Fall of the House of X #5 annotations
As always, this post contains spoilers, and page notes go by the digital edition.
FALL OF THE HOUSE OF X #5
“The Turn”
Writer: Gerry Duggan
Artists: Lucas Werneck & Stefano Caselli
Colour artist: Bryan Valenza
Letterer: Travis Lanham
Design: Tom Muller & Jay Bowen
Editor: Jordan D White
COVER / PAGE 1. Nimrod fights Cyclops and Storm, with the other X-Men defeated in the foreground.
PAGE 2. Opening quote from Nimrod: “We have woken up, and now wonder… how hard will you fight for your survival? Or is this finally the day that you accept your fate?”
This is from Inferno #4, where Nimrod and Omega Sentinel were fighting Professor X and Magneto, and had just revealed the existence of the AI contingent within Orchis.
PAGES 3-5. The X-Men fight Nimrod in multiple locations.
The opening two panels on page 3 are a flashback to Feilong negotiating with Dr Stasis to become a member of Orchis, after the X-Men colonised Mars. In Duggan’s X-Men #3, Henry Peter Gyrich asks Feilong to continue with his plans to travel to Mars, and Feilong reveals that he already knew about Orchis and (as here) asked for “a seat at the Orchis table”. By the next issue he’s on his way to colonise Phobos, so this must be between X-Men #3-4.
Daredevil Villains #23: The Torpedo
DAREDEVIL #59 (December 1969)
“The Torpedo Will Get You if You Don’t Watch Out!”
Writer: Roy Thomas
Penciller: Gene Colan
Inker: Syd Shores
Letterer: Artie Simek
Colourist: not credited
Editor: Stan Lee
Roy Thomas was determined to give Crime-Wave a big build-up before he faced off against Daredevil in person. So not only did Crime-Wave get trailed in a subplot during the Death’s-Head story, but the next two issues are devoted Daredevil fighting Crime-Wave’s underlings. Last issue, we had Stunt-Master, an gimmick character who was an odd fit for Crime-Wave. This time, Thomas plays it straight, and brings us the Torpedo.
Another Torpedo will debut in Daredevil in 1975, and go on to be a supporting player in Rom. That’s a different character entirely. This Torpedo is a one-off costumed hitman. Hence the name “torpedo”, which is just dated slang for a hitman. So at least he fits Crime-Wave’s theme.
In practice, this issue is mainly about building up Crime-Wave for the next issue. It opens with Daredevil dealing with a protection racket, only to find that the store owner is too scared to testify against Crime-Wave. But Willie Lincoln has found Crime-Wave’s secret base and escaped alive. More about that next time. For the moment, the important point is that Willie is going into protective custody to keep him safe from Crime-Wave. You’d have thought they could just raid the address and gather more evidence, but apparently Willie is a devastatingly important witness.
Charts – 17 May 2024
This is the Eurovision chart, in an unusually controversial year for the show. But we’ll get to that.
1. Sabrina Carpenter – “Espresso”
That’s three weeks, and by a very small margin. It may not be entirely coincidental that her CD single was released on Thursday, just in time for its fan sales to boost her total.
2. Post Malone featuring Morgan Wallen – “I Had Some Help”
This is the lead single from Post Malone’s next album. He’s tacking to country – isn’t everyone? – but fans will be pleased to hear that there are still traces of annoying vocal processing. Mostly, though, it’s a perfectly fine track for country radio. It’s better than I was expecting. Morgan Wallen is a big name in country, but his only previous appearance on the UK singles chart was with “Last Night”, an American number 1 that got to 28 here.
The X-Axis – w/c 13 May 2024
X-MEN UNLIMITED INFINITY COMIC #139. By Steve Foxe, Steve Orlando, Phillip Sevy, Yen Nitro & Travis Lanham. Well, I guess at least it seems to be building to some sort of climax. But it’s still just throwing characters at the wall for no good reasons – Velocidad? El Aguila? This hasn’t worked; at least it must be over soon.
