{"id":733,"date":"2011-02-26T16:55:37","date_gmt":"2011-02-26T16:55:37","guid":{"rendered":"http:\/\/www.housetoastonish.com\/?p=733"},"modified":"2011-02-26T16:55:37","modified_gmt":"2011-02-26T16:55:37","slug":"charts-20-february-2011","status":"publish","type":"post","link":"https:\/\/www.housetoastonish.com\/?p=733","title":{"rendered":"Charts &#8211; 20 February 2011"},"content":{"rendered":"<p>Last week, Lady Gaga released a single on Friday afternoon, it entered at number 3 on the strength of a day and a half&#8217;s sales, and I confidently predicted that it would climb to the top in its first full week of release. \u00a0Well, so much for that idea.<\/p>\n<p>As it turns out, what seems to have happened is that the hardcore Lady Gaga fans &#8211; of whom there are apparently quite a lot &#8211; ran out and bought the single in the first few days, but it&#8217;s taking longer to catch on with a wider audience. \u00a0This shouldn&#8217;t actually have come as a surprise, since she has a track record of releasing singles that took a while to catch on before climbing to the top. \u00a0Perhaps <a href=\"http:\/\/www.youtube.com\/watch?v=Z4a8QtvOkBQ\" target=\"_blank\">&#8220;Born This Way&#8221;<\/a> will be the same. \u00a0(I wasn&#8217;t sold on it at first, but it&#8217;s certainly growing on me.)<\/p>\n<p>Regardless, the upshot is that although she was number one in the Wednesday midweek chart, Lady Gaga didn&#8217;t sustain her sales over the course of a second week, and <a href=\"http:\/\/www.youtube.com\/watch?v=qMxX-QOV9tI\" target=\"_blank\">Jessie J&#8217;s &#8220;Price Tag&#8221;<\/a> outsold her again. \u00a0At time of writing, &#8220;Born This Way&#8221; has dropped to 9 on the iTunes chart, while &#8220;Price Tag&#8221; continues to sell.<\/p>\n<p>But neither of those singles is this week&#8217;s number one. \u00a0Unexpectedly, this is.<\/p>\n<p><object classid=\"clsid:d27cdb6e-ae6d-11cf-96b8-444553540000\" width=\"640\" height=\"390\" codebase=\"http:\/\/download.macromedia.com\/pub\/shockwave\/cabs\/flash\/swflash.cab#version=6,0,40,0\"><param name=\"allowFullScreen\" value=\"true\" \/><param name=\"allowscriptaccess\" value=\"always\" \/><param name=\"src\" value=\"http:\/\/www.youtube.com\/v\/OZtUjFJvYkA?fs=1&amp;hl=en_US\" \/><param name=\"allowfullscreen\" value=\"true\" \/><embed type=\"application\/x-shockwave-flash\" width=\"640\" height=\"390\" src=\"http:\/\/www.youtube.com\/v\/OZtUjFJvYkA?fs=1&amp;hl=en_US\" allowscriptaccess=\"always\" allowfullscreen=\"true\"><\/embed><\/object><\/p>\n<p><!--more--><\/p>\n<p>That&#8217;s <strong><em>&#8220;Someone Like You&#8221; by Adele<\/em><\/strong>. \u00a0Rather good, isn&#8217;t it?<\/p>\n<p>And it&#8217;s at number 1 because of the Brit Awards, Britain&#8217;s traditionally shambolic and often half-baked answer to the Grammies. \u00a0The Brit Awards didn&#8217;t actually do that well in the ratings this year &#8211; foreign readers may find this difficult to believe, but it was actually beaten by a documentary about gypsies on Channel 4. \u00a0(I say &#8220;documentary&#8221;. \u00a0&#8220;Reality show with pretensions&#8221; would be nearer the mark.) \u00a0Nonetheless, as <em>X Factor<\/em> annually proves, if you put live music on primetime ITV, several million viewers will watch it, will hear records that they didn&#8217;t know about, and will go out and buy them.<\/p>\n<p>This year, all of the live performances were made available on iTunes as midweek single releases, and as such they&#8217;re eligible for the charts. \u00a0Complicating matters further, the singles chart is actually now set up as a song chart &#8211; so you can release as many versions of a song as you like, and the chart compilers will lump them all together.<\/p>\n<p>Plainly, the stand-out performance of the show was Adele&#8217;s version of &#8220;Someone Like You&#8221;, a track which was already slated to be the second single from her album &#8220;21&#8221;. \u00a0In fact, the song already charted as an album track download three weeks ago. \u00a0Most of the sales of &#8220;Someone Like You&#8221; last week were of the Brits live version, but it inherits the chart placing of the studio version. \u00a0The result is that the song has moved 36-33-47-1, giving it the second-biggest jump to number 1 in history. \u00a0(The record is held, on a technicality, by <a href=\"http:\/\/www.youtube.com\/watch?v=fIRzDyumn4g\" target=\"_blank\">Pixie Lott&#8217;s &#8220;Boys and Girls&#8221;<\/a>, where a few copies jumped the gun and went on sale at the end of the previous week, resulting in a 73-1 jump.)