{"id":617,"date":"2010-11-30T21:50:02","date_gmt":"2010-11-30T21:50:02","guid":{"rendered":"http:\/\/www.housetoastonish.com\/?p=617"},"modified":"2010-11-30T21:50:02","modified_gmt":"2010-11-30T21:50:02","slug":"charts-28-november-2010","status":"publish","type":"post","link":"https:\/\/www.housetoastonish.com\/?p=617","title":{"rendered":"Charts &#8211; 28 November 2010"},"content":{"rendered":"<p>The chart domination of <em>X Factor<\/em> hasn&#8217;t been quite so comprehensive this year as last, perhaps because the decision to sell performances as (chart ineligible) downloads has diverted some of the sales that might otherwise have gone to originals from the back catalogue. \u00a0But it&#8217;s still a significant force. \u00a0Between present contestants, past contestants, judges, and back catalogue material performed in the finals, it accounts for seven of the top 40 singles, with several more tracks having been promoted on the results show.<\/p>\n<p>But this week, it&#8217;s that special time of the year when Simon Cowell strives for karmic balance. \u00a0Yes, it&#8217;s the annual <em>X Factor <\/em>finalists&#8217; charity single at number 1, and this year they&#8217;re once again raising money for the troops with a cover version of <strong>&#8220;Heroes&#8221;<\/strong>. \u00a0Never subtle, that Simon Cowell.<\/p>\n<p><object classid=\"clsid:d27cdb6e-ae6d-11cf-96b8-444553540000\" width=\"560\" height=\"340\" codebase=\"http:\/\/download.macromedia.com\/pub\/shockwave\/cabs\/flash\/swflash.cab#version=6,0,40,0\"><param name=\"allowFullScreen\" value=\"true\" \/><param name=\"allowscriptaccess\" value=\"always\" \/><param name=\"src\" value=\"http:\/\/www.youtube.com\/v\/dHsCGoZst-w?fs=1&amp;hl=en_US\" \/><param name=\"allowfullscreen\" value=\"true\" \/><embed type=\"application\/x-shockwave-flash\" width=\"560\" height=\"340\" src=\"http:\/\/www.youtube.com\/v\/dHsCGoZst-w?fs=1&amp;hl=en_US\" allowscriptaccess=\"always\" allowfullscreen=\"true\"><\/embed><\/object><\/p>\n<p><!--more--><\/p>\n<p>Veteran viewers of <em>X Factor<\/em> charity singles will know that the main fun to be had with these videos is playing Spot The Novelty Contestant, who technically has to be included in the song, but whose contribution must at all costs be kept to an absolute minimum. \u00a0Last year it was John and Edward, the talentless twins. \u00a0This year, it&#8217;s Wagner, a middle-aged Brazilian martial artist and bongo enthusiast whose video package was able to boast a photograph of him as a Tarzan-ish young man grabbing a lion by the tail. \u00a0As is the way with these contestants, he finally got knocked out this week, just as the papers were starting to speculate that he might win.<\/p>\n<p>Wagner apparently defies common sense to the point where he must be relegated to the fringes of group singing. He truly was a sight to behold, especially if you view him as some sort of bizarre Kaufmanesque joke at the expense of people who take the show seriously. \u00a0(He seems sufficiently aware of his own ridiculousness to suggest that the joke is not entirely on him, at any rate.) \u00a0Here he is in action.<\/p>\n<p><object classid=\"clsid:d27cdb6e-ae6d-11cf-96b8-444553540000\" width=\"560\" height=\"340\" codebase=\"http:\/\/download.macromedia.com\/pub\/shockwave\/cabs\/flash\/swflash.cab#version=6,0,40,0\"><param name=\"allowFullScreen\" value=\"true\" \/><param name=\"allowscriptaccess\" value=\"always\" \/><param name=\"src\" value=\"http:\/\/www.youtube.com\/v\/2zysEoj882o?fs=1&amp;hl=en_US\" \/><param name=\"allowfullscreen\" value=\"true\" \/><embed type=\"application\/x-shockwave-flash\" width=\"560\" height=\"340\" src=\"http:\/\/www.youtube.com\/v\/2zysEoj882o?fs=1&amp;hl=en_US\" allowscriptaccess=\"always\" allowfullscreen=\"true\"><\/embed><\/object><\/p>\n<p>This is the show&#8217;s third charity single, all