{"id":2532,"date":"2014-05-22T23:46:31","date_gmt":"2014-05-22T22:46:31","guid":{"rendered":"http:\/\/www.housetoastonish.com\/?p=2532"},"modified":"2014-05-22T23:46:31","modified_gmt":"2014-05-22T22:46:31","slug":"charts-18-may-2014","status":"publish","type":"post","link":"https:\/\/www.housetoastonish.com\/?p=2532","title":{"rendered":"Charts &#8211; 18 May 2014"},"content":{"rendered":"<p>It&#8217;s Eurovision\u00a0time, as the spillover from last Saturday&#8217;s song contest feeds its way through to the chart. \u00a0If you&#8217;re wondering why none of the Eurovision songs were on\u00a0<em>last<\/em> week&#8217;s chart, well, most\u00a0of it is because there were only a few hours of sales\u00a0between the contest itself and the cut-of period for sales. \u00a0But\u00a0another factor is that iTunes apparently failed to report sales data for last Saturday due to a technical glitch. \u00a0The chart compilers&#8217; protocol when a retailer fails to report properly is to extrapolate from its sales\u00a0earlier in the week, but you can&#8217;t do that with records that only start selling on Saturday night, so\u2026\u00a0that&#8217;s a bunch of sales lost in the ether.<\/p>\n<p>Inevitably, the Eurovision songs were doing quite well in the midweeks, but pretty much nobody was still buying them by Wednesday, so their end of week performance is rather more muted. \u00a0Meanwhile, a couple of midweek releases shake things up a bit further&#8230;<\/p>\n<p><strong>40. \u00a0Sanna Nielsen &#8211; &#8220;Undo&#8221;<\/strong><\/p>\n<p><iframe loading=\"lazy\" src=\"\/\/www.youtube.com\/embed\/5PQJI-3LW-8?rel=0\" width=\"400\" height=\"225\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><!--more-->This is the\u00a0Swedish entry, which came third. \u00a0It&#8217;s big power balladry, which always goes down well in Eurovision. \u00a0It does have a good chorus (by real world power ballad standards, not just Eurovision&#8217;s). \u00a0They take Eurovision\u00a0<em>very<\/em> seriously in Sweden;\u00a0Nielsen\u00a0has\u00a0a career going back to 1996, even if her discography is remarkably heavy on Christmas albums &#8211; she&#8217;s made four. \u00a0But she&#8217;s still been\u00a0trying to\u00a0represent her country in Eurovision for years, having entered the national Melodifestivalen song selection tournament seven times. \u00a0<a href=\"http:\/\/youtu.be\/N_hmzLU1_cc\" target=\"_blank\">(If\u00a0you&#8217;d prefer the official video to the Eurovision performance, here it is.)<\/a><\/p>\n<p><strong>39. \u00a0Twista featuring Faith Evans &#8211; &#8220;Hope&#8221;<\/strong><\/p>\n<p><iframe loading=\"lazy\" src=\"\/\/www.youtube.com\/embed\/i0XOCs86om0?rel=0\" width=\"400\" height=\"300\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>Originally a number 25 hit in 2005, this\u00a0has re-entered\u00a0after being covered\u00a0in a\u00a0<em>Britain&#8217;s Got Talent<\/em> audition. \u00a0As the\u00a0film clips in the video make abundantly clear, this is from the soundtrack\u00a0<i>Coach Carter<\/i> (the one where Samuel L Jackson plays a high school basketball coach, but one who cares about\u00a0academic achievement).<\/p>\n<p><strong>37. \u00a0The Janoskians &#8211; &#8220;Real Girls Eat Cake&#8221;<\/strong><\/p>\n<p><iframe loading=\"lazy\" src=\"\/\/www.youtube.com\/embed\/dBjJ89A6p7Q?rel=0\" width=\"400\" height=\"225\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>The Janoskians are an Australian YouTube comedy group,\u00a0making a diversion into the\u00a0novelty record sphere. \u00a0They&#8217;re not comedy\u00a0<em>musicians<\/em>, and this isn&#8217;t particularly funny, but it&#8217;s not as\u00a0bad\u00a0as\u00a0I was fearing five seconds in. \u00a0It&#8217;s actually a pretty routine pop song with a bit of swearing thrown in for the kids.<\/p>\n<p><a href=\"http:\/\/youtu.be\/CEUg7OplvIQ\" target=\"_blank\"><strong>28. \u00a0Katy Perry &#8211; &#8220;Birthday&#8221;<\/strong><\/a><\/p>\n<p>Climbing 10. \u00a0It&#8217;s\u00a0still her lowest-charting single to date, but the midweeks suggest it&#8217;s at least going to manage the two place climb it would need\u00a0to beat\u00a02009&#8217;s forgettable\u00a0<a href=\"http:\/\/youtu.be\/GyYEMXHIVAU\" target=\"_blank\">&#8220;Thinking of You&#8221;<\/a>.