{"id":9544,"date":"2023-10-29T10:48:41","date_gmt":"2023-10-29T10:48:41","guid":{"rendered":"https:\/\/www.housetoastonish.com\/?p=9544"},"modified":"2023-10-29T10:49:07","modified_gmt":"2023-10-29T10:49:07","slug":"the-x-axis-23-october-2023","status":"publish","type":"post","link":"https:\/\/www.housetoastonish.com\/?p=9544","title":{"rendered":"The X-Axis &#8211; w\/c 23 October 2023"},"content":{"rendered":"<p>Once again, we get a ridiculous overload of X-books this week, to be followed by just the one mainstream X-title next week. This doesn&#8217;t seem sensible to me, but what do I know? I&#8217;m just the reader.<\/p>\n<p><strong>X-MEN UNLIMITED INFINITY COMIC #110.<\/strong> By Steve Foxe, Steve Orlando, Lynne Yoshii, Fer Sifuentes-Sujo &amp; Travis Lanham. Basically just a fight scene, though it does serve the purpose of letting one of the X-Men do some serious damage to an Orchis operation. Now that the notion of a tour of Otherworld has been dropped and we&#8217;re simply onto a third-tier X-Man trying to save Redroot to help avenge his friends, it strikes me that there&#8217;s another problem here: Redroot is so wildly underdeveloped on the page that she barely qualifies as a character at all. So when the story tries to do the beat of Redroot feeling hope for the first time in ages&#8230; you know, let&#8217;s give her a personality first. Any personality. Because right now she&#8217;s a background Flower Fairy.<\/p>\n<p><strong>ALPHA FLIGHT #3.<\/strong> By Ed Brisson, Scott Godlewski, Matt Milla &amp; Travis Lanham. It&#8217;s very much a week of middle chapters, this &#8211; which means the weight of books isn&#8217;t the only reason why some of these will be short. A lot of this is a fight scene with the Box Sentinels, which turn out to be nowhere near as good as their American counterparts. Slightly to my surprise, a scene is devoted to explaining away why we&#8217;ve had two Feedbacks wandering around, and while it reads very much like a continuity patch rather than a planned part of the story, I do appreciate the effort to smooth it over (particularly as Daken was in both stories). And Nemesis turns out to be&#8230; well, a character you&#8217;d always have expected to be in an Alpha Flight story, but I guess it does make sense for her to pick a random alternate identity to throw people off the scent. Still, it doesn&#8217;t land as quite the huge twist that the cliffhanger wants it to be &#8211; if anything, the bigger surprise is that Guardian\u00a0<em>didn&#8217;t<\/em> already know who she was.<\/p>\n<p><!--more--><\/p>\n<p><strong>UNCANNY AVENGERS #3.<\/strong> By Gerry Duggan, Emilio Laiso, Morry Hollowell &amp; Travis Lanham. Captain America holds a press conference to tell everyone to hug a mutant. In theory, this is fine &#8211; it&#8217;s precisely what Captain America ought to be doing, using his position to change the narrative and not just running around with a random Avengers team who might or might not even be publicly acknowledged. In practice, it&#8217;s a Care Bears scene in which Cap points out the bleeding obvious, and a bunch of characters in the crowd stare at him with joyful, inspired faces. I wonder if it&#8217;s the art overselling the scene, but then since nobody is actually scripted to\u00a0<em>do<\/em> anything in response to Cap&#8217;s speech, I&#8217;m not sure how else Laiso was supposed to convey that it was landing. And besides, when a big part of the X-books&#8217; direction is that Orchis are dominating the narrative, I don&#8217;t think &#8220;all people needed was to hear the truth from Cap&#8221; works. To be fair, Steve\u00a0<em>does<\/em> have a next step in his counter-narrative, which is to wheel out the one human witness who can testify to what really happened at the Hellfire Gala. Unfortunately for him, that&#8217;s the Kingpin &#8211; which is a much more interesting angle in terms of changing the narrative. (Mind you, it does beg the question of why Orchis hasn&#8217;t had him killed by now&#8230; but I guess he can hire protection.)