X-MEN: FOREVER #4. (Annotations here.) Since X-Men: Forever is effectively the last arc of Immortal X-Men, this is sort of the end of Kieron Gillen’s run… although it isn’t, really, because it leads into the finale of Rise of the Powers of X. I still think that labelling these four issues as a separate miniseries was an odd call – they make much more sense viewed as issues of Immortal – but the book does deliver a satisfying resolution to Mystique and Destiny’s arc, as well as paying off Hope’s messiah role. You can argue about whether the plot mechanics of Enigma’s attempt to alter history actually make sense, but that’s a standard issue with time travel stories. It works on a character level for Enigma and for Hope’s mother, and that’s what really matters.
X-Men Forever #4 annotations
As always, this post contains spoilers, and page numbers go by the digital edition.
X-MEN: FOREVER #4
“No Hope”
Writer: Kieron Gillen
Artist: Luca Maresca
Colour artist: Federico Blee
Letterer: Clayton Cowles
Design: Tom Muller, Jay Bowen & Kat Gregorowicz
Editor: Jordan D White
COVER / PAGE 1: Hope enters a glowing portal, casting the shadow of the Phoenix behind her. This is the final issue of X-Men: Forever, which in turn is an extension of Immortal X-Men – although the story continues into Rise of the Powers of X #5.
PAGES 2-3. Destiny and Mr Sinister talk.
This is the former Quiet Council meeting chamber, in somewhat dilapidated condition. Even through Krakoa (the persona) is back on the island, it hasn’t taken its established position in the room. Unusually, Destiny has removed her blank face mask – dropping both her normal role and her usual distanced persona.
As in the previous issue, Destiny is in despair: all the timelines that she can see involve Enigma winning and her beloved Mystique dying. Sinister has two counter-arguments to reassure Destiny. First, as I pointed out last time, the Phoenix plan involves altering the timeline from the outside – so Destiny wouldn’t be able to see it until it happens. Second, Sinister claims that his own exploration of the future using his “Moira Engine” shows that Destiny vastly overestimates the chances of Mystique dying. He theorises that Destiny’s concern for Mystique causes her to pay disproportionate attention to those timelines.
House to Astonish Presents: The Lightning Round Episode 20
And now for something… slightly different. This time round, we’re stepping beyond the bounds of the regular Thunderbolts title to look at the 2001 miniseries Citizen V and the V-Battalion, with chat about two-fisted journalist Jim Daring, HR disasters and the horniest comics in Marvel history.
The podcast is here, or available via the embedded player below. Let us know what you think, in the comments below, via email, on Bluesky or on our Facebook fan page, and if you haven’t got a House to Astonish t-shirt, why not treat yourself? You deserve it.
Charts – 10 May 2024
Well, this is a chart with a theme, isn’t it?
1. Sabrina Carpenter – “Espresso”
Two weeks, and still doing very well. The Taylor Swift tracks are on their way down the chart, which means that Hozier returns to number 2, but the obvious challenger is Shaboozey’s “A Bar Song (Tipsy)”, which is up to 3.
10. Kendrick Lamar – “Not Like Us”
11. Kendrick Lamar – “Euphoria”
17. Drake – “Family Matters”
28. Kendrick Lamar – “Meet The Grahams”
That’s on top of Drake’s “Push Ups” at number 30, and “Like That” by Future & Metro Boomin featuring Kendrick Lamar at number 20 (back up ten places – it doesn’t count towards his three song limit because he’s only a guest).
The X-Axis – w/c 6 May 2024
X-MEN UNLIMITED INFINITY COMIC #138. By Steve Foxe, Steve Orlando, Phillip Sevy, Yen Nitro & Travis Lanham. Part 18 of the story that will not end. In this issue there is a fight scene, and then next issue we are promised a fight scene. Foxe and Orlando have both done good work during the Krakoan era, but this is just pointless.