of which have made number 1 &#8211; though the iTunes charts suggest this one&#8217;s going to drop fairly quickly, so the formula may be wearing thin. \u00a0&#8220;Heroes&#8221; is actually the best of the bunch, which is to say that there are moments when it&#8217;s not altogether excruciating. \u00a0Surprisingly, while David Bowie did have four number 1 hits (<a href=\"http:\/\/www.youtube.com\/watch?v=cYMCLz5PQVw\" target=\"_blank\">&#8220;Space Oddity&#8221;<\/a>, <a href=\"http:\/\/www.youtube.com\/watch?v=Gpn8MANhdLU\" target=\"_blank\">&#8220;Under Pressure&#8221;<\/a>, <a href=\"http:\/\/www.youtube.com\/watch?v=N4d7Wp9kKjA\" target=\"_blank\">&#8220;Let&#8217;s Dance&#8221;<\/a> and <a href=\"http:\/\/www.youtube.com\/watch?v=9G4jnaznUoQ\" target=\"_blank\">&#8220;Dancing in the Street&#8221;<\/a>), the original of &#8220;Heroes&#8221; only reached number 24 on its release in 1977. \u00a0It wasn&#8217;t an international success, so on the offchance that some overseas readers might not be familiar with it, here it is&#8230;<\/p>\n<p><object classid=\"clsid:d27cdb6e-ae6d-11cf-96b8-444553540000\" width=\"425\" height=\"344\" codebase=\"http:\/\/download.macromedia.com\/pub\/shockwave\/cabs\/flash\/swflash.cab#version=6,0,40,0\"><param name=\"allowFullScreen\" value=\"true\" \/><param name=\"allowscriptaccess\" value=\"always\" \/><param name=\"src\" value=\"http:\/\/www.youtube.com\/v\/Tgcc5V9Hu3g?fs=1&amp;hl=en_US\" \/><param name=\"allowfullscreen\" value=\"true\" \/><embed type=\"application\/x-shockwave-flash\" width=\"425\" height=\"344\" src=\"http:\/\/www.youtube.com\/v\/Tgcc5V9Hu3g?fs=1&amp;hl=en_US\" allowscriptaccess=\"always\" allowfullscreen=\"true\"><\/embed><\/object><\/p>\n<p>Carrying on down the chart, this week&#8217;s number 4 is <em><a href=\"http:\/\/www.youtube.com\/watch?v=NRCi83P4-VY\" target=\"_blank\"><strong>&#8220;Thinking Of Me&#8221; by Olly Murs<\/strong><\/a><\/em>, the rather limp second single from the guy who came second on last year&#8217;s <em>X Factor<\/em>. \u00a0Simon Cowell signed him anyway, which looks like being a smart move. \u00a0This is the follow-up to the rather better <a href=\"http:\/\/www.youtube.com\/watch?v=-4S9gQb9PjM\" target=\"_blank\">&#8220;Please Don&#8217;t Let Me Go&#8221;<\/a>, a shortlived number 1 from September, which re-enters this week&#8217;s chart at 39. \u00a0The thing about <em>X Factor<\/em> is that the people who vote for it aren&#8217;t necessarily the sort of people who buy records. \u00a0Murs lost last year&#8217;s final by a wide margin in the voting. \u00a0But his debut single had an initial chart run of 1-4-5-12-16-23-28-35-39 . \u00a0 Compare that to winner Joe McElderry&#8217;s first single &#8220;The Climb&#8221; (2-1-2-15-25-38-gone) and his second single &#8220;Ambitions&#8221; (6-21-23-out). \u00a0Murs looks like having the better career prospects, at this point.<\/p>\n<p><span style=\"font-weight: normal;\">The rest of this week&#8217;s new entries cluster at the lower end of the chart. \u00a0Number 25 is <\/span><em><a href=\"http:\/\/www.youtube.com\/watch?v=pOf3kYtwASo\" target=\"_blank\"><strong>&#8220;Do It Like a Dude&#8221; by Jessie J<\/strong><\/a><\/em><span style=\"font-weight: normal;\">, a songwriter partly responsible for the likes of Miley Cyrus&#8217; <a href=\"http:\/\/www.youtube.com\/watch?v=M11SvDtPBhA\" target=\"_blank\">&#8220;Party in the USA&#8221;<\/a>. \u00a0To be fair, this is a much more distinctive record, but whether it&#8217;s actually likeable &#8211; as opposed to trying to hard in a Kesha-ish kind of way &#8211; I&#8217;m not quite sure. \u00a0The record industry apparently has high hopes for her.<\/span><\/p>\n<p><span style=\"font-weight: normal;\">Number 29 is a real oddity &#8211; <\/span><em><strong>&#8220;Gillian McKeith&#8221; by Brett Domino<\/strong>.