{"id":9949,"date":"2024-03-27T23:14:15","date_gmt":"2024-03-27T23:14:15","guid":{"rendered":"https:\/\/www.housetoastonish.com\/?p=9949"},"modified":"2024-03-27T23:14:15","modified_gmt":"2024-03-27T23:14:15","slug":"rise-of-the-powers-of-x-3-annotations","status":"publish","type":"post","link":"https:\/\/www.housetoastonish.com\/?p=9949","title":{"rendered":"Rise of the Powers of X #3 annotations"},"content":{"rendered":"<p><em>As always, this post contains spoilers, and page numbers go by the digital edition.<\/em><\/p>\n<p><a href=\"https:\/\/www.housetoastonish.com\/wp-content\/uploads\/2024\/03\/91BYDFzb4PL._AC_UY436_QL65_.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-9950 alignright\" src=\"https:\/\/www.housetoastonish.com\/wp-content\/uploads\/2024\/03\/91BYDFzb4PL._AC_UY436_QL65_-195x300.jpg\" alt=\"\" width=\"195\" height=\"300\" srcset=\"https:\/\/www.housetoastonish.com\/wp-content\/uploads\/2024\/03\/91BYDFzb4PL._AC_UY436_QL65_-195x300.jpg 195w, https:\/\/www.housetoastonish.com\/wp-content\/uploads\/2024\/03\/91BYDFzb4PL._AC_UY436_QL65_.jpg 284w\" sizes=\"auto, (max-width: 195px) 100vw, 195px\" \/><\/a><strong>RISE OF THE POWERS OF X #3<\/strong><br \/>\n<strong>&#8220;The Ex Life of Moira&#8221;<\/strong><br \/>\n<strong>Writer: Kieron Gillen<\/strong><br \/>\n<strong>Artist: R.B. Silva<\/strong><br \/>\n<strong>Colour artist: David Curiel<\/strong><br \/>\n<strong>Letterer: Clayton Cowles<\/strong><br \/>\n<strong>Design: Tom Muller &amp; Jay Bowen<\/strong><br \/>\n<strong>Editor: Jordan D White<\/strong><\/p>\n<p><strong>COVER \/ PAGE 1.<\/strong> Moira, on a bench, is approached by someone holding a gun. This is Moira as she appeared in the opening scene of <em>Powers of X <\/em>#1, where she approaches Charles Xavier and tells him about her earlier lives. The gun is presumably intended to be the same one that Professor X is holding when he approaches a much younger Moira in the issue itself.<\/p>\n<p><strong>PAGE 2. <\/strong><em>Young <\/em><em>Moira leaves the house expecting her powers to emerge.<\/em><\/p>\n<p>As established in <em>House of X<\/em> #2, Moira is reborn with the full memories of her previous lives but has to go through the motions of being a child in her first few years. This is the day when her powers are expected to emerge; until then, she can die permanently. We saw a version of this same scene at the start of issue #2, from Enigma&#8217;s perspective. In this version, from Moira&#8217;s perspective, her mother Lady Kinross is more clearly visible. Enigma&#8217;s version also has a panel of her looking rather downbeat before she leaves the house; here she seems more enthusiastic.<\/p>\n<p><!--more--><\/p>\n<p>Based on her previous lives, Moira&#8217;s plan for life ten is to bring all the mutants together on Krakoa, though to what end is somewhat glossed over on this page.<\/p>\n<p><strong>PAGES 3-4. <\/strong><em>Moira finds a time-travelling Professor X waiting for her.<\/em><\/p>\n<p>The bench is a call back to their first meeting in <em>Powers of X<\/em> #1, with the roles reversed and Professor X taking Moira by surprise.<\/p>\n<p>Previous issues of this series and <em>Dead X-Men<\/em> have been (intentionally) inconsistent about whether Professor X wanted to talk to Moira or just kill her. The answer, apparently, is both.<\/p>\n<p><strong>PAGE 5. <\/strong>Recap and credits. The title, &#8220;The Ex Life of Moira&#8221;, refers to the title of <em>House of X<\/em> #2 (&#8220;The Uncanny Life of Moira X&#8221;).<\/p>\n<p><strong>PAGE 6. <\/strong><em>In the present, Enigma continues to address Moira.<\/em><\/p>\n<p>This continues from the end of the previous issue, where Enigma approached Moira in the middle of some sort of battle involving Orchis (and specifically Nimrod). We didn&#8217;t see who they were fighting, though the implication was that it was something in <em>Fall of the House of X<\/em> that we haven&#8217;t reached yet.<\/p>\n<p>Enigma&#8217;s comment that &#8220;I brought her here&#8221;, referring to Omega Sentinel, is explained on the next page.<\/p>\n<p><strong>PAGE 7. <\/strong>Data page &#8211; an attempt to explain the personal timeline of Omega Sentinel. In short:<\/p>\n<ul>\n<li>Omega Sentinel&#8217;s timeline diverges shortly before Orchis is formed, though apparently after Krakoa is founded. The opening of <em>House of X<\/em> #1 does indeed allow for a period of several months between the first settlement of Krakoa and the main action of that issue, and Orchis is described as emerging from various pre-existing organisations, so all this does fit with the idea in <em>Inferno<\/em> #4 that Orchis was formed by Omega Sentinel (in the sense that she brought them all together).