{"id":3463,"date":"2016-06-20T21:01:32","date_gmt":"2016-06-20T20:01:32","guid":{"rendered":"http:\/\/www.housetoastonish.com\/?p=3463"},"modified":"2016-06-20T21:01:32","modified_gmt":"2016-06-20T20:01:32","slug":"charts-17-june-2016","status":"publish","type":"post","link":"https:\/\/www.housetoastonish.com\/?p=3463","title":{"rendered":"Charts &#8211; 17 June 2016"},"content":{"rendered":"<p>Dear god, really? \u00a0Still&#8230;?!<\/p>\n<p><strong><a href=\"https:\/\/open.spotify.com\/track\/1xznGGDReH1oQq0xzbwXa3\" target=\"_blank\">1. \u00a0Drake featuring Wizkid &amp; Kyla &#8211; &#8220;One Dance&#8221;<\/a><\/strong><\/p>\n<p>And that&#8217;s ten weeks,\u00a0matching &#8220;Umbrella&#8221; from 2007. \u00a0&#8220;One Dance&#8221; was not number one in\u00a0the midweeks, and it only held on by a\u00a0relatively narrow\u00a0margin &#8211; the equivalent of 178,000 streams,\u00a0compared with\u00a0its streaming total this week of 4.77 million. \u00a0On a pure sales chart it would be number 9,\u00a0but it&#8217;s the streaming data that matters these days.<\/p>\n<p><!--more-->Today&#8217;s\u00a0midweeks have Drake slipping again, but the midweeks have been increasingly erratic since the shift to a Friday chart with streaming data. \u00a0Reportedly,\u00a0they&#8217;ve been having problems with getting streaming data in time to properly include it in the midweek chart, which pretty much defeats the purpose of doing it at all.<\/p>\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=2Y6Nne8RvaA\" target=\"_blank\"><strong>2. \u00a0Kungs vs Cookin&#8217; on 3 Burners<\/strong><\/a><a href=\"https:\/\/www.youtube.com\/watch?v=2Y6Nne8RvaA\" target=\"_blank\"><strong> &#8211; &#8220;This Girl&#8221;<\/strong><\/a><a href=\"https:\/\/www.youtube.com\/watch?v=2Y6Nne8RvaA\" target=\"_blank\">\u00a0<\/a><\/p>\n<p>So, like last week, there&#8217;s not much\u00a0stuff entering in the\u00a0top half of the chart, but there\u00a0are plenty of climbers. \u00a0This was\u00a0number 1 in sales, and very nearly the number 1 combined. \u00a0It still has a decent shot of making it next week.<\/p>\n<p><a href=\"https:\/\/open.spotify.com\/track\/11KJSRSgaDxqydKYiD2Jew\" target=\"_blank\"><strong>5. \u00a0Drake featuring Rihanna &#8211; &#8220;Too Good&#8221;<\/strong><\/a><\/p>\n<p>This has been hanging around the top 10 for five weeks but it&#8217;s reaching a new peak. \u00a0In total, there are four Drake singles in the top 40 this week, the others being &#8220;Controlla&#8221; at 24 and\u00a0his guest appearance on Rihanna&#8217;s &#8220;Work&#8221; at 31. \u00a0Rihanna is also on Calvin Harris&#8217;s &#8220;This Is What You Came For&#8221; at 4. \u00a0It&#8217;s an incestuous world. \u00a0Surprisingly, the DJ Khaled single (also featuring Drake) which entered at 25 last week crashes straight out of the top 40.<\/p>\n<p><strong><a href=\"https:\/\/www.youtube.com\/watch?v=BiQIc7fG9pA\" target=\"_blank\">7. \u00a0Gnash featuring Olivia O&#8217;Brien &#8211; &#8220;I Hate U I Love U&#8221;<\/a><\/strong><\/p>\n<p>Again, a new peak after two weeks stuck at 8.<\/p>\n<p><strong><a href=\"https:\/\/www.youtube.com\/watch?v=OORoOGY8D2M\" target=\"_blank\">9. \u00a0Cheat Codes &amp; Kriss Kross Amsterdam &#8211; &#8220;Sex&#8221;<\/a><\/strong><a href=\"https:\/\/www.youtube.com\/watch?v=OORoOGY8D2M\" target=\"_blank\">\u00a0<\/a><\/p>\n<p>Entering the top 10 in its sixth week on the\u00a0top 40.<\/p>\n<p><strong>16. \u00a0David Guetta featuring Zara Larsson &#8211; &#8220;This One&#8217;s For You&#8221;<\/strong><\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/MoHnffhBwqs\" width=\"400\" height=\"225\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>The official song of\u00a0the Euro 2016 football tournament, even if\u00a0the video director seems to think it&#8217;s the World Cup. \u00a0Thus\u00a0far, the tournament has\u00a0truly lived up to the spirit of the times &#8211;\u00a0which is to say, unremittingly bleak.\u00a0 It&#8217;s\u00a0in France, hence Guetta. \u00a0This is mostly a standard David Guetta track with a bit of Diplo around the edges. \u00a0There&#8217;s also a gimmick about getting fans to submit crowd vocals through an app, but whatever. \u00a0Zara Larsson has three singles on the chart at the moment &#8211; she&#8217;s also guesting on Tinie Tempah&#8217;s &#8220;Girls Like&#8221; at 15 \u00a0and has her own &#8220;Lush\u00a0Life&#8221;\u00a0at 19. \u00a0Both those singles have been on the chart for over 4 months now, peaked long ago, and are taking an extremely long time to fade.