<\/em><span style=\"font-weight: normal;\"> To fully explain this for American readers would take forever, but, in brief outline&#8230; <\/span><\/p>\n<p><span style=\"font-weight: normal;\">Gillian McKeith is, for want of a better word, a TV nutritionist who rose to fame hosting Channel 4&#8217;s <em>You Are What You Eat<\/em>, in which she dispensed advice on what you should eat, the content of that advice and the extent of her qualifications to give it being the subject of considerable criticism and occasional threats of litigation. \u00a0She also spent a lot of time prodding excrement. \u00a0Basically, she&#8217;s something of a rationalist <em>bete noir<\/em>, and not without reason. \u00a0Check <a href=\"http:\/\/en.wikipedia.org\/wiki\/Gillian_mckeith\" target=\"_blank\">her Wikipedia entry <\/a>if you want the full story. <\/span><\/p>\n<p><span style=\"font-weight: normal;\">But her TV show was cancelled a few years ago, so she&#8217;s now appearing on ITV&#8217;s winter reality-show ratings juggernaut <em>I&#8217;m a Celebrity &#8211; Get Me Out of Here!<\/em>, in which a bunch of fading has-beens are flown off to the Australian jungle to undergo assorted trials for the amusement of the British public. \u00a0It&#8217;s basically an exercise in getting the hopelessly fame hungry to humiliate themselves for attention, and thus, depending on your point of view, either deeply satisfying or desperately sad. \u00a0Many who would normally find it desperately sad have found that when it&#8217;s happening to Gillian McKeith, it suddenly becomes deeply satisfying. \u00a0Regardless, the public have taken something of a dislike to Gillian, having voted for her incessantly to carry out every trial imaginable, while she moans, wails, protests, faints on live TV (to a general consensus of fakery) and asserts a panoply of phobias that, if genuine, would have dissuaded any sane person from going on the show at all. \u00a0The public <em>really<\/em> don&#8217;t like Gillian McKeith.<\/span><\/p>\n<p><span style=\"font-weight: normal;\">And so enter&#8230; a song from YouTube. \u00a0Brett Domino is a minor internet personality best known for doing complicated, wonky, lo-fi cover versions of pop songs, such as <a href=\"http:\/\/www.youtube.com\/watch?v=NJWj8HjX9ew\" target=\"_blank\">this surprisingly good version of &#8220;Bad Romance&#8221;<\/a>, and this impressive medley of songs from Now! 75&#8230;<\/span><\/p>\n<p><object classid=\"clsid:d27cdb6e-ae6d-11cf-96b8-444553540000\" width=\"560\" height=\"340\" codebase=\"http:\/\/download.macromedia.com\/pub\/shockwave\/cabs\/flash\/swflash.cab#version=6,0,40,0\"><param name=\"allowFullScreen\" value=\"true\" \/><param name=\"allowscriptaccess\" value=\"always\" \/><param name=\"src\" value=\"http:\/\/www.youtube.com\/v\/l77li1X6Ol0?fs=1&amp;hl=en_US\" \/><param name=\"allowfullscreen\" value=\"true\" \/><embed type=\"application\/x-shockwave-flash\" width=\"560\" height=\"340\" src=\"http:\/\/www.youtube.com\/v\/l77li1X6Ol0?fs=1&amp;hl=en_US\" allowscriptaccess=\"always\" allowfullscreen=\"true\"><\/embed><\/object><\/p>\n<p>Normally Brett Domino&#8217;s about the music and the delivery, but this time he&#8217;s written an actual song about Gillian McKeith. \u00a0Quite honestly, this is the sort of thing you&#8217;d expect to find on a Radio 4 comedy show, so it&#8217;s really bizarre to see it in the chart &#8211; granted that it got a bit of play on the Radio 1 breakfast show, it&#8217;s still basically a comedy video from YouTube. \u00a0And it&#8217;s actually holding up quite well in the iTunes chart, too. \u00a0I like that we now live in a world where this sort of thing can chart. \u00a0I mean, look at the video&#8230; this is the definition of &#8220;throwaway side project&#8221;.