NYX #2 annotations
As always, this post contains spoilers, and page numbers go by the digital edition.
NYX vol 2 #2
Writers: Jackson Lanzing & Collin Kelly
Artist: Francesco Mortarino
Colour artist: Raúl Angulo
Letterer: Joe Sabino
Editor: Annalise Bissa
THE CORE CAST:
Wolverine (Laura) gets the spotlight in this issue. She’s investigating the disappearance of thirty mostly homeless mutants over a few days (though the one we see at the start of the issue seems quite well dressed). As it turns out, they’re all being enlisted voluntarily by Local, of whom more below.
Laura narrates the issue and spends a lot of it reminiscing about Kiden Nixon, one of the main characters from the original NYX series. We hear so much about Kiden in this issue that it seems likely she’ll be showing up in the end. So far as I can see, Kiden hasn’t appeared since an X-23 one-shot in 2010 – at that point she was living on the streets, but that was 15 years ago, so who knows where she is now.
Laura is living in a dilapidated building in East Harlem, which is presumably why Kiden is on her mind. Back in the original NYX, Laura is a teenage prostitute; she kills a client who draws a knife on her, and meets Kiden shortly after. Her pimp then comes after her, and she kills him. Honestly, she doesn’t do a great deal more than that – the first run is only seven issues long, focusses on Kiden, and spends most of its time just introducing the cast. They move into Bobby Soul’s apartment at the end of the series, and most of Laura’s actual friendship with Kiden presumably takes place off panel after NYX #7 and before Laura shows up in Uncanny X-Men (which, due to insane delays on NYX, had actually happened before NYX finished). So basically, this friendship was always implied more than actually depicted.
X-Force #2 annotations
As always, this post contains spoilers, and page numbers go by the digital edition.
X-FORCE vol 7 #2
“Igubu Lika-Anansi”
Writer: Geoffrey Thorne
Artist: Marcus To
Colour artist: Erick Arciniega
Letterer: Joe Caramagna
Editor: Mark Basso
As I said at the beginning of the “From the Ashes” era, I’m not necessarily planning to do annotations for all ongoing titles – we’ll see how the second-tier books are looking after the first few issues.
X-FORCE:
Forge helpfully illustrates the limitations of his powers by confidently building a device that will allow X-Force’s plane to get past Wakanda’s defence systems. Presumably it works, but it has no effect on the magic spell that he actually needs to worry about. In other words, Forge has built a perfect solution to the wrong problem. He spells out later in the issue that he needs to understand what the problem is in order to solve it. (Presumably he could always define “understand the problem” as a second-order problem, but then he’d have to build an entire machine before he could even start solving the main problem, which might take a while.)
X-Men #3 annotations
As always, this post contains spoilers, and page numbers go by the digital edition.
X-MEN vol 7 #3
“Scott Summers vs. The United States of America”
Writer: Jed MacKay
Penciller: Ryan Stegman
Inkers: JP Mayer & Livesay
Colourist: Marte Gracia
Letterer: Clayton Cowles
Editor: Tom Brevoort
THE X-MEN:
Cyclops tries unsuccessfully to persuade Rogue not to attack Graymalkin; we’ll see Rogue’s side of that conversation in Uncanny X-Men vol 6 #2, which won’t be out for two weeks. Cyclops is clearly aware of the fact that Graymalkin has been turned into a prison over in Uncanny X-Men and thinks that Rogue’s group are hopelessly outpowered by whoever’s in charge of it. Scott evidently had plans of his own to deal with this, and he’s going to have to accelerate them now.
At some point between the end of Krakoa and issue #1, Scott sued the US government over his treatment by Orchis. For some reason, he accepted the Factory as a settlement. So yes, the X-Men are there legally. Scott acknowledges that there was an “implication” that the US government expected the X-Men to stay in Alaska, but seems clear that he never agreed to anything. His ultimate position is that the US government would much rather his group were acting as the X-Men than acting as the Brotherhood, and those are the only two choices he’s offering them. He argues that he’s doing the government a favour by keeping his roster under control, and flags how dodgy they are: most of them are former villains, and Magik’s half demon.