<\/p>\n<p><strong>DARK X-MEN #3.<\/strong> <a href=\"https:\/\/www.housetoastonish.com\/?p=9532\">Annotations here.<\/a> The Dark X-Men try to recruit Flourish, and don&#8217;t get anywhere with that at all. And Angel apparently gets killed, which nobody seems all that bothered about (though I&#8217;m pretty sure he&#8217;ll be back). I&#8217;m enjoying this book, though. It&#8217;s making good use of Feint as the rookie who&#8217;s managed to convince herself that all this is still within normal parameters of weirdness for the X-Men, and it&#8217;s a good call to keep her and Gambit around &#8211; and to a lesser degree Havok &#8211; to make sure that this\u00a0<em>is<\/em> still some sort of recognisable X-Men team, even if the other half of the cast just seem to be amusing themselves, and Madelyne is somewhere in between. It does feel a bit episodic, given that this is only a miniseries &#8211; we&#8217;re obviously building to the two Goblin Queens fighting, but that feels a bit disconnected from Madelyne&#8217;s arc at this stage. But fun.<\/p>\n<p><strong>REALM OF X #3.<\/strong> <a href=\"https:\/\/www.housetoastonish.com\/?p=9535\">Annotations here.<\/a> Bruno Oliveira is not the solicited artist for this story, and his angular cartooning bears no resemblance to regular artist Di\u00f3genes Neves. It&#8217;s been a while since I&#8217;ve seen Marvel slot quite such a dissimilar fill-in artist into the middle of an arc. Oliveira mainly works for Marvel&#8217;s Infinity Comics &#8211; he drew the Runaways arc from <em>Marvel&#8217;s Voices Infinity Comic<\/em> which was quite similar but rather more polished. He also skipped the final issue of that arc, presumably because he&#8217;d been hauled across to draw this issue at the last minute. I&#8217;m very much in the minority here, but I actually like a lot of the art in this issue &#8211; yes, okay, there&#8217;s some terrible facial expressions and an inexplicable insistence on drawing people cross-eyed, even for a rush job issue, but there are also some strong layouts and a bit of dynamism which, frankly, this series could well use. Three issues in, the story itself is very much a case of: I see why this ought to be interesting in theory, but I&#8217;m not enthralled.<\/p>\n<p><strong>JEAN GREY #3.<\/strong> <a href=\"https:\/\/www.housetoastonish.com\/?p=9527\">Annotations here.<\/a> Continuing our series of de facto <em>What If?<\/em> stories about Jean Grey&#8217;s life &#8211; after a passing acknowledgement of\u00a0<em>Immortal X-Men<\/em> &#8211; we get to &#8220;Inferno&#8221;. This is definitely the weakest issue so far, simply because it takes as its turning point a fairly minor plot beat which doesn&#8217;t really feel like it feeds through into anything very much. I honestly don&#8217;t quite follow the point that Louise Simonson was trying to make with this one.<\/p>\n<p><strong>UNCANNY SPIDER-MAN #2.<\/strong> <a href=\"https:\/\/www.housetoastonish.com\/?p=9540\">Annotations here.<\/a> After a brief exchange with Mystique, and a seemingly pointless scene with Dagger (I can only assume she&#8217;s being introduced so that she can be used later in the series), our main event here is Silver Sable trying to scout Nightcrawler for future capture, and being thwarted by unreliable Orchis agents, her own staff, and a bizarre compulsion to flirt with the elf. The first part is decent, but it&#8217;s the second part that&#8217;s really enjoyable here. The Spider-Man angle feels a bit random, but his rogue&#8217;s gallery are good fits for Nightcrawler anyway, so it doesn&#8217;t feel forced.<\/p>\n<p><strong>MS MARVEL: THE NEW MUTANT #3.