<\/p>\n<p><a href=\"http:\/\/youtu.be\/SCnBZwm4wqQ\" target=\"_blank\"><strong>23. \u00a0Molly &#8211; &#8220;Children of the Universe&#8221;<\/strong><\/a><\/p>\n<p>The UK entry, climbing 10 places. \u00a0This\u00a0was generally expected to do quite well in Eurovision, and ended up underperforming badly. \u00a0Interestingly, a breakdown of the results reveals that that&#8217;s largely because it got hammered by the juries who make up 50% of the results; it actually performed quite strongly in the international\u00a0phone votes. \u00a0There were quite a few of these discrepancies, though it&#8217;s worth adding that\u00a0both the juries and the public\u00a0came up with the same winner. \u00a0Molly will be gone from the chart entirely next week.<\/p>\n<p><strong>20. \u00a0Ed Sheeran &#8211; &#8220;One&#8221;<\/strong><\/p>\n<p><iframe loading=\"lazy\" src=\"\/\/www.youtube.com\/embed\/Ix9NXVIbm2A?rel=0\" width=\"400\" height=\"225\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>Midweek release &#8211; it&#8217;s the instant gratification track from his upcoming album &#8220;X&#8221;. \u00a0This is going to climb when\u00a0it gets a full week of sales under its belt. \u00a0It&#8217;s an acoustic ballad, naturally; pretty much what we&#8217;ve come to expect from Sheeran. \u00a0It will climb on Sunday with the benefit of a full week&#8217;s sales.<\/p>\n<p><strong>19. \u00a05 Seconds of Summer &#8211; &#8220;Good Girls&#8221;<\/strong><\/p>\n<p>If this seems remarkably low down for\u00a0the\u00a0follow-up to April&#8217;s number 1 &#8220;She Looks So Perfect&#8221;, that&#8217;s because it&#8217;s not a single &#8211; it&#8217;s\u00a0the instant grat track from\u00a0their self-titled album. \u00a0It&#8217;s not\u00a0being promoted as a single in its own right, and it doesn&#8217;t seem to be officially on\u00a0YouTube. \u00a0Oh, and it\u00a0was a midweek release, too. \u00a0It doesn&#8217;t seem like the most attractive pre-order promotion in the world &#8211; buy now and get the album on 30 June, plus you don&#8217;t get &#8220;She Looks So Perfect&#8221; as part of the package. \u00a0&#8220;Good Girls&#8221; drops to 39 in the midweeks, which suggests it really was just charting on an initial surge of album pre-orders rather than\u00a0through any particular interest in the track itself.<\/p>\n<p><strong>17. \u00a0Conchita Wurst &#8211; &#8220;Rise Like a Phoenix&#8221;<\/strong><\/p>\n<p><iframe loading=\"lazy\" src=\"\/\/www.youtube.com\/embed\/QRUIava4WRM?rel=0\" width=\"400\" height=\"225\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>The Eurovision winner, from Austria, making a one-week visit to the chart. \u00a0If all that\u00a0you know about this is that\u00a0Conchita Wurst is a drag act with a beard, then you&#8217;re probably expecting a novelty song. \u00a0Unexpectedly, it&#8217;s nothing of the sort;\u00a0it&#8217;s a sort of lost Bond theme, and very well sung at that. \u00a0The lyrics are notionally a break-up song, but full of\u00a0the sort of overcome-and-reinvent material that\u00a0makes the subtext not all that sub-.<\/p>\n<p><a href=\"http:\/\/youtu.be\/ToqNa0rqUtY\" target=\"_blank\">There\u00a0<em>is<\/em> a video for this song<\/a>, but honestly the live version is better. \u00a0The staging here is perfect; this is how you use the video walls to support a performer rather than overpower them.<\/p>\n<p>Bearing in mind that\u00a0Eurovision\u00a0had a trans winner in Dana International as long ago as 1998, the fact that Conchita Wurst can win the thing shouldn&#8217;t really come as a huge surprise. \u00a0But Eurovision has extended east over the years to encompass a lot of countries that are significantly less gay friendly. \u00a0The Russians were particularly unhappy about this one &#8211; that, plus the minor fact that they appear to think gunboat diplomacy is back in fashion, no doubt contributed to the fact that any mention of Russia was heavily booed by the live crowd throughout the night. \u00a0(This was terribly unfair to the 17 year old girls actually representing Russia, who to the best of my knowledge have neither expressed any opinions about homosexuality, nor invaded any neighbouring countries.)