Storm and the Brotherhood of Mutants #2 annotations
As always, this post contains spoilers, and page numbers go by the digital edition.
STORM & THE BROTHERHOOD OF MUTANTS #2
“Sins of Sinister, part 7: No Hope”
Writer: Al Ewing
Artist: Andrea Di Vito
Colourists: Jim Charalampidis & Rachelle Rosenberg
Letterer: Ariana Maher
Design: Jay Bowen
Editor: Jordan D White
COVER / PAGE 1. A very elderly Storm, holding a miniature Destiny in an energy ball reminiscent of Orbis Stellaris’ sphere. Make of that what you will.
PAGE 2. Data page. The mock-3D effect was also used on the data pages in the previous issue; this one seems to be echoing Star Wars.
The Interstellar Compact. The Compact was mentioned by Hope in Immoral X-Men #2, where it was described as simply an alliance of alien races which the mutants were cheerfully destroying. Hope’s account suggested it was on its last legs. The information that Orbis Stellaris is behind it is new, I think.
Planet Arakko was destroyed in Sins of Sinister #1.
Varon appears to be new, as far as I can see.
Freedom Force were mentioned in a data page in Immoral X-Men #2: “We still can’t get ahold of Storm, but I hear we cornered Freedom Force. We finally got Mystique, the little traitor.” Originally, Freedom Force was the name used by Mystique’s Brotherhood of Evil Mutants when they worked for the US government in the late 1980s; the name was ironic there, but it’s played (more) straight here.
Marauders #12 annotations
As always, this post contains spoilers, and page numbers go by the digital edition.
MARAUDERS vol 2 #12
“Pre-Genesis, part 2”
Writer: Steve Orlando
Artist: Eleonora Carlini
Colourist: Matt Milla
Letterer: Travis Lanham
Design: Tom Muller
Editor: Jordan D White
COVER / PAGE 1. Kate with the Mysterium box.
This is the final issue of Marauders vol 2, and it’s very obviously a “wrap up the storylines” issue, particularly with the B and C plots. The A plot feels more like it was meant to get to this point around now anyway.
PAGE 2. Fang fights Brimstone Love in Madripoor.
This picks up from the cliffhanger of the previous issue, in which Fang tracked down Brimstone Love to take revenge for his torture in Annual #1. He was accompanied by Lockheed and, rather arbitrarily, Johnny Dee – who hasn’t appeared in this book before and seems a weird character to throw in at the last minute, though at least his highly specific powers are important to the plot here. As in earlier appearances, Johnny Dee maintains that the creature in his chest has a mind of its own.
PAGE 3. Recap and credits.
PAGE 4. Polaris creates the Seed.
Picking up from the A-plot of the previous issue, this is Polaris using the genetic source material of Genosha to fill the mysterium box that will go back in time to create Threshold, and then (much, much later) make its way into Kate’s hands at the start of the Orlando run. The Seed, and the fact that it was Kate’s box, were both established in issue #9.
Wolverine #31 annotations
As always, this post contains spoilers, and page numbers go by the digital edition.
WOLVERINE vol 7 #31
“Weapons of X, part 1”
Writer: Benjamin Percy
Artist: Juan José Ryp
Colourist: Frank D’Armata
Letterer: Cory Petit
Design: Tom Muller with Jay Bowen
Editor: Mark Basso
COVER / PAGE 1. Wolverine fights a whole team of Beasts. This doesn’t happen in this issue, but it’s clearly coming later in the storyline. (For whatever reason, the surprise ending of this issue is not only given away on the cover, it was in the solicitation copy.)
PAGES 2-5. Beast brings the Pointe to life and heads off into the sea.
Last issue, Wolverine killed the Beast in revenge for Beast turning him into a weapon. Beast was automatically resurrected as a clone in X-Force HQ from an “auto-backup”. The obvious question is how this fits with the idea that the Five are… well, necessary. In fairness, though, the Five aren’t involved in the process of restoring memories, and we saw in X-Force #37 that that bit can be done by a machine if need be. So maybe Beast got the Five to create these bodies for him – in defiance of the normal rules against multiple resurrections – and has them all stored in the Pointe, but he can’t make any more. The other possibility is that this Beast isn’t truly a resurrection, but just a regular old clone.
Immoral X-Men #2 annotations
As always, this post contains spoilers, and page numbers go by the digital edition.
