Daredevil Villains #13: The Gladiator
DAREDEVIL #18 (July 1966)
“There Shall Come a Gladiator!”
Writer, editor: Stan Lee
Penciller: John Romita
Inker: Frank Giacoia
Letterer: Sam Rosen
Colourist: not credited
Early Daredevil doesn’t have a large supporting cast. It’s just Foggy Nelson and Karen Page. And the heart of the book is the romantic triangle between Foggy, Karen and Matt.
Today, Karen has been out of the picture for many, many years. She was killed off in the late 1990s. Foggy’s established role for decades now has been the solid, dependable, long-suffering best friend who’s stood by Matt all through the years. And to be fair, that’s basically how he was set up in issue #1.
But in the early Silver Age, Foggy Nelson’s main function is to get in the way of Matt and Karen. Foggy loves Karen. Karen loves Matt, and she’s quite keen on Daredevil too. Matt loves Karen, but thinks she just feels sorry for him because he’s blind. Matt thinks Foggy is better husband material for her, and she’s willing to entertain him as a fallback option.
This role isn’t a promising starting point for Foggy. To make matters worse, he spends a lot of time in the early issues bitching about Daredevil whenever Karen mentions him, or even privately hoping that Matt doesn’t get his sight back, because it’d ruin his chances with Karen. Foggy does at least feel guilty about such things crossing his mind. From time to time he gets to show some decency and integrity. But fundamentally he’s a blocking character, not a supportive rock.
The X-Axis – w/c 22 January 2024
X-MEN UNLIMITED INFINITY COMIC #123. By Steve Foxe, Steve Orlando, Phillip Sevy & Yen Nitro. Another relatively quiet week, then. And this is a pace of X-output that I’d be very happy with. Anyway, over at X-Men Unlimited, the plot moves beyond simple punching into… well, um, stuff. We’re told that Orchis aren’t just kidnapping mutants on the reservation. They’re doing it everywhere. Well… yes, isn’t that the whole premise of Fall of X? Aren’t Orchis meant to be arresting every mutant in sight? I guess it’s the involvement of the Externals that’s supposed to be a hook, but the story never actually explains why we should care about them. They don’t seem to be doing anything materially different from what Orchis was doing anyway. It’s not like anyone’s been holding their breath all these years for a Crule and Gideon story. The reservation setting previously gave this some sort of focus, but now we’ve got Shatterstar, and El Aguila (a Spanish mutant superhero from Power Man and Iron Fist), and … Betsy is still active as Captain Britain, despite Orchis? What? And she’s doing media interviews? At this point, I’m just lost – I don’t understand at all what this story is trying to do.
X-FORCE #48. (Annotations here.) The Beast storyline kicks up a gear, and not in the way I expected. When they mentioned that Beast had erased all his back-ups after the period when he was a shiny happy bouncing character, it seemed pretty obvious that the end game was to resurrect him with the older personality. Then the next writer could do a story where Hank comes to terms with what he did, but no longer remembers and can’t even understand wanting to do. But instead, the bouncing Beast is brought back as a clone, and that’s a much more interesting way of doing it. I still suspect we’re going to wind up killing them both off and resurrecting them in one body, or something of that sort, but the idea of leaving Hank Classic as a copy actually feels like a better way of getting a viable Beast back into circulation – it’s less of a reset button because this Beast genuinely didn’t do anything from the last few years. I kind of hope they just stick with that. After all, they replaced Kraven the Hunter with a clone, didn’t they?
Resurrection of Magneto #1 annotations
As always, this post contains spoilers, and page numbers go by the digital edition.
RESURRECTION OF MAGNETO #1
“The Lightning Path”
Writer: Al Ewing
Artist: Luciano Vecchio
Colour artist: David Curiel
Letterer: Joe Sabino
Design: Tom Muller & Jay Bowen
Editor: Jordan D White
RESURRECTION OF MAGNETO is a four-issue miniseries, which effectively replaces X-Men Red. It’s not exactly a renamed X-Men Red arc – as we’ll see, it’s a rather different book – but it does feature Storm and it continues the plot thread of Magneto’s death.
COVER / PAGE 1. Storm, with Magneto in the background.
PAGE 2. Storm’s dream about Magneto.
Storm confirms on page 19 that this is what she sees in her dream, and tells us fairly directly what she singles out as important: “He was standing on a strange shore, readying himself to enter a ruined city – his face turned away but in torment. It was more than a dream. It was a distress call.” She also notes the five helmets at his feet. We see a version of this same page with Storm on page 29.
The city, river and bridge are the same in both images, as are the positions of the helmets (which are replaced in Storm’s version by five versions of her headdress). Magneto has three identical versions of his traditional helmet, together with the less common black and white versions. As in Storm’s picture, the three helmets on the left appear to have pools of blood next to them, although in Magneto’s case, one of the pools is green. All of Storm’s are red.