<\/p>\n<p>It&#8217;s interesting, then, to see that this song did indeed pick up its top votes mostly from western countries. (Though not entirely. \u00a0It got 10 from Georgia, unexpectedly.) \u00a0The UK gave it\u00a0top marks,\u00a0though that was thanks to the\u00a0contribution of the aforementioned jury vote. \u00a0Left entirely to the UK phone vote, this would have done well, but we would actually have given twelve points to this, um, interesting Polish entry. \u00a0If you&#8217;ve ever wondered whether it&#8217;s possible to churn butter erotically while singing a playground chant, well, here&#8217;s some Polish girls giving it a\u00a0good old go. \u00a0Decide for yourself whether this is\u00a0an atrocity or an exercise in purist-baiting, or a bit of both.<\/p>\n<p><iframe loading=\"lazy\" src=\"\/\/www.youtube.com\/embed\/VJ920cN2HmA?rel=0\" width=\"400\" height=\"225\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>So that&#8217;s what Britain voted for. \u00a0But it&#8217;s nowhere to be seen in the chart. \u00a0In fact,\u00a0the song the British actually\u00a0<em>bought<\/em> is&#8230;<\/p>\n<p><strong>9. \u00a0The Common Linnets &#8211; &#8220;Calm After The Storm&#8221;<\/strong><\/p>\n<p><iframe loading=\"lazy\" src=\"\/\/www.youtube.com\/embed\/4ggBPAm5XLA?rel=0\" width=\"400\" height=\"225\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>Yes, it&#8217;s that well known commercial juggernaut, Dutch country and western!<\/p>\n<p>(The Danish presenter at the start of the clip is filling, by the way, because they&#8217;re desperately trying to clear away a\u00a0prop from the previous act that didn&#8217;t work right.)<\/p>\n<p>The\u00a0Common Linnets\u00a0were formed for Eurovision. \u00a0The actual members are the two singers, Ilse DeLange and a bloke who simply calls himself Waylon,\u00a0which is admittedly a better name for a country singer than Willem Bijkerk. \u00a0There&#8217;s an entire album of their stuff on\u00a0iTunes, so they know\u00a0to strike while the iron is hot. \u00a0It lands at 40 on the album chart this week.<\/p>\n<p>European audiences don&#8217;t pay much attention to country, and every so often they get taken by surprise by something like this, and buy it. \u00a0I actually like this a lot;\u00a0even if the whole idea of\u00a0non-American country is a bit odd, there\u00a0<em>is<\/em> something rather calming about it,\u00a0which stands out all the more in the shambolic chaos of Eurovision. \u00a0It was a number 1 hit in its home country, and understandably so. \u00a0Nonetheless, it&#8217;s going to\u00a0drop straight out the top 40\u00a0next week.<\/p>\n<p><strong>8. \u00a0Michael Jackson &#8211; &#8220;Love Never Felt So Good&#8221;<\/strong><\/p>\n<p><iframe loading=\"lazy\" src=\"\/\/www.youtube.com\/embed\/oG08ukJPtR8?rel=0\" width=\"400\" height=\"225\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>Having moved\u00a027-24-11, this is doing rather better than\u00a0first seemed to be in prospect. \u00a0Obviously the release of the parent album (entering at number 1) helps it a bit.\u00a0 It also has a video now, for the version with added Justin Timberlake. \u00a0(Which is the one selling in larger quantities.) \u00a0Quite what the point is of a posthumous Michael Jackson song with a verse of\u00a0Jackson vocals replaced by Justin Timberlake escapes me, but somebody wants it. \u00a0The midweeks suggest this is as far as it&#8217;s getting, though.<\/p>\n<p><strong>1. \u00a0Rita Ora &#8211; &#8220;I Will Never Let You Down&#8221;<\/strong><\/p>\n<p><iframe loading=\"lazy\" src=\"\/\/www.youtube.com\/embed\/50GQjUZ4P3M?rel=0\" width=\"400\" height=\"225\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>After starting her off as more of a dance singer,\u00a0Rita Ora&#8217;s label have shifted to\u00a0the strategy of acting like she&#8217;s a major mainstream star until everyone gives in and agrees with them. \u00a0It seems to be taking. \u00a0This is more of an 80s\u00a0FM pop song with a modern polish,<\/p>\n<p>In fact,\u00a0it&#8217;s written and produced by her boyfriend\u00a0Calvin Harris \u00a0&#8211; effectively returning him to number 1 only two weeks after his own track &#8220;Summer&#8221; was there. \u00a0He&#8217;s got the clout that you&#8217;d normally expect him to get a co-artist credit for this, but\u00a0that would steal the limelight &#8211; and he might understandably not want to do that.