{"id":4505,"date":"2019-02-22T21:44:38","date_gmt":"2019-02-22T21:44:38","guid":{"rendered":"http:\/\/www.housetoastonish.com\/?p=4505"},"modified":"2019-02-22T21:44:38","modified_gmt":"2019-02-22T21:44:38","slug":"return-of-wolverine","status":"publish","type":"post","link":"https:\/\/www.housetoastonish.com\/?p=4505","title":{"rendered":"Return of Wolverine"},"content":{"rendered":"<p><em>Return of Wolverine<\/em> is a comic that exists to get a thing from A to B. \u00a0We all know that. \u00a0And everyone involved knows we all know that. \u00a0So what to do on the pages?<\/p>\n<p>Charles Soule is a writer unusually willing to take on this sort of horrendous assignment &#8211; he was the one who killed off Wolverine in the first place, after all, not to mention the writer who tried his best to deliver on Marvel&#8217;s Inhumans fetish. \u00a0He can be very good when he&#8217;s writing something like <em>Daredevil<\/em> that doesn&#8217;t come with a ton of baggage attached. \u00a0On something like this, well, at least he tends to bring something wilfully eccentric to the exercise.<\/p>\n<p><!--more-->The obvious thing to do here, I guess, would be to try and lend it some weight by building around something or other from Wolverine&#8217;s past, and trying to make it part of a wider saga. \u00a0Instead, Soule goes in completely the opposite direction, giving us a completely new villain whose interest in Wolverine is almost incidental. \u00a0If you were wondering what those four lead-in miniseries had to do with any of this&#8230; well, they do introduce plot elements that crop up again here, but to be honest, they&#8217;re skippable as far as this story goes.<\/p>\n<p>Wolverine wakes up as an amnesiac and finds a scientist who&#8217;s just been killed off by Soteira&#8217;s kill team. \u00a0Rather unclear about what&#8217;s actually going on, he sets off to stop Soteira and winds up tagging along with a woman whose son has been abducted by them. \u00a0What follows is vaguely surreal &#8211; the Soteira soldiers randomly include dead villains, there&#8217;s a running theme of Logan deciding which parts of his personality to release from their mental cages to re-form his mind, and there&#8217;s a whole eerily perfect Soteira town. \u00a0In amongst all this, the actual X-Men show up for an issue to try and retrieve Wolverine, only to be driven away when he doesn&#8217;t recognise them yet.<\/p>\n<p>As it turns out, Soteira&#8217;s top baddie Persephone has the power to bring dead people back to pseudo-life, and pretty much everyone in the series other than the X-Men is actually a corpse under her control. \u00a0The city is her idea of perfection because it doesn&#8217;t have all the messiness of people trying to live individual lives. \u00a0Her grand plan is to kill everyone on Earth and then rebuild a more efficient society under the control of herself and a bunch of geniuses on an orbiting space platform. \u00a0So naturally Wolverine stops that.<\/p>\n<p>And, er, that&#8217;s pretty much it. \u00a0The assigned task of bringing Wolverine back to life is already done before issue #1. \u00a0It carries itself through five issues not so much on the strength of content as on a general tone of off-kilter oddity. \u00a0The art was originally meant to be by Steve McNiven, who winds up only doing the first and last issues; in the event the middle three issues are done by Declan Shalvey, who&#8217;s perfectly fine but whose style doesn&#8217;t have quite the same precision, making for an obvious join. \u00a0(There&#8217;s also a glaring costume discontinuity between issues #4 and #5.) \u00a0Still, he brings something of the glassy-eyed stare to Soteira&#8217;s city.<\/p>\n<p>But while it&#8217;s largely successful in terms of tone, <em>Return of Wolverine<\/em>\u00a0is\u00a0a mystifying comic in most other ways. \u00a0There&#8217;s the whole thing about Wolverine now having the power to heat up his claws, which doesn&#8217;t seem to connect to the rest of the story at all &#8211; I guess it&#8217;s just a Soteira&#8217;s upgrade, but why? \u00a0It&#8217;s trying too hard on something which ought to be simple. \u00a0I can&#8217;t help noticing that it hasn&#8217;t been mentioned in any other book where Wolverine has turned up since his return, so something tells me it might be quietly forgotten about.<\/p>\n<p>There are some weird choices in terms of Soteira&#8217;s reanimated henchmen, who of course ought to be dead. \u00a0Daken makes sense, because he was killed in one of the lead-in minis, but Omega Red is a weird choice. \u00a0After all, Omega Red was a lead character in <em>Weapon X<\/em> at the same time as this series was coming out. \u00a0I don&#8217;t think it&#8217;s an outright error &#8211; I think he&#8217;s meant to be the doppelganger from the Omega Clan in Rick Remender&#8217;s\u00a0<em>Uncanny X-Force<\/em>, who was killed at the end of the story &#8211; but that&#8217;s pretty obscure, and surely more likely to confuse readers than anything else.<\/p>\n<p>Most of all, though, this isn&#8217;t really a Wolverine story. \u00a0Yes, it explains his return, but on a fairly basic plot level: she tried bringing him back as a henchman and that apparently kickstarted his healing powers to bring him back for real. \u00a0It&#8217;s the sort of explanation that can be quietly shelved and never spoken of again. \u00a0I guess it plays into a theme of Logan against distant amoral science types, but Persephone&#8217;s a bit too weird for that.<\/p>\n<p>When all is said and done, it mainly just feels like what it is: an exercise in getting from A to B while being mildly diverting in the process. \u00a0It&#8217;s quirky, but there&#8217;s not much to satisfy beneath the surface.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Return of Wolverine is a comic that exists to get a thing from A to B. \u00a0We all know that. \u00a0And everyone involved knows we all know that. \u00a0So what to do on the pages? Charles Soule is a writer unusually willing to take on this sort of horrendous assignment &#8211; he was the one [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[27],"tags":[],"class_list":["post-4505","post","type-post","status-publish","format-standard","hentry","category-x-axis"],"_links":{"self":[{"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=\/wp\/v2\/posts\/4505","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4505"}],"version-history":[{"count":2,"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=\/wp\/v2\/posts\/4505\/revisions"}],"predecessor-version":[{"id":4507,"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=\/wp\/v2\/posts\/4505\/revisions\/4507"}],"wp:attachment":[{"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4505"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=4505"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=4505"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}