{"id":3490,"date":"2016-07-27T21:55:07","date_gmt":"2016-07-27T20:55:07","guid":{"rendered":"http:\/\/www.housetoastonish.com\/?p=3490"},"modified":"2016-07-27T21:55:07","modified_gmt":"2016-07-27T20:55:07","slug":"charts-22-july-2016","status":"publish","type":"post","link":"https:\/\/www.housetoastonish.com\/?p=3490","title":{"rendered":"Charts &#8211; 22 July 2016"},"content":{"rendered":"<p>So, I&#8217;ve been\u00a0out of town, which is why\u00a0I haven&#8217;t got around to\u00a0reviewing\u00a0the\u00a0<em>Uncanny<\/em> arc that finished last week. \u00a0I&#8217;ll get\u00a0to it in the next\u00a0couple of days. \u00a0But first, let&#8217;s see what&#8217;s happened in the chart while I was away&#8230;<\/p>\n<p>Oh.<\/p>\n<p><a href=\"https:\/\/open.spotify.com\/track\/1xznGGDReH1oQq0xzbwXa3\" target=\"_blank\"><strong>1. \u00a0Drake featuring Wizkid &amp; Kyla &#8211; &#8220;One Dance&#8221;<\/strong>\u00a0<\/a><\/p>\n<p>Another challenger is seen off, as\u00a0the\u00a0Chainsmokers&#8217; &#8220;Don&#8217;t Let Me Down&#8221;\u00a0falls back to number 3 this week, and\u00a0Drake&#8217;s seemingly eternal run\u00a0at the top drones on. \u00a0We&#8217;re\u00a0getting to crunch time, because this\u00a0matches the fifteen week run of\u00a0Wet Wet Wet&#8217;s &#8220;Love Is All Around&#8221; in 1994, and one more week will match the all-time record for the longest single stay at number one, set by Bryan Adams&#8217; &#8220;(Everything I Do) I Do It For You&#8221; in 1991.<\/p>\n<p><!--more-->For the\u00a0Official Charts Company, this hasn&#8217;t been\u00a0entirely good news, because if anything it&#8217;s generating news coverage about how streaming has broken the charts. \u00a0Which isn&#8217;t really true. \u00a0The singles chart has two main functions. \u00a0One is to measure popularity, and the\u00a0point of\u00a0a sales chart was supposed to be that sales were a proxy for popularity; if streaming has\u00a0driven out the records that only charted\u00a0on first-day fanbase sales, and clogged up the chart with records that people keep listening to for weeks on end, then that&#8217;s\u00a0very likely a better measure of real-world popularity than we had before. \u00a0Granted, the other main function is to promote\u00a0music &#8211; that&#8217;s why the industry pays for this thing &#8211; and it&#8217;s not looking so good\u00a0from that standpoint. \u00a0But that&#8217;s not really\u00a0our problem.<\/p>\n<p>And even within the streaming era, &#8220;One Dance&#8221; is an outlier. \u00a0If it hadn&#8217;t been\u00a0around, there would have been a decent turnover of number one singles. \u00a0Its fifteen weeks at number one have seen\u00a0six different number two singles. \u00a0That&#8217;s the same as\u00a0&#8220;Love Is All Around&#8221; had &#8211; if you&#8217;re interested, the songs in question\u00a0were\u00a0&#8220;Come On You Reds&#8221; by\u00a0Manchester United FC, &#8220;Baby I Love Your Way&#8221; by Big Mountain, &#8220;I Swear&#8221; by All-4-One, &#8220;Crazy For You&#8221; by Let Loose, &#8220;Compliments on Your Kiss&#8221; by Red Dragon (me neither), and &#8220;Confide In Me&#8221; by Kylie Minogue.<\/p>\n<p>It may look as though nothing is happening, but in fact\u00a0&#8220;One Dance&#8221; is tailing off,\u00a0and other records are closing in. \u00a0Interestingly, Drake&#8217;s record company chose this week to knock the price down to 59p on iTunes. \u00a0That did indeed boost download sales, by around 4,000 compared to the previous week &#8211; and\u00a0without those 4,000 copies, it would have dropped to number 2.<\/p>\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=Ey_hgKCCYU4\" target=\"_blank\"><strong>2. \u00a0Jonas Blue featuring JP Cooper &#8211; &#8220;Perfect Strangers&#8221;<\/strong>\u00a0<\/a><\/p>\n<p>Swapping places with the Chainsmokers to match the peak of Blue&#8217;s\u00a0previous single &#8220;Fast Car&#8221;. \u00a0<a href=\"https:\/\/youtu.be\/fJw4uSOeCnM\" target=\"_blank\">There&#8217;s also now an acoustic version of this<\/a>, which is predictably more of a showcase for the guest singer.