{"id":8941,"date":"2023-04-06T20:14:12","date_gmt":"2023-04-06T19:14:12","guid":{"rendered":"https:\/\/www.housetoastonish.com\/?p=8941"},"modified":"2023-04-07T20:55:25","modified_gmt":"2023-04-07T19:55:25","slug":"immoral-x-men-3-annotations","status":"publish","type":"post","link":"https:\/\/www.housetoastonish.com\/?p=8941","title":{"rendered":"Immoral X-Men #3 annotations"},"content":{"rendered":"<p><em>As always, this post contains spoilers, and page numbers go by the digital edition.<\/em><\/p>\n<p><a href=\"https:\/\/www.housetoastonish.com\/wp-content\/uploads\/2023\/04\/913DxAoG-WL._AC_UY436_QL65_.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-8942 alignright\" src=\"https:\/\/www.housetoastonish.com\/wp-content\/uploads\/2023\/04\/913DxAoG-WL._AC_UY436_QL65_-199x300.jpg\" alt=\"\" width=\"199\" height=\"300\" srcset=\"https:\/\/www.housetoastonish.com\/wp-content\/uploads\/2023\/04\/913DxAoG-WL._AC_UY436_QL65_-199x300.jpg 199w, https:\/\/www.housetoastonish.com\/wp-content\/uploads\/2023\/04\/913DxAoG-WL._AC_UY436_QL65_.jpg 289w\" sizes=\"auto, (max-width: 199px) 100vw, 199px\" \/><\/a><strong>IMMORAL X-MEN #3<\/strong><br \/>\n<strong>&#8220;Sins of Sinister, part 8: Our Nine-Hundred-Years-and-Counting Mission&#8221;<\/strong><br \/>\n<strong>Writer: Kieron Gillen<\/strong><br \/>\n<strong>Artist: Alessandro Vitti<\/strong><br \/>\n<strong>Colourist: Rain Beredo<\/strong><br \/>\n<strong>Letterer: Clayton Cowles<\/strong><br \/>\n<strong>Design: Jay Bowen<\/strong><br \/>\n<strong>Editor: Jordan D White<\/strong><\/p>\n<p><strong>COVER \/ PAGE 1:<\/strong> Sinister and Rasputin on the run from Exodus.<\/p>\n<p><strong>PAGE 2.<\/strong>\u00a0Data page, with an opening quote from <em>Candide<\/em>. <em>Candide<\/em> is a satire on Gottfried Leibniz&#8217;s philosophy. Basically, Leibniz argued that if a better world was possible, God would have created that world instead. Therefore, this must be as good as it gets, and what appear to us to be flaws must in fact be optimum in the grand scheme of things, albeit for reasons that we may not be able to grasp. (This philosophy is often referred to as &#8220;optimism&#8221;, which didn&#8217;t have its modern meaning in Leibniz&#8217;s day; for modern readers, &#8220;optimum-ism&#8221; is probably a fairer reflection of what he was getting at.) \u00a0The basic joke of\u00a0<em>Candide<\/em> is to bombard the characters with things that are obviously just plain bad and watch them try to rationalise it away.<\/p>\n<p><strong>PAGES 3-8.\u00a0<\/strong><em>Rasputin boards Prayerworld 537-2389 and retrieves a mission.<\/em><\/p>\n<p><strong>&#8220;Psychic log: the mission continues.&#8221;\u00a0<\/strong>As with the story title, this echoes\u00a0<em>Star Trek<\/em>. Rasputin&#8217;s ponytail is used as an icon to mark her narration. She makes sure to tell us at the outset that she believes they&#8217;re working to save the universe. The crew members who were aboard the Marauder when Sinister stole it last issue have apparently all died and gone unreplaced.<\/p>\n<p><!--more--><\/p>\n<p><strong>Exodus.\u00a0<\/strong>As reiterated in early issues of\u00a0<em>Immortal X-Men<\/em>, Exodus derives power from people&#8217;s faith in him; thus, the Prayerworlds are entire worlds of clones that are programmed to worship him. There are a whole bunch of different Exoduses, all with their own prayerworld, and they&#8217;re opposed to one another thanks to some sort of no-doubt-trivial schism.