{"id":8085,"date":"2022-09-04T12:14:18","date_gmt":"2022-09-04T11:14:18","guid":{"rendered":"https:\/\/www.housetoastonish.com\/?p=8085"},"modified":"2022-10-02T12:29:33","modified_gmt":"2022-10-02T11:29:33","slug":"the-incomplete-wolverine-2004","status":"publish","type":"post","link":"https:\/\/www.housetoastonish.com\/?p=8085","title":{"rendered":"The Incomplete Wolverine – 2004"},"content":{"rendered":"

Part 1: Origin to Origin II<\/a> | <\/a>Part 2: 1907 to 1914<\/a>
\n<\/a>Part 3: 1914 to 1939<\/a> | <\/a>Part 4: World War II<\/a>
\n<\/a>Part 5: The postwar era<\/a> | <\/a>Part 6: Team X<\/a>
\n<\/a>Part 7: Post Team X<\/a> | <\/a>Part 8: Weapon X<\/a>
\n<\/a>Part 9: Department H<\/a> | <\/a>Part 10: The Silver Age<\/a>
\n1974-1975<\/a>\u00a0|\u00a0<\/a>1976<\/a> | <\/a>1977<\/a> | <\/a>1978<\/a> | <\/a>1979<\/a>\u00a0<\/a>
\n1980<\/a> | <\/a>1981<\/a> | 1982<\/a><\/em>\u00a0| 1983<\/em><\/a>\u00a0|\u00a01984<\/a>\u00a0<\/em>|\u00a01985<\/a>
\n1986<\/a>\u00a0| 1987<\/a> | 1988<\/a><\/em>\u00a0| 1989<\/a> | 1990<\/a><\/em> | 1991<\/em><\/a>
\n1992<\/em><\/a>\u00a0|\u00a01993<\/em><\/a> | 1994<\/em><\/a> | 1995<\/a>\u00a0|\u00a01996<\/a> | 1997 <\/a><\/em>
\n1998<\/a> |<\/em>\u00a01999<\/a><\/em>\u00a0|\u00a02000<\/em><\/a>\u00a0|\u00a02001<\/a> | 2002<\/a><\/em> | 2003<\/em><\/a><\/p>\n

We’re in the Greg Rucka run, which so far has been a detour from regular superheroics into something more down to earth. Meanwhile, Grant Morrison has just left the X-Men. We left off with Rucka’s “Coyote Crossing” arc, which ran through to February 2004, and so we pick up with…<\/p>\n

\"\"<\/a>WOLVERINE vol 3 #12<\/a><\/strong>
\n“Dreams”<\/strong>
\nby Greg Rucka, Darick Robertson & Studio F<\/strong>
\nMarch 2004<\/strong><\/p>\n

After eleven comparatively low-key, real-world issues, this is a drastic departure – a surrealist stream-of-conscious issue depicting one of Logan’s nightmares. Recurring themes include an animalistic version of himself hiding in the closet and a bright red bird who symbolises Jean, but it defies summary. Darick Robertson’s slight edge of cartooning is perfect for it. In the morning, Cassie Lathrop asks Logan if he had dreams, and he just answers “no.” They’re a couple at this point, by the way, but nothing will come of it.<\/p>\n

\"\"<\/a>WOLVERINE vol 3 #13-19<\/strong><\/a>
\n“Return of the Native”<\/strong>
\nby Greg Rucka, Darick Robertson, Tom Palmer & Studio F<\/strong>
\nApril to September 2004<\/strong>Sabretooth is hired by Mr Willoughby\u00a0<\/strong>and his aide\u00a0Mr Murray\u00a0<\/strong>– both connected with the Weapon X Project – to find and capture the Native.\u00a0<\/strong>Rather than do it himself, Sabretooth gives the Native’s file to Logan and lets him do the hunting. Ostensibly it’s the easiest way of doing the job, but mainly Sabretooth just wants to screw with Logan.<\/p>\n

Logan duly tracks down the Native, a feral woman living in the wilderness, who turns out to be another survivor of the Weapon X Project. She clearly remembers him, but he doesn’t remember him at all. Her attitude to him swings wildly from violence to sex. Logan tries to help her escape and they wind up in a cabin that they vaguely recognises; she tells him in broken English that it is “home”. Eventually, Willoughby and Murray manage to capture the Native; their plan is to harvest her eggs to create new super-soldiers. Having fallen out with his employers, Sabretooth switches sides and offers to help Logan rescue Native, mainly just to annoy everyone. Logan plays along until he gets the chance to run Sabretooth over and claw him in the head. Meanwhile, Weapon X’s\u00a0Dr Vapor<\/strong> discovers that Native is pregnant (apparently with Logan’s child). Logan kills Vapor and rescues Native. He tries to persuade her to come back to the X-Men with him, but she says she can’t. (“Don’t belong, Logan.”) Sabretooth attacks Logan again, claiming that they both know Native needs to be put out of her misery, and that only he has the strength to do it. Sabretooth wins the fight and kills Native before Wolverine can recover, leaving a note reading “I did you a favour, runt – you can thank me later.”<\/p>\n

