{"id":3350,"date":"2016-01-29T23:21:37","date_gmt":"2016-01-29T23:21:37","guid":{"rendered":"http:\/\/www.housetoastonish.com\/?p=3350"},"modified":"2016-01-29T23:21:37","modified_gmt":"2016-01-29T23:21:37","slug":"charts-january-2016","status":"publish","type":"post","link":"https:\/\/www.housetoastonish.com\/?p=3350","title":{"rendered":"Charts &#8211; January 2016"},"content":{"rendered":"<p>Well, what an interesting month. \u00a0I think this year we&#8217;ll\u00a0loosen up the format and go a bit more freeform, yes? \u00a0Alright.<\/p>\n<p>So. \u00a0We left off with the\u00a0Christmas chart, and with the Lewisham &amp; Greenwich NHS Choir\u00a0at number 1 with <a href=\"https:\/\/youtu.be\/T8qHXlShfUQ\" target=\"_blank\">&#8220;A Bridge Over You&#8221;<\/a>. \u00a0Normal service was swiftly resumed as\u00a0<strong><a href=\"https:\/\/youtu.be\/oyEuk8j8imI\" target=\"_blank\">&#8220;Love Yourself&#8221; by Justin Bieber<\/a><\/strong>, which had already been\u00a0number one for three weeks, returned to the top for a further three. \u00a0Admittedly, that&#8217;s during the\u00a0normal early-January dead season for new releases. \u00a0But since Bieber\u00a0also had the immediately preceding number one (&#8220;Sorry&#8221;), the NHS\u00a0Choir wind up as the sole week of respite in nine weeks of Justin Bieber.<\/p>\n<p><!--more-->Less predictably,\u00a0the NHS Choir single dropped like a stone after its week at number one, even by the standards of campaign singles. \u00a0The next week it was at\u00a0number 29, and the week after, it was outside the top 100. \u00a0Which kind of puts a damper on the claim that the single represented an outpouring of public love for the NHS, since by that logic,\u00a0the public apparently loves Justin Bieber nine times more. \u00a0Which doesn&#8217;t sound right.<\/p>\n<p>At any rate, the\u00a0Bieber blockade finally broke last week,\u00a0and the first new number one of 2016\u00a0(at two weeks and counting) is\u00a0<strong>&#8220;Stitches&#8221; by Shawn Mendes<\/strong>,\u00a0completing a painfully slow climb from the lower reaches &#8211; it\u00a0first showed up in the top 75 back in October.<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/VbfpW0pbvaU?rel=0\" width=\"400\" height=\"225\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>Shawn Mendes is a Canadian teenager who was apparently the third-most-followed musician on Vine in 2014. \u00a0Because apparently some people use a six-second video site for music. \u00a0I know, I don&#8217;t get it either. \u00a0Anyway, this is pretty middling. \u00a0&#8220;Now that I&#8217;m without\u00a0your kisses \/ I&#8217;ll be needing stitches&#8221; isn&#8217;t much of a metaphor to hang a song on, but\u00a0the chorus builds nicely enough, I guess. \u00a0It&#8217;s all fairly bland.<\/p>\n<p>You probably didn&#8217;t come here to read about Shawn Mendes, though. \u00a0We can skip over the 1 January 2016 chart, which was the usual post-Christmas\u00a0affair with\u00a0the Christmas records dropping out and the &#8220;best of 2015&#8221; stuff taking its place, and move\u00a0straight to the 8th, which\u00a0is the week after Lemmy died. \u00a0And\u00a0as you&#8217;d expect,\u00a0there at number 13 is\u00a0<strong>&#8220;Ace of Spades&#8221; by Mot\u00f6rhead<\/strong>.