{"id":9323,"date":"2023-08-17T22:44:37","date_gmt":"2023-08-17T21:44:37","guid":{"rendered":"https:\/\/www.housetoastonish.com\/?p=9323"},"modified":"2023-08-17T22:44:37","modified_gmt":"2023-08-17T21:44:37","slug":"dark-x-men-1-annotations","status":"publish","type":"post","link":"https:\/\/www.housetoastonish.com\/?p=9323","title":{"rendered":"Dark X-Men #1 annotations"},"content":{"rendered":"<p><em>As always, this post contains spoilers, and page numbers go by the digital edition.<\/em><\/p>\n<p><a href=\"https:\/\/www.housetoastonish.com\/wp-content\/uploads\/2023\/08\/A1fmxA8i6vL._AC_UY436_QL65_.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-9324 alignright\" src=\"https:\/\/www.housetoastonish.com\/wp-content\/uploads\/2023\/08\/A1fmxA8i6vL._AC_UY436_QL65_-195x300.jpg\" alt=\"\" width=\"195\" height=\"300\" srcset=\"https:\/\/www.housetoastonish.com\/wp-content\/uploads\/2023\/08\/A1fmxA8i6vL._AC_UY436_QL65_-195x300.jpg 195w, https:\/\/www.housetoastonish.com\/wp-content\/uploads\/2023\/08\/A1fmxA8i6vL._AC_UY436_QL65_.jpg 284w\" sizes=\"auto, (max-width: 195px) 100vw, 195px\" \/><\/a><strong>DARK X-MEN vol 2 #1<\/strong><br \/>\n<strong>&#8220;There is a Kingdom&#8221; \/ &#8220;Do You Love Me&#8221;<\/strong><br \/>\n<strong>Writer: Steve Foxe<\/strong><br \/>\n<strong>Artist (&#8220;There is a Kingdom&#8221;): Jonas Scharf<\/strong><br \/>\n<strong>Artist (&#8220;Do You Love Me&#8221;): Nelson D\u00e1niel<\/strong><br \/>\n<strong>Colour artist: Frank Martin<\/strong><br \/>\n<strong>Letterer: Clayton Cowles<\/strong><br \/>\n<strong>Design: Tom Muller &amp; Jay Bowen<\/strong><br \/>\n<strong>Editor: Jordan D White<\/strong><\/p>\n<p><strong>DARK X-MEN.<\/strong> This is the second\u00a0<em>Dark X-Men<\/em> miniseries, but it has no connection to the first, which was a <em>Dark Reign<\/em> tie-in about Norman Osborn&#8217;s rival X-Men team.<\/p>\n<p><strong>COVER \/ PAGE 1.\u00a0<\/strong>The cast pose. We&#8217;ll get to who all these people are shortly.<\/p>\n<p><strong>PAGE 2.\u00a0<\/strong><em>Madelyne Pryor dreams.<\/em><\/p>\n<p>Madelyne became the ruler of Limbo in\u00a0<em>New Mutants<\/em> #25-28.<\/p>\n<p>The Grim Reaper figure in her dream is holding the headdress from Havok&#8217;s costume.<\/p>\n<p><strong>PAGES 3-4.\u00a0<\/strong><em>Alex Summers and Madelyne Pryor wake up.<\/em><\/p>\n<p><strong>The Limbo Embassy.<\/strong> This improbable location was debuted in the epilogue to <em>Dark Web: Finale<\/em> #1, after Madelyne Pryor regained control of Limbo and put a stop to its attacks on New York (even though she&#8217;d been complicit in them to start with). According to that issue, Krakoa helped talk the USA into accepting the embassy, but Madelyne more or less threatened to keep causing trouble unless the Limbo Embassy was tolerated in New York.<\/p>\n<p><!--more--><\/p>\n<p>That issue ends with Madelyne giving the following speech to a somewhat sceptical Scott and Jean: &#8220;For too long, Limbo has held the spirits no one wants to face. The parts of us we condemn to darkness. Nothing heals in darkness. I will open my arms to the rejected ones. The ones who have fallen so far, they&#8217;ve been starved of light&#8230; I will lead them out of the cold. I will show them they have a home. No more hiding.&#8221;<\/p>\n<p>The protestors here are presumably prompted by the anti-mutant sentiment whipped up by Orchis, in particular after\u00a0<em>X-Men: Hellfire Gala 2023<\/em>. Certainly there&#8217;s a kid there with a cuddly Nimrod. On the other hand, if there&#8217;s any outpost of mutantdom that New Yorkers might have good reason to take against, the tower of black magic that was responsible for Inferno and Dark Web seems like it.