This seven-parter is the end of the Greg Rucka run, and his only arc that really engages with wider continuity. Surprisingly, Native never appears again – yes, she dies at the end, but when did that ever stop anyone? She’s an interesting character, in that she’s an “animal” in a different sense from the usual Wolverine stories – she’s too animalistic even for Logan to interact with meaningfully, and in some ways the character is limited by design. There’s a definite hint that Creed is sincere in his view that she is better off dead.<\/p>\n

This arc doesn’t have much to do with the rest of Rucka’s run, and since his only other subplot – the Cassie Lathrop romance – is immediately dropped, the run feels somewhat incomplete. It’s basically a series of character pieces, paced in the somewhat langorous style of the time – not much talked about these days, but good stuff.<\/p>\n

\"\"<\/a>WOLVERINE \/ PUNISHER<\/a><\/strong>
\n5-issue miniseries<\/strong>
\nby Peter Milligan, Lee Weeks, Tom Palmer & Dean White<\/strong>
\nMarch to July 2004<\/strong><\/p>\n

When mysterious forces break contract killer Harvey Long<\/b> out of his maximum security prison and direct him to Erewhon<\/strong>, a mythical hidden paradise for “made men”, he expects a happy retirement. But Erewhon turns out to be a bleak jungle shanty town populated by criminals on the run from the Punisher. The town is run by\u00a0Gottlieb<\/strong>, who is running a scheme devised by\u00a0Napoleon<\/strong> (Oswald Zinn). The plan is to use people like Long to lure the Punisher to Erewhon and kill him. But – also as part of Napoleon’s plan – Wolverine is also there, to recapture Long and bring him back for trial. Cue much argument between the two antiheroes about the value of the law, with Wolverine playing the relative liberal for once. This is more in character than it sounds, since it’s basically a Claremont-era take on Wolverine as a character who strongly believes that the good guys should play by the rules and that the world needs fewer people like him.<\/p>\n

Once in Erewhon, Logan gets diverted by the likes of\u00a0the Lady<\/strong>, who tries to seduce him, and\u00a0the Atheist<\/strong> (Gerald O’Higgins). Convinced that the Punisher has been brought there to kill them, the Erewhonians turn on their leaders, and Napoleon seizes control. The heroes are captured, but criminal accountant\u00a0Books<\/strong> secretly frees them and helps them escape – Punisher grudgingly agrees to go, grumbling that he’ll come back when he’s replenished his weapons. Meanwhile, Books persuades the Erewhonians that the threat of the Punisher is the only thing that gives their town meaning, and that none of them really want to be free anyway.<\/p>\n

This Marvel Knights mini is worth a read. Milligan never quite seemed to fit at Marvel, except on\u00a0X-Statix<\/em>, but this is one of the books where he clicks. (“Just because we’re murderers, arsonists, extortionists and thieves, they think they’re better than us. We’ll prove them wrong. We’ll kill the Punisher like decent, civilised people.”)<\/p>\n

RAMPAGING WOLVERINE #1 (fourth story)<\/strong><\/a>
\n“Modern Primitive”<\/strong>
\nby Ted McKeever<\/strong>
\nApril 2009<\/strong><\/p>\n

After a fight with Sauron, Wolverine is stranded on a desert island where he fights a giant baboon and becomes baboon leader. Mainly of interest for McKeever’s art (which is great, even if his Logan is wonky and elongated), and presumably placed here because of the Morrison-era costume.<\/p>\n

WOLVERINE #900 (fourth story)<\/strong><\/a>
\n“One Night Only”<\/strong>
\nby Marc Bernardin, Pow Rodrix, Derek Fridolfs & Sotocolo<\/strong>
\nMay 2010<\/strong><\/p>\n

Logan meets up for his third annual drink with Chet, a young mutant whose only power is to suppress everyone else’s powers – thus making it the one night of the year when Logan can get completely wasted. Chet is terrified but fascinated by Logan’s drunken brawling, and is quietly inspired to quit his job and pursue an art career. It’s basically Wolverine seen from Chet’s perspective, and it’s done well.\u00a0Presumably, it’s placed here because a wall calendar gives the year as 2004.<\/p>\n

