{"id":3409,"date":"2016-05-05T21:11:25","date_gmt":"2016-05-05T20:11:25","guid":{"rendered":"http:\/\/www.housetoastonish.com\/?p=3409"},"modified":"2016-05-05T21:11:25","modified_gmt":"2016-05-05T20:11:25","slug":"charts-april-2016","status":"publish","type":"post","link":"https:\/\/www.housetoastonish.com\/?p=3409","title":{"rendered":"Charts &#8211; April 2016"},"content":{"rendered":"<p>The charts of 2016 are a still pond\u00a0into which a stone occasionally falls. \u00a0This makes them fairly tedious to follow week to week, but at least the big stuff stands out. \u00a0The Official Charts Company are well aware of this, and of the need to remind the public of the chart&#8217;s ostensible function as a barometer of public mood. \u00a0So it didn&#8217;t take long after Prince died\u00a0before the OCC\u00a0put out an excitable\u00a0announcement, which several papers dutifully parrotted,\u00a0that he was on course to have a number 1 hit. \u00a0Which he wasn&#8217;t, but we&#8217;ll come back to that.<\/p>\n<p>First, this month&#8217;s\u00a0<em>actual<\/em> number ones. \u00a0<strong><a href=\"https:\/\/youtu.be\/foE1mO2yM04\" target=\"_blank\">&#8220;I Took a Pill in Ibiza&#8221; by Mike Posner<\/a><\/strong> hung on for another couple of weeks,\u00a0managing a total of four. \u00a0And then we had\u00a0<strong>&#8220;One Dance&#8221; by Drake featuring WizKid &amp; Kyla<\/strong>, which doesn&#8217;t have a video, so you&#8217;ll have to make do with\u00a0Spotify.<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/embed.spotify.com\/?uri=spotify%3Atrack%3A0JoaFxLgrqbWutREzcZBzS\" width=\"300\" height=\"380\" frameborder=\"0\"><\/iframe><\/p>\n<p><!--more-->This was an unpromoted midweek release, which entered the chart at number 21 before leaping straight to number 1 the following week. \u00a0Technically it&#8217;s his second number one, but the first was his guest appearance on <a href=\"https:\/\/youtu.be\/U0CGsw6h60k\" target=\"_blank\">Rihanna&#8217;s &#8220;What&#8217;s My Name&#8221;<\/a>\u00a0back in 2010, and she gets most of the credit for that one. \u00a0His biggest hit as lead artist was (until now) <a href=\"https:\/\/www.youtube.com\/watch?v=uxpDa-c-4Mc\" target=\"_blank\">&#8220;Hotline Bling&#8221;<\/a>, which got to number 3 last year. \u00a0As for the two featured artists, <a href=\"https:\/\/youtu.be\/srwAd1iR5qI\" target=\"_blank\">WizKid is a big name in\u00a0Nigeria<\/a>, and\u00a0Kyla is\u00a0credited because the hook is\u00a0sampled from\u00a0<a href=\"https:\/\/youtu.be\/G0c8qfMbMac\" target=\"_blank\">her 2008 single &#8220;Do You Mind&#8221;<\/a>. \u00a0It was a pretty decent single to start with, actually, but &#8220;One Dance&#8221;&#8216;s\u00a0sparser, moodier mix improves it.<\/p>\n<p>By way of an honorary mention, here&#8217;s\u00a0a nod to\u00a0<strong><a href=\"https:\/\/youtu.be\/31crA53Dgu0\">&#8220;Cheap Thrills&#8221; by Sia<\/a><\/strong>, which suffered the frustration of being stuck at number 2 for the whole month.<\/p>\n<p>But Prince.<\/p>\n<p>Two\u00a0things about the OCC&#8217;s press release\u00a0stood out. \u00a0First, it\u00a0was based on sales flashes from the first day of the chart week &#8211; which was Friday, the day after he died, and which was always going to be one of the biggest days for sales. \u00a0The reality is that the surge of sales when an A-list star dies tends to last about half a week. \u00a0And second, though this was\u00a0buried in the small print, those estimates were based entirely on\u00a0sales, even though about half the final chart position now comes from streaming data. \u00a0Or rather, it is for the vast majority of artists who are on the major\u00a0streaming services. \u00a0Prince isn&#8217;t; he&#8217;s\u00a0excluaive\u00a0to Tidal, and its\u00a0subscriber base is tiny compared to the likes of Spotify. \u00a0So\u00a0the OCC was comparing the\u00a0entirety of his chart data against roughly half of everyone else&#8217;s.