\u00a0Alex does seem to understand that, at the very least, Madelyne hasn&#8217;t been doing much to win hearts and minds. He also seems to be the only person in the building wearing street clothes, as opposed to either a costume or demonwear. We&#8217;ll see on the next page that he&#8217;s arguing rather ineffectively for a more conciliatory approach to the humans, with a view to holding on to what they have left &#8211; basically, over correction in the other direction.<\/p>\n<p><strong>PAGE 5.\u00a0<\/strong><em>The lobby of the Limbo Embassy.<\/em><\/p>\n<p>Other than the demons, we&#8217;ll see where all of these characters came from in the back-up strip. Starting with Alex and Madelyne and continuing down the stairs, they are:<\/p>\n<ul>\n<li><strong>Emplate. <\/strong>Marius St Croix is M&#8217;s older brother, and was the main villain of the original <em>Generation X <\/em>series. He feeds on other mutants. He <em>was<\/em> a resident of Krakoa for a while &#8211; he can be seen arriving in\u00a0<em>House of X<\/em> #5, and\u00a0<em>X-Men<\/em> #3 (2019) mentions him as one of the power-feeding mutants involved in monitoring Krakoa&#8217;s own power feeding. He hasn&#8217;t been seen since and evidently didn&#8217;t find Krakoa especially attractive.<\/li>\n<li><strong>Azazel.<\/strong> Debuting in <em>Uncanny X-Men<\/em> #428 (2003) &#8211; part of the notorious &#8220;Draco&#8221; arc &#8211; Azazel is the immortal demonic father of Nightcrawler and many other mutants. His only other appearance of the Krakoan era appears to be a non-speaking cameo in\u00a0<em>House of X<\/em> #5, page 29 panel 5, as one of the villains arriving on the island &#8211; the guy on the far left of the panel has demonic shoulder pads and a goatee and at least\u00a0<em>could well<\/em> be Azazel. Azazel is asserting that he has some sort of control over Emplate, who is disputing it; we&#8217;ll come back to that (a bit) in the back-up strip.<\/li>\n<li><strong>Zero.<\/strong> Part of the original cast of\u00a0<em>Generation Hope<\/em>, Kenji Uedo&#8217;s body is a weird mix of flesh and machinery which can change shape. He&#8217;s something of a tortured artist. Rarely seen since <em>Generation Hope<\/em>, I think his last appearance was as the villain in <em>Storm<\/em> #11 (2015).<\/li>\n<li><strong>Infestation.<\/strong> The girl in the red shirt is Infestation, one of the students from the Hellfire Academy who debuted in <em>Wolverine and the X-Men<\/em> #31 (2013). She&#8217;s full of insects, basically. She supposedly joined the Jean Grey School after the Hellfire Academy was shut down, but was never seen again &#8211; until <em>Marvel&#8217;s Voices: Pride<\/em> (2023), of which more later. She&#8217;s still wearing her Academy uniform.<\/li>\n<li><strong>Infectia.<\/strong> The woman in green is Infectia (real name Josephine something), who turns people into loyal monsters by kissing them. She debuted in <em>X-Factor <\/em>#28 (1988) and had a fairly major storyline which culminated in her turning Beast back into his blue and furry form. She dies at the end, but presumably got resurrected on Krakoa.<\/li>\n<li><strong>Animax.<\/strong> The woman in the red supervillain costume is Blake Schiell, a throwaway villain from\u00a0<em>X-Men: Battle of the Atom<\/em> #1 who somehow made it into the crowd scene in\u00a0<em>House of X<\/em> #5. She can summon up monsters to control. She&#8217;s a complete nobody.<\/li>\n<li><strong>Solarr.<\/strong> The guy in the trench coat is Silas King, a 1970s villain with no real connection to the X-books. He debuted in <em>Captain America <\/em>#160 (1973), where he says things like &#8220;Now I&#8217;ve absorbed the raging, searing fire of the daystar into my veins, into my brain!&#8221; His origin story involves him inexplicably getting powers after contracting sunstroke, which somewhere along the line got rationalised into him being a latent mutant. He died in\u00a0<em>Power Man &amp; Iron Fist<\/em> #113 (1984), but he was previously mentioned as living on Krakoa in\u00a0<em>X-Men Unlimited Infinity Comic<\/em> #20.