{"id":9308,"date":"2023-08-09T23:31:34","date_gmt":"2023-08-09T22:31:34","guid":{"rendered":"https:\/\/www.housetoastonish.com\/?p=9308"},"modified":"2023-08-09T23:31:34","modified_gmt":"2023-08-09T22:31:34","slug":"immortal-x-men-14-annotations","status":"publish","type":"post","link":"https:\/\/www.housetoastonish.com\/?p=9308","title":{"rendered":"Immortal X-Men #14 annotations"},"content":{"rendered":"<p><em>As always, this post contains spoilers, and page numbers go by the digital edition.<\/em><\/p>\n<p><a href=\"https:\/\/www.housetoastonish.com\/wp-content\/uploads\/2023\/08\/917-xcra3L._AC_UY436_QL65_.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-9309 alignright\" src=\"https:\/\/www.housetoastonish.com\/wp-content\/uploads\/2023\/08\/917-xcra3L._AC_UY436_QL65_-195x300.jpg\" alt=\"\" width=\"195\" height=\"300\" srcset=\"https:\/\/www.housetoastonish.com\/wp-content\/uploads\/2023\/08\/917-xcra3L._AC_UY436_QL65_-195x300.jpg 195w, https:\/\/www.housetoastonish.com\/wp-content\/uploads\/2023\/08\/917-xcra3L._AC_UY436_QL65_.jpg 284w\" sizes=\"auto, (max-width: 195px) 100vw, 195px\" \/><\/a><strong>IMMORTAL X-MEN #14<br \/>\n<\/strong><strong>&#8220;Sympathy for the Scarlet Witch&#8221;<\/strong><br \/>\n<strong>Writer: Kieron Gillen<\/strong><br \/>\n<strong>Artist: Lucas Werneck<\/strong><br \/>\n<strong>Colourists: David Curiel &amp; Erick Arciniega<\/strong><br \/>\n<strong>Letterer: Clayton Cowles<\/strong><br \/>\n<strong>Design: Tom Muller &amp; Jay Bowen<\/strong><br \/>\n<strong>Editor: Jordan D White<\/strong><\/p>\n<p><strong>COVER \/ PAGE 1.<\/strong> Professor X on the beach of Krakoa, confronting the ruins of a half-buried Sentinel. Presumably a <em>Planet of the Apes<\/em> riff.<\/p>\n<p><strong>PAGE 2.<\/strong> John Romita tribute.<\/p>\n<p><strong>PAGE 3.\u00a0<\/strong><em>Professor X stares into space.<\/em><\/p>\n<p>The very fact that we&#8217;re seeing him without his Cerebro helmet is a symbol of the Krakoan era being over.<\/p>\n<p><strong>&#8220;X weeks later. Krakoa, population: 1.&#8221;<\/strong> The &#8220;X weeks later&#8221; tag also appears in\u00a0<em>X-Men<\/em> #25 (well, as &#8220;X weeks ago&#8221;, but same difference). Oddly, this week&#8217;s <em>Children of the Vault <\/em>#1 just opts for &#8220;weeks later&#8221;.\u00a0<em>X-Men: Hellfire Gala 2023<\/em> ends with a caption noting the population of Krakoa as 1.<\/p>\n<p><strong>PAGE 4.\u00a0<\/strong><em>Professor X recalls Destiny asking him to get Mystique to safety if something happens at the Gala.<\/em><\/p>\n<p>This puts a different complexion on the scene at page 57 of\u00a0<em>Hellfire Gala 2023\u00a0<\/em>where Professor X very aggressively tries to force Mystique to go through the gates, apparently giving her a stroke and prompting her to fall to her death. Destiny has very explicitly asked for this.<\/p>\n<p><!--more--><\/p>\n<p>Destiny maintains that given the flux in the timeline after &#8220;Sins of Sinister&#8221; she isn&#8217;t sure whether anything will happen at the Gala. However, we&#8217;ve seen her in\u00a0<em>X-Men\u00a0<\/em>and\u00a0<em>Rogue &amp; Gambit<\/em> apparently making plans for this event by getting Manifold into place. She also suggests that she&#8217;s resigned to the fact that nobody would believe her anyway if she tried to give a direct warning, presumably through a combination of distrust and her failed prediction that Shaw was working with Orchis in issue #12.