<\/p>\n<p>The result is that Prince lands three singles in the\u00a0current top 40, and they&#8217;re largely the ones you&#8217;d expect, from a fairly narrow window of his commercial peak: <strong>&#8220;Purple Rain&#8221;<\/strong> at number 6 (a new peak, since it only got to 8 on release in 1984),\u00a0<strong>&#8220;When Doves Cry&#8221;<\/strong> at 26 (originally a number 4 hit in 1984), and\u00a0<strong>&#8220;Kiss&#8221;<\/strong> at 38 (it got to number 6 in 1986). \u00a0None of which, of course, are on YouTube either&#8230; \u00a0That week also saw a\u00a0deluge of entries from Beyonc\u00e9,\u00a0which we&#8217;ll get to &#8211; if they hadn&#8217;t been there,\u00a0&#8220;Raspberry Beret&#8221; would have\u00a0just crept into the top 40 too.<\/p>\n<p>Notably absent from the list is his only UK number 1,\u00a0&#8220;The Most Beautiful Girl In The World&#8221;, from 1995. \u00a0That&#8217;s because you can&#8217;t buy it or stream it &#8211;\u00a0because of his contract dispute with Warners at the time, it was released\u00a0through a different label, and apparently it&#8217;s never\u00a0had a digital release at all. \u00a0For generations too young to remember Prince in his prime, the barriers to entry are remarkably high, compared to pretty much every other artist.<\/p>\n<p>Prince did wind up dominating the album chart, with three of the top four albums. \u00a0As with most impressive feats on the album chart these days, that&#8217;s partly a testimony to his popularity, and partly a reflection of how weak the album market is these days. \u00a0But what about the month&#8217;s other new entries?<\/p>\n<p>April 1 was another largely dead chart,\u00a0with only one new entry:\u00a0<strong><a href=\"https:\/\/youtu.be\/cMTAUr3Nm6I\" target=\"_blank\">&#8220;No&#8221; by Meghan Trainor<\/a><\/strong>, which entered at 30 and went on to peak at 11. \u00a0It&#8217;s the lead single from her second album, and\u00a0a drastic departure from the doo-wop pastiche\u00a0on the first album. \u00a0Another album in that style would have pigeonholed her as a\u00a0novelty act, but\u00a0the\u00a0flipside is that\u00a0now she sounds exactly\u00a0like everyone else. \u00a0It&#8217;d\u00a0be a decent enough Little Mix single.<\/p>\n<p>April 8 had four new entries, the highest being &#8220;One Dance&#8221; at 21. \u00a0Further down,\u00a0<strong><a href=\"https:\/\/youtu.be\/9eNmhYUaOao\" target=\"_blank\">&#8220;I Found A Girl&#8221; by the Vamps<\/a><\/strong> &#8211; the third single from their current album &#8211; stiffed completely, landing at number 30 and crashing\u00a0out of the top 75 the next week. \u00a0They&#8217;ve never come lower than 12 before, but the sluggish streaming-era chart is not a friendly place for fanbase acts. \u00a0<strong>&#8220;Famous&#8221; by\u00a0Kanye West<\/strong> entered at 33 and has been hovering around there ever since. \u00a0Officially this is the lead single from &#8220;Life of Pablo&#8221;, and\u00a0it&#8217;s got uncredited vocals by Rihanna. \u00a0Officially\u00a0it doesn&#8217;t have a video either, but\u00a0since the Eric Wareheim clip below is\u00a0still on YouTube\u00a0two weeks after getting tons of\u00a0coverage,\u00a0West is presumably happy enough\u00a0to have it out there.<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/Q821mNXNw-I?rel=0\" width=\"400\" height=\"225\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>And\u00a0at number 39 (it&#8217;s since climbed to 12), there was\u00a0<strong><a href=\"https:\/\/youtu.be\/5QQ0ebVrLQw\" target=\"_blank\">&#8220;No Money&#8221; by Galantis<\/a><\/strong>, which is the lead single from their second album. \u00a0It&#8217;s okay. \u00a0&#8220;Peanut Butter Jelly&#8221; was better.