<\/li>\n<li><strong>Snot.<\/strong> The guy in the red shirt with no nose. Another of Infestation&#8217;s classmates, and the same comments apply.<\/li>\n<li><strong>Fantazia.<\/strong> The woman hovering in the purple cape is Eileen Harsaw, who controls electromagnetic energy in some vaguely defined way. She debuted in\u00a0<em>X-Force\u00a0<\/em>#6 (1991) as a member of Toad&#8217;s Brotherhood of Evil Mutants, and she&#8217;s done very little of note. She was last seen in\u00a0<em>House of M<\/em>.\u00a0<em>New Avengers<\/em> #15 (2006) mentioned that she was in S.H.I.E.L.D. custody, apparently with some memories of <em>House of M<\/em>, but nothing came of that.<\/li>\n<li><strong>Reaper.<\/strong> The guy with the scythe at the table is Pantu Hurageb, a recognisable member of the Mutant Liberation Front from early\u00a0<em>X-Force<\/em>.<\/li>\n<li><strong>Fatale.<\/strong> A former henchman of the Dark Beast. She was last seen, depowered, in\u00a0<em>All-New X-Factor<\/em> #12 (2014). Presumably she got her powers back somewhere along the line. Mainly she seemed to do invisibility and teleportation.<\/li>\n<\/ul>\n<p><strong>&#8220;I lost almost everyone I&#8217;ve ever cared about the night of the Hellfire Gala.&#8221;\u00a0<\/strong><em>X-Men: Hellfire Gala 2023<\/em>.<\/p>\n<p><strong>PAGE 6.<\/strong> Recap and credits.<\/p>\n<p><strong>PAGE 7.<\/strong> <em>Madelyne introduces her demonic Cerebro.<\/em><\/p>\n<p><strong>&#8220;I wasn&#8217;t among the living when Xavier&#8217;s parasitic twin annihilated Genosha.&#8221;<\/strong> Genosha was annihilated by Sentinels sent by Cassandra Nova in\u00a0<em>New X-Men<\/em> #115 (2001). Madelyne was indeed out of circulation at that point.<\/p>\n<p>Madelyne claims that the only life she felt ending at the Hellfire Gala was Jean&#8217;s, and therefore mutantkind must not have been slaughtered as people fear. She&#8217;s right, but a couple of points are worth noting. First, it&#8217;s apparently taken her ten weeks for her to tell Havok this, despite the loss of everyone he loves. Maybe she&#8217;s only recently figured it out. Second, Jean <em>wasn&#8217;t<\/em> the only person to die at the Gala &#8211; several of the newly elected X-Men were killed, along with all the human guests. But Madelyne&#8217;s point seems to be that if there had really been a mass slaughter, she&#8217;d have sensed\u00a0<em>that<\/em>. That&#8217;s&#8230; not necessarily right either, if the mutants died on the other side of the gates. But, as noted, she <em>is<\/em> right.<\/p>\n<p>The shape of the &#8220;Mercy Crown&#8221;, and Madelyne&#8217;s reference to how Jean would act, seem to confirm that Jean is trying to take the opportunity to fill the void left by the X-Men. This is\u00a0<em>partly<\/em> about doing the right thing, but it&#8217;s also in large part about Madelyne getting the chance to claim the life that she always thought she deserved, without any competition from the real X-Men.<\/p>\n<p><strong>PAGE 8.\u00a0<\/strong><em>Carmen Cruz visits Buddy Bartholomew.<\/em><\/p>\n<p><strong>Carmen Cruz<\/strong> is Gimmick from <em>Children of the Atom<\/em>. She&#8217;s using her shapechanging powers to disguise herself as Benny Thomas (Marvel Guy). The <em>Children<\/em> cast always had an interest in picking up second hand superhuman paraphernalia on the web. Gimmick has just come from visiting Gabe Braithwaite (Cherub).