\"\"<\/a>ASTONISHING X-MEN vol 3 #1 (part 1)<\/a><\/strong>
\n“Gifted, part 1”<\/strong>
\nby Joss Whedon, John Cassaday & Laura Martin<\/strong>
\nMay 2004<\/strong><\/p>\n

The Joss Whedon run begins – although for us, this is a false start, since a massive gap has to be awkwardly shoehorned between pages 18 and 19 to accommodate some stories where the X-Men are in their Whedon-era costumes, and which don’t fit any later. Marvel weren’t co-ordinating well at this point, so what follows is chaotic.<\/p>\n

The Mansion has been rebuilt, and a new school year begins. Whedon has a very retrograde take on Logan’s attitude to Scott and Emma, pretty much what you’d get if you were trying to revert to “classic” status quo. He shows up confronting Scott and Emma in bed, and mocking Scott’s lack of apparent grief for Jean. And then they fight, with Scott saying that a man who’s been trying to steal his wife from the day they met has no business taking the moral high ground, and Wolverine retorting that he and Jean only stayed together because “she was too strong to give in to what she really wanted and you were too scared.” There’s a token attempt to justify this as a reaction to Jean’s recent death, but really it’s just playing the hits.<\/p>\n

At the end of this, the X-Men revert to their traditional superhero costumes, but we have some other stories to fit in before we continue with “Gifted.” A lot of them, actually.<\/p>\n

UNCANNY X-MEN vol 1 #444 (part 1)<\/strong><\/a>
\n“The End of History, part 1”<\/strong>
\nby Chris Claremont, Alan Davis, Mark Farmer & Frank D’Armata<\/strong>
\nMay 2004<\/strong><\/p>\n

The X-Men play baseball against the visiting X-Treme X-Men<\/em> team. In fairness to Whedon, Logan is pretty hostile to Scott here too. Rachel Summers has now changed her name to Rachel Grey<\/strong>\u00a0and her codename to\u00a0Marvel Girl.<\/strong><\/p>\n

But, once again, we need to interrupt this issue before we can get back to the plot…<\/p>\n

WEAPON X vol 2 #20-21<\/strong><\/a>
\n“Countdown to Zero, parts 2 and 3”<\/strong>
\nby Frank Tieri, Georges Jeanty, Jeff Johnson, various inkers & Color Dojo<\/strong>
\nFebruary & March 2004<\/strong><\/p>\n

Chamber infiltrates Weapon X’s Neverland prison and sends Wolverine the co-ordinates. But when he gets there, he is baffled to find an empty complex.<\/p>\n

The MCP lists Wolverine as appearing in\u00a0Weapon X<\/em> vol 2 #22, which is a Malcolm Colcord spotlight issue, but it reads to me that he’s just a hallucination.<\/p>\n

\"\"<\/a>WEAPON X vol 2 #23-25<\/a><\/strong>
\n“War of the Programs”<\/strong>
\nby Frank Tieri, Tom Mandrake & Brad Anderson<\/strong>
\nMay & June 2004<\/strong><\/p>\n

This is a continuity fix arc, mainly devoted to trying to explain how the various Weapon Plus and Weapon X Projects interact. As part of it, Logan confirms that the information he learned from the Weapon Plus files in\u00a0New X-Men<\/em> was his involvement in destroying the town of Roanoke back in his Weapon X era. He revisits the razed site. Fantomex and Agent Zero also show up, and tell him that he wasn’t responsible for anything done under mind control. Then John Sublime shows up to claim that Weapon Plus let Wolverine read his file. And then there’s a fight with the U-Men. Not especially interesting.<\/p>\n

NIGHTCRAWLER vol 3 #1<\/strong><\/a>
\n“The Devil Inside, part 1”<\/strong>
\nby Roberto Aguirre-Sacasa, Darick Robertson, Wayne Faucher & Matt Milla<\/strong>
\nSeptember 2004<\/strong><\/p>\n

Just a silent background cameo at the school.<\/p>\n

X-MEN vol 2 #157-160<\/strong><\/a>
\n“Day of the Atom”<\/strong>
\nby Chuck Austen, Salvador Larroca, Danny Miki & Udon<\/strong>
\nMay to August 2004<\/strong><\/p>\n

The X-Men find the “real” Xorn –\u00a0Shen Xorn<\/strong> – in China and bring him back to the Mansion, after fighting off the Chinese superheroes Collective Man and\u00a0the Eight Immortals<\/strong> (Chuan Chung Li, Chang Kuo-Lao, Lu Dong-Pin, Tsao Guao-chiu, Tieh Guai Li, Han Hsian Tzu, Lan Tsai Ho\u00a0<\/strong>and\u00a0Ho Hsien Ku<\/strong>). Wolverine is just there to add some general X-Men-ness to the proceedings.<\/p>\n

