{"id":8247,"date":"2022-09-07T22:22:43","date_gmt":"2022-09-07T21:22:43","guid":{"rendered":"https:\/\/www.housetoastonish.com\/?p=8247"},"modified":"2022-09-07T22:22:43","modified_gmt":"2022-09-07T21:22:43","slug":"immortal-x-men-6-annotations","status":"publish","type":"post","link":"https:\/\/www.housetoastonish.com\/?p=8247","title":{"rendered":"Immortal X-Men #6 annotations"},"content":{"rendered":"<p><em>As always, this post contains spoilers, and page numbers go by the digital edition.<\/em><\/p>\n<p><a href=\"https:\/\/www.housetoastonish.com\/wp-content\/uploads\/2022\/09\/Unknown-16.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-8248 alignright\" src=\"https:\/\/www.housetoastonish.com\/wp-content\/uploads\/2022\/09\/Unknown-16.jpeg\" alt=\"\" width=\"181\" height=\"279\" \/><\/a><strong>IMMORTAL X-MEN #6<\/strong><br \/>\n<strong>&#8220;The Devil&#8217;s Party&#8221;<\/strong><br \/>\n<strong>Writer: Kieron Gillen<\/strong><br \/>\n<strong>Artist: Lucas Werneck<\/strong><br \/>\n<strong>Colour artist: David Curiel<\/strong><br \/>\n<strong>Letterer: Clayton Cowles<\/strong><br \/>\n<strong>Design: Tom Muller &amp; Jay Bowen<\/strong><br \/>\n<strong>Editor: Jordan D White<\/strong><\/p>\n<p><strong>COVER \/ PAGE 1:<\/strong> Sebastian Shaw, apparently in the middle of the ritual from the end of the story.<\/p>\n<p><strong>PAGES 2-3.<\/strong>\u00a0<em>Mr Sinister tells Destiny about the plan to attack the Progenitor.<\/em><\/p>\n<p>This is a significantly expanded version of a sequence on pages 8 and 9 of\u00a0<em>A.X.E.: Judgment Day<\/em> #3. All we see in that version is Sinister making contact with Destiny and telling her &#8220;I have some most useful information&#8230; just time it right.&#8221; This version makes clear that Sinister tells Destiny about the actual risk, but encourages her to conceal it from the rest of the Quiet Council. Jean does accuse him of concealing the risks in\u00a0<em>Judgment Day<\/em> #3, but he denies it and claims that she would have known the full picture if she&#8217;d been on the Quiet Council.<\/p>\n<p><!--more--><\/p>\n<p><strong>&#8220;That awful plagiarist Doctor Stasis has made you all suspicious.&#8221;<\/strong>\u00a0The Quiet Council learned in issue #4 that Dr Stasis, in\u00a0<em>X-Men<\/em>, is apparently a duplicate of Sinister (and claims to be the original).<\/p>\n<p><strong>&#8220;You told me we should be on the same side.&#8221;<\/strong>\u00a0In issue #2. Destiny had previously told Sinister the same thing in the flashback that opens issue #1, but he doesn&#8217;t remember that. This might be Sinister&#8217;s rationale for sharing the truth with Destiny, or he might simply figure that as a precog, she&#8217;ll know the risks anyway.<\/p>\n<p><strong>&#8220;Earlier, I saw it give a thumbs-down to that Captain America chap.&#8221;<\/strong>\u00a0Also in\u00a0<em>A.X.E.: Judgment Day<\/em> #3.<\/p>\n<p><strong>PAGE 4.<\/strong> Data page &#8211; Irene&#8217;s calculations on how best to time the vote to ensure that it goes through. Arguably the most important point here is the small print in the top left, and the first footnote, where Destiny insists that there is &#8220;no destiny&#8221; &#8211; what she sees is simply the\u00a0<em>probabilities\u00a0<\/em>depending on which course of action she follows.<\/p>\n<ul>\n<li><strong>Destiny<\/strong> herself becomes more likely to vote for the proposal if she manipulates the situation &#8211; perhaps because she only votes against if the proposal is clearly failing anyway&#8230;?<\/li>\n<li><strong>Hope<\/strong> won&#8217;t support a high risk but is happy enough to go with a low risk, especially if Professor X isn&#8217;t around to argue against it.\u00a0<strong>Exodus<\/strong> just votes with her most of the time, because she&#8217;s the Messiah.<\/li>\n<li><strong>Professor X<\/strong> normally votes against but is still a <em>lot\u00a0<\/em>more likely to support the proposal than any of the traditionally heroic X-Men. Still, Destiny figures that he will argue against it and carry some degree of weight &#8211; though really, the main difference in the third scenario is the loss of his vote. Nobody actually tips over the 50% mark because of his persuasion.<\/li>\n<li><strong>Mystique\u00a0<\/strong>always embraces the idea with gusto and, if anything, is marginally\u00a0<em>more<\/em> likely to support it when told that human cities could be wiped out.<\/li>\n<li><strong>Kate Pryde<\/strong>\u00a0is highly likely to vote against, but isn&#8217;t quite as pure as Nightcrawler.<\/li>\n<li><strong>Emma Frost<\/strong> generally votes against, though she becomes a close call if Xavier&#8217;s not around. Still, she must see it as a last resort.