<\/p>\n<p>The art on page 4 seems intended to draw a parallel between Exodus (or at least, this particular giant Exodus) and Mr Sinister, both sitting in something vaguely throne-like and controlling, but both effectively reduced to meaninglessness.<\/p>\n<p>In\u00a0<em>Immortal X-Men<\/em> #3, Destiny has a vision of a distant future, which she calls the &#8220;eXpanse&#8221; and descirbes as &#8220;The distant reach of a mutant church-empire.&#8221; She witnesses &#8220;a fiery starship the size of an actual star corner a second vessel&#8221;, which is &#8220;lined with cloned meat&#8221;, said to be batteries made of tissue cloned from Sebastian Shaw. That timeline ends with Exodus destroying Sinister. This\u00a0<em>isn&#8217;t<\/em> the timeline we see here &#8211; the\u00a0<em>Immortal X-Men\u00a0<\/em>#3 version of Exodus seems to be primarily motivated by avenging Sinister&#8217;s destruction of paradise &#8211; but there are obvious parallels, and it may explain why the <em>Marauder<\/em> spaceship seems to be encrusted with organic growths.<\/p>\n<p><em>Edit:<\/em> As Jim Harbor points out in the comments, Exodus&#8217;s presentation here also seems to be a riff on Warhammer 40K and its Emperor; Gillen has previously written for Marvel&#8217;s Warhammer books.<\/p>\n<p><strong>&#8220;We should be on the same side&#8221;\u00a0<\/strong>has been Destiny&#8217;s message to Sinister throughout\u00a0<em>Immortal X-Men<\/em>.<\/p>\n<p><strong>PAGE 9.\u00a0<\/strong>Recap and credits.<\/p>\n<p><strong>PAGE 10.<\/strong> Data page, summarising more directly what happened to the members of the Quiet Council by the 1000th year of this timeline. Much of this is indirectly hinted at in later pages anyway. The Council itself has collapsed into competing factions.<\/p>\n<ul>\n<li><strong>Professor X <\/strong>is described as &#8220;Protectorate of the Dream&#8221;. The next page indicates that the &#8220;Dream&#8221; is a bunch of disembodied brains who are fighting the forces of the Red Diamond (i.e., Emma), still delusionally attempting to pursue some version of paradise. Rasputin describes them as &#8220;lotus eaters&#8221;.<\/li>\n<li><strong>Nightcrawler<\/strong> is simply dead, and the use of his DNA to create the Legion of the Night has been covered in\u00a0<em>Nightcrawlers<\/em>.<\/li>\n<li><strong>Colossus\u00a0<\/strong>seems to be mainly devoting his time to preventing the fabric of reality from unravelling, which is nice of him. &#8220;All Superpowers to the Space Soviets&#8221; refers to Lenin&#8217;s slogan &#8220;All Power to the Soviets&#8221;, the idea being that power in Russia would go to the workers councils (the Soviets) rather than the post-revolutionary provisional government.<\/li>\n<li><strong>Mister Sinister<\/strong>&#8216;s position is self explanatory.<\/li>\n<li><strong>Emma Frost<\/strong> is leading the Red Diamond forces, having usurped Sinister&#8217;s emblem.<\/li>\n<li><strong>Kate Pryde<\/strong> has been driven into exile and become a &#8220;space pirate&#8221;. That doesn&#8217;t sound too bad, but on the next page Rasputin has her and her crew as just literal marauders.<\/li>\n<li><strong>Exodus<\/strong> has already been covered.<\/li>\n<li><strong>Hope<\/strong> remains in the condition where Exodus left her last issue.<\/li>\n<li><strong>Namor<\/strong> was previously shown as having filled one of the vacant slots on the Quiet Council, but he&#8217;s not really important to this story, so he&#8217;s busy underwater.<\/li>\n<li><strong>The Beast<\/strong> was in a similar position; we see him later on as a slave of Emma Frost.