<\/p>\n<p>You have to figure that Destiny knows what would have happened if she&#8217;d given the warning, at least in the immediate future, though &#8211; does she think that the exile of mutantkind was a good thing in the long run, or at least the least worst option? Her dialogue in <em>Gala <\/em>seems to suggest so.\u00a0(At this stage, it wouldn&#8217;t surprise me in the slightest if this turns out to be a five-month arc that ends with the re-establishment of a chastened, less complacent Krakoa &#8211; and one no longer able to depend on the drugs as a source of income.)<\/p>\n<p>The flashback in panel 4 is to the announcement of the new X-Men team in <em>Hellfire Gala<\/em><em> 2023.<\/em><\/p>\n<p><strong>PAGES 5-7.\u00a0<\/strong><em>Professor X recaps Hellfire Gala 2023.<\/em><\/p>\n<p>This is a montage of flashbacks, designed to bring anyone who skipped\u00a0<em>Gala<\/em> up to speed while conveying something about Xavier&#8217;s state of mind to the rest of us. Specifically:<\/p>\n<ul>\n<li>Page 5 panel \u00a01 is Nimrod killing the newly announced X-Men in <em>Gala<\/em> page 21.<\/li>\n<li>Page 5 panel 3 is all-purpose chaos as Orchis attacks the Gala.<\/li>\n<li>Page 5 panel 5 and page 6 panel 1 are an abridged version of page 44 of <em>Gala<\/em>.<\/li>\n<li>Page 6 panel 3 is Xavier marching the mutants through the nearest gate. The captions repeat his message from pages 47-48 of\u00a0<em>Gala<\/em>.<\/li>\n<li>Page 6 panel 4 is Exodus supporting Xavier and telling everyone not to resist. His dialogue seems to be original, but page 56 pandl 3 of <em>Gala<\/em> does show Exodus forcibly bundling the Five through the gates to get them to safety.<\/li>\n<li>Page 6 panel 5 is the scene of Xavier trying to force Mystique through the gate.<\/li>\n<li>Page 7 panel 2 is Rogue flying Xavier to safety, and Xavier telling her that all the mutants are dead, at the end of\u00a0<em>Gala<\/em>. The recap page clarifies that Xavier did not sense the mutants dying, but simply assumes that they must be dead because he can no longer sense them.<\/li>\n<\/ul>\n<p><strong>PAGE 8.<\/strong> Recap and credits. The title refers to the Scarlet Witch nearly wiping out mutantkind at the end of\u00a0<em>House of M<\/em>, with Xavier apparently seeing himself in the same light.<\/p>\n<p><strong>PAGES 9-11.\u00a0<\/strong><em>Flashback: Sebastian Shaw learns that his deal with Mother Righteous hasn&#8217;t made him rich.<\/em><\/p>\n<p><strong>&#8220;Though to be honest, I was never really a mutant. I just had a mutant gene.&#8221;<\/strong> Shaw has certainly never cared in the slightest about mutant solidarity. If being a mutant means something more than just having the gene, then he doesn&#8217;t count.<\/p>\n<p><strong>Tessa<\/strong> was the name that Sage used when she was Sebastian Shaw&#8217;s aide.\u00a0<em>X-Treme X-Men<\/em> #7 (2001) presents &#8220;Tessa&#8221; as an identity created by Professor X when sending Sage undercover to infiltrate the Hellfire Club, but you could read it consistently with Shaw saddling her with the name. Another possibility is that Shaw is trying to assert that he can simply replace Sage rather than concede that he couldn&#8217;t control her.<\/p>\n<p>It&#8217;s not entirely clear what &#8220;owning Krakoa&#8221; means in legal terms &#8211; it was an independent country, after all &#8211; but if nobody is recognising it as such any more, then maybe Mother Righteous has managed to arrange things so that Shaw is the recognised owner. Perhaps he&#8217;s supposed to have laid claim to it as vacant land.<\/p>\n<p><strong>PAGE 12.<\/strong>\u00a0<em>Flashback: Shaw complains to Mother Righteous.