As always, this post contains spoilers, and page numbers go by the digital edition.

X-MEN vol 7 #7
“The Iron Night”
Writer: Jed MacKay
Penciller: Netho Diaz
Inkers: Sean Parsons & Livesay
Colourists: Marte Gracia & Fer Sifuentes-Sujo
Letterer: Clayton Cowles
Editor: Tom Brevoort

THE X-MEN

Cyclops. We get a flashback to the “Iron Night”, which explains the giant Sentinel that’s been hovering over the town since issue #1. After Krakoa fell and Phoenix departed for space, Cyclops returned to his family lodge near Merle to drown his sorrows. He resents the expectation that he’ll always be the one to lead the X-Men, but doesn’t take much persuasion from Magneto on the point – he’s already wearing his Morrison/Quitely-era X-Men jacket. It’s apparently just a coincidence that a Sentinel factory had been built in direct view of the Summers family lodge. According to issue #3, Cyclops got the building as a settlement with the US government following his torture at the hands of Orchis; evidently that comes after the flashback.

Temper. She continues to support Piper Cobb, even after a DNA test shows that she isn’t a mutant. She finds the Wild Sentinel attack on Merle reminiscent of her own encounter with a similar Sentinel, footnoted to Generation Hope #11. That’s the Schism tie-in issue with the Sentinel walking through San Francisco Bay to reach Utopia. The flashback specifically shows the opening scene of GH #11; the character sitting next to Temper is Velocidad.

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As always, this post contains spoilers, and page numbers go by the digital edition.

NYX vol 2 #4
Writers: Jackson Lanzing & Collin Kelly
Artist: Enid Balám
Letterer: Joe Sabino
Colour artist: Raúl Angulo
Editor: Annalise Bissa

THE CORE CAST:

David Alleyne is the spotlight character in this issue. As strongly indicated in earlier issues, he’s responsible for the various mutant-themed street art that we’ve seen in the background throughout the series. He wears a costume when making his art, and shows up in the same costume to fight the Krakoan during the story.

At first, he refuses to help Kamala against the Krakoan, even though Kamala only wants him to come along and try to talk sense into Julian as an old friend (which would be a stretch, but she doesn’t know that). David claims that his “position requires a very careful balance” and that he can’t be seen in that sort of role. Kamala interprets this as David being unwilling to compromise his own comfort, and decides that Sophie’s sell-out accusations in issue #1 were correct. However, when Ms Marvel is clearly losing to Julian, and nobody else shows up to help, David does indeed intervene, and both of them wind up being arrested. David assumes that this will cost him his job with the university, but for the moment it’s just an assumption.

The narration in this issue consists largely of David’s “lecture notes” (which read more like brainstorming sessions). Very broadly speaking, his key points seem to be:

• Mutant culture is rooted in the superhero/supervillain paradigm, and by extension in violence.
• Mutant culture has been stuck in a binary choice of Professor X’s integration and Magneto’s domination, both of which have failed. Krakoa offered a third choice of separatism, which also failed (at least for people who didn’t want to emigrate to the White Hot Room).
• Mutants have been unable to live among other people and, in trying to do so, are left with only their inner lives as the remnants of mutant community.
• Another path needs to be found for mutants which breaks out of these binaries.
• Humans (or at least human authorities) are reasonably to be assumed to be hostile, if not outright genocidal.

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We’re going to be running off the normal schedule for the next couple of weeks, so expect things to be running a few days late. As always, this post contains spoilers, and page numbers go by the digital edition.

X-FACTOR vol 5 #3
“Project Paperclip”
Writer: Mark Russell
Artist: Bob Quinn
Colour artist: Jesus Aburtov
Letterer: Joe Caramagna
Editor: Tom Brevoort

X-FACTOR

The team are being packed off to autograph signing at conventions, which does at least reflect the PR aspect of their official remit. Havok is still worried about what happened to Polaris after she was left behind with the Mutant Underground at the end of the previous issue. He claims that all he cares about is getting his team back safely, and that he no longer has any misgivings about fighting other mutants (presumably following his encounter with the Underground last issue).

Granny Smite gets a back story here: she lived to 86 without realising that she was a mutant, at which point she lost her entire family within six months in disasters that she survived unscathed. Or at least, that’s Broderick’s account. It does beg some questions: as described here, she’s apparently not just immortal but invulnerable. Could you really live to 86 without noticing that? And since she apparently does age, can she die of old age? Nonetheless, Broderick’s account seems to match her behaviour: she’s lost everything she cared about and she seems to be mainly interested in getting herself killed. She clearly takes some enjoyment in freaking people out – she signs her publicity photo “I welcome death.” Havok isn’t at all convinced that she should be on the team, but to be fair, she does have useful powers and she is perfectly co-operative in a crisis. Then again, she’s also mentally unstable and barely trained.