<\/li>\n<li><strong>Magik<\/strong> has apparently tried to bring her pocket Hell dimension of Limbo to Earth and failed, following which she has retreated to Limbo.<\/li>\n<li><strong>Sebastian Shaw<\/strong> has become a group of &#8220;Sebastian Shaws&#8221; who have become the majority rulers of Hell; we saw in <em>Sins of Sinister<\/em> #1 that Shaw had become one of the lords of Hell.<\/li>\n<\/ul>\n<p>For fairly obvious reasons, this timeline has not brought about an end to the fear and hatred of mutants. The mutants have notionally won, but achieved nothing.<\/p>\n<p><strong>PAGE 11.<\/strong>\u00a0<em>The Marauder crosses the galaxy.<\/em><\/p>\n<p>A brief tour of some of the elements from the previous page.<\/p>\n<p><strong>PAGES 12-14.\u00a0<\/strong><em>Sinister listens to Destiny&#8217;s message.<\/em><\/p>\n<p>Destiny has apparently recorded it on a wax cylinder, perhaps to annoy Sinister, or perhaps on the view that he&#8217;s the only person left alive who would recognise it.\u00a0<em>Edit:<\/em> As GN points out in the comments, this is also a callback to\u00a0<em>Immortal X-Men<\/em> #8, where Nathaniel Essex left a message for Destiny in the same format.<\/p>\n<p><strong>&#8220;I stole your lab with Storm&#8230;&#8221;<\/strong> In\u00a0<em>Storm and the Brotherhood of Mutants<\/em> #1.<\/p>\n<p><strong>&#8220;When I tried to reset the universe&#8230;&#8221;\u00a0<\/strong>In\u00a0<em>Storm and the Brotherhood of Mutants<\/em> #2. This scene seems to confirm that Destiny\u00a0<em>can\u00a0<\/em>see past the end of her own life, which makes the way she gets blindsided in that story a little hard to rationalise.<\/p>\n<p>Destiny&#8217;s primary motivation of averting Mystique&#8217;s death was established in\u00a0<em>Immortal X-Men<\/em> #3. Basically, Destiny has acted to bring this timeline about for the sole reason that it maximised the length of Mystique&#8217;s life. It&#8217;s not at all clear that Destiny has learned anything from this error; she simply thinks her objective has failed.<\/p>\n<p><strong>&#8220;When you became the monster you are, you cut love from your heart&#8230; but remember the power of grief that led you to do it in the first place.&#8221;\u00a0<\/strong>This is the origin story of Mr Sinister from the miniseries\u00a0<em>Further Adventures of Cyclops and Phoenix<\/em>. Destiny is referring to the death of Essex&#8217;s family, which was the immediate prompt for him to accept being transformed by Apocalypse.<\/p>\n<p><strong>PAGES 15-17.\u00a0<\/strong><em>Rasputin turns on Sinister and is ejected.<\/em><\/p>\n<p>Rasputin thought they were going to transform the world and save it, not reboot it. This is the same point that was raised in\u00a0<em>Storm and the Brotherhood of Mutants<\/em> #2. From our standpoint, the obviously desirable outcome is to wipe out this timeline and start over &#8211; and as readers, we know that&#8217;s where it&#8217;s going, because\u00a0<em>of course it is<\/em>. Conventionally, the heroic characters in this story would align themselves with that reading. But in &#8220;Sins of Sinister&#8221;, they reject it and behave according to the logic of their ideals &#8211; rebooting the timeline is an act of genocide to be resisted at all costs.<\/p>\n<p><strong>PAGES 18-19.\u00a0<\/strong><em>Sinister meets Moira and a Doombot.<\/em><\/p>\n<p><strong>The Kenji Uedo clone<\/strong> is a version of Zero from <em>Generation Hope<\/em>, mentioned in both\u00a0<em>Nightcrawlers<\/em> #1-2.