<\/em><\/p>\n<p>Shaw made his deal with Mother Righteous in issue #11. What he said to Mother Righteous was: &#8220;Krakoa is rich. If it does go down, I want it all. I want to own Krakoa. Can you arrange that?&#8221; The room in the Hellfire Club is the same place where Shaw first met her in issue #6.<\/p>\n<p>Righteous is basically making the point that as a magician\/trickster figure, deals with her operate on the logic of stories, where you really need to spell out what you want. On a literal reading, though, her claim that the deal is &#8220;never quite what you wanted&#8221; would apply to her side too. But she knows what she&#8217;s doing, is the difference.<\/p>\n<p><strong>PAGES 13-15. <\/strong><em>Flashback: Shaw is thrown out of the Hellfire Club.<\/em><\/p>\n<p>Since this is immediately after the Gala, Wilson Fisk apparently acquired the Hellfire Club a little before everything went south &#8211; perhaps with a view to manoeuvring against Shaw. Fisk&#8217;s story is presumably an\u00a0<em>X-Men<\/em> plotline, but it makes sense for him to be offering the Hellfire Club&#8217;s support to the remaining X-Men, particularly when Emma is involved.<\/p>\n<p>Emma is wearing her traditional White Queen costume from her earliest appearances, perhaps suggesting that Fisk has re-established her in that role, albeit behind the scenes.<\/p>\n<p><strong>&#8220;You know the new rules.&#8221;<\/strong> Shaw is referring to Orchis&#8217; threat to kill humans if any mutants return to Earth; either he takes that literally, or he hopes Emma will. Strictly, Emma isn&#8217;t in breach of Orchis&#8217;s terms because she hasn&#8217;t\u00a0<em>returned<\/em> to Earth. Note that Shaw &#8211; who wasn&#8217;t at the Gala &#8211; apparently doesn&#8217;t know that Emma wasn&#8217;t sent through the gates, and seems to assume that the mutants were sent somewhere vaguely sensible as per Orchis&#8217;s claims. So he&#8217;s not even in the loop with Orchis. Emma derides him as a failure on his own terms; Shaw is characteristically determined to prove her wrong.<\/p>\n<p><strong>PAGE 16.\u00a0<\/strong>Data page: Shaw Industries comes up with plans for exploiting Krakoa.<\/p>\n<p>Note that by this point Shaw has figured out that he needs to keep Orchis at bay, although he&#8217;s still relying on the Stark Sentinels for protection.<\/p>\n<p><strong>The External Gate<\/strong> was the portal to Otherworld from &#8220;X of Swords&#8221;; Selene cares about it because of the other Externals who are embedded within it.<\/p>\n<p><strong>&#8220;With Doug gone&#8230;&#8221;<\/strong> This is an interesting line. Cypher was sucked into Krakoa at the end of issue #13, and Shaw was there &#8211; he talks here as if he doesn&#8217;t know where Cypher is. Perhaps he assumes that Cypher counts as &#8220;whoever is left in the Pit&#8221;, or is allowing for the fact that Krakoa has previously absorbed people into the Pit only to quietly let them go (specifically, X-Men Green).<\/p>\n<p><strong>&#8220;Krakoa needs life force to do what it does.&#8221;<\/strong> This is a point. The whole plot of\u00a0<em>Giant-Size X-Men<\/em> #1 is that Krakoa is trying to feed off the mutants. In the Krakoan era we were told that this wasn&#8217;t a problem because the mutant population was so high that Krakoa could take a small amount of energy from everyone. But now Krakoa only has Professor X and whoever&#8217;s in the Pit to feed on. Presumably this is why Krakoa is &#8220;currently in semi-hibernation.&#8221;<\/p>\n<p><strong>PAGE 17.<\/strong>\u00a0<em>Shaw is getting nowhere with his plans.