<\/p>\n<p><strong><a href=\"https:\/\/youtu.be\/lY2yjAdbvdQ\" target=\"_blank\">9. \u00a0Shawn Mendes &#8211; &#8220;Treat You Better&#8221;<\/a><\/strong><\/p>\n<p>This has been a slow burner &#8211; it&#8217;s moved\u00a031-45-38-29-20-13-9. \u00a0It now gives Mendes a second top ten hit to follow last year&#8217;s number one &#8220;Stitches&#8221;.<\/p>\n<p><strong>19. \u00a0M\u00d8 &#8211; &#8220;Final Song&#8221;<\/strong><\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/WUcXQ--yGWQ\" width=\"400\" height=\"225\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>Oh good, I like this one. \u00a0Climbing 28-19, which\u00a0suggests it&#8217;s got a good chance of going further.<\/p>\n<p><strong><a href=\"https:\/\/youtu.be\/ZWCB3hpJDXM\" target=\"_blank\">24. \u00a0Bastille &#8211; &#8220;Good Grief&#8221;<\/a><\/strong><\/p>\n<p>This entered at number 25 a month previously\u00a0and has been hanging around the lower 20s ever since. \u00a0This marks a fresh peak for the single, though\u00a0only very marginally.<\/p>\n<p><strong>25. \u00a0Katy Perry &#8211; &#8220;Rise&#8221;<\/strong><\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/lFIIMEe2Ht0\" width=\"400\" height=\"225\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>This is the theme tune to NBC&#8217;s coverage of the 2016 Olympics. \u00a0It&#8217;s exactly what you&#8217;re expecting &#8211; a strident plod about triumphantly overcoming adversity. \u00a0It features lines like\u00a0&#8220;Don&#8217;t be surprised \/ I will still rise&#8221;. \u00a0And it\u00a0rhymes &#8220;survive&#8221; with\u00a0&#8220;thrive&#8221;. \u00a0It&#8217;s her first single since 2014 (and that\u00a0one was taken from a 2013 album), so a debut at number 25 might seem a bit limp, but on\u00a0a pure sales chart, it\u00a0would have been number 5. \u00a0Its overall position is hobbled by lack of\u00a0streams, which is partly due to the fact that it&#8217;s presently an\u00a0Apple Music exclusive. \u00a0Streams usually take more time to get momentum,\u00a0and when you combine that with being limited on a single platform (even though the track\u00a0is freely available on YouTube), the result is\u00a0that &#8220;Rise&#8221; winds up on the streaming chart at &#8230; oh, she doesn&#8217;t. \u00a0She&#8217;s not on it at all.<\/p>\n<p>And\u00a0number 5 in sales plus\u00a0virtually nothing in streams equals number 25.<\/p>\n<p><strong>28. \u00a05 Seconds of Summer &#8211; &#8220;Girls Talk Boys&#8221;<\/strong><\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/0MXldocLfu4\" width=\"400\" height=\"225\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>Here&#8217;s a similar case &#8211; this would have been number 12 on sales, but it&#8217;s only number 60 on streams. \u00a0In case\u00a0you somehow failed to pick up on it from the video, this is\u00a0from the soundtrack of\u00a0<em>Ghostbusters<\/em>. \u00a05 Seconds of Summer\u00a0are a bit of a fanbase act,\u00a0which doesn&#8217;t generally fare well\u00a0on the chart in the streaming era, but it&#8217;s enough for them to keep placing hits at this level. \u00a0They usually disappear\u00a0after a week. \u00a0As usual with 5SoS, the song&#8217;s okay, but it&#8217;s unlikely to make any headway outside their usual audience.<\/p>\n<p><strong>29. \u00a0Christine &amp; The Queens &#8211; &#8220;Tilted&#8221;<\/strong><\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/rs40yxHjTxQ\" width=\"400\" height=\"225\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>Well, that&#8217;s a pleasant surprise. \u00a0This has now moved 40-42-40-29, suddenly becoming the highest climber in its fourth week out. \u00a0The video above is actually the French-language original &#8220;Christine&#8221; &#8211; there <em>is<\/em> an official video for <a href=\"https:\/\/youtu.be\/9RBzsjga73s\" target=\"_blank\">&#8220;Tilted&#8221;<\/a>, but\u00a0it&#8217;s the same video, except\u00a0re-edited it to avoid all the points where the lip-synching would be visibly wrong. \u00a0And it&#8217;s done\u00a0reasonably well, but still, you&#8217;re better off watching it in French.