<\/p>\n<p><strong>The Doombot<\/strong>\u00a0believes himself to be Doom &#8211; which is a stock feature of Doom&#8217;s mythos, used to explain away all sorts of inconvenient stories. According to\u00a0<em>Sins of Sinister<\/em> #1, the real Doom was killed by Namor and replaced by a clone who was secretly under mutant control. The narrator added that &#8220;a sole remaining Doombot, claiming the mantle of Doom, has been reportedly sighted working with the few remaining Orchis cells.&#8221; Presumably, this is him &#8211; the Beast also refers to him as &#8220;the remaining Doombot&#8221; in the next scene.<\/p>\n<p><strong>Moira\u00a0<\/strong>is still alive because she&#8217;s been in a robot body since\u00a0<em>X Lives of Wolverine<\/em>.<\/p>\n<p><strong>PAGES 20-21.\u00a0<\/strong><em>Emma learns about Sinister.<\/em><\/p>\n<p>Emma has co-opted Sinister&#8217;s red diamond insignia. She already had the power to turn into diamond herself. She&#8217;s now red because, somewhere along the line, she&#8217;s become a living incarnation of the Crimson Gem of Cyttorak, the magical artefact that empowers the Juggernaut. Presumably this is something to do with &#8220;Shaw&#8217;s first enchantment of my diamond form&#8221; &#8211; Shaw being a hell lord now.<\/p>\n<p>As in previous chapters, Emma continues to go through the motions of talking about &#8220;schools&#8221;, &#8220;students&#8221; and saving the &#8220;children&#8221;.<\/p>\n<p><strong>PAGES 22-23.\u00a0<\/strong><em>Sinister, Moira and Doom reach the World Farm.<\/em><\/p>\n<p>The Moira clones were brought to the World Farm in\u00a0<em>Storm and the Brotherhood of Mutants<\/em> #2. Jon Ironfire, a character from that series, appears to have become an Odin-like figure here. His guard dog appears to be wearing Cyclops&#8217;s visor.<\/p>\n<p>Ironfire is aware that destroying the &#8220;citadel&#8221; would destroy the universe (i.e., reboot the timeline), which is why Storm (&#8220;the goddess&#8221;) prevented Destiny from destroying it in\u00a0<em>SatBoM\u00a0<\/em>#2. He doesn&#8217;t know specifically that the issue is the Moira clones.<\/p>\n<p><strong>PAGE 24.<\/strong> <em>Rasputin is approached by a mystery voice.<\/em><\/p>\n<p>From the speech patterns and its offer of a deal, this is obviously Mother Righteous.<\/p>\n<p><strong>PAGE 25.\u00a0<\/strong>Trailers. The story continues in <em>Storm and the Brotherhood of Mutants<\/em> #3.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>As always, this post contains spoilers, and page numbers go by the digital edition. IMMORAL X-MEN #3 &#8220;Sins of Sinister, part 8: Our Nine-Hundred-Years-and-Counting Mission&#8221; Writer: Kieron Gillen Artist: Alessandro Vitti Colourist: Rain Beredo Letterer: Clayton Cowles Design: Jay Bowen Editor: Jordan D White COVER \/ PAGE 1: Sinister and Rasputin on the run from [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"footnotes":""},"categories":[31],"tags":[],"class_list":["post-8941","post","type-post","status-publish","format-standard","hentry","category-annotations"],"_links":{"self":[{"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=\/wp\/v2\/posts\/8941","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=8941"}],"version-history":[{"count":4,"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=\/wp\/v2\/posts\/8941\/revisions"}],"predecessor-version":[{"id":8946,"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=\/wp\/v2\/posts\/8941\/revisions\/8946"}],"wp:attachment":[{"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=8941"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=8941"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=8941"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}