Daredevil Villains #36: Damon Dran, the Indestructible Man
DAREDEVIL #92-94 (October-December 1972)
“On the Eve of the Talon!” / “A Power Corrupt!” / “He Can Crush the World!”
Writer: Gerry Conway
Penciller: Gene Colan
Inker: Tom Palmer
Letterer: John Costanza
Colourist: not credited
Editor: Roy Thomas
I’ve called these issues Daredevil #92-94, but you might have noticed that the cover logo quite clearly says Daredevil and the Black Widow. That starts with issue #92 and continues through to issue #106. During that time, editorial footnotes call the book “DD/BW”.
But according to Marvel, these title of this comic is was still Daredevil during this period. And they have a point. It’s not just a question of checking the copyright warning. The cover design of the time had the title in text just above the cover box, and that still just said Daredevil. The Stan Lee Presents captions on the splash pages still just said Daredevil. And for the most part, despite her equal billing on the cover, the book continued to treat Daredevil as the star and the Black Widow as a supporting character, albeit a prominent one.
The exception is the Project Four storyline, which culminates in these issues. But it’s a major exception. Gerry Conway introduced the subplot back in issue #87, as soon as the book relocated to San Francisco, and it’s been building ever since. In previous issues, we’ve learned that on her very first mission as a Soviet spy, the Black Widow and freelancer Danny French were sent to steal something from the mysterious Project Four. Project Four turned out to be a bunch of scientists working on a mysterious and allegedly powerful artefact. It’s a weird energy globe thing, and it’s the macguffin for the whole arc. Danny French has had it all this time, but he’s never figured out how to use it.
Charts – 23 August 2024
I remember the days when there were more than two new entries a week on the singles chart…
1. Chase & Status and Stormzy – “Backbone”
Two weeks, though the gap is closing. Number 2 is “Good Luck Babe” by Chappell Roan, which has been at that position before, three weeks ago. “Hot to Go” also climbs 12-10 to become her second top 10 hit. And let’s take a moment to acknowledge that “Austin” by Dasha is spending its twentieth week in the top 10; it’s currently at number 6, and it peaked at 5.
7. Lady Gaga & Bruno Mars – “Die With A Smile”
Although Lady Gaga’s name comes first in the credit, this really feels more like a Bruno Mars song to me – it’s a soft rock ballad which is a little too interested in faithfully recreating the past to quite work for me as a song, but only because the strings seem a bit too visible for my liking. If you don’t mind that, then it’s a good single.
The X-Axis – w/c 19 August 2024
X-MEN: FROM THE ASHES INFINITY COMIC #11. By Alex Paknadel, Phillip Sevy, Arthur Hesli & Clayton Cowles. Part 2 of the Omega Red arc, which seems to be mostly concerned with giving the guy a home town and some sort of vaguely normal background. Given the way he’s being used these days, that seems like a worthwhile exercise. There’s a bit of rustic Russian cliche going on here, and maybe it takes itself a little seriously, but on the whole I’m enjoying the way that this story is letting Omega Red do something more grounded and low key than we’re used to seeing with him.
SAVAGE WOLVERINE INFINITY COMIC #4. By Tom Bloom, Guillermo Sanna, Java Tartaglia & Joe Sabino. Another depressed small town arc, and this one is turning out quite well too. Logan finds himself in a town where somebody’s been using anti-mutant paranoia to “innoculate” the locals with a supposed cure, with predictably disastrous results. The weird body horror designs are well done and the take on Logan is nicely understated. Okay, there’s an action sequence with an overturning car that doesn’t work at all – I honestly can’t figure out what’s supposed to make it flip. But that aside, this arc is much better than I expected from a Wolverine Infinity Comic.
Phoenix #2 annotations
As always, this post contains spoilers, and page numbers go by the digital edition.
PHOENIX #2
Writer: Stephanie Phillips
Artist: Alessandro Miracolo
Colour artist: David Curiel
Letterer: Cory Petit
Editor: Annalise Bissa
PHOENIX:
She’s still running around answering every interstellar distress call she can find, and she’s still terrifying to all the aliens she’s trying to rescue. We’re told that she doesn’t require food, oxygen and so forth, but that she’s still “exhausted” – presumably emotionally, though I suppose it could mean that because she has a human mind, she still needs sleep. She doesn’t much like or trust Corsair, but see below regarding this book’s take on Corsair.