NIGHTCRAWLER vol 3 #3-4<\/strong><\/a>
\n“The Devil Inside, pats 3-4”<\/strong>
\nby Roberto Aguirre-Sacasa, Darick Robertson, Wayne Faucher & Matt Milla<\/strong>
\nDecember 2004<\/strong><\/p>\n

More cameos – in issue #3, he’s at the Institute, watching Kitty and Kurt fence. In issue #4, the X-Men round up a satanist coven who are fleeing from Nightcrawler.<\/p>\n

\"\"<\/a>UNCANNY X-MEN vol 1 #444 (part 2) to #447<\/a><\/strong>
\n“The End of History” \/ “The End of Tomorow”<\/strong>
\nby Chris Claremont, Alan Davis, Mark Farmer & Frank D’Armata<\/strong>
\nMay to August 2004<\/strong><\/p>\n

The title of the arc is given inconsistently from issue to issue, but… maybe that’s on purpose…?<\/p>\n

As officers of the newly sanctioned\u00a0X.S.E.\u00a0<\/strong>police force (a plotline inherited from X-Treme X-Men<\/em>),\u00a0Wolverine and Nightcrawler try to help with a school siege in Wade River, Washington. An alpha mutant, Reichart, is holed up inside – but the racist cops won’t accept their help, and even try to arrest them until Warbird invokes her Avengers clearance to get them released. Reichart has uncontrollable explosion powers, and Wolverine has to kill him to save lives. He insists it was a last resort, but the incident causes controversy.\u00a0The second half of the arc seems completely unrelated. The X-Men fight the Fury<\/strong>\u00a0and defeat it with a brief appearance by \u00a0Jamie Braddock<\/strong>.<\/p>\n

\"\"<\/a>UNCANNY X-MEN vol 1 #448-449<\/a><\/strong>
\n“Guess Who’s Back In Town”<\/strong>
\nby Chris Claremont, Olivier Coipel, Scott Hanna & Chris Chuckry<\/strong>
\nSeptember to November 2004<\/strong><\/p>\n

The X-Men are invited to Buckingham Palace, but get abducted by Viper. She suppresses their powers with nanites and puts them in Murderworld. The nanites wear off, the X-Men outwit Viper and escape (thanks in part to Sage and Wolverine swapping places with the aid of an image inducer), and then they rescue a hostage and save the day despite the excessive caution of UK government agent\u00a0Alistaire Stuart<\/strong>. Perfectly decent old-school Claremont.<\/p>\n

X-STATIX #26<\/strong><\/a>
\n“Are You Ready?”<\/strong>
\nby Peter Milligan, Mike Allred & Laura Allred<\/strong>
\nAugust 2004<\/strong><\/p>\n

A one-panel cameo as a guest at X-Statix’s farewell party.<\/p>\n

CAPTAIN AMERICA: THEATER OF WAR – AMERICA THE BEAUTIFUL<\/strong><\/a>
\nOne-shot<\/strong>
\nby Paul Jenkins, Gary Erskine & Chris Sotomayor<\/strong>
\nJanuary 2009<\/strong><\/p>\n

Another background cameo as a mourner at a military funeral (“several months ago”, hence the placement). Other mourners include\u00a0Genis-Vell<\/strong> and, remarkably, what seems to be\u00a0Baron Zemo<\/strong>.<\/p>\n

\"\"<\/a>X-MEN UNLIMITED vol 2 #4<\/a><\/strong>
\n“Testing Times”<\/strong>
\nby Lee Barnett, Travel Foreman, Tim Townsend & Danimation<\/strong>
\nOctober 2004<\/strong><\/p>\n

To see if Juggernaut has the self-control to teach kids, Scott gets Logan to test him in the Danger Room with assorted annoyances and provocations. Cain concedes that he isn’t ready, which apparently proves that he\u00a0is<\/em>. It’s a Wolverine-as-secretly-wise-irritant story.<\/p>\n

X-MEN UNLIMITED vol 2 #4 (backup)<\/strong><\/a>
\n“Mutual Secrets”<\/strong>
\nby Ted Naifeh, Greg Tocchini, Don Hillsman II & Transparency Digital<\/strong>
\nOctober 2004<\/strong><\/p>\n

This is rather good. Emma takes Logan as her partner to the wedding of college friends Douglas Hutchinson III and Madeleine Vandervalk, solely in order to annoy the happy couple and their anti-mutant friends. Finally, annoyed by Doug’s obnoxious behaviour towards her, Emma publicly exposes him as a mutant. Logan is unimpressed, telling her that it’s one thing to mess up Doug’s evening, but she’s gone too far by messing up his life. Emma unconvincingly tries to palm this off as taking a stand on principle.<\/p>\n

