Uncanny X-Force #10-15
Hey, six issues of Revenants! You know, the story we started back in issue #1!
The pace of Uncanny X-Force might charitably be called stately. It’s not “decompressed” in the classic sense; plenty happens. But much of what happens is layers of complication that drag out a fairly basic plot way beyond its natural lifespan. We’re now a year into the title’s life, and not only are we still on the first storyline, but the titular team hasn’t even formed yet! And they’re being cancelled in a couple of months!
Charts – 22 December 2013
Welcome, ladies and gentlemen, to our annual detour into the utterly predictable parallel world of the Christmas Chart, where regular music fears to tread. In fact, it’s so predictable that for the most part irregular music fears to tread here as well, leaving us with what’s mostly a motley collection of reality show tie-ins and failed Facebook campaigns.
Let’s take the album chart first, since it’s dead. “Swings Both Ways” by Robbie Williams is the Christmas number one. Literally nothing else is happening. Right, onto the singles.
40. John Newman – “Love Me Again”
Originally a number 1 hit in July, I’m honestly not sure why this is suddenly back.
39. Little Mix – “Little Me”
Cable & X-Force #15-17
A three-parter of which it can truly be said, “That was three issues of Cable & X-Force.”
This series completed its initial storyline in issue #14, with Hope having joined the team, and the source of Cable’s visions having been explained. Now, we get something that’s actually quite rare in modern superhero comics – a routine story in which the heroes simply have an adventure within their status quo. It’s not something that fits very well with the fashion for making every story long enough to justify a collected edition.
Charts – 15 December 2013
It’s the final chart before Christmas number one, which means it’s a calm week before next week’s flurry of novelty records overambitiously going head to head with the X Factor winner (for, yes, they’ve gone back to gunning for the Christmas Number One this year).
Still, there’s a bit of activity this week – and some massive climbers that would have been high new entries if they hadn’t snuck into the low thirties last week…
This week’s token back catalogue re-entry. Good to see Andrew Ridgley remains financially secure.
36. Sub Focus – “Turn Back Time”
Uncanny X-Men #15.INH
So this is Marvel’s new thing, then – sticking file extensions on the end of issue numbers to signal crossover stories. Hallelujah. With this out of the box thinking, the industry is saved.
Uncanny X-Men #15.INH doesn’t work. Or at least, it doesn’t work if you’ve been skipping the build-up to Inhumanity – which I have. But since this issue’s primary purpose is apparently to advertise Inhumanity to Uncanny X-Men readers, you would certain hope that it would be aiming to capture the interest of people coming to the event fresh. In this, it fails.
WWE TLC
One of the strangest cards the WWE has given us in quite some time. TLC is usually a pretty minor show. It’s a hangover from the days when hardcore matches – and specifically Tables, Ladders and [steel] Chairs – were regular features in the WWE, something they’ve wisely moved away from in recent years. It now sits on the schedule as an odd little quirk, with matches somewhat toned down from earlier years. It’s the December show, and usually marks time before the “Road to Wrestlemania” gets under way with the Royal Rumble in January.
Which made it something of a surprise when, out of nowhere, and with only three weeks of promotion, they announced…
1. WWE Title & World Heavyweight Title – Tables Ladders & Chairs Match: John Cena © v Randy Orton ©. Yes, completely out of nowhere, it’s the long overdue unification match between the Raw and Smackdown titles.
Charts – 8 December 2013
Everything’s in mid storyline this week, and I still haven’t found time to read that second Wolverine Max TPB, so let’s do this while it’s fresh. It’s a quiet week on the release schedule, as we’re entering the phase where regular record promotion winds down for the Christmas break. Which leaves the number one slot wide open for a change.
39. Justin Bieber – “Change Me”
The penultimate “Music Mondays” track is another one that would not normally have been considered for singles release in a million years. Actually, looking back, this seems to be a weirdly uncommercial album for somebody like him. This is the lowest charting of the nine released to date, but the tenth and final song is getting a music video and some degree of regular promotion, so I expect it to do better.
House to Astonish Episode 115
After last week’s debacle, we’re very pleased to be able to say that things seem to have worked out a good bit better this time round – we’ve got news about Stan Lee Media’s latest lawsuit, Fox’s Marvel movie universe, the X-Men movie after next, Warners’ casting of Wonder Woman (and yes, we know her name’s not Godot, that was just for a rubbish joke, we promise), Marvel’s digital trades giveaway and the new Wolverine & the X-Men and Magneto series. We’ve also got reviews of Inhumanity, Rover Red Charlie and Black Science, and the Official Handbook of the Official Handbook of the Marvel Universe is retro chic. On top of that, we’ve got interviews with Al Ewing, Kelly Sue DeConnick and Kieron Gillen which we recorded at Thought Bubble. All this plus Superman eating a puppy, scratch & sniff numbering, the sound of fighting geese and the true story of what killed all the Romans.
The podcast is here, or here on Mixcloud, or available via the player below. Let us know what you think, in the comments below, on Twitter, via email or on our Facebook fan page. Please do also leave iTunes reviews if that’s your thing, and remember that we have a range of very swish t-shirts and hoodies available via our Redbubble store.
Charts – 1 December 2013
Wolverine and the X-Men Annual #1
It’s a podcast weekend! But GarageBand has eaten it, so you’ll have to wait another week.
In the meantime, let’s have a look at the first and, it seems, only Wolverine and the X-Men annual. This is the X-books’ token contribution to the “Infinity” crossover, which it has otherwise managed to sit out, through the clever expedient of doing a crossover of its own. It seems we’re now back to the days when the X-books largely get special dispensation from participating in these books.
