{"id":9886,"date":"2024-03-01T22:24:03","date_gmt":"2024-03-01T22:24:03","guid":{"rendered":"https:\/\/www.housetoastonish.com\/?p=9886"},"modified":"2024-03-01T22:24:03","modified_gmt":"2024-03-01T22:24:03","slug":"dead-x-men-2-annotations","status":"publish","type":"post","link":"https:\/\/www.housetoastonish.com\/?p=9886","title":{"rendered":"Dead X-Men #2 annotations"},"content":{"rendered":"<p><em>As always, this post contains spoilers, and page numbers go by the digital edition.<\/em><\/p>\n<p><a href=\"https:\/\/www.housetoastonish.com\/wp-content\/uploads\/2024\/02\/91gTI7a9EqL._AC_UY436_QL65_.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-9887 alignright\" src=\"https:\/\/www.housetoastonish.com\/wp-content\/uploads\/2024\/02\/91gTI7a9EqL._AC_UY436_QL65_-195x300.jpg\" alt=\"\" width=\"195\" height=\"300\" srcset=\"https:\/\/www.housetoastonish.com\/wp-content\/uploads\/2024\/02\/91gTI7a9EqL._AC_UY436_QL65_-195x300.jpg 195w, https:\/\/www.housetoastonish.com\/wp-content\/uploads\/2024\/02\/91gTI7a9EqL._AC_UY436_QL65_.jpg 284w\" sizes=\"auto, (max-width: 195px) 100vw, 195px\" \/><\/a><strong>DEAD X-MEN #2<\/strong><br \/>\n<strong>&#8220;Army of Me&#8221;<\/strong><br \/>\n<strong>Writer: Steve Foxe<\/strong><br \/>\n<strong>Artists: Peter Nguyen, Bernard Chang &amp; Guillermo Sanna<\/strong><br \/>\n<strong>Colour artist: Frank Martiin<\/strong><br \/>\n<strong>Letterer: Cory Petit<\/strong><br \/>\n<strong>Design: Tom Muller &amp; Jay Bowen<\/strong><br \/>\n<strong>Editor: Jordan D White<\/strong><\/p>\n<p><strong>COVER \/ PAGE 1.<\/strong> The X-Men surrounded by Ultron Sentinels.<\/p>\n<p>Not only are three very different artists credited for this issue, but issue #1 also credited three artists, and only one (Bernard Chang) worked on both issues. Nonetheless, these <i>are<\/i> the originally solicited artists.<\/p>\n<p><strong>PAGES 2-4.\u00a0<\/strong><em>The cyborg Moira arrives in her eighth life.<\/em><\/p>\n<p>Last issue, the X-Men visited one of the abortive timelines created by Mr Sinister&#8217;s Moira Engine and met that world&#8217;s version of Moira MacTaggert, a cyborg who was building a weapon to &#8220;cut a path&#8221; back to her first life with a view to altering her entire history. The issue ended with her getting the last component that she needed (a shard of mysterium).<\/p>\n<p><!--more--><\/p>\n<p>As confirmed on page 4, cyborg Moira has now arrived in her eighth life; this is the timeline where she allied with Magneto and helped him to conquer America. In this world, Magneto is apparently still based on his Island M base, but he doesn&#8217;t seem to be home right now. Instead, Moira gets to tear through:<\/p>\n<ul>\n<li><strong>The Toad<\/strong>, Magneto&#8217;s regular lackey dating back to the Silver Age.<\/li>\n<li><strong>Mentallo<\/strong>, a telepath whose mainstream counterpart has been a regular character in <em>X-Men Red<\/em>.<\/li>\n<li><strong>Tower <\/strong>and\u00a0<strong>Stinger<\/strong>, both members of Apocalypse&#8217;s Alliance of Evil alongside Frenzy (who is actually on the team for this series, but nothing seems to turn on that).<\/li>\n<li><strong>Quill<\/strong>, who in the mainstream universe was a minor background character at the X-Men&#8217;s school &#8211; he was on Cyclops&#8217; squad.<\/li>\n<\/ul>\n<p>This version of Moira is keen to stress that she is\u00a0<em>not<\/em> a machine, the implication being that she is very much not on board with Orchis&#8217; AI contingent.<\/p>\n<p><strong>PAGE 5.\u00a0<\/strong>Recap and credits.<\/p>\n<p><strong>PAGES 6-9.\u00a0<\/strong><em>The X-Men press to be sent after Moira.<\/em><\/p>\n<p>Rachel appears here during\u00a0<em>Rise of the Powers of X<\/em> #2, where the attack on the No-Place is seen. That issue also clarifies that from the No-Place &#8211; which is outside the regular timeline, but anchored to it &#8211; Rachel is able to transport people from the White Hot Room to other timelines. She can&#8217;t, however, transport people back to the world where she&#8217;s anchored. The communications link between the No-Place and the White Hot Room is achieved using the link between Mother Righteous and her homunculus, as previously seen in\u00a0<em>Immortal X-Men<\/em>.<\/p>\n<p>According to\u00a0<em>Rise of the Powers of X<\/em>, Professor X&#8217;s plan is actually to use the information gathered by the X-Men to go back in time and kill Moira, altering history so drastically as to avert the events that allow Enigma to become a Dominion. Rachel doesn&#8217;t know this, and believes that the plan is just to speak to Moira for some reason.<\/p>\n<p>Rachel&#8217;s argument that Moira&#8217;s earlier lives might be impossible to reach doesn&#8217;t make much sense &#8211; she argues that the Engine timelines &#8220;branch off from ours&#8221;, while Moira&#8217;s past lives don&#8217;t. But they do &#8211; they all split off from the same shared history, at the point where her powers emerge. (Quite how this works with people travelling back in time to the past has never really been explained.) Maybe Rachel just means that they branch off at a much more distant point in the past. At any rate, she\u00a0<em>can<\/em> do it.