<\/p>\n<p>Gimmick moved to Krakoa at the end of that series after turning out to be the only actual mutant on the team. Her last significant appearance was a solo story in &#8211; again &#8211; <em>Marvel&#8217;s Voices: Pride<\/em> (2023), where she was training under Bishop and helping to fight Snot and Infestation. That story was also written by Steve Foxe, and ends with the two bad guys escaping and seeking refuge in the Limbo Embassy. A reference in the back-up strip creates a continuity problem here, but we&#8217;ll get to that.<\/p>\n<p><strong>Buddy Bartholomew<\/strong> is Cyclops Lass from the same series, the devoted X-Men fan. We&#8217;ve not seen her bigoted father before. She and Carmen have been a couple since\u00a0<em>Children<\/em> #6.<\/p>\n<p><strong>PAGE 9.<\/strong> Data page &#8211; an exchange of text messages among Marvel Guy, Cherub and Daycrawler.<\/p>\n<p><strong>PAGE 10.\u00a0<\/strong><em>Orchis capture Gimmick.<\/em><\/p>\n<p><strong>PAGES 11-15.\u00a0<\/strong><em>Gambit, Archangel and Maggott rescue Gimmick.<\/em><\/p>\n<p>So&#8230; are we taking seriously the bit about &#8220;Orchis might kill people if they find any X-Men&#8221;, or aren&#8217;t we? Some books seem to have Emma deliberately avoiding detection by Orchis, and then we&#8217;ve got, well, this. Maybe the answer is just that different characters have different views on the matter.<\/p>\n<p>Gimmick knows who these guys are &#8211; even Maggott &#8211; because of her background as a fangirl in\u00a0<em>Children of the Atom<\/em>.<\/p>\n<p><strong>Albert.<\/strong> The bashed-up Wolverine android is Albert, a duplicate Wolverine who debuted in\u00a0<em>Wolverine<\/em> #37 (1991). Like his little-girl partner Elsie Dee, he was part of a scheme by Donald Pierce to lure Wolverine into a deathtrap, but the two robots broke free of their programming. We last saw them in the 2020\u00a0<em>iWolverine<\/em> miniseries, which did indeed end with Albert and Elsie-Dee escaping to Macau. Apparently, they fell into the hands of an Orchis contractor, where Elsie was &#8220;scrapped&#8221; there and Albert was &#8220;reprogrammed.&#8221; Albert won&#8217;t be happy about this, and he keeps trying to say Elsie&#8217;s name in this scene.<\/p>\n<p><strong>PAGE 16.\u00a0<\/strong>Data page: the Orchis internal report on the preceding scene.<\/p>\n<p><strong>Agent Pequod<\/strong> is the Orchis agent dealing with Bobby Drake over in\u00a0<em>Astonishing Iceman<\/em>, which is why he doesn&#8217;t get assigned the response here.<\/p>\n<p><strong>PAGES 17-21. <\/strong><em>Madelyne&#8217;s &#8220;X-Men&#8221; arrive.<\/em><\/p>\n<p>This\u00a0<em>is<\/em> proper X-Men type behaviour &#8211; which is why Gambit, Archangel and Maggott are doing it already &#8211; but Madelyne has brought the improbable team of Havok, Azazel, Emplate and Zero. Despite Havok&#8217;s plaintive bleatings, her team are happily killing everyone from Orchis.<\/p>\n<p>It&#8217;s actually a little out of character for Azazel to take quite so much pleasure in killing people hands-on. He&#8217;s more of a long-term schemer character.<\/p>\n<p>Zero &#8220;keeps&#8221; Albert, presumably leading to Zero using his powers to free him from Orchis control &#8211; intentionally or otherwise.<\/p>\n<p>Anyone, Gambit, Gimmick and Maggott leave with the &#8220;X-Men&#8221;, but Archangel is captured by Orchis.<\/p>\n<p><strong>PAGES 22-23.<\/strong>\u00a0<em>Archangel is delivered to the Orchis black site.<\/em><\/p>\n<p><strong>The other Goblin Queen<\/strong> is the counterpart of Madelyne Pryor who ruled the &#8220;Inferno&#8221; section of Battleworld during Jonathan Hickman&#8217;s\u00a0<em>Secret Wars<\/em> event, as shown in the 2015\u00a0<em>Inferno<\/em> mini. After\u00a0<em>Secret Wars<\/em>, she and some of her demons wound up in the mainstream Marvel Universe where she had a couple of altercations with the time-travelling Silver Age X-Men in\u00a0<em>All-New X-Men<\/em> #12-16 and <em>X-Men Blue<\/em> #11-12 (2016-2017). She hasn&#8217;t been seen since. The creature behind her is\u00a0<strong>the Bamf Dragon<\/strong>, her world&#8217;s demonically transformed Nightcrawler. I&#8217;m, um, a bit sceptical that many readers will remember that these two are still out there. But I guess the cliffhanger still kind of works if all you get is that there&#8217;s a duplicate Goblin Queen running around.