<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/pWB5JZRGl0U?rel=0\" width=\"400\" height=\"300\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>For all Lemmy&#8217;s iconic status, and a\u00a0career stretching over decades, &#8220;Ace of Spades&#8221; seems to have become universally accepted as The Mot\u00f6rhead Song. \u00a0Which song will we buy when Lemmy dies? \u00a0Well, &#8220;Ace of Spades&#8221;. \u00a0Obviously. \u00a0It&#8217;s the archetypal one. \u00a0It&#8217;s the one that sums him up. \u00a0Come to think of it, it&#8217;s decidedly possible that the second most-played Mot\u00f6rhead song these days may genuinely be <a href=\"https:\/\/youtu.be\/3j9XTpYTx9U\" target=\"_blank\">Triple H&#8217;s entrance music<\/a>.<\/p>\n<p>Yet\u00a0&#8220;Ace of Spades&#8221; wasn&#8217;t their biggest hit. \u00a0This was.<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/sYFwN-l46r8?rel=0\" width=\"400\" height=\"300\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>That&#8217;s the lead track of the &#8220;St Valentine&#8217;s Day Massacre&#8221; EP, which got to number 5 in 1980. \u00a0They had two other top ten hits in 1980-81. \u00a0&#8220;Ace of Spades&#8221;, in contrast, only got to number 15. \u00a0But posterity rightly judges it a classic, perhaps at the expense of\u00a0overlooking everything else.<\/p>\n<p>The rest of that chart, we can pass over fairly quickly in the circumstances. \u00a0<strong><a href=\"https:\/\/youtu.be\/AO7Suyq3xJA\" target=\"_blank\">&#8220;Light It Up&#8221; by Major Lazer featuring Nyla<\/a><\/strong> entered at 21 and\u00a0is now at\u00a09;\u00a0<strong><a href=\"https:\/\/youtu.be\/I3mrYxPLSH4\" target=\"_blank\">&#8220;All My Friends&#8221; by\u00a0Snakehips featuring Tinashe and Chance<\/a>\u00a0<\/strong>entered at 27 and is now at\u00a05;\u00a0<strong><a href=\"https:\/\/youtu.be\/qqjVwAg5fK4\" target=\"_blank\">&#8220;Bang My Head&#8221; by David Guetta featuring Sia<\/a><\/strong> debuted at 30 and went on to peak at 18;\u00a0and\u00a0<strong><a href=\"https:\/\/youtu.be\/9NXtO3tm2aQ\" target=\"_blank\">&#8220;When the Bassline Drops&#8221; by Craig David &amp; Big Narstie<\/a><\/strong>\u00a0entered at 36 and peaked at 12. \u00a0No, that&#8217;s\u00a0not a legal credit for a sample, it&#8217;s actually a new Craig David single\u00a0after a six-year hiatus.\u00a0\u00a0Watch the video if you want to feel old. \u00a0But hey, his number one hit &#8220;7 Days&#8221; was\u00a0over fifteen years ago now.<\/p>\n<p>The 15th January chart is another matter again, because\u00a0it&#8217;s the <strong>David Bowie<\/strong> chart, which followed on a week of online\u00a0outpourings of grief in which people variously\u00a0paid tribute to\u00a0his\u00a0artistic influence, range and quality over\u00a0a nearly unrivalled stretch of decades, reminisced about\u00a0the impact of his music on their lives, or (if they worked in the\u00a0media) recounted tedious anecdotes about how he once came to the studio for an interview and\u00a0had a cup of tea and a biscuit.<\/p>\n<p>Unlike most artists of his age, not only was Bowie making music to the end, it was still selling and it was still getting great reviews. \u00a0His previous album &#8220;The Next Day&#8221;\u00a0was a number 1 in 2013; the one before that got to number 3. \u00a0All that said, it&#8217;s the height of his mainstream fame in the 70s and 80s that really cements him as\u00a0a cultural icon,\u00a0so it&#8217;s hardly surprising that \u00a0it&#8217;s the big hits from that period that swarm the chart. \u00a0As with Michael Jackson (and unlike Lemmy), there&#8217;s no\u00a0clear consensus on which one to go for, which means the vote is split multiple ways and nothing gets above 12.