DISTRICT X #4<\/strong><\/a>
\n“Mr M, part 4”<\/strong>
\nby David Hine, Lan Medina, Alejandro Sicat & Avalon<\/strong>
\nAugust 2004<\/strong><\/p>\n

Just an easter egg cameo in the background of a nightclub.<\/p>\n

\"\"<\/a>UNCANNY X-MEN vol 1 #450-451<\/a><\/strong>
\n“The Cruelest Cut” \/ “Impediments”<\/strong>
\nby Chris Claremont, Alan Davis, Mark Farmer, Frank D’Armata & Chris Chuckry<\/strong>
\nDecember 2004<\/strong><\/p>\n

Ororo and Logan go to see Hugh Jackman’s Broadway show\u00a0Boy From Oz<\/em>, but get diverted to deal with a series of murders in District X. Four bodies have been found, but a fifth victim is missing – Jade Parisi, daughter of a mob boss. This story is the debut of X-23, and Wolverine does appear to recognise her, though the details don’t really match with the later flashbacks that we’ve already covered. It’s the earliest incarnation of the X-23 character; she’s written here as a partly-brainwashed weapon who’s been specifically designed to fight Wolverine, and attacks him on instinct. Wolverine manages to calm her down, while the other X-Men rescue Jade from\u00a0the Bacchae<\/strong>. The X-Men then deal with Parisi’s father’s henchman Geech<\/strong>, but X-23 flees.<\/p>\n

Somewhere around here, Claremont starts writing Logan and Ororo as an outright couple – this is explicit by issue #455. It’s a plot that hovers about for a while until the Black Panther comes in and shoulders it aside, but we’ll get to that. Also, Sage locates X-23 after the story, and she shows up in issue #455 having been “paroled” into Logan’s “charge”, whatever that means.<\/p>\n

A\u00a0flashback in\u00a0Wonder Man<\/em> vol 3 #5<\/strong> includes a background cameo by Wolverine as a guest at an Avengers Mansion party, when Wonder Man introduces\u00a0Ladyfair<\/strong> to the superhero community. And a\u00a0flashback in\u00a0X-Men Unlimited<\/em> vol 2 #9 (second story)\u00a0<\/strong>has another background cameo by Wolverine, in a montage of Iceman at the Mansion through the ages.<\/p>\n

X-MEN vol 2 #161-164<\/strong><\/a>
\n“Heroes and Villains”<\/strong>
\nby Chuck Austen, Salvador Larroca, Danny Miki & Liquid!<\/strong>
\nSeptember to November 2004<\/strong><\/p>\n

This is the final Chuck Austen arc, and once again, Wolverine’s involvement is little more than token. The X-Men fight a new\u00a0Brotherhood of Evil Mutants<\/strong> – Exodus, Sabretooth, Avalanche, Black Tom Cassidy, Nocturne and\u00a0Mammomax\u00a0<\/strong>(Maximus Jensen). Juggernaut seems to be working with Black Tom but he’s actually bluffing; Nocturne also betrays the group because she’s a hero. Sammy Par\u00e9 is killed. Wolverine and Sabretooth naturally pair off to fight one another, but that fight takes place off panel. Wolverine claims to have killed him, but no later story takes that seriously.<\/p>\n

\"\"<\/a>X-MEN UNLIMITED vol 2 #5<\/a><\/strong>
\n“Follow the Leader”<\/strong>
\nby Scott Killinger, Rael Lyra, Jay Leisten & Transparency Digital<\/strong>
\nDecember 2004<\/strong><\/p>\n

Logan grudgingly agrees to test Cyclops’\u00a0Henry V<\/em>-themed leadership simulation in the Danger Room; he starts off losing because he fails to make plans and ignores the rank and file, but learns the importance of leadership and planning after speaking to the demoralised troops. The moral is basically “Logan learns that leaders do something useful after all”, and that’s a story for late 70s Wolverine, not the 2004 version.<\/p>\n

X-MEN UNLIMITED vol 2 #5 (second story)<\/strong><\/a>
\n“Bar Stools”<\/strong>
\nby Vito Delsante, Lee Ferguson & Transparency Digital<\/strong>
\nDecember 2004<\/strong><\/p>\n

Logan turns down a girl called Polly who tries to chat him up, and then rescues her from the vampire who was her second choice. Amateurish and rather sexist.<\/p>\n