FREE COMIC BOOK DAY 2024: BLOOD HUNT / X-MEN #1. (Annotations here.) This was released for Free Comic Book Day last Saturday, but like all Marvel’s FCBD issues, it was added to Unlimited on Wednesday. Gail Simone and David Marquez take on the unenviable remit of trailing their upcoming Uncanny X-Men run without giving away too much about how the Krakoan era ends – and doing so in a story which is also meant to be suitable for new readers brought in by FCBD, not just an exercise in hint-dropping for the regulars. In ten pages. What that means in practice is a fairly standard “hero saves a mutant civilian from some bullies” story of the sort that wouldn’t have been out of place in the 1980s and a few pages of subplot to introduce Uncanny‘s new villains.
With all that in mind, it’s perfectly fine, but it’s not immediately gripping. It does have a vibe of “Fall of X, but less so”. Granted, Fall of X would have been vastly improved by being Fall of X, but less so. Still, the new villains are a bit too close to Orchis to be immediately engaging – maybe that’ll change when we learn more about them. And perhaps the execution of “Fall of X” has created an intractable problem that the new books are just going to have to meet head on: In theory, we’re coming off months of horrific human rights abuses and the defeat of Orchis ought to be an upswing for the books. But because “Fall of X” was done in such a way as to hold out the possibility of Krakoa’s return, when that doesn’t happen, the ending becomes a down beat instead. So we’re back repeating the same loss of Krakoa that we already did six months ago. That’s a problem, but it’s not the fault of anything that this story is doing.
Free Comic Book Day 2024: Blood Hunt / X-Men #1 annotations
As always, this post contains spoilers and page numbers go by the digital edition.
FREE COMIC BOOK DAY 2024: BLOOD HUNT / X-MEN #1
“The Fire Still Burns”
Writer: Gail Simone
Artist: David Marquez
Colour artist: Edgar Delgado
Editor: Tom Brevoort
Welcome to the post-Krakoan era. This issue has a 10-page X-Men story, which is the first output of the new editorial office, and a prologue to Gail Simone and David Marquez’s Uncanny X-Men run. The other half of the issue is a prologue to the Blood Hunt crossover, but that’s beyond our remit here.
I haven’t decided yet how we’re going to do this post-Krakoa. The original idea of doing annotations was tied to the fact that the line was heavily interlinked, and it looks like the post-Krakoa line will be dialling that back. And not all books necessarily lend themselves to the annotation approach anyway – I probably wouldn’t be doing it with Wolverine if we hadn’t already come this far. Right now, I’m planning to do something along the lines of the annotations posts for the three core X-Men titles, and at least the first issues of the other ongoings, and then decide what seems to make sense.
Aside from that, the scene-breakdown format isn’t always the best way of talking about story points, so I’m thinking of tweaking that. Let’s test a different approach…
Wolverine #49 annotations
As always, this post contains spoilers, and page numbers go by the digital edition.
WOLVERINE vol 7 #49
“Berserker”
Writers: Victor LaValle & Benjamin Percy
Artist: Geoff Shaw
Colour artist: Alex Sinclair
Letterer: Cory Petit
Editor: Mark Basso
COVER / PAGE 1. Wolverine leaping into battle in his adamantium armour.
PAGE 2. Flashback: Sabretooth is caught by Cypher’s seed.
This is a recap of issue #47. We saw Sabretooth emerging from the seed cocoon on page 23 of issue #48, so this issue is going back to fill in what happened in the meantime.
PAGE 3. Recap and credits.
PAGES 4-5. Sabretooth meets therapist Cypher.
This is a callback to scenes from the first Sabretooth miniseries, where Cypher similarly inserted himself into Sabretooth’s experiences in the Pit, in an attempt to reason with him. (This Cypher is also accompanied by a Warlock, taking the form of his pad.) This isn’t the real Cypher, but a persona programmed into the seed by Cypher before he gave it to Nekra in Sabretooth #5. He does, however, claim that the Cypher we saw in Sabretooth was the real one.