<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/Tgcc5V9Hu3g?rel=0\" width=\"400\" height=\"300\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>The highest position goes to\u00a0<strong>&#8220;Heroes&#8221;<\/strong>, perhaps\u00a0because it combines\u00a0classic status with\u00a0a much-needed note of optimism. \u00a0It&#8217;s\u00a0another song that&#8217;s been elevated by posterity; on its original release in 1977, it peaked at number 24. \u00a0Behind it comes\u00a0<strong><a href=\"https:\/\/youtu.be\/v--IqqusnNQ\" target=\"_blank\">&#8220;Life on Mars&#8221;<\/a><\/strong>\u00a0at 16 (originally number 3 in 1973);\u00a0<strong><a href=\"https:\/\/youtu.be\/v342TST9tFw\" target=\"_blank\">&#8220;Starman&#8221;<\/a><\/strong>\u00a0at 18 (originally number 10 in 1972);\u00a0<strong><a href=\"https:\/\/youtu.be\/N4d7Wp9kKjA\" target=\"_blank\">&#8220;Let&#8217;s Dance&#8221;<\/a><\/strong> at 23 (three weeks at number 1 in 1983);\u00a0<strong><a href=\"https:\/\/youtu.be\/cYMCLz5PQVw\" target=\"_blank\">&#8220;Space Oddity&#8221;<\/a><\/strong> at 24 (two weeks at number 1 in 1975). \u00a0It&#8217;s a veritable\u00a0parade of\u00a0decades-old singles that sound\u00a0timeless.<\/p>\n<p>Despite its unnerving relevance,\u00a0current single &#8220;Lazarus&#8221; winds up just missing the top 40, at number 45. \u00a0I suspect that if you were in the market for something quite that close to home, you probably bought the parent album &#8220;Blackstar&#8221;, now\u00a0in its third week at number one.<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/y-JqH1M4Ya8?rel=0\" width=\"400\" height=\"225\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>Of course, some other records were also released that week. \u00a0And most of them got shouldered aside by Bowie. \u00a0<strong>&#8220;Secret Love Song&#8221; by Little\u00a0Mix <\/strong>(which doesn&#8217;t have a video yet)\u00a0entered at 34 and is now at 12;\u00a0<strong><a href=\"https:\/\/youtu.be\/WUG2guLUtuo\" target=\"_blank\">&#8220;Stay&#8221; by Kygo featuring Maty Noyes<\/a><\/strong> entered at 40 and is now up to 20.<\/p>\n<p>Moving on, the 22nd January chart is nice and quiet, aside from the change at number 1. \u00a0The highest new entry is\u00a0<strong><a href=\"https:\/\/youtu.be\/Z-Q4Yi_szJs\" target=\"_blank\">&#8220;The Sound&#8221; by the 1975<\/a>\u00a0<\/strong>at number 15; they&#8217;re an increasingly rare example of an indie band who still do well with\u00a0singles, at least in the first week. \u00a0And a handful of other new entries showed up right at the bottom &#8211;\u00a0<strong><a href=\"https:\/\/youtu.be\/jTTNWpag6fI\" target=\"_blank\">&#8220;Army&#8221; by Ellie Goulding<\/a><\/strong> at 35 (climbing to 30 today),\u00a0<strong><a href=\"https:\/\/youtu.be\/1u-niluB8HI\" target=\"_blank\">&#8220;Renegades&#8221; by X Ambassadors<\/a><\/strong> at 38 (and straight out again), and\u00a0<strong><a href=\"https:\/\/youtu.be\/tD4HCZe-tew\" target=\"_blank\">&#8220;Lush Life&#8221; by Zara Larsson<\/a><\/strong> at 40 (up to 23 today), which is a Swedish number 1 being re-issued on the back of her appearance on MNEK&#8217;s &#8220;Never Forget You&#8221;.<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/5yXQJBU8A28?rel=0\" width=\"400\" height=\"225\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>With that, we come to today&#8217;s chart, in which the highest new entry is this thing &#8211;\u00a0<strong>&#8220;Fast Car&#8221; by Jonas Blue featuring Dakota<\/strong> at number 3. \u00a0You might not think the\u00a0world was crying out for a tropical house\u00a0version of Tracy Chapman&#8217;s &#8220;Fast Car&#8221;,\u00a0but apparently it was, since this\u00a0has been a hit in\u00a0Sweden and the Netherlands, while\u00a0in Australia they opted for <a href=\"https:\/\/youtu.be\/sRE0vodZyNc\" target=\"_blank\">a not entirely dissimilar version credited to Tobtok &amp; River.