SUPPORTING CHARACTERS:
Corsair is rescued by Phoenix from a damaged spaceship which is about to explode. According to Corsair’s account – which it’s strongly suggested that we should be very sceptical about – the Starjammers have abandoned him “for no good reason”. This has prompted him to try and become a hero. He started investigating a series of disappearances from Gameworld (the casino planet that featured prominently in Gerry Duggan’s X-Men run), and discovered that the captives were being smuggled away by the Black Order to a small moon in a nearby star system. He says that the Black Order shot at his ship, which is why it was damaged when Phoenix found him.
House to Astonish Episode 209
There’s a bunch of news out of San Diego Comic Con, and you can hear what we think about it all here! And now! If you like! We’re chatting about Black Canary: Best of the Best, The Question: All Along The Watchtower, Batgirl, New Gods, JSA, Hellverine, West Coast Avengers, Laura Kinney: The Wolverine, Psylocke and Lower Decks, plus the announcement of Amazing Comics. We’ve also got reviews of S.I.R. and Iron Fist 50th Anniversary Special, and the Official Handbook of the Official Handbook of the Marvel Universe is the ultimate helicopter parent. All this plus Batman’s least deranged friends, Tony Hawks singing a Marvel comic and a different sort of arsehole.
The podcast is here, or available via the embedded player below. Let us know what you think, in the comments, on Bluesky, via email or on our Facebook fan page. And wait… what year is this? 2024, you say? My God… then it’s not too late… for you to get yourself a great House to Astonish t-shirt over at our Redbubble store!
Daredevil Villains #35: Mister Fear III
DAREDEVIL #90-91 (August-September 1972)
“The Sinister Secret of Project Four!” / “Fear is the Key!”
Writer: Gerry Conway
Penciller: Gene Colan
Inker: Tom Palmer
Letterers: Sam Rosen (#90), Artie Simek (#91)
Colourist: not credited
Editor: Stan Lee (#90), Roy Thomas (#91)
We’ve skipped five issues with returning villains, so let’s get up to speed.
Issue #85 is a Gladiator story and it doesn’t matter in the slightest. Issue #86 brings back the Ox, but it’s an important issue for other reasons: Matt Murdock and Karen Page briefly reunite, it all goes wrong, and they decide that they were never meant to be together after all. Matt then decides to move to San Francisco and pursue his relationship with the Black Widow which is where the book will stay for a while to come. The existing supporting cast are completely jettisoned. Karen joins the cast of Ghost Rider for a while, but doesn’t return to this book until issue #227. Foggy Nelson won’t appear again until the book returns to New York in issue #108.
In their place are the Black Widow, her sidekick Ivan Petrovich (who comes with Natasha as a package deal), and a bunch of new Californian characters mostly forgotten by posterity, such as irascible police commissioner Ironguts O’Hara.
Clearly either Conway or his editors decided that the book wasn’t working and that drastic steps were needed. After all, Daredevil had been on the verge of merging with Iron Man. So far, Conway has struggled to find a hook on Daredevil himself; moving to San Francisco doesn’t change that, but it does make Daredevil into Marvel’s token west coast book, and it means that the Black Widow can be mined for story ideas.
Charts – 16 August 2024
We don’t get many one-week number ones these days, but “Guess” by Charli XCX featuring Billie Eilish turns out to be one of them. It’s only the second of the year – the other was “Fortnight” by Taylor Swift. “Guess” drops straight to number 4 in its second week, and gets overtaken by Billie Eilish’s album track “Birds of a Feather”. But that only climbs to 2.
1. Chase & Status and Stormzy – “Backbone”
Chase & Status released their first single in 2005, and had their first hit single in 2009. They had a long fallow period in chart terms between 2014 and 2022, but had a real resurgence last year when they had top ten hits with “Disconnect” and “Baddadan”. In total, they’ve had a respectable six top 10 hits prior to this record, but none of them got above number 5. So for their comeback phase to give them their first number one is a pleasant surprise.
