{"id":289,"date":"2010-04-16T11:01:07","date_gmt":"2010-04-16T10:01:07","guid":{"rendered":"http:\/\/www.housetoastonish.com\/?p=289"},"modified":"2010-04-16T11:01:07","modified_gmt":"2010-04-16T10:01:07","slug":"kick-ass","status":"publish","type":"post","link":"https:\/\/www.housetoastonish.com\/?p=289","title":{"rendered":"Kick-Ass"},"content":{"rendered":"<p>The <em>Kick-Ass<\/em> movie opens in America tonight.\u00a0 It&#8217;s been out in Britain for a couple of weeks, and I went to see it yesterday.\u00a0 Largely, to be honest, because it&#8217;s the sort of film I&#8217;m obliged to have an opinion about, so it might as well be an informed one.<\/p>\n<p>And do you know what?\u00a0 It&#8217;s good.\u00a0 It&#8217;s really good.<\/p>\n<p>As you must surely know by now, the basic idea goes like this.\u00a0 Teenage boy decides to become a superhero, despite completely lacking any qualifications for the job other than good intentions and a willingness to wear stupid clothes in public.\u00a0 More by luck than talent, he ends up crossing paths with actual bad guys and proper vigilantes.\u00a0 Beyond that&#8230; well, they&#8217;ve changed the plot somewhat from the comic, though they&#8217;ve stuck to the same basic story.\u00a0 But I won&#8217;t go into the spoilers.<\/p>\n<p>What&#8217;s interesting, if you compare the synopses of the comic and the film, is that the film has actually reined in Millar&#8217;s more egregious tendencies.\u00a0 This probably doesn&#8217;t come across from reading the reviews.\u00a0 But the film has dialled back the levels of cynical nihilism from &#8220;prohibitively toxic&#8221; to merely &#8220;black comedy.&#8221;\u00a0 So the film, for example, is much more willing to embrace Big Daddy and Hit-Girl as real, proper superheroes inexplicably bleeding into Kick-Ass&#8217;s otherwise more-or-less real world.\u00a0 It resists the temptation to undercut them.\u00a0 It just goes with the idea that an eleven-year-old ninja is inherently cool.\u00a0 And <em>because<\/em> they&#8217;ve somehow migrated into Kick-Ass&#8217;s world from a different film, their total lack of realism ceases to be a problem.<\/p>\n<p>Once you get rid of those bits in Mark Millar&#8217;s writing that make you roll your eyes and go &#8220;Oh, Mark&#8230;&#8221;, and once you impose a bit more structure on what remains, you end up with a really entertaining film.\u00a0 (By the way, the film does manage to include John Romita Jr&#8217;s art as the basis for Big Daddy&#8217;s animated origin sequence.)<\/p>\n<p>And yes, Chloe Moretz and Nicolas Cage are excellent as Hit-Girl and Big Daddy.\u00a0 They&#8217;re the best thing in the film.<\/p>\n<p>Now, you can argue that the film doesn&#8217;t work as a satire because it&#8217;s still trying to have it both ways &#8211; being a superhero is manifestly unworkable and incredibly cool at the same time.\u00a0 The result is moral bankruptcy, albeit ironic.\u00a0 There&#8217;s a lot of truth to that criticism.\u00a0 Frankly, the film is entertaining enough that it doesn&#8217;t matter whether it has a coherent worldview to offer.\u00a0 But I think it works <em>because<\/em> we&#8217;re never asked to accept the two genuine vigilantes as remotely realistic.\u00a0 They&#8217;re don&#8217;t belong in the real world (which isn&#8217;t <em>really <\/em>the real world, of course, but which otherwise plays by the rules of black comedy rather than John Woo movies) and the story warps to accommodate them.\u00a0 It&#8217;s funny because it&#8217;s a collision of elements that don&#8217;t belong in the same film. \u00a0Is this making a point?\u00a0 Probably not, but it&#8217;s an enjoyable thing to watch.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Kick-Ass movie opens in America tonight.\u00a0 It&#8217;s been out in Britain for a couple of weeks, and I went to see it yesterday.\u00a0 Largely, to be honest, because it&#8217;s the sort of film I&#8217;m obliged to have an opinion about, so it might as well be an informed one. And do you know what?\u00a0 [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-289","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=\/wp\/v2\/posts\/289","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=289"}],"version-history":[{"count":1,"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=\/wp\/v2\/posts\/289\/revisions"}],"predecessor-version":[{"id":290,"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=\/wp\/v2\/posts\/289\/revisions\/290"}],"wp:attachment":[{"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=289"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=289"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=289"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}