{"id":2677,"date":"2014-08-05T22:25:05","date_gmt":"2014-08-05T21:25:05","guid":{"rendered":"http:\/\/www.housetoastonish.com\/?p=2677"},"modified":"2014-08-05T22:25:05","modified_gmt":"2014-08-05T21:25:05","slug":"charts-3-august-2014","status":"publish","type":"post","link":"https:\/\/www.housetoastonish.com\/?p=2677","title":{"rendered":"Charts &#8211; 3 August 2014"},"content":{"rendered":"<p>This chart ends up rather quieter than\u00a0the midweeks seemed to promise. \u00a0Outside the top 40, it&#8217;s worth noting <a href=\"http:\/\/youtu.be\/hfoDQHr7HGI\" target=\"_blank\">&#8220;Home&#8221; by Leah McFall featuring will.i.am<\/a>, in which the overpunctuated producer\u00a0nobly attempts to help launch the career of one of the acts he mentored during the last season of\u00a0<em>The Voice<\/em> (and who he plainly thought should have won). \u00a0Remarkably,\u00a0Radio 1 hasn&#8217;t supported the record even though the BBC1 show could use all the help it can get. \u00a0But to be fair, whatever airplay it got on\u00a0independent radio hasn&#8217;t done it much good either. \u00a0Result: number 56. \u00a0That&#8217;s astonishing for a record which really isn&#8217;t bad, which was on a major label, and which was promoted by will.i.am. \u00a0It\u00a0tends to suggest that <em>The Voice UK<\/em> is now an outright toxic brand in terms of mainstream pop music.<\/p>\n<p><strong>37. \u00a0Vic Mensa &#8211; &#8220;Down on my Luck&#8221;<\/strong><\/p>\n<p><iframe loading=\"lazy\" src=\"\/\/www.youtube.com\/embed\/5jUGAVUwhRU?rel=0\" width=\"400\" height=\"225\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><!--more-->The first proper single release by a guy \u00a0from Chicago who used to be\u00a0in a group called Kids These Days, and who Wikipedia lists as being principally a rapper. \u00a0This is\u00a0closer to the sort of house\u00a0track that&#8217;s been doing well in the charts this year. \u00a0He&#8217;s had mix tapes out before, and\u00a0he&#8217;s also taken the route of releasing a bunch of\u00a0videos to YouTube before going for the broader market &#8211; <a href=\"http:\/\/youtu.be\/iuC1TF4ZISA\">here he is with Eliza Doolittle, of all people<\/a>, from last year. \u00a0It was at 22 in the midweeks, so we can be pretty confident it won&#8217;t be back.<\/p>\n<p><strong>15. \u00a0Bakermat &#8211; &#8220;One Day (Vandaag)&#8221;<\/strong><\/p>\n<p><iframe loading=\"lazy\" src=\"\/\/www.youtube.com\/embed\/6BV37Dcxj9s?rel=0\" width=\"400\" height=\"225\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>Obviously, when Martin Luther King made his &#8220;I Have a Dream&#8221; speech, his major oversight was the omission of a Eurodance backing track and a saxophone solo. \u00a0Dutch producer Bakermat has now rectified this injustice. \u00a0It got to number 1 in France, and\u00a0made the top five in Holland, Austria, Belgium and Germany\u2026 but still. \u00a0Leave aside the sample, and it&#8217;s along similar lines to Klingande&#8217;s &#8220;Jubel&#8221;, which\u00a0did it better and had the advantage of coming first.<\/p>\n<p>The original Dutch title &#8220;Vandaag&#8221;\u00a0means &#8220;Today&#8221;, not &#8220;One Day&#8221; &#8211; you have to wonder whether somebody at the UK label just took a guess.<\/p>\n<p><strong>10. \u00a0Melissa Steel featuring Popcaan &#8211; &#8220;Kisses for Breakfast&#8221;<\/strong><\/p>\n<p><iframe loading=\"lazy\" src=\"\/\/www.youtube.com\/embed\/NmqlYjFlmgk?rel=0\" width=\"400\" height=\"225\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>Melissa Steel\u00a0charted a\u00a0couple of weeks back as the guest singer on Kove&#8217;s &#8220;Way We Are&#8221;, which got to number 30. \u00a0Her own first single is completely unlike that, being a serviceable pop-reggae track. \u00a0It was number 5 in the midweek so it hasn&#8217;t exactly sustained its sales. \u00a0That&#8217;s Jamaica in the video; Steel herself, however, is from Bradford.