<\/p>\n<p><strong>35. \u00a0M.O. &#8211;\u00a0&#8220;Who Do You Think Of&#8221;<\/strong><\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/WY6b7bjMt1Q\" width=\"400\" height=\"225\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>&#8220;So what&#8217;s the video budget&#8230;? \u00a0Ah. \u00a0Well, I&#8217;ve got a mate who has access to a launderette&#8230;&#8221; \u00a0Launching a new girl band in the streaming era is not easy, but then M.O. aren&#8217;t strictly a new\u00a0girl band. \u00a0This is their first full scale release since signing to Polydor, but\u00a0they&#8217;ve been around for a few years releasing material independently. \u00a0Prior to that, two of them (Annie Ashcroft and Nadine Samuels) were in a girl band called Duchess that never went anywhere, while the other (Frankee Connolly) was a member of Mini Viva, the Xenomania vehicle that\u00a0managed <a href=\"https:\/\/youtu.be\/RvjML3-66SA\">a single top\u00a010 hit in 2010<\/a>. \u00a0So they&#8217;re seriously persistent.<\/p>\n<p><strong>38. \u00a0Snakehips featuring Zayn &#8211; &#8220;Cruel&#8221;<\/strong><\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/embed.spotify.com\/?uri=spotify%3Atrack%3A0B2RttXEiyXsMeQ7mMP3EI\" width=\"300\" height=\"380\" frameborder=\"0\"><\/iframe><\/p>\n<p>Snakehips are the\u00a0production duo who had a number 5 hit last year with &#8220;All My Friends&#8221;. \u00a0Even allowing for the fact that there&#8217;s no video yet, it&#8217;s a surprisingly low entry for a track with One Direction&#8217;s Zayn Malik on it.<\/p>\n<p>The album chart seems to have taken the week off.<\/p>\n<ul>\n<li><strong>&#8220;Love &amp; Hate&#8221; by\u00a0Michael Kiwanuka<\/strong> at 1. \u00a0He&#8217;s a soul singer who was heavily tipped in 2012 and got to number 4 with his debut album &#8220;Home Again&#8221;. \u00a0This is the follow-up. \u00a0Single: <a href=\"https:\/\/youtu.be\/-TYlcVNI2AM\">&#8220;Black Man In A White World&#8221;<\/a>. \u00a0The video&#8217;s very good.<\/li>\n<li><strong>&#8220;Youth Authority&#8221; by Good Charlotte<\/strong> at 13. \u00a0This is their sixth album, though\u00a0their self-titled\u00a0debut from 2000 didn&#8217;t chart in this country. \u00a0They re-formed last year;\u00a0their previous album &#8220;Cardiology&#8221; failed to make the top 40, so absence makes the heart, and all that. \u00a0Single: <a href=\"https:\/\/youtu.be\/oV5JxCbz-UI\">&#8220;Makeshift Love&#8221;<\/a>.<\/li>\n<li><strong>&#8220;Loud Hailer&#8221; by Jeff Beck<\/strong> at 27. \u00a0His eleventh solo album, the first in six years. \u00a0Single: <a href=\"https:\/\/youtu.be\/F6dsffOrOoI\">&#8220;Live in the Dark&#8221;<\/a>.<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>So, I&#8217;ve been\u00a0out of town, which is why\u00a0I haven&#8217;t got around to\u00a0reviewing\u00a0the\u00a0Uncanny arc that finished last week. \u00a0I&#8217;ll get\u00a0to it in the next\u00a0couple of days. \u00a0But first, let&#8217;s see what&#8217;s happened in the chart while I was away&#8230; Oh. 1. \u00a0Drake featuring Wizkid &amp; Kyla &#8211; &#8220;One Dance&#8221;\u00a0 Another challenger is seen off, as\u00a0the\u00a0Chainsmokers&#8217; &#8220;Don&#8217;t [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[22],"tags":[],"class_list":["post-3490","post","type-post","status-publish","format-standard","hentry","category-music"],"_links":{"self":[{"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=\/wp\/v2\/posts\/3490","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3490"}],"version-history":[{"count":2,"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=\/wp\/v2\/posts\/3490\/revisions"}],"predecessor-version":[{"id":3492,"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=\/wp\/v2\/posts\/3490\/revisions\/3492"}],"wp:attachment":[{"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3490"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3490"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3490"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}