X-Force #48 annotations
As always, this post contains spoilers, and page numbers go by the digital edition.
X-FORCE vol 6 #48
“Game Recognizes Game”
Writer: Benjamin Percy
Artist: Robert Gill
Colour artist: GURU-eFX
Letterer: Joe Caramagna
Design: Tom Muller & Jay Bowen
Editor: Mark Basso
COVER / PAGE 1: Beast in a forest, leaping towards someone who’s looking at him through the scope of a sniper rifle. Quite a loose interpretation of the actual story.
The first half of this issue is pretty much self explanatory, by the way.
PAGES 2-4. The Beast breaks into the Greenhouse.
X-Force set up their new Greenhouse base last issue, and Beast showed up at the end of the issue with his gun. From the look of it, whatever it is that he fires at Omega Red is meant to incapacitate.
That’s Aurora and Northstar on page 4, who also arrived here last issue.
PAGE 5. Recap and credits. We’re expressly told that this comes before the current Wolverine storyline, and also before Fall of the House of X and Rise of the Powers of X – all of which was clear from the last issue of Wolverine anyway, but there’s no harm in making it clear in this book too.
Daredevil Villains #12: The Masked Marauder
DAREDEVIL #16-17 (May & June 1966)
“Enter… Spider-Man” / “None Are So Blind”
Writer, editor: Stan Lee
Penciller: John Romita
Inker: Frank Giacoia
Letterers: Artie Simek (#16) & Sam Rosen (#17)
Colourist: not credited
Sixteen issues into the series, Daredevil has had a steady stream of bad guys. But only the Ox has appeared more than once. That changes here, as this two-parter introduces Daredevil’s first recurring enemy. He’s the main villain through to issue #27 – and after that, he never appears in the series again. Meet the Masked Marauder, a villain exactly as generic as he sounds.
When we first meet the Masked Marauder, he’s already an established supervillain. He wears a purple jumpsuit and a green cape, the standard colours of Silver Age villainy in the Marvel Universe. He has a gang of thugs who do all the hard work for him. They wear purple too. He is, as advertised, Masked. If we’re being honest about it, though, he doesn’t do much Marauding. He’s a high-tech master planner, who creates elaborate devices and conceals them in trucks. But the Masked Planner didn’t have the same ring to it.
In this story, the Masked Marauder’s unspectacular nature isn’t such a problem. The real focus is Spider-Man. He and Daredevil don’t get on, they fight, they team up – you know the drill. It’s Spider-Man that the kids want to see, and it’s Spider-Man that they get.
The X-Axis – w/c 15 January 2024
X-MEN UNLIMITED INFINITY COMIC #122. By Steve Foxe, Steve Orlando, Nick Roche & Yen Nitro. Well, this is certainly a slimmed-down phase for the core X-titles, which is no bad thing in itself. This is the second part of the Thunderbird arc and… well, it’s mostly just random fighting, honestly. The Proudstar brothers assume that Crule is working with Orchis so they attack him. Crule is apparently there for his own reasons, which is something to do with stealing the refugee mutants himself, but there’s nothing to flesh that out. And if you want people to take Crule seriously, that does need some legwork, because nobody cared about this bozo even back in the early 90s. Nick Roche draws some nice punching, but it really is one-dimensional as a story.
X-MEN #30. (Annotations here.) Oh boy.
So issue #29 ends with a cliffhanger where the other X-Men get back from Latveria, find the base trashed and covered in blood, and Synch and Talon missing. The next issue caption says we’ll find out in this issue where they are. And… this issue has nothing to do with that at all, unless I’m missing something fundamental. After an opening scene with Scott (which is pretty good, and the best thing in the issue) it shifts to a completely unrelated story about how to distribute the cure to the killswitch that Orchis placed in Krakoan medicines… which I don’t think has been mentioned at all until now, but somehow involves Spider-Man and Norman Osborn. Aside from a couple of pages of subplot with Firestar, what we then get is Synch and Talon visiting the High Evolutionary – and the exercise of getting to him is compressed to a single page – to recover a device last mentioned in issue #3. The entire confrontation lasts four pages, and at the end it turns out that Talon died and Synch is keeping her alive in his mind.
X-Men #30 annotations
As always, this post contains spoilers, and page numbers go by the digital edition.
X-MEN vol 6 #30
“Who Says Romance is Dead?”
Writer: Gerry Duggan
Artist: Phil Noto
Letterer: Clayton Cowles
Design: Tom Muller & Jay Bowen
Editor: Jordan D White
COVER / PAGE 1. Synch and Talon fight the High Evolutionary and his creations.