<\/p>\n<p>Adele Adkins was supposed to be the great breakthrough star of 2008, but after a successful debut single, things kind of tailed off. \u00a0Luckily for her, last year&#8217;s\u00a0<em>X Factor<\/em> made heavy use of her cover of <a href=\"http:\/\/www.youtube.com\/watch?v=0put0_a--Ng\" target=\"_blank\">&#8220;Make You Feel My Love&#8221;<\/a>, which got her back into the charts and teed things up nicely for the release of second album &#8220;21&#8221;. \u00a0She&#8217;s made number 2 twice &#8211; with debut <a href=\"http:\/\/www.youtube.com\/watch?v=uBmwdlBFs1s\" target=\"_blank\">&#8220;Chasing Pavements&#8221;<\/a> and the excellent &#8220;Rolling in the Deep&#8221;, currently at 4 &#8211; but this is her first number 1.<\/p>\n<p><object classid=\"clsid:d27cdb6e-ae6d-11cf-96b8-444553540000\" width=\"640\" height=\"390\" codebase=\"http:\/\/download.macromedia.com\/pub\/shockwave\/cabs\/flash\/swflash.cab#version=6,0,40,0\"><param name=\"allowFullScreen\" value=\"true\" \/><param name=\"allowscriptaccess\" value=\"always\" \/><param name=\"src\" value=\"http:\/\/www.youtube.com\/v\/rYEDA3JcQqw?fs=1&amp;hl=en_US\" \/><param name=\"allowfullscreen\" value=\"true\" \/><embed type=\"application\/x-shockwave-flash\" width=\"640\" height=\"390\" src=\"http:\/\/www.youtube.com\/v\/rYEDA3JcQqw?fs=1&amp;hl=en_US\" allowscriptaccess=\"always\" allowfullscreen=\"true\"><\/embed><\/object><\/p>\n<p>That gives her two singles in the top 5, and renewed sales of her debut album &#8220;19&#8221; mean that she also has two albums in the top 5. \u00a0The chart compilers do like to find obscure and rather pointless &#8220;records&#8221; to announce, and so they&#8217;ve taken the opportunity to inform us that Adele is only the third act in history to manage two top 5 single and two top 5 albums simultaneously &#8211; the others being the Beatles and John Lennon. \u00a0And Lennon doesn&#8217;t really count, because it was immediately after his death.<\/p>\n<p>Further down the chart, it&#8217;s a relatively quiet week for new entries. \u00a0Since &#8220;Someone Like You&#8221; is technically a re-entry, the highest new entry is at 14:<a href=\"http:\/\/www.youtube.com\/watch?v=RcmKbTR--iA\" target=\"_blank\"> <\/a><strong><em><a href=\"http:\/\/www.youtube.com\/watch?v=RcmKbTR--iA\" target=\"_blank\">&#8220;Rocketeer&#8221; by the Far East Movement featuring Ryan Tedder<\/a><\/em><\/strong>. \u00a0 (Tedder is the songwriter for Onerepublic, if you&#8217;re trying to place the name.) \u00a0This is the follow-up to &#8220;Like A G6&#8221;, which is probably the main reason why it got this far. \u00a0It&#8217;s not especially memorable, and the midweeks have it dropping out of the top 20.<\/p>\n<p>Number 21 is <strong><em>&#8220;Rescue Me&#8221; by You Me At Six and Chiddy<\/em><\/strong> (one half of Chiddy Bang, who had a hit with &#8220;Kids&#8221; last year). \u00a0You Me At Six are a rock band from Surrey who&#8217;ve been around for several years without really making a breakthrough &#8211; until now, their only top 40 hit was <a href=\"http:\/\/www.youtube.com\/watch?v=iGSeHE6UgNg\" target=\"_blank\">&#8220;Finders Keepers&#8221;<\/a>, which got to 33 in summer 2009. \u00a0&#8220;Rescue Me&#8221; is a rather formulaic rock ballad, but the \u00a0curiously incongruous guest rap does add something to it.<\/p>\n<p><object classid=\"clsid:d27cdb6e-ae6d-11cf-96b8-444553540000\" width=\"640\" height=\"390\" codebase=\"http:\/\/download.macromedia.com\/pub\/shockwave\/cabs\/flash\/swflash.cab#version=6,0,40,0\"><param name=\"allowFullScreen\" value=\"true\" \/><param name=\"allowscriptaccess\" value=\"always\" \/><param name=\"src\" value=\"http:\/\/www.youtube.com\/v\/3kIIMefEdr4?fs=1&amp;hl=en_US\" \/><param name=\"allowfullscreen\" value=\"true\" \/><embed type=\"application\/x-shockwave-flash\" width=\"640\" height=\"390\" src=\"http:\/\/www.youtube.com\/v\/3kIIMefEdr4?fs=1&amp;hl=en_US\" allowscriptaccess=\"always\" allowfullscreen=\"true\"><\/embed><\/object><\/p>\n<p>Otherwise, this week&#8217;s new entries are all Brit Awards and Glee Cast numbers. \u00a0Number 31 is <strong><em>&#8220;Kidz&#8221; by Take That<\/em><\/strong>, an upcoming single charting on the strength of a Brits performance. \u00a0This is going to climb further. \u00a0It&#8217;s certainly a departure from the band&#8217;s usual style, and sounds like the result of some bizarre body-swap comedy involving them and Muse. \u00a0The song would have seemed more at home on a Robbie Williams album, and it can&#8217;t be a coincidence that Take That have stated making this sort of thing now that he&#8217;s returned to the fold. \u00a0I think it&#8217;s rather good, though it has to be said that Take That don&#8217;t really do &#8220;threatening&#8221;.