{"id":4249,"date":"2018-08-10T20:45:50","date_gmt":"2018-08-10T19:45:50","guid":{"rendered":"http:\/\/www.housetoastonish.com\/?p=4249"},"modified":"2018-08-10T20:45:50","modified_gmt":"2018-08-10T19:45:50","slug":"old-man-logan-43-45-bullseye-returns","status":"publish","type":"post","link":"https:\/\/www.housetoastonish.com\/?p=4249","title":{"rendered":"Old Man Logan #43-45: &#8220;Bullseye Returns&#8221;"},"content":{"rendered":"<p>Well, there&#8217;s a title that does what it says on the tin. \u00a0This is indeed a rematch against Bullseye, who last showed up in issues #36-38 (&#8220;Moving Target&#8221;, the Kingpin arc). \u00a0As I pointed out before, Bullseye is a perfectly good Wolverine villain; the two of them might not have any particular history, but he&#8217;s a strong character and his gimmick plays well against Wolverine, who can take the damage and keep coming.<\/p>\n<p>But this is also a sequel to Ed Brisson&#8217;s own\u00a0<em>Bullseye<\/em> miniseries from last year, in which an aggrieved FBI widow pursued Bullseye with the aid of obscure Daredevil villains Bullet and Shotgun, and did about as well as you&#8217;d imagine, bearing in mind that it wasn&#8217;t her book. \u00a0Brisson is clearly fond of Joy Jones, as she shows up here in full costume, repackaged as &#8220;Vendetta&#8221;.<\/p>\n<p><!--more-->Brisson kicks things off by killing Sarah Dewey in the opening scene, a character he brought in from\u00a0<em>Kingpin<\/em> for the previous Bullseye arc. \u00a0It&#8217;s genuinely surprising to see her treated as cannon fodder, but it does make some sense; it contributes to a sense that anything can happen with Bullseye, and to be honest, her arc was basically complete. \u00a0But it&#8217;s an unexpected call.<\/p>\n<p>Logan investigates the murder, and stumbles into Joy, who is already investigating. \u00a0The broad idea of Vendetta isn&#8217;t especially interesting; she&#8217;s out to avenge the death of her husband and protect the innocent and all that. \u00a0The interest here really lies in the details, as there&#8217;s an edge of awkwardness in her adoption of superhero trappings. \u00a0She looks the part, in a slightly generic vigilante way. \u00a0 She&#8217;s talented if green. \u00a0But she doesn&#8217;t always act according to genre expectations; she persists in taking off her mask and doesn&#8217;t want a codename. \u00a0(Logan rather awkwardly saddles her with &#8220;Vendetta&#8221;, and I don&#8217;t really believe that he&#8217;d care.) \u00a0The hook is meant to be that she&#8217;s entered the superhero world in pursuit of Bullseye and doesn&#8217;t yet quite belong there.<\/p>\n<p>This is presumably supposed to play against Logan as the guy at the other end of his career who would mainly like to get\u00a0<em>out<\/em> of the superhero world, and who&#8217;s already abandoned his own costume and codename as a statement along those lines. \u00a0In fact, after months of chasing Bullseye, Vendetta has only just got to the point where he&#8217;s properly starting to take notice of her. \u00a0Reasonably enough, he tries to get at her through Bullet and Shotgun, the only characters he associates with her &#8211; although this being Bullseye, it&#8217;s mainly just a fun challenge for him where he can indulge in a bit of sadism.<\/p>\n<p>Juan Ferreyra&#8217;s art on these three issues is great. \u00a0It&#8217;s suitably earthy and low key during the build, and it gets across the visual set pieces of Bullseye&#8217;s attacks. \u00a0Vendetta&#8217;s costume is the slickest thing in the book, and while it looks rather generic, that&#8217;s right for the character. \u00a0But everything kicks up a gear nicely when they catch up with Bullseye and the fight scenes start; there&#8217;s a ton of pace and energy in these pages.<\/p>\n<p>What doesn&#8217;t carry over so well is the focus of the story. \u00a0&#8220;Bullseye Returns&#8221; oscillates between being a well executed but fairly generic Bullseye story, and actually trying to do something with Joy. \u00a0She has a conversation with Logan in the final issue which is presumably meant to be the big theme: she thinks she&#8217;s dedicating her life to making a difference by taking down Bullseye and other like him, Logan tells her (without as such warning her off) that she&#8217;s crossed a point of no return and she&#8217;s committed her life to a Sisyphean task.<\/p>\n<p>But does that really connect much to the Bullseye story? \u00a0Not particularly. \u00a0They track down Bullseye, he loses&#8230; in all that side of the story, Joy is basically a plot device giving Bullseye something to kick against. \u00a0There are a lot of static characters in this story; Bullseye isn&#8217;t the sort of character who should change, and Logan probably ought to be the seen-it-all-before veteran here, but Joy doesn&#8217;t have much in the way of reflection or big decisions either. \u00a0She already wants to go after Bullseye, and she does, and it seems she&#8217;s going to transition into doing much the same thing but more generically.<\/p>\n<p>Still, if the generic Bullseye story is nothing new, Brisson and Ferreyra do it well. \u00a0This is the standard modern take on Bullseye as a sadistic killer whose Silver Age &#8220;anything as a lethal weapon&#8221; gimmick somehow enhances his scariness &#8211; partly because he could kill you at any time, but more because there&#8217;s something casually derisory about his use of stuff that was lying about. \u00a0He&#8217;s a relatively rare Marvel villain who would be at home in Gotham City, and he&#8217;s strong enough that with a bit of invention and good art behind him &#8211; both of which this story has &#8211; he can carry a couple of issues on sheer force of personality.<\/p>\n<p>Not an unqualified success, but pretty good.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Well, there&#8217;s a title that does what it says on the tin. \u00a0This is indeed a rematch against Bullseye, who last showed up in issues #36-38 (&#8220;Moving Target&#8221;, the Kingpin arc). \u00a0As I pointed out before, Bullseye is a perfectly good Wolverine villain; the two of them might not have any particular history, but he&#8217;s [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"footnotes":""},"categories":[27],"tags":[],"class_list":["post-4249","post","type-post","status-publish","format-standard","hentry","category-x-axis"],"_links":{"self":[{"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=\/wp\/v2\/posts\/4249","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4249"}],"version-history":[{"count":1,"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=\/wp\/v2\/posts\/4249\/revisions"}],"predecessor-version":[{"id":4250,"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=\/wp\/v2\/posts\/4249\/revisions\/4250"}],"wp:attachment":[{"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4249"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=4249"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=4249"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}