<\/p>\n<p>The jewel in Prodigy&#8217;s \u00a0chest is a \u00a0shard of the M&#8217;Kraan Crystal that he picked up in an abortive Moira Engine timeline last issue. The X-Men left that timeline before Moira completed her weapon, because they&#8217;d completed their mission &#8211; hence, they don&#8217;t know that Moira is potentially travelling back through the timelines. Prodigy\u00a0<em>did<\/em> say in that issue that she had &#8220;a full map of Moira&#8217;s past&#8221;. He seems to be telling Rachel that they should just go back in time and randomly hope to discover something in an entire universe, but that comment might suggest that he has something more concrete in mind.<\/p>\n<p><strong>PAGES 10-14.<\/strong> <em>The X-Men arrive in Moira&#8217;s seventh life.<\/em><\/p>\n<p>According to\u00a0<em>House of X<\/em> #2, Moira spent her seventh life trying to wipe out the Trask family in order to prevent AI from being discovered. (Page 14 panel 1&#8217;s flashback is a deliberate echo of that page.)<\/p>\n<p>It doesn&#8217;t work, because artificial intelligence turns out to be something that is inevitably discovered at a certain spot in human history. <em>House of X<\/em> #2 shows her being killed in that life by a quite familiar looking Sentinel, which had just come along anyway. In this world, however, the Sentinels all look like Avengers villain\u00a0<strong>Ultron<\/strong>. We&#8217;ll see why shortly, but the implication is that cyborg Moira has already changed history &#8211; or at least that ripple effects from people travelling to these past timelines are causing problems.<\/p>\n<p><strong>PAGES 15-17.<\/strong> <em>The X-Men encounter Emma Frost.<\/em><\/p>\n<p>The local <strong>Emma Frost<\/strong> is apparently just a teacher, working at the Massachusetts Academy, but with no connection to the Hellfire Club or the X-Men. The flashback in the next scene suggests that in this version of the Academy, the students are openly mutants. Her dialogue here seems to suggest that her secondary mutation (turning to diamond) is a surprise to her, but in the next scene she seems to use it deliberately to shield her students, so that&#8217;s probably not how it was meant to come across.<\/p>\n<p>Judging from the purple hair, the girl she&#8217;s holding in her arms is the local version of\u00a0<strong>Catseye<\/strong>, of the original Hellions.<\/p>\n<p><strong>PAGE 18.\u00a0<\/strong><em>Flashback: Cyborg Moira kills Henry Peter Gyrich.<\/em><\/p>\n<p><strong>Hank Pym, <\/strong>the creator of Ultron, has built a whole load of them as this world&#8217;s version of Sentinels &#8211; apparently prompted by the local Moira&#8217;s assassinations of the Trask family. Ironically, Hank is actually <em>right<\/em> to blame &#8220;radical mutant terrorism&#8221; for the murders of the Trask family (choice of words aside), despite Emma dismissing it as a &#8220;fringe conspiracy theory&#8221;.<\/p>\n<p><strong>Senator Shaffran<\/strong>, in the regular Marvel Universe, was Ricochet, a minor villain from Peter David and Larry Stroman&#8217;s <em>X-Factor<\/em> (he debuts in #72 and dies in #75).<\/p>\n<p><strong>Henry Peter Gyrich<\/strong> is the Marvel Universe&#8217;s all-purpose awful US government official, back in that more traditional role here.<\/p>\n<p><strong>PAGES 19-21.\u00a0<\/strong><em>The X-Men decide that they have to go back and stop Moira from doing further damage.<\/em><\/p>\n<p>As Prodigy points out, if the details of Moira&#8217;s memories are radically changed, the ripple effects in her future lives could be huge.<\/p>\n<p>Prodigy&#8217;s claim that &#8220;This is our fault. We changed the path&#8221; is a little difficult to follow, since clearly things were already off the rails before they even arrived. I think he means that if they hadn&#8217;t interfered in the course of events last issue, then Moira wouldn&#8217;t have been able to complete her weapon, but it&#8217;s not very clear why that would be.<\/p>\n<p><strong>PAGE 22.\u00a0<\/strong>Trailers. The Krakoan reads LONG WAY FROM HOME.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>As always, this post contains spoilers, and page numbers go by the digital edition. DEAD X-MEN #2 &#8220;Army of Me&#8221; Writer: Steve Foxe Artists: Peter Nguyen, Bernard Chang &amp; Guillermo Sanna Colour artist: Frank Martiin Letterer: Cory Petit Design: Tom Muller &amp; Jay Bowen Editor: Jordan D White COVER \/ PAGE 1. The X-Men surrounded [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[31],"tags":[],"class_list":["post-9886","post","type-post","status-publish","format-standard","hentry","category-annotations"],"_links":{"self":[{"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=\/wp\/v2\/posts\/9886","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=9886"}],"version-history":[{"count":1,"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=\/wp\/v2\/posts\/9886\/revisions"}],"predecessor-version":[{"id":9888,"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=\/wp\/v2\/posts\/9886\/revisions\/9888"}],"wp:attachment":[{"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=9886"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=9886"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=9886"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}