<\/p>\n<p><strong>PAGE 24.<\/strong> Trailers. The Krakoan text reads: HOLD ON TO THE THRONE.<\/p>\n<p><strong>PAGE 25.\u00a0<\/strong><em>Flashback: She-Hulk visits the Limbo Embassy.<\/em><\/p>\n<p>The back-up strip consists of a series of flashbacks, mostly showing how various characters became involved in the Limbo Embassy. The pattern is already established here of Havok pleading with Madelyne to be a little less violent and being completely ignored.<\/p>\n<p>Borghus is a new character.<\/p>\n<p><strong>PAGES 26-27. <\/strong><em>Flashback: Azazel and Emplate arrive at the Embassy.<\/em><\/p>\n<p>Azazel claims that Emplate is serving him because he&#8217;s called in a debt. For all that Emplate denies in the main story that he owes Azazel anything, Emplate certainly doesn&#8217;t give the impression of being here by his own choice.<\/p>\n<p>The mayor that Havok is talking to is Luke Cage.<\/p>\n<p><strong>&#8220;[M]y blue bastard saw to it that I was barred from entering any of the &#8230; Hell Realms&#8230;&#8221;<\/strong> In\u00a0<em>Amazing X-Men<\/em> #5 (2014), though what Nightcrawler actually says in that issue is that he used to bind Azazel to the Earth forever, so that he couldn&#8217;t go to <em>any<\/em> other realms. Maybe Azazel can get around that with the help of the ruler of another dimension.<\/p>\n<p><strong>PAGE 28.\u00a0<\/strong><em>Flashback: assorted mutants arrive at the Limbo Embassy.<\/em><\/p>\n<p>Most of these characters were already seen in the main story.<\/p>\n<p><strong>Fatale<\/strong> had numerous encounters with Havok in the late 90s in\u00a0<em>X-Factor<\/em> while she was working for the Dark Beast.<\/p>\n<p><strong>The Fenris Twins<\/strong> are rejected even by Limbo, because they&#8217;re Nazis. Unfortunately, this creates a continuity problem:<\/p>\n<ul>\n<li>This flashback takes place on &#8220;Wednesday.&#8221;<\/li>\n<li>Since Fenris are at large, it must precede <em>Bishop: War Academy<\/em> #5, where they go into the Pit (and stay there until <em>Uncanny Avengers<\/em> #1).<\/li>\n<li>Therefore it must precede the\u00a0<em>epilogue<\/em> to\u00a0<em>Bishop: War Academy<\/em> #5, where Bishop takes on a new group of students, including Gimmick.<\/li>\n<li>That group then appears in the Gimmick story in\u00a0<em>Marvel&#8217;s Voices: Pride\u00a0<\/em>(2023), where Gimmick says they&#8217;ve been training for some time.<\/li>\n<li>That story takes place outside the Limbo Embassy and ends with Snot and Infestation claiming asylum in the Embassy&#8230;<\/li>\n<li>&#8230;which happens in the next flashback in this story, marked &#8220;Thursday.&#8221;<\/li>\n<\/ul>\n<p>To square this away, you either need to say that Bishop was training Gimmick&#8217;s squad before\u00a0<em>Bishop: War Academy<\/em>, despite appearances, or that the &#8220;Wednesday&#8221; and &#8220;Thursday&#8221; in the flashback headers aren&#8217;t actually consecutive days, so that the whole of <em>Bishop: War Academy <\/em>plus a few training sessions with Gimmick&#8217;s squad can take place between those two flashbacks.<\/p>\n<p>Which <em>works<\/em>, but it obviously isn&#8217;t the creative intent. Still, the precise days aren&#8217;t <em>that<\/em> important, so let&#8217;s go with it.<\/p>\n<p><strong>Mastermind<\/strong> and\u00a0<strong>Lady Mastermind<\/strong> are Martinique and Regan Wyngarde, the daughters of Mastermind &#8211; supposedly, the reason why we have two of them is to cover for an editing mix-up which resulted in Lady Mastermind being used in two conflicting storylines in\u00a0<em>Uncanny X-Men\u00a0<\/em>and\u00a0<em>X-Treme X-Men<\/em> at the same time.