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We’re going to be running off the normal schedule for the next couple of weeks, so expect things to be running a few days late. As always, this post contains spoilers, and page numbers go by the digital edition.

X-MEN vol 7 #6
“Bark”
Writer: Jed MacKay
Penciller: Netho Diaz
Inker: Sean Parsons
Colourists: Marte Gracia & Fer Sifuentes-Sujo
Letterer: Clayton Cowles
Editor: Tom Brevoort

THE X-MEN:

Cyclops is team leader, chairing the X-Men’s meeting. He’s a little more reluctant than Magneto to acknowledge Ben and Jennifer as proper mutants, but does accept them.

Temper spots that one of the protestors outside the Factory – and they’re a small group – has a child who makes the “Midnight Bark” (or “Midnight M”) hand signal at her. Rather than tell Cyclops, she decides to take maters into her own hands and asks Magik to help, presumably seeing her as someone else who likely to agree. Note that she doesn’t go to Kid Omega, her ex, who had already made clear to her that he wasn’t really interested in messing with the protestors. She evidently isn’t put off by the warnings that she might start some sort of incident by taking matters into her own hands.

Magik‘s long distance chess game from issue #4 gets another mention – her opponent in that story apeared to be Colossus. The game is apparently something she’s keeping private, but she doesn’t seem that upset that Temper knows about it. She seems mainly amused by Temper’s response to the girl – she cautions that it could be a PR trap but seems quite happy to leave it up to Temper to decide what to do about it. The risk of starting an outright fight with O*N*E doesn’t really seem to bother her either.

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As always, this post contains spoilers, and page numbers go by the digital edition.

WOLVERINE vol 8 #2
“Blood and Debt”
Writer: Saladin Ahmed
Artist: Martín Cóccolo
Colour artist: Bryan Valenza
Letterer: Cory Petit
Editor: Tom Brevoort

WOLVERINE:

Wolverine has accepted Nightcrawler’s argument from the previous issue that he can’t leave the world behind, if only because the things that he’s trying to avoid will just follow him. Nonetheless, for the moment he’s still hanging around in the wilderness, presumably because Cyber is still out there. Cyber doesn’t appear in this story, but the plot is driven by the murders he committed in issue #1. Nightcrawler doesn’t appear either: presumably he was taken to hospital after the end of the previous issue.

Wolverine decides to help the new Wendigo (see below), after reminding himself that he used to be an animal and that other people helped him to regain his humanity – a familiar Wolverine trope. He takes this idea to the point of fighting off the Department H soldiers who are trying to capture the Wendigo; he claims that he’s trying to avoid a fight in which the soldiers would just get slaughtered. Despite his dislike of Department H, he regards this squad as legitimate (if underwhelming) footsoldiers and tries to do minimal harm to them – but he suggests that he also fears that drawing blood would affect his self-control too. He seems to take it as read that Department H either wouldn’t or couldn’t help the Wendigo.

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As always, this post contains spoilers, and page numbers go by the digital edition.

UNCANNY X-MEN vol 6 #4
“Red Wave, part 4: The Eye of a Hurricane”
Writer: Gail Simone
Artist: David Marquez
Colourist: Matthew Wilson
Letterer: Clayton Cowles
Editor: Tom Brevoort

THE X-MEN:

Rogue confirms that there’s no logical explanation for her suddenly becoming aware of Wolverine’s injuries at the end of the previous issue. The suggestion seems to be that Sarah Gaunt deliberately lured her there after learning about Haven (and the Outliers’ presence there) when she defeated Wolverine in the previous issue. For some reason Rogue decides to stay and fight Sarah alone; maybe some more compulsion is at work, or maybe she just underestimates Sarah’s power even after seeing how badly she thrashed Wolverine.

Nightcrawler  is now referring to Rogue as “sister”. When asked for some good news, he replies “Krakoa yet lives”, presumably meaning the spirit of the place rather than anything literal.

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As always, this post contains spoilers, and page numbers go by the digital edition.

PHOENIX #4
Writer: Stephanie Phillips
Artist: Alessandro Miracolo
Colour artist: David Curiel
Letterer: Cory Petit
Editor: Annalise Bissa

PHOENIX:

Jean has volunteered to help out Captain Marvel, presumably as part of her ongoing efforts at rehabilitation. Instead, Carol invites her to a festival. Carol thinks Jean is overworking herself in an attempt to atone for something that wasn’t really her fault anyway. Carol argues that while Jean seems to have control of the Phoenix, she’s still afraid of it and needs to overcome that in order to really have control

GUEST STAR:

Captain Marvel is basically here to serve as a sounding board and warn Jean not to burn herself out. She mainly references rebuilding her own life after losing her identity to Rogue, but her concern about burnout and self-control might resonate more with her late-90s alcoholism storyline.