<\/li>\n<li><strong>Sebastian Shaw<\/strong>&#8216;s figures are similar to Exodus&#8217;s and not that much higher than Hope&#8217;s. Evidently the risk of mass destruction of human cities is off-putting to him, but you suspect it&#8217;s more because of the economic chaos.<\/li>\n<li><strong>Nightcrawler<\/strong> and\u00a0<strong>Colossus<\/strong> are both vanishingly unlikely to vote for the proposal. In Colossus&#8217;s case, this might have something to do with the ongoing influence of Mikhail Rasputin, though the fact that Destiny doesn&#8217;t allow for this possibility indicates that it somehow never becomes apparent to her in any of the timelines she&#8217;s seen to date.<\/li>\n<\/ul>\n<p><strong>PAGES 5-6.<\/strong>\u00a0<em>The X-Men attack the Progenitor and are defeated in an illusion.<\/em><\/p>\n<p>This is a recap of\u00a0<em>Judgment Day<\/em> #3.<\/p>\n<p><strong>PAGE 7.<\/strong>\u00a0<em>The Progenitor appears to Destiny in the form of Mystique.<\/em><\/p>\n<p>It&#8217;s still not entirely clear what criteria the Progenitor is applying, but it seems particularly disapproving of internal inconsistency and of failing to abide by one&#8217;s values. Broadly speaking we seem to be looking for characters who feel comfortable that they can justify themselves, or who are willing to stick to their principles in the face of emotional pressure.<\/p>\n<p><strong>PAGE 8.<\/strong> Data page. This is indeed an extract from the <em>Summa Theologica<\/em>, essentially a theology textbook written by Thomas Aquinas (1225-1274). It appears as part of his discussion of whether the damned wish for more people to be damned with them. \u00a0A fuller version reads: &#8220;Even as in the blessed in heaven there will be most perfect charity, so in the damned there will be the most perfect hate. Wherefore as the saints will rejoice in all goods, so will the damned grieve for all goods. Consequently the sight of the happiness of the saints will give them very great pain; hence it is written (Isaiah 26:11): &#8220;Let the envious people see and be confounded, and let fire devour Thy enemies.&#8221; Therefore they will wish all the good were damned.&#8221;<\/p>\n<p><strong>PAGE 9.<\/strong> Recap and credits.<\/p>\n<p><strong>PAGES 10-12.<\/strong>\u00a0<em>The Quiet Council meet.<\/em><\/p>\n<p>Our narrator is Sebastian Shaw, who takes a while to make an appearance in his spotlight issue. He gets a chess piece symbol on his narration.<\/p>\n<p><strong>&#8220;She&#8217;s come a long way&#8230;&#8221;<\/strong> Shaw has known Emma since she started out as a dancer at the Hellfire Club. She has, of course, overshadowed him, both in terms of prominence as a character, and in plot terms in the way she outmanoeuvered him during the first volume of\u00a0<em>Marauders<\/em>.<\/p>\n<p><strong>Emma Frost<\/strong> is judged by the images of various students who have died on her watch &#8211; something which has always been a major motivator for her. Most of them are generics, but two of them are wearing Hellions uniforms, and a third seems to be in a New Mutants outfit. To her right seems to be Negasonic Teenage Warhead, as she appeared during the assault on Genosha (where Emma was her teacher).<\/p>\n<p><strong>PAGES 13-14.<\/strong>\u00a0<em>Flashback: Sebastian Shaw&#8217;s childhood.<\/em><\/p>\n<p>Sebastian&#8217;s father is\u00a0<strong>Jacob Shaw<\/strong>, who appeared in <em>X-Men: Hellfire Club<\/em>\u00a0#3-4 in 2000. Jacob worked for Mr Sinister locating mutants; the bit about rebuilding the family fortunes probably refers to the family&#8217;s greater wealth in England before Jacob came to America. If Sebastian ages normally, then Jacob&#8217;s outfit &#8211; obviously the template for Sebastian&#8217;s own &#8211; is wildly anachronistic, and presumably Hellfire-related itself. The general idea here seems to be that Sebastian both hates his unaffectionate father and is driven to become him.<\/p>\n<p>The established history is that Sebastian made his own fortune through his technological genius, a side of the character which has been played down over the years.<\/p>\n<p><strong>PAGE 15.<\/strong> <em>The Quiet Council&#8217;s discussion continues.<\/em><\/p>\n<p>Sebastian&#8217;s offer to deal with the Eternals is reasonable enough. While he&#8217;s obviously looking for his own angle on this, his deal-making skills were the precisely the reason he was put on the Quiet Council in the first place. And besides, the end of the world is not in his interests.<\/p>\n<p><strong>&#8220;Legion saved a lot of Arakkii.&#8221;<\/strong> Presumably in the\u00a0<em>Legion of X\u00a0<\/em>tie-in that we haven&#8217;t reached yet.<\/p>\n<p><strong>PAGE<\/strong>\u00a0<strong>16-18.\u00a0<\/strong><em>Exodus is tested.