<\/p>\n<p>Popcaan is a dancehall artist who&#8217;s been recording in Jamaica since 2007. \u00a0In 2010, he\u00a0appears\u00a0on <a href=\"http:\/\/youtu.be\/ORi4xwSwWlM\" target=\"_blank\">&#8220;Clarks&#8221; by Vybz Kartel<\/a>, which\u00a0Wikipedia boldly credits with\u00a0&#8220;caus[ing] a worldwide spike in sales of the British shoe&#8221;.<\/p>\n<p><strong>5. \u00a0Bars\u00a0&amp; Melody &#8211; &#8220;Hopeful&#8221;<\/strong><\/p>\n<p><iframe loading=\"lazy\" src=\"\/\/www.youtube.com\/embed\/wT3RhIJZu4k?rel=0\" width=\"400\" height=\"225\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>A pair of teenagers who came third in\u00a0<em>Britain&#8217;s Got Talent<\/em> this year. \u00a0This was their audition piece; it&#8217;s a cover\u00a0of <a href=\"http:\/\/youtu.be\/i0XOCs86om0\" target=\"_blank\">&#8220;Hope&#8221; by Twista\u00a0featuring Faith Evans<\/a>, re-written as an anti-bullying crusade. \u00a0&#8220;Hope&#8221; was originally a number 25 hit in 2005,\u00a0though it resurfaced at number 39\u00a0in the week of the kids&#8217;\u00a0\u00a0TV appearance. \u00a0Bars and Melody are from Bristol and Port Talbot and the official story has them\u00a0meeting online, though their rather odd decision to audition in Manchester and Simon Cowell&#8217;s instant glowing endorsement do\u00a0rather suggest that they might have been headhunted somewhere along the line.<\/p>\n<p>Regardless, they&#8217;re\u00a0actually perfectly competent, but in\u00a0an adorably &#8220;they&#8217;re imitating this\u00a0very well&#8221; sort of way.\u00a0\u00a0It&#8217;s not a subtle record, obviously, and the obligatory Cowell Key-Change does little to mitigate that. \u00a0It was 2 in the midweeks, winds up at 5 on the Sunday, and looks set to make a swift exit from the chart; so if\u00a0Simon really wants to get a decent career out of these guys, he may need to look carefully at the second single. \u00a0Of course, this\u00a0being Simon Cowell, it&#8217;s entirely possible that their record contract has already served its purpose.<\/p>\n<p><strong>3. \u00a0Zhu &#8211; &#8220;Faded&#8221;<\/strong><\/p>\n<p><iframe loading=\"lazy\" src=\"\/\/www.youtube.com\/embed\/zk3r-K8TQ5g?rel=0\" width=\"400\" height=\"225\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>Number 3 is really not bad at all for a record <a href=\"http:\/\/freshnewtracks.com\/tag\/stephen-zhu\/\" target=\"_blank\">you can hear for free on Soundcloud<\/a>. \u00a0Zhu is officially\u00a0an\u00a0anonymous deep house producer, though the conventional wisdom is that he&#8217;s hitherto obscure\u00a0remixer\u00a0Stephen Zhu &#8211; <a href=\"http:\/\/doandroidsdance.com\/news\/zhu-anonymous-producer-moves-like-ms-jackson\/\" target=\"_blank\">Do Androids Dance<\/a>\u00a0gives some pretty compelling reasons why. \u00a0Obviously,\u00a0anyone really concerned about anonymity would be unlikely to choose their own surname; this looks to be more a case of creating an air of\u00a0mystery to\u00a0get attention, and a very successful one. \u00a0It&#8217;s anti-promotion, a risky strategy but a great one when it pays off. \u00a0As for the record,\u00a0it&#8217;s good &#8211; the schtick wouldn&#8217;t have worked otherwise.