<\/p>\n<p><object classid=\"clsid:d27cdb6e-ae6d-11cf-96b8-444553540000\" width=\"560\" height=\"349\" codebase=\"http:\/\/download.macromedia.com\/pub\/shockwave\/cabs\/flash\/swflash.cab#version=6,0,40,0\"><param name=\"allowFullScreen\" value=\"true\" \/><param name=\"allowscriptaccess\" value=\"always\" \/><param name=\"src\" value=\"http:\/\/www.youtube.com\/v\/oJY4KG0wR3U?fs=1&amp;hl=en_US\" \/><param name=\"allowfullscreen\" value=\"true\" \/><embed type=\"application\/x-shockwave-flash\" width=\"560\" height=\"349\" src=\"http:\/\/www.youtube.com\/v\/oJY4KG0wR3U?fs=1&amp;hl=en_US\" allowscriptaccess=\"always\" allowfullscreen=\"true\"><\/embed><\/object><\/p>\n<p>Also on the Brit Awards, <strong><em>Tinie Tempah<\/em><\/strong> did a medley of &#8220;Pass Out&#8221;, &#8220;Miami 2 Ibiza&#8221; and &#8220;Written In The Stars&#8221;. \u00a0Since the chart compilers can&#8217;t match that to either of the previous singles, the effect is to split the sales. \u00a0<a href=\"http:\/\/www.youtube.com\/watch?v=QzvGKas5RsU\" target=\"_blank\"><strong><em>&#8220;Pass Out&#8221;<\/em><\/strong><\/a> re-enters at 32,<strong><em> <\/em><\/strong><a href=\"http:\/\/www.youtube.com\/watch?v=YgFyi74DVjc\" target=\"_blank\"><strong><em>&#8220;Written in the Stars&#8221;<\/em><\/strong><\/a> at 33, and the medley <strong><em>&#8220;<\/em><\/strong><a href=\"http:\/\/www.youtube.com\/watch?v=Os_h2luQyL4\" target=\"_blank\"><strong><em>We Bring The Stars Out&#8221;<\/em><\/strong><\/a> lands at 40. \u00a0And the <strong><em>Glee Cast<\/em><\/strong> are back, with <a href=\"http:\/\/www.youtube.com\/watch?v=E46BhMIRujI\" target=\"_blank\"><strong><em>&#8220;Teenage Dream&#8221;<\/em><\/strong><\/a> at 36 (that&#8217;s the Katy Perry song, not the T-Rex one), and <a href=\"http:\/\/www.youtube.com\/watch?v=0aJGowcDUio\" target=\"_blank\"><strong><em>&#8220;Start Me Up\/Livin&#8217; on a Prayer&#8221;<\/em><\/strong><\/a> at 39.<\/p>\n<p>Climbers this week: <a href=\"http:\/\/www.youtube.com\/watch?v=KdS6HFQ_LUc\" target=\"_blank\">Rihanna&#8217;s &#8220;S&amp;M&#8221;<\/a> is up to 6. \u00a0<a href=\"http:\/\/www.youtube.com\/watch?v=qJcBWDCBldY\" target=\"_blank\">&#8220;Eyes Wide Shut&#8221; by JLS<\/a> climbs to 8 since they&#8217;ve finally got around to releasing the version with Tinie Tempah on it. \u00a0(His featured artist credit on that, his three Brits-related tracks, and current single <a href=\"http:\/\/www.youtube.com\/watch?v=v-FWDsXUCes\" target=\"_blank\">&#8220;Wonderman&#8221;<\/a> give him a remarkable five singles on this week&#8217;s chart.) \u00a0And <a href=\"http:\/\/www.youtube.com\/watch?v=C-h7kJewJG4\" target=\"_blank\">&#8220;F&#8211;k You&#8221; by Cee Lo Green<\/a>, also performed at the Brits, rebounds to 19.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Last week, Lady Gaga released a single on Friday afternoon, it entered at number 3 on the strength of a day and a half&#8217;s sales, and I confidently predicted that it would climb to the top in its first full week of release. \u00a0Well, so much for that idea. As it turns out, what seems [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"footnotes":""},"categories":[22],"tags":[],"class_list":["post-733","post","type-post","status-publish","format-standard","hentry","category-music"],"_links":{"self":[{"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=\/wp\/v2\/posts\/733","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=733"}],"version-history":[{"count":3,"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=\/wp\/v2\/posts\/733\/revisions"}],"predecessor-version":[{"id":739,"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=\/wp\/v2\/posts\/733\/revisions\/739"}],"wp:attachment":[{"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=733"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=733"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=733"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}