SUPPORTING CHARACTERS:

The Galactic Council – basically an intergalactic diplomatic talking shop – is mainly a Guardians of the Galaxy thing, though several of the diplomats also showed up in X-Men Red. Their base, the New Proscenium, appears here for the first time – the original Proscenium was another diplomatic conference centre, and was destroyed in the last run of Guardians.

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As always, this post contains spoilers, and page numbers go by the digital edition.

X-FORCE vol 7 #4
“Two Seconds Later”
Writer: Geoffrey Thorne
Artist: Marcus To
Colour artist: Erick Arciniega
Letterer: Joe Caramagna
Editor: Mark Basso

X-FORCE:

Forge is still refusing to remove his telepathy blocking headband, something that gets quite heavily stressed in this issue. As in the previous issue, he’s puzzled that the information he’s getting from the Analog doesn’t seem to match with the actual location of the problem. He concludes that something’s interfering with it but doesn’t seem inclined to depart from his blind faith in it. He still gets fazed by seeing even an alternate reality Storm.

Captain Britain and Askani are getting increasingly impatient with Forge’s secrecy. Betsy uses her Captain Britain role for the first time in the series by letting the team travel through Otherworld in order to reach the Nexus of All Realities in Florida as quickly as possible; normally she can only go to Otherworld and return to where she came from, but the Nexus is a special case because it’s already connected to Otherworld in its own right.

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As always, this post contains spoilers, and page numbers go by the digital edition.

EXCEPTIONAL X-MEN #2
Writer: Eve L Ewing
Artist: Carmen Carnero
Colour artist: Nolan Woodard
Letterer: Travis Lanham
Editor: Tom Brevoort

THE MAIN CAST:

Kate Pryde is still “Kate”, despite giving her name to Trista as “Kitty” in the previous issue. She doesn’t want to get dragged back into the mutant world by mentoring Trista, and when she stumbles upon some more mutant teenagers, she decides that the solution is just to introduce them to one another and leave them to get on with it. Such is her enthusiasm for the mundane world, she actually wants to go and watch a complete stranger’s high school soccer game. When asked about her own interest in sport, she defaults to talking about dance, but awkwardly acknowledges “some martial arts stuff”.

Kate does step in to calm the situation and get Thao and Alex to safety when a fight breaks out, but immediately gives Thao a dressing down for escalating the situation.

Trista Marshall is pestering Kate to remain friends with her, and seems to be looking for a mutant mentor.

Thao and Alex are the two new members of the core cast, making their in-story debut (though they were on the cover of issue #1). Thao is playing in the Senn High School soccer team – remarkably, this is a real school, shown in its actual colours, although they stopped short of using its bulldog logo. She’s unwilling to tolerate Alex being bullied, and starts frantically making the “Midnight M” sign at him. When he doesn’t respond – and doesn’t seem to want her help – she charges in anyway to fight the bullies. This is apparently fairly normal behaviour for her.

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As always, this post contains spoilers, and page numbers go by the digital edition.

STORM vol 5 #1
“Grand Opening”
Writer: Murewa Ayodele
Artist: Lucas Werneck
Colour artists: Alex Guimarães & Fer Sifuentes-Sujo
Letterer: Travis Lanham
Editor: Tom Brevoort

Yes, volume 5. There were minis in 1996, 2006 and 2023, and a short-lived ongoing series from 2014-2015 (which is the one that’s been counted towards this issue’s Legacy Number of #12).

STORM:

She’s opened something called the Storm Sanctuary in Atlanta, which seems to be some sort of flying base of nebulous function. It’s “a haven in the day of adversity, a solace during difficult times and a refuge in the hours of need”, apparently. What that means in practice beyond “it’s a wildlife sanctuary” isn’t at all clear, nor is how anyone’s supposed to take refuge in it when it’s floating above a skyscraper. It doesn’t seem to have any particularly mutant-specific function, and indeed Storm says in her press conference that she wants to pursue some goals of her own rather than simply pursuing the agenda of the X-Men or (now) the Avengers.

As the story begins, she’s riding a wave of popularity after dealing with a disaster in Oklahoma City (though since this was only seven days ago, she must have been working on the Sanctuary for a while). The problem appears to be a series of shockwaves coming from a power plant, which Storm initially assumes to be some sort of nuclear meltdown – and she develops signs of radiation poisoning rather quickly once inside the building. She’s also slightly unwell at the press conference which ends the issue, so that doesn’t bode well for her.

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