youtube.com\/watch?v=rGKfrgqWcv0\" target=\"_blank\">&#8220;I Will Wait&#8221;<\/a>.<\/li>\n<li>At 2,\u00a0<strong>&#8220;Halcyon&#8221; by Ellie Goulding<\/strong>. \u00a0The single <a href=\"http:\/\/www.youtube.com\/watch?v=5hzgS9s-tE8\" target=\"_blank\">&#8220;Anything Could Happen&#8221;<\/a> is still at 5.<\/li>\n<li>At 7,\u00a0<strong>&#8220;Long Wave&#8221; by Jeff Lynne<\/strong>. \u00a0A collection of covers by the ELO frontman. \u00a0No singles, though there&#8217;s a video for <a href=\"http:\/\/youtu.be\/wb8MvqLUy_0\" target=\"_blank\">&#8220;Mercy Mercy&#8221;<\/a>.<\/li>\n<li>At 8,\u00a0<strong>&#8220;Mr Blue Sky: The Very Best of ELO&#8221;<\/strong>, which is also a Jeff Lynne album, except this time he&#8217;s re-recording his own ELO material.<\/li>\n<li>At 9,\u00a0<strong>&#8220;Don&#8217;t Panic&#8221; by All Time Low<\/strong>, a pop-punk group who sold a few copies of their last album but have never got anywhere near the singles chart. \u00a0iTunes was pushing them pretty hard.<\/li>\n<li>At 14,\u00a0<strong>&#8220;Lonerism&#8221; by Tame Impala<\/strong>. \u00a0They&#8217;re a psychedelic rock group from Australia who&#8217;ve been reasonably successful down there, but have never previously made any impact in the UK.<\/li>\n<li>At 21,\u00a0<strong>&#8220;Monster&#8221; by KISS<\/strong>. \u00a0They&#8217;re not dead yet!<\/li>\n<li>At 24,\u00a0<strong>&#8220;The Origin of Love&#8221; by Mika<\/strong>. \u00a0This did actually have a proper lead single, <a href=\"http:\/\/youtu.be\/sIBXTHB0QDw\" target=\"_blank\">&#8220;Celebrate&#8221;<\/a>, which sank without trace. \u00a0That&#8217;s genuinely odd, since Mika has a decent track record of hit singles. \u00a0Still, the single sold acceptably in several other countries, so he&#8217;s not got much to worry about.<\/li>\n<li>And at 31,\u00a0<strong>&#8220;Release Me&#8221; by Barbra Streisand<\/strong>. \u00a0It&#8217;s a rarities compilation.<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Looks like we&#8217;re back in a phase of new entries going straight to number one each week. \u00a0Rihanna&#8217;s &#8220;Diamonds&#8221; turns out to have been a bit front-loaded, dropping to 4 in its second week out. \u00a0It&#8217;s a grower, though, so perhaps it&#8217;ll have a resurgence. Before we get to the chart proper &#8211; yes, the [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"footnotes":""},"categories":[22],"tags":[],"class_list":["post-1606","post","type-post","status-publish","format-standard","hentry","category-music"],"_links":{"self":[{"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=\/wp\/v2\/posts\/1606","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1606"}],"version-history":[{"count":3,"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=\/wp\/v2\/posts\/1606\/revisions"}],"predecessor-version":[{"id":1612,"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=\/wp\/v2\/posts\/1606\/revisions\/1612"}],"wp:attachment":[{"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1606"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1606"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1606"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}