<\/p>\n<p><strong>18. \u00a0Dua Lipa &#8211; &#8220;Hotter Than Hell&#8221;<\/strong><\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/fEOyePhElr4\" width=\"400\" height=\"225\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>This is the first chart appearance for Dua Lipa, who was on the BBC&#8217;s &#8220;Sound of 2016&#8221; long list at the end of last year. \u00a0She&#8217;s from London, though her parents were from Kosovo. \u00a0In the rest of Europe,\u00a0she had a hit\u00a0last year with a track called <a href=\"https:\/\/youtu.be\/-rey3m8SWQI\" target=\"_blank\">&#8220;Be The One&#8221;<\/a>, which reached number 1 in\u00a0Belgium and did respectably elsewhere. \u00a0I&#8217;d say it&#8217;s the better song, but what do I know?<\/p>\n<p><strong>21. \u00a0The Stone Roses &#8211; &#8220;Beautiful Thing&#8221;<\/strong><\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/lCk34IVVgcc\" width=\"400\" height=\"225\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>Number 7 on the sales chart but, well, you did hear what I said about the importance of streaming these days, right? \u00a0This is the follow up to &#8220;All For One&#8221;, which\u00a0got to 17 last month but\u00a0immediately vanished from the top 100. \u00a0Basically,\u00a0the audience for Stone Roses records in 2016 is people who still\u00a0buy a copy in week one, and\u00a0pretty much nobody else. \u00a0This is better than &#8220;All For One&#8221;, mind you, or at least closer to what you&#8217;d want from a Stone Roses reunion record.<\/p>\n<p><strong>22. \u00a0The Neales &#8211; &#8220;I&#8217;ll Be There&#8221;<\/strong><\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/y8xUSPYMQCk\" width=\"400\" height=\"225\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>The Neales are a family singing group &#8211; father and three sons &#8211; who made the final of <em>Britain&#8217;s Got Talent\u00a0<\/em>last year. \u00a0This is a charity single for a campaign backed by Tesco, and on a pure sales chart, it\u00a0would have been number 3. \u00a0Ostensibly, the idea was to get it to number 1 for father&#8217;s day on Sunday. \u00a0Like\u00a0the Invicta Choir single from a few weeks ago, this shows how the shift to streaming data has pretty much screwed charity records and chart campaigns &#8211; people buy\u00a0these\u00a0records, but they don&#8217;t stream them, and it&#8217;s not obvious how a charity streaming arrangement would work anyway. \u00a0We&#8217;ve yet to have a really major charity record come out in the new chart era, and it&#8217;s going to be very interesting\u00a0when one does.<\/p>\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=fk4BbF7B29w\" target=\"_blank\"><strong>25. \u00a0Adele &#8211; &#8220;Send My Love (To Your New Lover)&#8221;<\/strong>\u00a0<\/a><\/p>\n<p>Climbing one further place. \u00a0The video is still ace.<\/p>\n<p><strong><a href=\"https:\/\/www.youtube.com\/watch?v=OXWrjWDQh7Q\" target=\"_blank\">29. \u00a0OneRepublic &#8211; &#8220;Wherever I Go&#8221;<\/a><\/strong><\/p>\n<p>Also climbing one\u00a0further place, and\u00a0not so ace.<\/p>\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=1ekZEVeXwek\" target=\"_blank\"><strong>34. \u00a0Ariana Grande &#8211; &#8220;Into You&#8221;<\/strong>\u00a0<\/a><\/p>\n<p>Up 6.<\/p>\n<p><strong>40. \u00a0Tom Odell &#8211; &#8220;Magnetised&#8221;<\/strong><\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/4fgzu9Fo66Y\" width=\"400\" height=\"225\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>Officially the second single from his upcoming album, though the first one didn&#8217;t register on the chart anyway. \u00a0Odell tends to just miss the top 40 with his singles but has the occasional big hit &#8211; &#8220;Another Love&#8221; made number 10 in 2012, and &#8220;Real Love&#8221; got to 7 in 2014. \u00a0This one tries to soar and doesn&#8217;t really convince me &#8211; it feels like something a bit wonkier is trying to get out. \u00a0Grows on you a bit though.