<\/p>\n<p><strong>Infectia<\/strong> has one of her transformed &#8220;Anti-Bodies&#8221; behind her.<\/p>\n<p><strong>The Kangaroo.<\/strong> The guy shown here is the\u00a0<em>second<\/em> Kangaroo, Brian Hibbs, who is a guy in armour and debuted in 1993. The original Kangaroo, Frank Oliver, was indeed a Spider-Man villain circa 1970. He died in <em>Amazing Spider-Man<\/em> #126 (1973). He has a ludicrous origin story in which he learns to jump like a kangaroo simply by practising really hard; the <em>Official Handbook<\/em> gently suggests that since bodies don&#8217;t work that way, perhaps he was a mutant. Given that everyone else here is a mutant, it would make more sense for this to be the original Kangaroo resurrected on Krakoa&#8230; but that&#8217;s not what the art shows. The two look nothing alike.<\/p>\n<p><strong>PAGE 29.\u00a0<\/strong><em>Flashback: Madelyne visits Chasm.<\/em><\/p>\n<p><strong>Chasm<\/strong> is Ben Reilly, the clone of Spider-Man; as seen in Dark Web, his main motivation is to reclaim his sense of identity after losing many of his memories in a heroic sacrifice at the end of the &#8220;Beyond&#8221; arc in\u00a0<em>Amazing Spider-Man<\/em>. Chasm blames Spider-Man for this because he doesn&#8217;t remember how the memory loss came about either. The basic hook of &#8220;Dark Web&#8221; was that Madelyne and Ben were both damaged clones of more popular characters who were driven by a desire to reclaim the lives that they&#8217;d lost to the originals. Madelyne comes to her senses (ish) during the arc. Chasm doesn&#8217;t and remains a villain.<\/p>\n<p><strong>PAGE 30.\u00a0<\/strong><em>Flashback: the Gimmick story viewed from the Mansion.<\/em><\/p>\n<p>See above.<\/p>\n<p><strong>PAGE 31.\u00a0<\/strong><em>Flashback: Scott and Jean visit the Embassy.<\/em><\/p>\n<p>Cyclops tries to persuade Havok to come back to Krakoa, but &#8211; perhaps understandably given his time on the Hellions &#8211; he feels he has a role here at last. Meanwhile, Madelyne is making deals with S&#8217;ym while a defeated Belasco serves as their table.<\/p>\n<p><strong>PAGES 32-33.\u00a0<\/strong><em>Flashback: Madelyne takes Havok on a mission.<\/em><\/p>\n<p>So the basic idea is that Havok knows Madelyne is dangerously violent but feels that supporting her has given him a meaningful role in life, and clings to the hope that he can change her. Fair enough, though the art really oversells his gormlessness here.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>As always, this post contains spoilers, and page numbers go by the digital edition. DARK X-MEN vol 2 #1 &#8220;There is a Kingdom&#8221; \/ &#8220;Do You Love Me&#8221; Writer: Steve Foxe Artist (&#8220;There is a Kingdom&#8221;): Jonas Scharf Artist (&#8220;Do You Love Me&#8221;): Nelson D\u00e1niel Colour artist: Frank Martin Letterer: Clayton Cowles Design: Tom Muller [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[31],"tags":[],"class_list":["post-9323","post","type-post","status-publish","format-standard","hentry","category-annotations"],"_links":{"self":[{"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=\/wp\/v2\/posts\/9323","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=9323"}],"version-history":[{"count":1,"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=\/wp\/v2\/posts\/9323\/revisions"}],"predecessor-version":[{"id":9325,"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=\/wp\/v2\/posts\/9323\/revisions\/9325"}],"wp:attachment":[{"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=9323"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=9323"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=9323"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}