{"id":2634,"date":"2014-09-14T21:33:12","date_gmt":"2014-09-14T20:33:12","guid":{"rendered":"http:\/\/www.housetoastonish.com\/?p=2634"},"modified":"2014-09-14T21:33:12","modified_gmt":"2014-09-14T20:33:12","slug":"all-new-doop-the-real-battle-of-the-atom","status":"publish","type":"post","link":"https:\/\/www.housetoastonish.com\/?p=2634","title":{"rendered":"All-New Doop: &#8220;The Real Battle of the Atom&#8221;"},"content":{"rendered":"<p>It&#8217;s been over a week since\u00a0<em>All-New Doop<\/em> finished up,\u00a0so we&#8217;d better get it done before it\u00a0slips out of memory. \u00a0Another sequel of sorts to\u00a0Peter Milligan&#8217;s\u00a0<em>X-Force<\/em>\/<em>X-Statix<\/em> run,\u00a0this picks up on Doop in his current status as a minor supporting character for the X-Men.<\/p>\n<p>For those who might not remember,\u00a0<em>X-Statix<\/em> was\u00a0a series, way off on the fringes of the X-books franchise, about a bunch of mutants who had signed on to become &#8220;heroes&#8221; in a team that existed largely to promote its own celebrity status. \u00a0While they did fight\u00a0the odd villain,\u00a0they did so more\u00a0because their public imagine demanded it than anything else. \u00a0And floating around in the background was Doop, their\u00a0cameraman who spoke in gibberish.<\/p>\n<p><!--more-->Somewhat bizarrely, Doop has proved to be the sole\u00a0element of that book to migrate into the wider Marvel Universe (the rest of the cast having been killed off in the final issue). \u00a0He was folded into the X-Men&#8217;s extended cast\u00a0in Jason Aaron&#8217;s\u00a0<em>Wolverine and the X-Men<\/em>, serving\u00a0as a non-specific\u00a0school employee who generally contributed to the place&#8217;s air of complete nonsense.<\/p>\n<p>As a functionally non-speaking blob who does random stuff, Doop is not the obvious choice to carry a five-issue story &#8211; and indeed Milligan ends up giving him the ability to speak English at the end of issue #1, since otherwise it&#8217;d be a long few months poring over the substitution cypher. \u00a0\u00a0And there is indeed a plot\u00a0&#8211; kind of.<\/p>\n<p>The basic theme\u00a0here is that Doop is a character from the &#8220;margins&#8221; who influences the &#8220;real&#8221; story &#8211; the X-Men&#8217;s story, in other words &#8211; by hanging around on the edges. \u00a0So in order to give him a real story to influence, this story is literally written in the margins of the &#8220;Battle of the Atom&#8221; crossover,\u00a0and sees Doop attempting both to romance Kitty and to encourage her to stand up for the Silver Age team. \u00a0The story\u00a0wavers a bit about how serious he actually is about\u00a0forming a relationship with her;\u00a0but it&#8217;s pretty clear that his fundamental aim here is to steer Kitty where she needs to go for the story itself to work. \u00a0In other words,\u00a0<em>All-New Doop<\/em> is offering an explanation of why she dumps Iceman and turns on the rest of the team to take a fairly illogical stance of supporting the kids.<\/p>\n<p>But since the explanation revolves around Doop and the bizarre world of the margins that he lives in, it&#8217;s an explanation that\u00a0plainly doesn&#8217;t make enormous sense and wouldn&#8217;t have sat remotely sensibly in the\u00a0original story. \u00a0A cynical reading would be that this is the point &#8211; that Kitty&#8217;s actions in &#8220;Battle of the Atom&#8221; are woefully undermotivated, which leaves space to fill the gap with something as crazily arbitrary as this &#8211; but I rather assume that Milligan was aiming a bit higher than simply criticising the plotting of an X-Men crossover.<\/p>\n<p>Instead, his main theme here seems to be the idea that the &#8220;real&#8221; story, though superficially making sense, is actually the product of insane, half-formed, dream-like ideas that aren&#8217;t properly part of the story but still\u00a0act on it around the edges. \u00a0This, the story seems to be saying, is what lies just beyond the story proper &#8211; half-formed randomness that never quite coalesced into a narrative. \u00a0And of course, if the Marvel Universe is conceived as a story rather than an imaginary universe, this is indeed what lies just\u00a0off panel and backstage &#8211; the dumping ground of ideas that never quite made it and half-remembered offcuts.