IMMORAL X-MEN #2
“Sins of Sinister, part 6: Four-Letter Words”
Writer: Kieron Gillen
Artist: Andrea Di Vito
Colourist: Jim Charalampidis
Letterer: Clayton Cowles
Design: Jay Bowen
Editor: Jordan D White
COVER / PAGE 1. Rasputin fights Mystiques.
PAGE 2. Hope and Exodus prepares to attack the Compact.
“+100, the Edge of the Pax.” The structure of the “Sins of Sinister” crossover is that the month 1 chapters all took place around 10 years after the save point, these chapters take place 100 years after, and next month will be 1000 years. Hope and Exodus are still around thanks to resurrection, as clarifies later on.
Presumably the Pax is the ironic name for the Sinisterised Earth empire, since the alliance of alien races is apparently “the Compact”.We saw in Nightcrawlers #2 that the Quiet Council had gone on the offensive against the rest of the galaxy, prompted (at least initially) by Hope’s concerns last issue that otherwise they would be wiped out themselves.
The Supreme Intelligence is the traditional ruler of the Kree.
New Mutants: Lethal Legion #1 annotations
As always, this post contains spoilers, and page numbers go by the digital edition.
NEW MUTANTS: LETHAL LEGION #1
“Vampire Heist”
Writer: Charlie Jane Anders
Penciller: Enid Balam
Inker: Elisabetta D’Amico
Colourist: Matt Milla
Letterer: Travis Lanham
Design: Tom Muller with Jay Bowen
Editor: Sarah Brunstad
NEW MUTANTS: LETHAL LEGION. This is a five-issue miniseries. I’m not generally doing annotations for minis – which is why I’m not doing Bishop: War College – but this is in substance New Mutants #34-38, billed as a miniseries, presumably because someone thought it would boost sales. It’s a direct continuation from the storyline in New Mutants #31-33.
COVER / PAGE 1: The cast in the foreground – Escapade, Cerebella, Wolfsbane, Karma and Mirage – with the Shadow King, the Demon Bear and a couple of U-Men in the background. Shadow King is looking a bit Mojo-like, too. The Demon Bear and the Shadow King aren’t in this issue at all, but maybe it’s a cover for the whole trade.
Rather boldly, the cover tells us that this features a “new creative team”, despite the fact that (a) it’s officially a miniseries, and (b) Anders, whose name is in the largest text, has been writing the book for three issues now – though the artists are new.
Nightcrawlers #2 annotations
As always, this post contains spoilers, and page numbers go by the digital edition.
NIGHTCRAWLERS #2
“Sins of Sinister, part 5: The Apostate”
Writer: Si Spurrier
Artist: Andrea Di Vito
Colourist: Jim Charalampidis
Letterer: Clayton Cowles
Design: Tom Muller with Jay Bowen
Editor: Jordan D White
COVER / PAGE 1. The Nightkin steal Mjolnir from Thor. It doesn’t happen this way in the story, for the obvious reason that Mjolnir can’t be picked up.
PAGE 2. The Nightkin prepare to head to Asgard.
As we’ll see shortly, we’ve jumped forward 90 years since the previous issue. That issue ended with the first Nightcrawler-based chimeras bringing assorted superhero trinkets to Mother Righteous, who told them that they needed to build “the Reliquary Perilous”, a “holy weapon” which could “purge the Sinister Strain from the heart of every mutant – with the white-hot fire of faith.” She established a quasi-religious cult around the Nightcrawler-chimeras’ sacrifices and the original Nightcrawler’s “Spark” philosophy (with herself in charge) and told them to steal various superhero-associated items to build this Reliquary.
The Incomplete Wolverine – 2010
Part 1: Origin to Origin II | Part 2: 1907 to 1914
Part 3: 1914 to 1939 | Part 4: World War II
Part 5: The postwar era | Part 6: Team X
Part 7: Post Team X | Part 8: Weapon X
Part 9: Department H | Part 10: The Silver Age
1974-1975 | 1976 | 1977 | 1978 | 1979
1980 | 1981 | 1982 | 1983 | 1984 | 1985
1986 | 1987 | 1988 | 1989 | 1990 | 1991
1992 | 1993 | 1994 | 1995 | 1996 | 1997
1998 | 1999 | 2000 | 2001 | 2002 | 2003
2004 |2005 | 2006 | 2007 | 2008 | 2009
It’s 2010, we’re in the Utopian era, and Jason Aaron’s run is in full swing. The final Wolverine: Weapon X arc of 2009 already took us through to January 2010, so we pick up with…
WOLVERINE: WENDIGO!