<\/em><\/p>\n<p>This is\u00a0<strong>Eobar Garrington<\/strong>, the Black Knight of the Crusades. We saw him (possessed by his future counterpart Dane Whitman) in issue #3, as part of the retelling of the\u00a0<em>Black Knight: Exodus<\/em> one-shot from 1996. I&#8217;m not quite sure what Garrington means when he says he &#8220;gave my life to help you back in the twelfth century&#8221; &#8211; that&#8217;s not what happened in\u00a0<em>Black Knight: Exodus<\/em> at all. Garrington was around for a while after Exodus entered his coma, and didn&#8217;t die until Dane Whitman&#8217;s spirit returned to the present.<\/p>\n<p>At any rate, Exodus apparently believes that this is what happened to Eobar, but he does indeed resist the temptation to abandon his post and rescue Eobar from hell &#8211; at least long enough to hold off until Sebastian can break up the illusion. Exodus passes, presumably by proving that he puts his principles above his personal relationships.<\/p>\n<p>There&#8217;s an obvious implication here that Exodus and Eobar were lovers, not just from Exodus&#8217;s dialogue, but from the parallels that Shaw draws with his own &#8220;mistakes&#8221;. I can&#8217;t help wondering if that was the original explanation for why Eobar was in Hell. <em>Black Knight: Exodus<\/em> does describe them as &#8220;closest friends&#8221;, though it also has Bennet completely unsurprised by the suggestion that Eobar has spent the night with a woman (&#8220;knowing your insatiable\u00a0<em>joie de vivre<\/em>&#8220;).<\/p>\n<p><strong>PAGES 19-20.<\/strong>\u00a0<em>Shaw is judged.<\/em><\/p>\n<p><strong>&#8220;I&#8217;ve long ago lost Sage&#8230;&#8221;<\/strong> Sage from\u00a0<em>X-Force<\/em> started off as Shaw&#8217;s assistant Tessa, a mainly background character in various early 80s X-books.<\/p>\n<p><strong>Sentinels.<\/strong> Shaw&#8217;s company manufactured the Sentinels for the US Government back in 1980s\u00a0<em>Uncanny<\/em>.<\/p>\n<p><strong>Shaw\u00a0<\/strong>is judged (and fails) by the Progenitor in the form of Emma Frost, whom he dismisses as no different from him. Shaw, I suspect, sees himself as a character who is completely true to his internal values in the sense that he has completely embraced what he is and does &#8211; but his inability to accept that Emma has surpassed him is something he&#8217;s so deeply in denial about that he can&#8217;t even understand what the Progenitor is getting at.<\/p>\n<p><strong>PAGE 21.<\/strong>\u00a0<em>Shaw meets with Exodus.<\/em><\/p>\n<p><strong>The Hellfire Club Mansion\u00a0<\/strong>is apparently up and running again. The last time I saw it, Conan the Barbarian was living there in the aftermath of\u00a0<em>King in Black<\/em>. Presumably they reclaimed it after he left.<\/p>\n<p><strong>Starfox<\/strong> was broken out of the Exclusion in\u00a0<em>A.X.E.: Judgment Day<\/em> #3 and\u00a0<em>A.X.E.: Death to the Mutants<\/em> #2. Presumably we&#8217;ll see more of his alliance-building in future instalments.<\/p>\n<p>Shaw seems at least sufficiently chastened by his experience to focus on creating the deal that the Quiet Council would actually want, rather than his own personal interests. Angel is hanging around in the background, close enough to overhear, but seems willing to let Shaw get on with it.<\/p>\n<p><strong>PAGES 22-24.<\/strong>\u00a0<em>Shaw performs his ritual.<\/em><\/p>\n<p><strong>Mother Righteous<\/strong> has been appearing in\u00a0<em>Legion of X<\/em> offering power to various characters; Shaw tells her that she was also dealing with Selene. Selene was killed in issue #2 (and has deliberately not been resurrected), which is why Mother Righteous is surprised to find Shaw using Selene&#8217;s route to make contact with her.<\/p>\n<p><strong>PAGE 25.<\/strong> Trailers.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>As always, this post contains spoilers, and page numbers go by the digital edition. IMMORTAL X-MEN #6 &#8220;The Devil&#8217;s Party&#8221; Writer: Kieron Gillen Artist: Lucas Werneck Colour artist: David Curiel Letterer: Clayton Cowles Design: Tom Muller &amp; Jay Bowen Editor: Jordan D White COVER \/ PAGE 1: Sebastian Shaw, apparently in the middle of the [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[31],"tags":[],"class_list":["post-8247","post","type-post","status-publish","format-standard","hentry","category-annotations"],"_links":{"self":[{"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=\/wp\/v2\/posts\/8247","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=8247"}],"version-history":[{"count":1,"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=\/wp\/v2\/posts\/8247\/revisions"}],"predecessor-version":[{"id":8249,"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=\/wp\/v2\/posts\/8247\/revisions\/8249"}],"wp:attachment":[{"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=8247"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=8247"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=8247"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}