<\/p>\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=PIh2xe4jnpk\" target=\"_blank\"><strong>1. \u00a0Magic! &#8211; &#8220;Rude&#8221;<\/strong><\/a><\/p>\n<p>Yes, a climber to number 1 &#8211; the first time we&#8217;ve had that in quite a while.<\/p>\n<p>Oh, alright &#8211; let&#8217;s go back and work it out. \u00a0Well, it&#8217;s the\u00a0first record to climb to number 1 since &#8220;Waves&#8221; by\u00a0Mr Probz returned to the top in May, but that record entered at number 1 to start with. \u00a0For a record that actually climbed to number 1 in the full sense, you&#8217;re going back to &#8220;Happy&#8221; at the start of the year.<\/p>\n<p>It won&#8217;t manage a second week,\u00a0judging from\u00a0iTunes.<\/p>\n<p>On the album chart:<\/p>\n<ul>\n<li><strong>&#8220;X&#8221; by Ed Sheeran<\/strong>\u00a0is number 1 for a sixth week.<\/li>\n<li><strong>&#8220;The Breeze\u00a0(An Appreciation of JJ Cale)&#8221; by Eric Clapton &amp; Friends<\/strong> at 3. \u00a0The subtitle pretty much explains it. \u00a0The &#8220;friends&#8221; are the likes of Tom Petty, Mark Knopfler and Willie Nelson. \u00a0Video: <a href=\"http:\/\/youtu.be\/zsqF3p8ORDE\" target=\"_blank\">&#8220;Call\u00a0Me The Breeze&#8221;<\/a> (a cover of <a href=\"http:\/\/youtu.be\/TlppIdtLw5A\" target=\"_blank\">Cale&#8217;s 1972\u00a0song<\/a>,\u00a0unusual at the time for being a blues track using a drum machine).<\/li>\n<li><strong>&#8220;Hypnotic Eye&#8221;by Tom Petty &amp; The Heartbreakers<\/strong> at 7. \u00a0That&#8217;s unusually high &#8211; Tom Petty and the Heartbreakers haven&#8217;t made the top 10 since 1991, and their last album got to 38. \u00a0But, as I&#8217;ve said many times before, the slow death of the albums market\u00a0has less effect on bands with this audience demographic. \u00a0There are no official videos for this, <a href=\"http:\/\/youtu.be\/OxrAZMiNsuQ\" target=\"_blank\">so\u00a0here&#8217;s a performance of &#8220;U Got Me High&#8221; on\u00a0Jimmy Kimmel Live<\/a>.<\/li>\n<li><strong>&#8220;Welcome to the Jungle&#8221; by Neon Jungle<\/strong> at 8. \u00a0Given that they&#8217;re plainly not primarily an albums act, that&#8217;s not bad.<\/li>\n<li><strong>&#8220;Sorry I&#8217;m Late&#8221; by Cher Lloyd<\/strong> at 21. \u00a0With the single <a href=\"http:\/\/youtu.be\/iyqFA0JGc-o\" target=\"_blank\">&#8220;Sirens&#8221;<\/a>\u00a0having missed the top 40, this is looking like a bit of a disaster.<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>This chart ends up rather quieter than\u00a0the midweeks seemed to promise. \u00a0Outside the top 40, it&#8217;s worth noting &#8220;Home&#8221; by Leah McFall featuring will.i.am, in which the overpunctuated producer\u00a0nobly attempts to help launch the career of one of the acts he mentored during the last season of\u00a0The Voice (and who he plainly thought should have [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"footnotes":""},"categories":[22],"tags":[],"class_list":["post-2677","post","type-post","status-publish","format-standard","hentry","category-music"],"_links":{"self":[{"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=\/wp\/v2\/posts\/2677","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2677"}],"version-history":[{"count":3,"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=\/wp\/v2\/posts\/2677\/revisions"}],"predecessor-version":[{"id":2684,"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=\/wp\/v2\/posts\/2677\/revisions\/2684"}],"wp:attachment":[{"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2677"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2677"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2677"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}