<\/p>\n<p>This is Ora&#8217;s fourth number 1, following &#8220;Hot Right Now&#8221;, &#8220;R.I.P.&#8221;, and &#8220;How We Do (Party)&#8221;. \u00a0It&#8217;s the thirteenth straight week that we&#8217;ve seen a change at number 1. \u00a0I believe I&#8217;m right in saying that this equals the previous record set in the\u00a0summer of 2000, a streak which was broken on that occasion when Modjo&#8217;s &#8220;Lady (Hear Me Tonight)&#8221; managed to cling on for a second week. \u00a0\u00a0Ora is at number 4 in the midweeks, so a new record looks to be in prospect.<\/p>\n<p>On the album chart:<\/p>\n<ul>\n<li><strong>&#8220;Xscape&#8221; by Michael Jackson<\/strong> at 1. \u00a0His second posthumous album, and his tenth number 1 (including compilations).<\/li>\n<li><strong>&#8220;Turn Blue&#8221; by the Black Keys<\/strong> at 2. \u00a0The indie duo&#8217;s fifth album, and the highest placed to date. \u00a0Single: <a href=\"http:\/\/youtu.be\/trk7P-9QDyc\" target=\"_blank\">&#8220;Fever&#8221;<\/a>.<\/li>\n<li><strong>&#8220;Glorious&#8221; by Foxes<\/strong> at 5. \u00a0Debut album. \u00a0The single &#8220;Holding Onto Heaven&#8221; drops to 24 this week.<\/li>\n<li><strong>&#8220;First Mind&#8221; by Nick Mulvey<\/strong> at 10. \u00a0Debut solo album from the member of Portico Quartet; the single &#8220;Cucurucu&#8221; unexpectedly made number 26 a couple of months back.<\/li>\n<li><strong>&#8220;Unrepentant Geraldines&#8221; by Tori Amos<\/strong> at 13. \u00a0That&#8217;s her highest position since &#8220;From the Choirgirl Hotel&#8221; made number 6 in 1998. \u00a0Single: <a href=\"http:\/\/youtu.be\/q7GsQ43H9qw\" target=\"_blank\">&#8220;Trouble&#8217;s Lament&#8221;<\/a>.<\/li>\n<li><strong>&#8220;Nabuma Rubberband&#8221; by Little Dragon<\/strong> at 14. \u00a0Swedish\u00a0synth pop. \u00a0Their second album, and a higher chart place. \u00a0Single: <a href=\"http:\/\/youtu.be\/EFEyHkW5MCs\" target=\"_blank\">&#8220;Paris&#8221;<\/a>.<\/li>\n<li><strong>&#8220;Blondie 4(0)-ever&#8221; by Blondie<\/strong> at 16. \u00a0This is a double album, consisting of one disc of a re-recordings of their\u00a0hits, and one new album called &#8220;Ghosts of Download&#8221;\u00a0in which Blondie try their hands at Latin dance music. \u00a0Because that&#8217;s what people who buy Blondie greatest hits albums want &#8211; reggaeton. \u00a0Single (which couldn&#8217;t sound less Blondie if tried): <a href=\"http:\/\/youtu.be\/Ut0jUP7Uwps\" target=\"_blank\">&#8220;Sugar on the Side&#8221;<\/a>.<\/li>\n<li><b>&#8220;To Be Kind&#8221; by Swans<\/b> at 38. \u00a0Veteran experimental\u00a0indie group notorious for playing live shows at (literally) painfully loud volumes. \u00a0Single: <a href=\"http:\/\/youtu.be\/1jSdTBGhDSg\" target=\"_blank\">&#8220;Oxygen&#8221;<\/a><\/li>\n<li><strong>&#8220;The Common Linnets&#8221; by The Common Linnets<\/strong> at 40.<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>It&#8217;s Eurovision\u00a0time, as the spillover from last Saturday&#8217;s song contest feeds its way through to the chart. \u00a0If you&#8217;re wondering why none of the Eurovision songs were on\u00a0last week&#8217;s chart, well, most\u00a0of it is because there were only a few hours of sales\u00a0between the contest itself and the cut-of period for sales. \u00a0But\u00a0another factor is [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-2532","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=\/wp\/v2\/posts\/2532","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2532"}],"version-history":[{"count":3,"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=\/wp\/v2\/posts\/2532\/revisions"}],"predecessor-version":[{"id":2544,"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=\/wp\/v2\/posts\/2532\/revisions\/2544"}],"wp:attachment":[{"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2532"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2532"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2532"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}