PAGES 2-4. Scott dreams about Jean.
This somewhat mirrors the dream scene that opens Fall of the House of X #1, in which Scott dreams about being hanged in the American west, and is apparently saved by Jean. Jean, of course, is still off in the White Hot Room, where we left her in Immortal X-Men. But the clear implication is that she’s regained contact with him in some way.
The fire imagery suggests Jean’s renewed connection with the Phoenix Force.
The X-Axis – w/c 8 January 2024
X-MEN UNLIMITED INFINITY COMIC #121. By Steve Foxe, Steve Orlando, Nick Roche, Yen Nitro & Travis Lanham. Another quiet week, as Marvel are sensibly giving Fall and Rise a clear run with their first issues. But X-Men Unlimited moves ever onwards, and so this is the start of a new arc joining the Proudstar brothers on their reservation. Apparently, they’ve been taking in mutants all this time and nothing has come of it until now. Hmm. Okay, this is one of the books that’s running with the idea that Orchis are reasonably easy to avoid. I can’t help thinking this hasn’t been played very consistently between books, though.
Anyhow, this first issue is really just setting up the cast on the reservation and having a fight with some random Orchis guys who finally show up, until the actual plot gets going in the final panel. I’m glad of that last panel, because on a first read through it’s very much the stock Fall of X story, and there’s only so many times you can read it. What we’re actually getting, it seems, is something to do with the resurrection of the Externals after Selene got her hands on the External Gate over in Immortal X-Men. The story doesn’t really do anything by way of a hook for that beyond having one fairly obscure External show up in the last panel, though, so we’ll just have to see what happens when it gets going properly next issue.
RISE OF THE POWERS OF X #1. (Annotations here – revised now that the data pages in the digital edition have been fixed.) While Fall of the House of X is clearly meant to be the straightforward action book, Rise of the Powers of X is a more eccentric outing, continuing the Dominion storyline from Immortal X-Men. I have no idea how much of this would have been in Jonathan Hickman’s final act, but he spent enough time setting up the Dominion stuff in Powers of X that you figure it was surely meant to go somewhere; it makes sense as a way to keep raising the scale beyond Krakoa and Orchis, and there’s something kind of interesting in the way the machinations of one man wind up overshadowing everything else.
Wolverine #41 annotations
As always, this post contains spoilers, and page numbers go by the digital edition.
WOLVERINE vol 7 #41
“Sabretooth War, part 1”
Writers: Victor LaValle & Benjamin Percy
Pencillers: Geoff Shaw & Cory Smith
Inkers: Geoff Shaw & Oren Junior
Colour artist: Alex Sinclair
Letterer: Cory Petit
Design: Stacie Zucker with Tom Muller & Jay Bowen
Editor: Mark Basso
COVER / PAGE 1. An amalgam of Wolverine’s face on the left, and Sabretooth’s on the right. It’s the most violent Wolverine story ever told, apparently. Not sure that’s really the selling point of Victor LaValle’s Sabretooth stories, but okay.
PAGES 2-5. Sabretooth kills a group of “X-Men”.
Okay, so. We last saw Sabretooth in the Sabretooth & The Exiles miniseries, in which he defeated Graydon Creed and seized control of Orchis Station Five. Graydon had been travelling the multiverse killing Sabretooths and mounting their heads; he also had the bodies outfitted with collars which let him control them as weapons. That’s where all the headless Sabretooths in the crowd came from.
Rise of the Powers of X #1 annotations
As always, this post contains spoilers, and page numbers go by the digital edition.
NOTE: This post has been revised now that the digital edition has been corrected to include the data pages at the right places.
RISE OF THE POWERS OF X #1
“Data Pages”
Writer: Kieron Gillen
Artist: R. B. Silva
Colour artist: David Curiel
Letterer: Clayton Cowles
Design: Tom Muller & Jay Bowen
Associate editor: Lauren Amaro
Editor: Jordan D White
Editor-in-chief: C B Cebulski
THE RISE OF THE POWERS OF X is the companion series to The Fall of the House of X, mirroring the House of X / Power of X twin minis that launched the Krakoan era. And yes, according to the credits pages, the titles have a THE in them.
With the original books, the titles were supposed to be pronounced as “House of X” and “Powers of Ten”. Presumably the same goes for this, but you never know.
COVER / PAGE 1. The near-future X-Men team, of whom more later. They’re surrounded by foliage but in front of a mechanical portal showing what looks to be the sun.
PAGE 2. Recap and credits. The recap basically covers the plot of Immortal X-Men, and then explains that we’re ten years in the future, following the fall of Krakoa. The story title refers to the Krakoan era’s signature device of including text pages in the middle of the story rather than as back matter. It used to be a Jonathan Hickman signature device but it’s ours now.