<\/em><\/p>\n<p>We&#8217;ll see later on that the soldier is accurately recounting what the previous landing parties have experienced. Presumably this guy isn&#8217;t an Orchis soldier, even though he&#8217;s in red, since Shaw has already recognised that he needs to keep Orchis at bay. The landing party we see later on talk as if they&#8217;re mercenaries.<\/p>\n<p><strong>PAGE 18.\u00a0<\/strong><em>Emma Frost tries to talk to Professor X.<\/em><\/p>\n<p>Emma apparently takes Orchis&#8217;s threat seriously &#8211; in which case, you&#8217;d think she&#8217;d be a bit concerned about Iceman running around in public over in his own book.<\/p>\n<p>Professor X specifically frames the loss of mutantkind as the death of &#8220;our children&#8221;, appealing to their shared role as teachers.<\/p>\n<p><strong>PAGES 19-20.\u00a0<\/strong><em>Professor X repels Shaw&#8217;s landing party.<\/em><\/p>\n<p>So he&#8217;s not simply immobile; he&#8217;s standing guard over a symbol.<\/p>\n<p><strong>PAGES 21-24.\u00a0<\/strong><em>Exodus takes the lead with the exiled mutants.<\/em><\/p>\n<p>The opening caption describes this as &#8220;Nowhere, No-when&#8221;, and from the perspective of Exodus, Hope and Destiny, we&#8217;re apparently just moments after they went through the gate. Exodus identifies the other refugees as &#8220;the whole population of Krakoa&#8221;, though\u00a0<em>Gala<\/em> showed mutants going through other gates too. However, Exodus also specifically tells us that the 250,000 mutants present do\u00a0<em>not<\/em> include the rest of the Five &#8211; and this landscape bears no resemblance to the alien landscape where we saw Forge in\u00a0<em>X-Men<\/em> #25. So apparently people have been scattered to different locations? In fact, it looks as though none of the other name characters are present beyond the three who get dialogue.<\/p>\n<p>Exodus, finally getting to live up to his name, basically decides he&#8217;s going to be Moses.<\/p>\n<p><strong>PAGE 25.<\/strong> Data page. This is Exodus&#8217;s idiosyncratic, mutant-themed interpretation of the Book of Exodus (specifically, Chapter 16, with the Israelites in the desert). We&#8217;ve seen excerpts from this translation before in issue #5, but note that he&#8217;s apparently writing this one after the events we see here.<\/p>\n<p><strong>PAGE 26.\u00a0<\/strong>Trailers. The Krakoan reads JUST DESERTS (sic).<\/p>\n","protected":false},"excerpt":{"rendered":"<p>As always, this post contains spoilers, and page numbers go by the digital edition. IMMORTAL X-MEN #14 &#8220;Sympathy for the Scarlet Witch&#8221; Writer: Kieron Gillen Artist: Lucas Werneck Colourists: David Curiel &amp; Erick Arciniega Letterer: Clayton Cowles Design: Tom Muller &amp; Jay Bowen Editor: Jordan D White COVER \/ PAGE 1. Professor X on the [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"footnotes":""},"categories":[31],"tags":[],"class_list":["post-9308","post","type-post","status-publish","format-standard","hentry","category-annotations"],"_links":{"self":[{"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=\/wp\/v2\/posts\/9308","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=9308"}],"version-history":[{"count":1,"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=\/wp\/v2\/posts\/9308\/revisions"}],"predecessor-version":[{"id":9310,"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=\/wp\/v2\/posts\/9308\/revisions\/9310"}],"wp:attachment":[{"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=9308"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=9308"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=9308"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}