One-shot
by Frank Tieri, Paul Gulacy & Thomas Mason
January 2010
Wolverine saves a low-rent TV crew from the Wendigo. Despite the title, this is really a story about the TV crew and the Wendigo myth; Wolverine himself only cameos.
WOLVERINE: CARNI-BRAWL
One-shot
by Tom Beland, Miguel Sepulveda & Jorge Maese
January 2010
After ducking the job for ages, Wolverine grudgingly allows Sunspot to tag along for a solo mission to the Brazilian jungle, where they stop Bloodscream from building an army of zombies. Ultimately, Sunspot impresses Wolverine.
This is a continuity trainwreck. It’s obviously meant to go during the original New Mutants run, but it also has Bloodscream as an established Wolverine villain, and he didn’t debut until years later. With a bit of squinting, it can be shoehorned in roughly in publication order, since Sunspot was back in the New Mutants at this point and wearing the same costume. Or you could just disqualify the whole thing as non-canon, which would be perfectly reasonable too.
X-Force #38 annotations
As always, this post contains spoilers, and page numbers go by the digital edition.
X-FORCE vol 6 #38
“Xeno”
Writer: Benjamin Percy
Artist: Robert Gill
Colour artist: GURU-eFX
Letterer: Joe Caramagna
Design: Tom Muller with Jay Bowen
Editor: Mark Basso
COVER / PAGE 1. The Man with the Peacock Tattoo creates a Frankenstein’s Monster out of X-Force parts. Not what happens in the story, but it relates to the Omnimutant.
PAGES 2-5. X-Force arrive in Genosha.
X-Force here meaning just Domino, Deadpool and Omega Red. Black Tom, Beast and Sage don’t go on missions, and this story is set during the period when Beast is keeping Wolverine prisoner (i.e. probably between Wolverine #27-28).
Domino seems to be saying that despite her luck powers, she’s been rather depressed by the whole experience of being in X-Force – which isn’t that far out of line with her mercenary career, but admittedly doesn’t give much space for the recklessly cheerful side of her personality. At the end of the issue she ascribes this specifically to her torture at the hands of Xeno, but the logic of what she’s saying here is that she felt this way even during the period when her memories of her torture at the hands of Xeno were wiped.
Betsy Braddock: Captain Britain #1 annotations
As always, this post contains spoilers, and page numbers go by the digital edition.
BETSY BRADDOCK: CAPTAIN BRITAIN #1
“Returns Home, Having Changed”
Writer: Tini Howard
Arist: Vasco Georgiev
Colourist: Erick Arciniega
Letterer: Ariana Maher
Design: Tom Muller with Jay Bowen
Editor: Sarah Brunstad
BETSY BRADDOCK: CAPTAIN BRITAIN. This series is the continuation of Excalibur and Knights of X, both also written by Tini Howard. It’s solicited as an ongoing, but Amazon has it listed as a five-issue miniseries. That may just be to do with the season break for Fall of X.
COVER / PAGE 1. Betsy, Rachel and Brian in (presumably) Avalon.
PAGE 2. Betsy appears on television.
Reginald Cross appears to be a new character, obviously representing the likes of GB News. The name of his show is obviously a play on “X of Swords”, though since “X of Swords” has no actual relevance, I’m not sure that invoking it is a particularly good idea.
Sabretooth and the Exiles #4 annotations
As always, this post contains spoilers, and page numbers go by the digital edition.
SABRETOOTH & THE EXILES #4
“Station Four”
Writer: Victor LaValle
Artist: Leonard Kirk
Colourist: Rain Beredo
Letterer: Cory Petit
Design: Tom Muller with Jay Bowen
Editor: Mark Basso
COVER / PAGE 1. A whole bunch of Sabretooths claw their way out of their respective graves. This doesn’t happen in the issue, but it’s symbolically linked to the reveal at the end.
PAGE 2. Orchis Station Four calls for help.
These guys were identified in issue #1 as “Nobodies”.
Point Nemo is indeed a name for the location on Earth which is furthest from land (the oceanic pole of inaccessibility, if you prefer the more formal name). The caption says it’s “1,000 miles from any landmass in all directions”, but that’s actually understating it – it’s 1,670. It’s in the South Pacific, roughly equidistant from the Pitcairn Islands, Easter island and Antarctica.
This may or may not matter, but it’s also the location of the city of R’lyeh in H P Lovecraft’s “The Call of Cthulhu” – which Magneto’s Bermuda Triangle island base was loosely based on. On the other hand, in modern times, its main significance is that it’s seen as a nice safe place for spacecraft to crash.