<\/p>\n<p>Which is quite an interesting idea, but\u00a0the book\u00a0seems to run into trouble when it comes to actually building a story around this. \u00a0Because\u00a0once you&#8217;ve defined Doop&#8217;s central trait as being that he isn&#8217;t part of the story proper, you&#8217;ve kind of got a problem in turning around and giving him a conventional plot.<\/p>\n<p><em>All-New Doop\u00a0<\/em>never really finds a convincing solution to\u00a0this problem. \u00a0Halfway through, it veers off into a\u00a0story thread where Raze threatens to expose some terrible secret about Doop&#8217;s mother, forcing him to go off on a voyage of discovery about his roots. \u00a0How Raze knows anything about Doop&#8217;s mother in the first place is never\u00a0explained, but more to the point, the story goes out of its way to\u00a0explain that Doop actually originated as a marginal doodle in an Ingmar Bergman script, thus expressly downplaying the genuineness of his &#8220;mother&#8221; from the off. \u00a0Mama Doop is a grotesque &#8220;bad mother&#8221; parody, and the big\u00a0family secret\u00a0revealed in the final issue is pretty much bizarrely random.<\/p>\n<p>What Milligan is doing here, I think, is trying to impose some shape on his miniseries without compromising the idea that Doop isn&#8217;t part of the real story, and doing that by writing a parody of a character arc that follows the basic beats\u00a0while being too\u00a0overwhelmingly weird for anyone to take seriously. \u00a0Doop&#8217;s story is not a proper story so much as the\u00a0marginal echo of one. \u00a0But while this may preserve the theme of Doop being a creature of the margins, the result\u00a0doesn&#8217;t particularly work as a story. \u00a0The practical upshot is that the second half of the mini loses touch with the concept of being written in the margins of &#8220;Battle of the Atom&#8221; and goes off on a rather unsatisfying tangent, something that feels\u00a0a bit too sprawling over the course of five issues.<\/p>\n<p>There are strings of fabulously random ideas in here, and David Lafuente is a perfectly chosen artist, able to\u00a0play the &#8220;real story&#8221; straight while embracing the cartoonishness of Doop and the randomness of the margins more generally. \u00a0But it&#8217;s less than the sum of its parts,\u00a0and &#8220;Battle of the Atom&#8221; wasn&#8217;t the best choice of story to use;\u00a0it&#8217;s a rather rambling and chaotic plot in the first place, and doesn&#8217;t provide a strong enough contrast for the margins.<\/p>\n<p>File under &#8220;interesting failure&#8221;, I think.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>It&#8217;s been over a week since\u00a0All-New Doop finished up,\u00a0so we&#8217;d better get it done before it\u00a0slips out of memory. \u00a0Another sequel of sorts to\u00a0Peter Milligan&#8217;s\u00a0X-Force\/X-Statix run,\u00a0this picks up on Doop in his current status as a minor supporting character for the X-Men. For those who might not remember,\u00a0X-Statix was\u00a0a series, way off on the fringes [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[1,27],"tags":[],"class_list":["post-2634","post","type-post","status-publish","format-standard","hentry","category-uncategorized","category-x-axis"],"_links":{"self":[{"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=\/wp\/v2\/posts\/2634","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2634"}],"version-history":[{"count":2,"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=\/wp\/v2\/posts\/2634\/revisions"}],"predecessor-version":[{"id":2728,"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=\/wp\/v2\/posts\/2634\/revisions\/2728"}],"wp:attachment":[{"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2634"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2634"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2634"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}