\"\"<\/a>UNCANNY X-MEN vol 1 #452-454<\/a><\/strong>
\n“Chasing Hellfire”<\/strong>
\nby Chris Claremont, Andy Park, Jon Sibal, Justin Ponsor & Morry Hollowell<\/strong>
\nJanuary & February 2005<\/strong><\/p>\n

The X-Men get involved in a civil war between two rival Hellfire Club factions (and get to fight Donald Pierce’s new\u00a0Cleaning Crew<\/strong> henchmen). Sage turns out to be aligned with Sebastian Shaw and Sunspot, who winds up as the new Lord Imperial. This is mainly Sage and Rachel’s story, but Wolverine gets some character moments, albeit of a familiar type. He’s rooting for Sage to be a genuine hero because “she reminds me too much of me. Damages goods with a lot of scars on her soul that ain’t her fault.” At this point he’s also insisting that he and Ororo are just friends who enjoy each other’s company.<\/p>\n

MYSTIQUE #23<\/strong><\/a>
\n“Quiet, part 4”<\/strong>
\nby Sean McKeever, Manuel Garcia, Raul Fern\u00e1ndez & Digital Rainbow<\/strong>
\nJanuary 2005<\/strong><\/p>\n

Wolverine tags along when Rogue confronts Mystique. Rogue absorbs his powers in order to fight Mystique, and he sleeps peacefully through the ensuing combat.<\/p>\n

MARVEL KNIGHTS SPIDER-MAN #6<\/strong><\/a>
\n“Venomous, part 2”<\/strong>
\nby Mark Millar, Terry Dodson, Rachel Dodson & Ian Hannin<\/strong>
\nSeptember 2004<\/strong><\/p>\n

Just an easter egg of the X-Men on the street.<\/p>\n

A\u00a0flashback in\u00a0Marvel TV: Galactus – The Real Story<\/em><\/strong>, a 2009 digital one-shot, is a one-panel cameo of Wolverine refusing to answer questions about Galactus.<\/p>\n

NIGHTCRAWLER vol 3 #5-6<\/strong><\/a>
\n“Ghosts on the Rails”<\/strong>
\nby Roberto Aguirre-Sacasa, Darick Robertson, Wayne Faucher & Matt Milla<\/strong>
\nJanuary & February 2005<\/strong><\/p>\n

Logan, Ororo, Kurt and Christine Palmer<\/strong> go to see\u00a0Phantom of the Opera<\/em>; Kurt gets sidetracked into a ghost story but Logan has little to do with it. This is the same Christine Palmer who was the title character of the 1972\u00a0Night Nurse<\/em> series, by the way.<\/p>\n

\"\"<\/a>X-MEN vol 2 #165<\/a><\/strong>
\n“Hark How the Bells–!”<\/strong>
\nby Chris Claremont, Salvador Larroca, Danny Miki & Rob Ro<\/strong>
\nDecember 2004<\/strong><\/p>\n

A fill-in between Chuck Austen and Peter Milligan, this is basically a bonus issue of Claremont’s Uncanny.\u00a0<\/em>The X-Men – now including X-23 and\u00a0Elixir<\/strong> – respond to a local pile-up. Wolverine acts as X-23’s mentor, helping her to keep her focus and resist her animal tendencies. Later, he assigns her to share a room with Rachel and Kitty, arguing that she needs to socialise. Afterwards, everyone celebrates Christmas.<\/p>\n

MARVEL HOLIDAY SPECIAL 2004 (second story)<\/strong><\/a>
\n“An X-Men X-Mas”<\/strong>
\nBy Roberto Aguirre-Sacasa, Roger Cruz, Victor Olazaba & Chris Sotomayor<\/strong>
\nJanuary 2005<\/strong><\/p>\n

Scott and Emma spend Christmas at the school with the one student who had nowhere to go. Wolverine has a couple of cameos, but rides off to spend Christmas alone. (The MCP has this a bit later, but the Christmas stories surely ought to be together.)<\/p>\n

A\u00a0flashback in\u00a0Hercules<\/em> vol 3 #1<\/strong> has a brief cameo of Wolverine among the mourners at the funeral of the heroes who died in\u00a0Avengers Dissassembled.<\/em><\/p>\n

X-MEN UNLIMITED vol 2 #10<\/strong><\/a>
\n“After-School Special”<\/strong>
\nby Joe Meno, Paco Medina & Gotham<\/strong>
\nAugust 2005<\/strong><\/p>\n