<\/li>\n<li>According to Omega Sentinel&#8217;s account in <em>Inferno<\/em> #3, in her timeline the mutants won the war against post-humanity, defeating the Children of the Vault. A &#8220;lesser&#8221; version of Nimrod was created the following year, was sent back in time to fight mutants, and was defeated.<\/li>\n<li>Again according to Omega Sentinel, mutants won the war against humans and AIs. She said that &#8220;all our machine hopes rested in the timeless machine gods &#8211; Dominions &#8211; to save us&#8230; to take us in, so we could be. But the mutants captured the celestial powers &#8211; life and death &#8211; and using the Phoenix blade, the child of the sun, who wielded it with vigour, destroyed Titan after Titan, Dominion after Dominion&#8221;. This is covered in points A, B and C of the timeline here. The art in <em>Inferno<\/em> #3 shows the Child of the Sun (clutching some sort of spear) and three other figures in silhouette only. One of the other figures looks an awful lot like Deathbird, which might suggest that Hickman had Sunspot in mind for the Child of Sun, but it doesn&#8217;t really matter now.<\/li>\n<li>On Omega Sentinel&#8217;s account, &#8220;The trickster Titan &#8211; betrayer and coward of its brother and sister machines &#8211; downloaded my mind and pushed it through a black hole to infect and overwrite the me who lived in the past but had not yet awakened.&#8221; Enigma claims here to have been the &#8220;trickster Titan&#8221;. Enigma&#8217;s purpose in sending Omega Sentinel back in time was presumably to hasten a war between mutants and humans which would bring about the circumstances for his own ascension (i.e., he&#8217;s guaranteeing that events play out as he already remembers them happening). Anyway, this is points E and F on the timeline.<\/li>\n<li>As stated in <em>Inferno<\/em> #3, Omega Sentinel then forms Orchis. The timeline says here &#8220;Harvested by Enigma +15. Timeline ends.&#8221; It&#8217;s not clear what this means, since the timeline is shown as continuing; he might mean that this is fifteen years before the end of time.<\/li>\n<li>Point G on the timeline simply recaps the creation of Nimrod in Hickman&#8217;s <em>X-Men<\/em> and Nimrod allying himself with Omega Sentinel as Orchis&#8217; AI faction in <em>Inferno<\/em> #3.<\/li>\n<li>Point H is the fall of Krakoa in <em>X-Men: Hellfire Gala<\/em> 2023.<\/li>\n<li>Point I explains what&#8217;s about to happen, at least on the existing timeline: over the next ten years, Orchis transform Mars into a Worldmind thanks to Omega Sentinel&#8217;s knowledge of far future technology, and ascend to join a &#8220;friendly Dominion&#8221;. This is essentially the version of events we saw in\u00a0issue #1, in the timeline where Dr Stasis tried and failed to ascend.<\/li>\n<\/ul>\n<p><strong>PAGE 8. <\/strong><em>Enigma continues his pitch to Moira.<\/em><\/p>\n<p>Enigma explains that he is &#8220;trapped inside this timeline and its dependents&#8221; and wants to use Moira&#8217;s connection to deleted timelines to free himself from that timeline. The idea of timelines that are deleted but still exist is, shall we say, confusing, but probably the simplest way to think of it in comics terms is that it&#8217;s the equivalent of a character from the current DC Universe visiting the pre-<em>Crisis<\/em> Earth. It&#8217;s out there, because it&#8217;s part of the sequence of events that created the current timeline, but it&#8217;s not <em>part of <\/em>the current timeline, and getting to it is a rather trickier proposition.<\/p>\n<p>The unspoken question is <em>why<\/em> Enigma wants to travel to these other timelines, and what he hopes to achieve by going there. Up until now the emphasis has been on how powerful Enigma is, but he seems preoccupied here with his limitations.<\/p>\n<p><strong>PAGES 9-10. <\/strong><em>No-Place X comes under attack<\/em> again.<\/p>\n<p>This is apparently a second wave of the attack we saw last issue; these events were also shown in broad terms in <em>Dead X-Men<\/em> #3.<\/p>\n<p><strong>PAGES 11-12. <\/strong><em>Moira and Xavier talk.<\/em><\/p>\n<p>This is a very different version of Moira from the post-<em>Inferno<\/em> version. Although her primary interest does seem to lie in breaking out of her cycle of reboots, she honestly seems to have expected that her plan would work out quite well for other people. There&#8217;s also a question of what she means by &#8220;trapped&#8221;, given that on Destiny&#8217;s predictions in <em>House of X <\/em>#2, this <em>is<\/em> her last life. Note that she stresses herself as &#8220;trapped&#8221;, which is the same wording used by Enigma to describe his link to the timeline on page 8.<\/p>\n<p>As in earlier issues of <em>Immortal X-Men<\/em>, Professor X presents Krakoa as a compromise where he departed from his dream in favour of a vision of mutant separatism and essentialism that he never actually believed in.