<\/p>\n<p>On the album chart, and ignoring a few re-entries of old compilation albums which I&#8217;m guessing were discounted for father&#8217;s day:<\/p>\n<ul>\n<li><strong>&#8220;50&#8221; by Rick Astley<\/strong> at 1. \u00a0Seriously. \u00a0It&#8217;s his second\u00a0number 1 album, the first (obviously) being &#8220;Never Gonna Give You Up&#8221; in 1987. \u00a0It&#8217;s his eighth album, the last being a decade ago. \u00a0Single: <a href=\"https:\/\/youtu.be\/AC3Ejf7vPEY\" target=\"_blank\">&#8220;Keep Singing&#8221;<\/a>. \u00a0(It&#8217;s better than you&#8217;re probably imagining.)<\/li>\n<li><strong>&#8220;Wrong Crowd&#8221; by Tom Odell<\/strong> at 2. \u00a0His previous album, &#8220;Long Way Down&#8221;, got to number 1. \u00a0We&#8217;ve had the single already.<\/li>\n<li><strong>&#8220;Pure McCartney&#8221; by Paul McCartney<\/strong> at 3. \u00a0It&#8217;s a compilation\u00a0from his solo albums.<\/li>\n<li><strong>&#8220;Soulsville&#8221; by Beverly Knight<\/strong> at 9. \u00a0That&#8217;s her highest\u00a0position since 2007, though\u00a0it&#8217;s pretty marginal. \u00a0Single: <a href=\"https:\/\/youtu.be\/IocwCAUqd1I\" target=\"_blank\">&#8220;Middle of Love&#8221;<\/a>.<\/li>\n<li><strong>&#8220;The Essential Collection&#8221; by Gilbert O&#8217;Sullivan<\/strong> at 11. \u00a0Another compilation.<\/li>\n<li><strong>&#8220;Hollow Bones&#8221; by Rival Sons<\/strong> at 13. \u00a0Blues rock. \u00a0Their highest position to date, though again, not by much. \u00a0Single: <a href=\"https:\/\/youtu.be\/0G0NUgabdMU\" target=\"_blank\">&#8220;Tied Up&#8221;<\/a>.<\/li>\n<li><strong>&#8220;Strange Little Birds&#8221; by Garbage<\/strong> at 17. \u00a0Yes, they&#8217;re still making records, though it&#8217;s been four years since the last one. \u00a0This is the first time they&#8217;ve missed the top 10 with a\u00a0studio album. \u00a0Single: <a href=\"https:\/\/youtu.be\/hSa_hbutFt0\" target=\"_blank\">&#8220;Empty&#8221;<\/a>.<\/li>\n<li><strong>&#8220;Last Year Was Complicated&#8221; by Nick Jonas<\/strong> at 25. \u00a0 His second or third solo album, depending on whether you count the one credited to Nick Jonas &amp; The Administration. \u00a0The single <a href=\"https:\/\/youtu.be\/XgJFqVvb2Ws\" target=\"_blank\">&#8220;Close&#8221;<\/a> is\u00a0at 39.<\/li>\n<li><strong>&#8220;A\/B&#8221; by Kaleo<\/strong> at 27. \u00a0Icelandic folk-rock\u00a0band. \u00a0It&#8217;s their second album, but their first to chart in the UK. \u00a0Single: <a href=\"https:\/\/youtu.be\/0-7IHOXkiV8\" target=\"_blank\">&#8220;Way Down We Go&#8221;<\/a>.<\/li>\n<li><strong>&#8220;Clean Your Clock&#8221; by Mot\u00f6rhead<\/strong> at 36. \u00a0Posthumously released live album.<\/li>\n<li><strong>&#8220;Why\u00a0Are You OK&#8221; by Band of Horses<\/strong> at 37. \u00a0Folk rock. \u00a0Single <a href=\"https:\/\/youtu.be\/k3gEoGZtb4c\" target=\"_blank\">&#8220;Whatever, Wherever&#8221;<\/a><\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Dear god, really? \u00a0Still&#8230;?! 1. \u00a0Drake featuring Wizkid &amp; Kyla &#8211; &#8220;One Dance&#8221; And that&#8217;s ten weeks,\u00a0matching &#8220;Umbrella&#8221; from 2007. \u00a0&#8220;One Dance&#8221; was not number one in\u00a0the midweeks, and it only held on by a\u00a0relatively narrow\u00a0margin &#8211; the equivalent of 178,000 streams,\u00a0compared with\u00a0its streaming total this week of 4.77 million. \u00a0On a pure sales chart [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"footnotes":""},"categories":[22],"tags":[],"class_list":["post-3463","post","type-post","status-publish","format-standard","hentry","category-music"],"_links":{"self":[{"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=\/wp\/v2\/posts\/3463","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3463"}],"version-history":[{"count":2,"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=\/wp\/v2\/posts\/3463\/revisions"}],"predecessor-version":[{"id":3465,"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=\/wp\/v2\/posts\/3463\/revisions\/3465"}],"wp:attachment":[{"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3463"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3463"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3463"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}