A background cameo at the school.<\/p>\n

A lengthy\u00a0flashback in\u00a0All-New Wolverine<\/em> #7<\/strong>\u00a0takes place here. Logan is heading off on another solo adventure when Laura corners him and complains that the Institute doesn’t feel like home – everyone is afraid of her. Logan acknowledges that being able to smell their fear won’t help her feel at home, and explains how he found it hard to trust his teammates when he first moved in too. She repeatedly asks him to stay with her but he insists that, while he’ll do everything he can to keep her safe, people around him get hurt, and he “attract[s] violence and insanity”. He tells her to trust his judgment that she’ll be better off with the other X-Men than following in his footsteps, and adds that “it’s not like I’m leaving you forever.” So more of that excellent Wolverine parenting we’ve come to know and love, with the usual excuse that his children will be better off without him. Of course, by the time of this flashback, he’s dead.<\/p>\n

\"\"<\/a>MARVEL TEAM-UP vol 3 #1-2 and #5<\/a><\/strong>
\n“The Golden Child, parts 1, 2 and 5”<\/strong>
\nby Robert Kirkman, Scott Kolins & Studio F<\/strong>
\nNovember 2004 to February 2005<\/strong><\/p>\n

In issues #1-2, Wolverine checks on mutant teen\u00a0Paul Paterson<\/strong>, a student at the school where Spider-Man is currently teaching. Paterson turns out to be a homicidal maniac who has killed his parents; when Wolverine claws him, he vanishes in an explosion.\u00a0When he gets back to the Mansion, Jubilee tells him that she’s leaving for Los Angeles, but Wolverine is too exhausted to talk to her. This is a trailer for\u00a0Jubilee’s short-lived solo book, of which more in a second.<\/p>\n

The appearance in issue #5 is just a one-panel cameo of Logan sleeping.<\/p>\n

\"\"<\/a>JUBILEE #3, 5 & 6<\/a><\/strong>
\n“Hard Knocks with Shane Shooter” \/ “Dance Dance Revolution” \/ “If This Be The End”<\/strong>
\n#3 by Robert Kirkman, Michael O’Hare, Mostafa Moussa & Transparency Digital<\/strong>
\n#5 by Robert Kirkman, Derec Donovan & Transparency Digital<\/strong>
\n#6 by Robert Kirkman, Casey Jones & Transparency Digital<\/strong>
\nNovember 2004 to February 2005<\/strong><\/p>\n

Issue #3 is another one-panel cameo: Jubilee phones Wolverine, but he’s in the middle of fighting ninjas.<\/p>\n

In issues #5-6, Logan shows up unannounced in Los Angeles, and takes an instant dislike to Jubilee’s love interest\u00a0Shane Shooter<\/strong>. Jubilee’s aunt\u00a0Hope Lee<\/strong> turns out to be a retired assassin who has got sucked into one last job. Because that’s what Jubilee’s back story needed, isn’t it? Wolverine, Jubilee, Hope, Shane and butler\u00a0Brad<\/strong> fight off gunmen who have come after Hope, but she apparently dies in an explosion, and Jubilee agrees to return to the X-Men because her book is being cancelled. (Aunt Hope survives, but she never appeared again.)<\/p>\n

CABLE & DEADPOOL #7-10<\/strong><\/a>
\n“The Burnt Offering”<\/strong>
\nby Fabian Nicieza, Patrick Zircher, Rob Ross, M3TH, Shane Law, Kevin Yan & Gotham Studios<\/strong>
\nSeptember to December 2004<\/strong><\/p>\n

When Cable sets up a floating city and starts doing things like demanding total world disarmament within 48 hours, the X-Men are among the groups trying to stop him – Wolverine shows up as one of the team. He meets\u00a0the new\u00a0Six Pack<\/strong>\u00a0– GW Bridge, Domino, Solo,\u00a0the Constrictor, Anaconda and\u00a0Hammer<\/strong> (Eisenhower Canty) – and\u00a0the Cat<\/strong> (Shen Kuei).<\/p>\n

\"\"<\/a>X-MEN \/ FANTASTIC FOUR<\/a><\/strong>
\n5-issue miniseries<\/strong>
\nby “Akira Yoshida” and Dreamwave Studios<\/strong>
\nDecember 2004 to April 2005<\/strong><\/p>\n

The Fantastic Four and the X-Men team up to defeat the Brood, in a ludicrously contrived story where four of the X-Men randomly wind up re-enacting the FF’s origin and briefly get the same powers. Wolverine gets the powers of Mr Fantastic. Yes, the guy with metal bones. Yes, I know. This is downright abysmal – one of the rare comics on this list that isn’t just bad but truly incompetent.<\/p>\n

“Akira Yoshida” was a pseudonym for CB Cebulski, but we’ll come back to that in a future instalment.<\/p>\n