<\/p>\n<p>The\u00a0April 15 chart had four new entries,\u00a0with the highest being the\u00a0latest winner of\u00a0<em>The Voice UK<\/em>,\u00a0<strong>Kevin Simm<\/strong>, with his winner&#8217;s single\u00a0<strong><a href=\"https:\/\/youtu.be\/USEy8Z0kMrc\" target=\"_blank\">&#8220;All You Good Friends&#8221;<\/a><\/strong>. \u00a0Maintaining the\u00a0show&#8217;s flawless track record for failing to generate stars, it entered at number 24. \u00a0This isn&#8217;t even the highest place Kevin Simm has reached, since\u00a0in a previous incarnation he was a member of Liberty X, the band formed by the runners up who didn&#8217;t get into Hear&#8217;Say. \u00a0They had a number 1 in 2002.<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/bItgfoBl4wE?rel=0\" width=\"400\" height=\"300\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>I think that&#8217;s Kevin doing the middle eight. \u00a0Ahem&#8230; \u00a0Number 27 was technically a re-entry for\u00a0<strong><a href=\"https:\/\/youtu.be\/GNb4FBawH_U\" target=\"_blank\">&#8220;Desire&#8221; by Years &amp; Years<\/a><\/strong>, which originally got to number 22 in 2014, but has been re-issued in a\u00a0new version\u00a0featuring Tove Lo. \u00a0Number 33 was the other <strong>Drake<\/strong> single, <strong><a href=\"https:\/\/open.spotify.com\/track\/1snt6FNtZASSQrJuS9serg\" target=\"_blank\">&#8220;Pop Style&#8221;<\/a><\/strong>, which got no further, completely overshadowed by the number one. \u00a0And 39 saw\u00a0<strong><a href=\"https:\/\/youtu.be\/NSdcG1e9APE\" target=\"_blank\">&#8220;I&#8217;m In Control&#8221; by Alunageorge featuring Popcaan<\/a><\/strong> pop its head into the chart in the middle of a month of hovering just below 40. \u00a0It&#8217;s quite good, I&#8217;ve no idea why it didn&#8217;t do better.<\/p>\n<p>The 22\u00a0April chart\u00a0actually musters six new entries, all of them way down. \u00a0Highest was\u00a0<strong><a href=\"http:\/\/&lt;iframe width=&quot;400&quot; height=&quot;225&quot; src=&quot;https:\/\/www.youtube.com\/embed\/4NJlUribp3c?rel=0&quot; frameborder=&quot;0&quot; allowfullscreen&gt;&lt;\/iframe&gt;\" target=\"_blank\">&#8220;Panda&#8221; by Desiigner<\/a><\/strong> at 27. \u00a0He&#8217;s an American rapper, this was his debut commercial release, and it got to number 1 in the US, partly because it was heavily sampled by Kanye West on a track from &#8220;Life of Pablo&#8221;. \u00a0It climbed to 25 the next week. \u00a0At 31,\u00a0<strong><a href=\"https:\/\/youtu.be\/kgUpRwMeRr4\" target=\"_blank\">&#8220;Hair&#8221; by\u00a0Little Mix<\/a><\/strong>, which\u00a0previously\u00a0got to number 35 as an album teaser but is now being given a full promotion as a single. \u00a0It climbed to 19 the following week. \u00a0Number 32 was\u00a0<strong><a href=\"https:\/\/youtu.be\/zWU3CotSYpE\" target=\"_blank\">&#8220;Just Like Fire&#8221; by P!nk<\/a><\/strong>, a track from the\u00a0<em>Alice Through the Looking Glass\u00a0<\/em>soundtrack,\u00a0which crashed the next week. \u00a0At 33, climbing to 18 the next week, we have the fantastic credit that is\u00a0<strong>&#8220;Middle&#8221; by DJ Snake featuring Bipolar Sunshine<\/strong>.<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/IvPT2QuCIOA?rel=0\" width=\"400\" height=\"225\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>At\u00a034,\u00a0<strong>&#8220;Man&#8221; by Skepta<\/strong>, which proves that somebody is still making\u00a0the sort of video that showed up for five seconds on\u00a0<em>The ITV Chart Show<\/em>. \u00a0(This is not a bad thing.)