<\/p>\n<p><object classid=\"clsid:d27cdb6e-ae6d-11cf-96b8-444553540000\" width=\"560\" height=\"340\" codebase=\"http:\/\/download.macromedia.com\/pub\/shockwave\/cabs\/flash\/swflash.cab#version=6,0,40,0\"><param name=\"allowFullScreen\" value=\"true\" \/><param name=\"allowscriptaccess\" value=\"always\" \/><param name=\"src\" value=\"http:\/\/www.youtube.com\/v\/TqGGrO5hjy8?fs=1&amp;hl=en_US\" \/><param name=\"allowfullscreen\" value=\"true\" \/><embed type=\"application\/x-shockwave-flash\" width=\"560\" height=\"340\" src=\"http:\/\/www.youtube.com\/v\/TqGGrO5hjy8?fs=1&amp;hl=en_US\" allowscriptaccess=\"always\" allowfullscreen=\"true\"><\/embed><\/object><\/p>\n<p>Back in the real world&#8230; number 33 is <em><a href=\"http:\/\/www.youtube.com\/watch?v=Ndw6GNCtw14\" target=\"_blank\"><strong>&#8220;More&#8221; by Usher<\/strong><\/a><\/em><span style=\"font-weight: normal;\">, his seventeenth hit, and more of the same basically. \u00a0The video is full of basketball, for reasons that may make sense to Americans.<\/span><\/p>\n<p><span style=\"font-weight: normal;\">Number 37 is <\/span><em><a href=\"http:\/\/www.youtube.com\/watch?v=OJQyTnD74gk\" target=\"_blank\"><strong>&#8220;Doncamatic&#8221; by Gorillaz featuring Daley<\/strong><\/a><\/em><span style=\"font-weight: normal;\">. \u00a0It&#8217;s the ninth hit for the Damon Albarn side project &#8211; most Gorillaz records recently haven&#8217;t been chart eligible, so this is actually their first chart appearance since 2006. \u00a0Daley is a Mancunian singer-songwriter, and this is his chart debut &#8211; his debut single, in fact, from the look of it, though he&#8217;s picked up some Radio 1 airplay anyway.<\/span><\/p>\n<p><em><a href=\"http:\/\/www.youtube.com\/watch?v=kEogJacjLTE\" target=\"_blank\"><strong>&#8220;Let it Be&#8221; by the Beatles<\/strong><\/a><\/em> scrapes on at 38, presumably thanks to the combination of the iTunes publicity and last week&#8217;s <em>X Factor<\/em> Beatles show. \u00a0And at a surprisingly low number 40, there&#8217;s <em><a href=\"http:\/\/www.youtube.com\/watch?v=vypAgJWiifA\" target=\"_blank\"><strong>&#8220;Better Than Today&#8221;<\/strong><\/a><\/em><a href=\"http:\/\/www.youtube.com\/watch?v=vypAgJWiifA\" target=\"_blank\"><strong> by Kylie Minogue<\/strong><\/a>.  This was promoted on the <em>X Factor<\/em> results show, so although the single proper doesn&#8217;t come out until 5 December, I&#8217;d have expected it to do better. \u00a0It&#8217;s a cover version of <a href=\"http:\/\/www.youtube.com\/watch?v=7Mln02ImpFs\" target=\"_blank\">a fairly obscure Nerina Pallot song<\/a>,from an EP which she was selling at live gigs last year.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The chart domination of X Factor hasn&#8217;t been quite so comprehensive this year as last, perhaps because the decision to sell performances as (chart ineligible) downloads has diverted some of the sales that might otherwise have gone to originals from the back catalogue. \u00a0But it&#8217;s still a significant force. \u00a0Between present contestants, past contestants, judges, [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"footnotes":""},"categories":[22],"tags":[],"class_list":["post-617","post","type-post","status-publish","format-standard","hentry","category-music"],"_links":{"self":[{"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=\/wp\/v2\/posts\/617","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=617"}],"version-history":[{"count":4,"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=\/wp\/v2\/posts\/617\/revisions"}],"predecessor-version":[{"id":621,"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=\/wp\/v2\/posts\/617\/revisions\/621"}],"wp:attachment":[{"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=617"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=617"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=617"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}