UNCANNY X-MEN vol 1 #455-456<\/strong><\/a>
\n“World’s End, parts 1-2”<\/strong>
\nby Chris Claremont, Alan Davis, Mark Farmer & Dean White<\/strong>
\nFebruary & March 2005<\/strong><\/p>\n

By this point, Logan and Ororo are kissing openly in front of the other X-Men, to the disappointment of Kurt and the curiosity of X-23. Logan spars with Ororo and Bishop, and doesn’t come out of it very well, which prompts X-23 to try and come to his rescue. Logan then diverts to a subplot where he has a brief fight with\u00a0the Hauk’ka<\/strong>, a hidden race evolved from dinosaurs, and vanishes from the rest of the arc.<\/p>\n

\"\"<\/a>ASTONISHING X-MEN vol 3 #1 (part 2) and #2-6<\/a><\/strong>
\n“Gifted”<\/strong>
\nby Joss Whedon, John Cassaday & Laura Martin<\/strong>
\nMay to November 2004<\/strong><\/p>\n

See what I mean about the long break in issue #1? But returning to this arc…<\/p>\n

The newly superheroic X-Men battle\u00a0Ord<\/strong>, an alien from the Breakworld. Ord wants to kill the X-Men because of a prophecy that one of the X-Men will destroy his world. Meanwhile, scientist\u00a0Kavita Rao<\/strong> has discovered a cure for mutant powers. Beast gets his hands on a sample, but Wolverine demands that he destroy it, and argues that Hank would be letting down mutantkind if he chose to use the cure on himself, handing a propaganda victory to anti-mutant forces. Hank takes the personal autonomy side of the debate, but it turns out that the cure has been created by experiments on mutant corpses, and everyone agrees that that puts it beyond the pale.<\/p>\n

In Rao’s facility, the X-Men rescue Colossus, who turns out to have been alive and well. The X-Men then defeat Ord, only for\u00a0Abigail Brand<\/strong> of\u00a0S.W.O.R.D.\u00a0<\/strong>to make her debut and reveal that Ord has diplomatic immunity. Naturally, Wolverine destroys most of the facility before leaving.<\/p>\n

\"\"<\/a>WOLVERINE vol 3 #20-25<\/a><\/strong>
\n“Enemy of the State”<\/strong>
\nby Mark Millar, John Romita Jr, Klaus Janson & Paul Mounts<\/strong>
\nOctober 2004 to February 2005<\/strong><\/p>\n

Logan travels to Japan to help Ichiro, a chauffeur whose son has supposedly been kidnapped by criminals who mistook him for the son of Ichiro’s employer. But it’s all a scheme by new Hand leader\u00a0Gorgon<\/strong> (Tomi Ishido) to lure Logan in. The Hand kill him, then magically resurrect him alongside the Dawn of the White Light<\/strong>, a nihilist splinter faction of HYDRA led by\u00a0Baron Strucker\u00a0<\/strong>and his previously unmentioned\u00a0wife\u00a0Elsbeth Strucker<\/strong>, an anti-life fanatic.<\/p>\n

A month later, a brainwashed Wolverine resurfaces as a warrior of the Hand, attacking various superheroes and SHIELD agents – though he continues to perform the occasional act of random heroism, as his real personality tries to break through. During this rampage, he kills the Hornet\u00a0<\/strong>(Eddie McDonough). He stealing several doomsday devices, then tries to force Rachel Grey to use Cerebra to murder the President. The X-Men, SHIELD and Captain America defeat him, but Northstar is killed in the fight. Wolverine is then carted off for deprogramming.<\/p>\n

Coming right after the gently reflective Greg Rucka run, this is a drastic change of… well, everything, really. It’s not actually that important in continuity terms, but it’s a well remembered arc. It also cements the idea of the Hand resurrecting people as something that applies beyond just Elektra. It’s a very simple story, but it’s all about the art and the energy, and it scores well on both counts. Millar had a tendency to push things a bit too far into Just Plain Silly, but this arc mainly stays on the right side of that line. There’s an interesting idea that Wolverine’s many traumas make part of him more sympathetic to HYDRA’s nihilist agenda.<\/p>\n

The bit that doesn’t really work is Elsbeth Strucker, who\u00a0is<\/em> silly and over the top. Aside from the tiresome cuckolding stuff, her anti-life philosophy is pushed to ridiculous extremes, and there’s some conspiracy theory nonsense about how you can tell some corporations are part of her conspiracy because of their hidden satanic imagery. At the time that played as irony, but it reads more weirdly in the light of Millar’s later enthusiasm for David Icke. Still, she doesn’t drag the story down too much.<\/p>\n

There are a bunch of tie-ins here, many of which are ineptly co-ordinated:<\/p>\n