<\/a><\/p>\n<p>Further down,\u00a0number 11 is\u00a0<strong>&#8220;Work&#8221; by Rihanna featuring Drake<\/strong>, which was a midweek release and only has one day&#8217;s sales. \u00a0So that&#8217;s going to climb. \u00a0It&#8217;s\u00a0currently a Tidal\/Apple Music exclusive (format wars seem to be a looming issue\u00a0in the streaming era), but you can actually stream it for free on <a href=\"http:\/\/tidal.com\/ca\" target=\"_blank\">Tidal&#8217;s front page<\/a> if you want. \u00a0Number 15 is\u00a0<strong>&#8220;Ex&#8217;s &amp; Oh&#8217;s&#8221; by Elle King<\/strong>, which was a top 10 hit in the US last year, and has presumably been judged to have enough crossover potential to overcome its\u00a0country\u00a0elements. \u00a0I kind of like it.<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/0uLI6BnVh6w?rel=0\" width=\"400\" height=\"225\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>Number 24 is\u00a0<strong><a href=\"https:\/\/youtu.be\/LHCob76kigA\" target=\"_blank\">&#8220;7 Years&#8221; by Lukas Graham<\/a><\/strong>, whose suspiciously\u00a0gushing Wikipedia page proclaims them &#8220;the most popular live band in Denmark&#8221;.\u00a0 The song has been a number 1 around Europe, though. \u00a0Number 28 is\u00a0<strong><a href=\"https:\/\/youtu.be\/UKp2CrfmVfw\" target=\"_blank\">&#8220;Here&#8221; by Alessia Cara<\/a><\/strong>, which is another outing for the riff from\u00a0<a href=\"https:\/\/youtu.be\/qfVbrPoLc3w\" target=\"_blank\">Isaac Hayes&#8217;\u00a0&#8220;Ike&#8217;s Rap II&#8221;<\/a> (best known from\u00a0<a href=\"https:\/\/youtu.be\/4qQyUi4zfDs\" target=\"_blank\">&#8220;Glory Box&#8221; by Portishead<\/a>). \u00a0It was a hit in the US, though. \u00a0\u00a0And number 35 is\u00a0<strong><a href=\"https:\/\/youtu.be\/NZp_axebSfQ\" target=\"_blank\">&#8220;Dessert&#8221; by Dawin<\/a><\/strong>,\u00a0which\u00a0combines the bland and the grating in a way that I&#8217;m going to assume makes sense to the younger generation.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Well, what an interesting month. \u00a0I think this year we&#8217;ll\u00a0loosen up the format and go a bit more freeform, yes? \u00a0Alright. So. \u00a0We left off with the\u00a0Christmas chart, and with the Lewisham &amp; Greenwich NHS Choir\u00a0at number 1 with &#8220;A Bridge Over You&#8221;. \u00a0Normal service was swiftly resumed as\u00a0&#8220;Love Yourself&#8221; by Justin Bieber, which had [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[22],"tags":[],"class_list":["post-3350","post","type-post","status-publish","format-standard","hentry","category-music"],"_links":{"self":[{"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=\/wp\/v2\/posts\/3350","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3350"}],"version-history":[{"count":1,"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=\/wp\/v2\/posts\/3350\/revisions"}],"predecessor-version":[{"id":3351,"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=\/wp\/v2\/posts\/3350\/revisions\/3351"}],"wp:attachment":[{"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3350"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3350"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3350"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}