<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/sOhxPhqzMwg\" width=\"400\" height=\"300\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>And at 40, \u00a0<strong><a href=\"https:\/\/youtu.be\/6tU7x5bjNBo\" target=\"_blank\">&#8220;Dancing on my Own&#8221; by Calum Scott<\/a><\/strong>, which is a cover of the Robyn single by a guy from\u00a0<em>Britain&#8217;s Got Talent<\/em>, so you know what you&#8217;re getting there.<\/p>\n<p>That brings us to 29 April,\u00a0which has three re-entries for Prince and six new entries for Beyonc\u00e9, thanks to extensive cherrypicking from &#8220;Lemonade&#8221;. \u00a0The tracks in question are\u00a0<strong>&#8220;Hold Up&#8221;<\/strong> at 17,\u00a0<strong>&#8220;Formation&#8221;<\/strong> at 31,\u00a0<strong>&#8220;Sorry&#8221;<\/strong> at 33,\u00a0<strong>&#8220;6 Inch&#8221;<\/strong> at 35,\u00a0<strong>&#8220;Don&#8217;t Hurt Yourself&#8221;<\/strong> at 36, and\u00a0<strong>&#8220;Freedom&#8221;<\/strong> at 40. \u00a0More Beyonc\u00e9 can be found at 44, 52, 57, 60, 69 and 85. \u00a0Which means that every single track on the album\u00a0did enough individual downloads to make the top 40. \u00a0&#8220;Formation&#8221; is the one\u00a0that had its video officially released earlier in the year,\u00a0while\u00a0&#8220;Hold Up&#8221; has evidently been seized on as the obvious single.<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/LrCHz1gwzTo\" width=\"400\" height=\"225\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>&#8220;Lemonade&#8221; does (naturally) enter the chart at number 1, mainly on the strength of downloads, though it\u00a0also did surprisingly well\u00a0in streaming, especially since it&#8217;s only available on Tidal. \u00a0(For now.) \u00a0Still, the appearance of the album on the singles chart as a collection of twelve disconnected tracks is interesting in its own right &#8211; is this some sort of reaction to the inability of most people to stream the whole thing, or\u00a0just a further symptom of the collapse of albums as a format?<\/p>\n<p>Oh, and for completeness: number 34 was\u00a0<strong>Disturbed<\/strong>&#8216;s rather bombastic version of\u00a0<strong><a href=\"https:\/\/youtu.be\/u9Dg-g7t2l4\" target=\"_blank\">&#8220;The Sound of Silence&#8221;<\/a><\/strong>, a cover of the Simon &amp; Garfunkel song\u00a0which was a\u00a0number 1 in the States, but\u00a0was never released as a single in this country, probably because <a href=\"https:\/\/youtu.be\/iONcf-xVEKM\" target=\"_blank\">the Bachelors<\/a> got there first.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The charts of 2016 are a still pond\u00a0into which a stone occasionally falls. \u00a0This makes them fairly tedious to follow week to week, but at least the big stuff stands out. \u00a0The Official Charts Company are well aware of this, and of the need to remind the public of the chart&#8217;s ostensible function as a [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"footnotes":""},"categories":[22],"tags":[],"class_list":["post-3409","post","type-post","status-publish","format-standard","hentry","category-music"],"_links":{"self":[{"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=\/wp\/v2\/posts\/3409","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3409"}],"version-history":[{"count":3,"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=\/wp\/v2\/posts\/3409\/revisions"}],"predecessor-version":[{"id":3421,"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=\/wp\/v2\/posts\/3409\/revisions\/3421"}],"wp:attachment":[{"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3409"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3409"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3409"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}