<\/strong> By Iman Vellani, Sabir Pirzada, Carlos G\u00f3mez, Adam Gorham, Erick Arciniega &amp; Joe Caramagna. We&#8217;re getting to the point where I look at some of these books and think: I&#8217;m sure I&#8217;ve read this but was it this week? Last week? Have I reviewed it already? Well, yes, it&#8217;s this week, but from an X-reader standpoint this title is very much getting lost in the shuffle. And I like Kamala. I think she&#8217;s a great character. The high concept of this story &#8211; villains try to infiltrate her mind and she&#8217;s defended by mash-up fanfic characters of her own creation &#8211; is absolutely a Ms Marvel idea. I can&#8217;t help feeling, though, that somebody started off with that idea and then retrofitted it to have something to do with Orchis. This is\u00a0<em>fine<\/em>, but if it hadn&#8217;t been shoehorned into the X-books, it would be better.<\/p>\n<p><strong>X-MEN: DAYS OF FUTURE PAST &#8211; DOOMSDAY #4.\u00a0<\/strong>By Marc Guggenheim, Manuel Garc\u00eda, Cam Smith, Yen Nitro &amp; Clayton Cowls. What do you do for the final issue when your story is about how the Days of Future Past timeline came about? Um, you just do a cover of &#8220;Days of Future Past&#8221;, apparently. And you try to stick on a beat of hope at the end. I dunno. But &#8220;Days of Future Past&#8221; already existed, and the most valuable and interesting material in this mini was in the earlier issues that helped to sell the credibility of America&#8217;s steady decline. When you get to just repeating the original story, I guess maybe it works if you&#8217;re new to the story? But the power of the original story lies in the threat of it as a potential future, not in the presentation of it as a settled fact. Oh, and I&#8217;m not sure why there are Nimrods wandering around at this point in the timeline either, since they don&#8217;t show up until much later. Still, it&#8217;s basically alright, but it feels unnecessary. And putting this out alongside &#8220;Fall of X&#8221;, which was already going overboard on the miserable fascist villains, seems like a very questionable decision &#8211; this would have been better served as counterprogramming during the height of the Krakoan era, rather than as Yet More Misery.<\/p>\n<p><strong>PREDATOR VS WOLVERINE #2.<\/strong> By Benjamin Percy, Ken Lashley, Andrea Di Vito, Hayden Sherman, Juan Fernandez, Alex Gumar\u00e3es &amp; Cory Petit. So, yup, we&#8217;re doing &#8220;Wolverine has fought the Predator at every key point in his timeline&#8221;. It&#8217;s Wolverine&#8217;s greatest hits, plus Predator. I&#8217;m not sure about sticking redshirts into Team X so that the Predators have someone to kill but, hey, if you&#8217;re going to do this story &#8211; and it&#8217;s\u00a0<em>Predator vs Wolverine<\/em>, for god&#8217;s sake, were you expecting Shakespeare? &#8211; it&#8217;s solidly done. Predators do at least work as Wolverine villains because the whole predator\/prey motif works for him. The art on the Team X section is decent, but the closing Weapon X sequence actually looks pretty striking. It&#8217;s what you&#8217;d expect from the title, basically, but done rather better than you&#8217;d expect.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Once again, we get a ridiculous overload of X-books this week, to be followed by just the one mainstream X-title next week. This doesn&#8217;t seem sensible to me, but what do I know? I&#8217;m just the reader. X-MEN UNLIMITED INFINITY COMIC #110. By Steve Foxe, Steve Orlando, Lynne Yoshii, Fer Sifuentes-Sujo &amp; Travis Lanham. Basically [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[27],"tags":[],"class_list":["post-9544","post","type-post","status-publish","format-standard","hentry","category-x-axis"],"_links":{"self":[{"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=\/wp\/v2\/posts\/9544","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=9544"}],"version-history":[{"count":2,"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=\/wp\/v2\/posts\/9544\/revisions"}],"predecessor-version":[{"id":9546,"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=\/wp\/v2\/posts\/9544\/revisions\/9546"}],"wp:attachment":[{"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=9544"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=9544"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=9544"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}