<\/p>\n<p>He also suggests that he formed the X-Men in part to rebuild a family following the deaths of his parents (and loss of his stepbrother and stepfather). It&#8217;s not entirely clear which choice he thinks he&#8217;s making between &#8220;being part of a family&#8221; and &#8220;being loved&#8221;, or how killing Moira (and thus altering the timeline) bears on that. But fundamentally he views Krakoa as a negation of his dream and seems to think that erasing it from history will restore the dream, even if he is no longer able to serve as its figurehead.<\/p>\n<p><strong>PAGES 13-14. <\/strong><em>Rasputin learns that Cypher is Sinister and warns Rachel.<\/em><\/p>\n<p>Sinister is too preoccupied to keep up the pretence. Rasputin actually <em>does<\/em> believe that Sinister is working with Xavier, but that doesn&#8217;t reassure her in the slightest.<\/p>\n<p><strong>PAGES 15-20. <\/strong><em>Rasputin and Rachel stop Professor X from killing Moira.<\/em><\/p>\n<p>Rachel says that &#8220;my team&#8221; wants to convince Professor X that Krakoa matters &#8211; which seems to suggest that she&#8217;s letting the <em>Dead X-Men<\/em> cast speak to him. If so, we might see more of that in <em>Dead X-Men<\/em> #4. At any rate, she appears to persuade Professor X that Krakoa was a good thing, at least in some respects. The subtext here may be that since Krakoa was a deviation from Professor X&#8217;s vision (and of the traditional X-Men format), he is more than receptive to the idea that he was right all along; note that he immediately gives Moira a warning to &#8220;think of something other than yourself&#8221;.<\/p>\n<p><strong>Zero Fluid.<\/strong> That&#8217;s normally the weird energy source that turned Jonathan Hart into Jack of Hearts, but it seems an odd reference point.<\/p>\n<p><strong>PAGE 21. <\/strong>Data page: Enigma communicates directly with Moira. Some of this is recapping previous exposition about Titans, Dominions and so forth from a data page in <em>Powers of X<\/em> #5.<\/p>\n<p><strong>&#8220;In this timeline, the Phoenix is dead. I have arranged it.&#8221;<\/strong> Enigma is presumably referring to the condition of Jean Grey over in <em>Immortal X-Men \/ X-Men: Forever<\/em>.<\/p>\n<p><strong>&#8220;As god does not exist, and as Voltaire insisted, we should make him.&#8221; <\/strong>Referring to Volatire&#8217;s line that &#8220;If God did not exist, it would be necessary to invent him&#8221;, from an essay in 1770. This isn&#8217;t what Voltaire meant, of course. He <em>did<\/em> believe in God, but his point in that quote was that whether or not it was actually true, religious belief was also necessary to a functioning society.<\/p>\n<p><strong>PAGES 22-23. <\/strong><em>Moira lets Enigma in and tells Omega Sentinel about him.<\/em><\/p>\n<p>Straightforward.<\/p>\n<p><strong>PAGES 24-26. <\/strong><em>Professor X, Rasputin and Rachel return to the No-Place.<\/em><\/p>\n<p>Professor X decides that Mr Sinister has outlived his usefulness, and hell, it&#8217;s just a clone anyway.<\/p>\n<p>It&#8217;s not yet clear why Professor X thinks that the option of resurrecting Phoenix is worse than rewriting the timeline. After all, one thing we do know is that Phoenix <em>can<\/em> defeat a Dominion, and the X-Men have access to it, so what&#8217;s the big deal. Note that Xavier shoots Rachel with the same high-tech gun that he was about to use on Moira, and there might be some significance to that.<\/p>\n<p><strong>PAGE 27.<\/strong> Trailers. The Krakoan reads FALL OF THE HOUSE OF X.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>As always, this post contains spoilers, and page numbers go by the digital edition. RISE OF THE POWERS OF X #3 &#8220;The Ex Life of Moira&#8221; Writer: Kieron Gillen Artist: R.B. Silva Colour artist: David Curiel Letterer: Clayton Cowles Design: Tom Muller &amp; Jay Bowen Editor: Jordan D White COVER \/ PAGE 1. Moira, on [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[31],"tags":[],"class_list":["post-9949","post","type-post","status-publish","format-standard","hentry","category-annotations"],"_links":{"self":[{"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=\/wp\/v2\/posts\/9949","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=9949"}],"version-history":[{"count":1,"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=\/wp\/v2\/posts\/9949\/revisions"}],"predecessor-version":[{"id":9951,"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=\/wp\/v2\/posts\/9949\/revisions\/9951"}],"wp:attachment":[{"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=9949"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=9949"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.housetoastonish.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=9949"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}