Charts – 10 July 2011
A brace of new entries right at the top of this week’s chart help to disguise the fact that it’s otherwise pretty much moribund – there are three new entries total, and only a couple of climbers of any significance.
The new number 1 is “Louder” by DJ Fresh featuring Sian Evans, which is currently being used in a Lucozade advert. For the benefit of overseas readers, Lucozade is an energy drink. That means it’s full of sugar but does a lot of branding work to associate itself with sports.
The X-Axis – 10 July 2011
And in the week when News International cancelled the News of the World, we ask – what’s the betting that they relaunch it in September with a new creative team? (Dark News of the World #1, perhaps.)
There’s a veritable torrent of X-books and other new releases this week, so I’ll come back later to X-23 #12 (the conclusion of the Jubilee arc) and some of the other issue #1s. That leaves…
Fear Itself #4 – For the first time, I think I actually preferred this issue to Flashpoint, though it’s close. At long last the series gives a clear and coherent explanation of the plot, so now we know what’s supposed to be at stake and why. The Serpent is Odin’s long-lost brother, erased from history, who wants to dethrone Odin. He’s empowered by fear. The point of all the random stuff going on in other books is to spread fear on Earth so that he’ll get stronger and he can take on Odin. And Odin plans to cut off the Serpent’s power by destroying Earth himself.
Charts – 3 July 2011
This week’s chart is dominated by the effects of the Glastonbury Festival, that much loved annual event in which London media types get to tell us how they went to a field and saw some mud. Personally, I’ve never been that keen on festivals – I went to T in the Park a few times back when I did student radio, but even then I kind of saw it as a massively inconvenient trek to see bands who’d usually have been better in a proper venue.
But the festival circuit is an established part of the UK calendar, and Glastonbury is the established top festival, which means it gets tons of radio and TV coverage from the BBC (particularly today when there are acres of space to fill on the digital channels).
Jason Derulo’s “Don’t Wanna Go Home” is still at number 1. But the highest new entry at number 3 is “Best Thing I Never Had” by Beyonce, who was one of this year’s headline acts.
X-Men: Prelude to Schism
“Prelude to Schism”
Writer: Paul Jenkins
Artists: Roberto de la Torre, Andrea Mutti, Will Conrad, Clay Mann, Jay Leisten & Seth Mann
Colourists: Lee Loughridge with Chris Sotomayor
Letterer: Rob Steen
Editor: Nick Lowe
We’ve all seen plenty of bad comics. But far rarer is the truly inexplicable comic. The one where, no matter how you twist and turn it, you just can’t figure how anyone could have thought it was going to work. Prelude to Schism is a book that doesn’t work in concept or in execution.
“Schism” itself is the X-books’ upcoming summer crossover. They’ve already told us that it shakes up the line and sees the X-Men splitting into two groups, one led by Wolverine, the other still following Cyclops. (Which accounts for two monthly titles. What happens in the others, heaven only knows.) It’s obviously a big deal for the line, and they’re promoting it heavily – so you might expect that Prelude to Schism would be some sort of lead-in to the big event. A prelude, as it were, to “Schism”.
The X-Axis – 3 July 2011
If you’ve listened to this week’s podcast (just one post below), you’ll know that the last two weeks weren’t exactly replete with notable new releases. And while I skipped the X-Axis last week, it’s been a fairly quiet period for the X-books too, with just six books in two weeks. Unless you count Namor, which I don’t. I’m starting to get a vague sense that everyone is killing time right now, waiting for the end of Flashpoint, the end of Fear Itself, or the start of Schism – delete as applicable.
Still, here’s some stuff that came out in the last two weeks:
Flashpoint: Reverse Flash #1 – Er… yes. This is a one-shot by Scott Kolins and Joel Gomez (not, as the cover claims, a three-issue miniseries), which I rather foolishly assumed might in some way be important to the plot of Flashpoint, what with the Reverse Flash being the main villain and all. Silly me. What it actually contains is a recap of the Reverse Flash’s back story – not a direct copy of Geoff Johns’ recent story from Flash, but certainly covering similar ground. It’s tempting to say that the problem here is the odd decision to hire artist Scott Kolins as a writer, and there’s no doubt that Johns got the same basic idea across far more effectively and charmingly in his story. But then, it’s not like the editors gave Kolins much to work with – if the finished product is anything to go by, the remit here was “Recap the plot.” Joel Gomez’s art is patchy – bits of it look rushed, and there’s a blockiness that doesn’t really work for the Flash, but then there are also a couple of nicely rendered panels and some sweet material near the end with Barry Allen as a child. Still, not a good comic.
House To Astonish Episode 63
One of us hasn’t received any comics for two weeks, and there has been very little new or exciting out in the past fortnight, so for a bit of a break from the norm we’ve got our usual news round-up (looking at the sad loss of Gene Colan, the launch of Avenging Spider-Man, DC’s digital plans and the Green Lantern movie’s performance) followed by a full episode’s worth of rumination on (largely) comics-related topics suggested by our followers on Twitter. Listen! to our views on superheroes in skirts. Hear! our thoughts on this summer’s comics-related movies. Hark! at us getting the name of The DFC wrong. All this plus Fat Alfred and the Cosby Kids, a tiny little evil moustache and Captain Genocide.
The podcast is here, or here on Mixcloud. Let us know what you think, in the comments below, on Twitter, via email or on our Facebook fan page.
Charts – 26 June 2011
We have a new number one! And it’s crap.
That’s “Don’t Wanna Go Home” by Jason Derulo, a track which has almost nothing to recommend it beyond the bits it lifted from other, better records. Imaginatively, the video features Derulo dancing in a warehouse. Never seen that before.
It’s the lead single from Derulo’s second album, and his second number one following “In My Head” last March, which was just the right side of forgettable. I assume everyone knows the source material here, but the hook comes from “The Banana Boat Song” by Harry Belafonte (number 2 in 1957).
Here he is performing it with the Muppets.
Thought for the day: digital sales
In the comments thread for the previous post, somebody asked whether DC’s new “day and date” policy would make the sales chart meaningless.
A fair question – we won’t have access to the digital sales figures, and like any other distribution channel, they could make a big difference to the overall picture.
But (via Bleeding Cool) we do know roughly how many digital comics DC are selling right now – because Dan DiDio has been telling retailers at their promotional roadshows.
As of now, DC’s print comics outsell digital by a factor of …
Some more DCU thoughts…
No X-Axis today (as I mentioned last time, I’m not getting the books until next week). But since I have some spare time, here’s some more thoughts on the DCU relaunch. Or at least vaguely related to the DCU relaunch.
I’ve looked at the individual titles before. Now let’s think about the bigger picture.
Here’s what we know. DC are relaunching their entire superhero universe in September, and revising continuity yet again. Some characters remain broadly the same, some have their back stories changed, and the entire population of the WildStorm universe is being retroactively folded into DC history. To make way for all this, a load of titles are being cancelled, and those that are continuing are wrapping up (or at least guillotining) outstanding storylines in order to make way for a clean relaunch.
So it’s a new continuity, but incorporating large chunks of the previous one. Though we don’t really know which chunks, save for a handful of specific stories that have been mentioned in interviews. It all sounds rather similar to 1985’s Crisis on Infinite Earths, which similarly attempted to consolidate multiple superhero universes into one, rebooting some characters at the same time.
Charts – 19 June 2011
“Changed The Way You Kiss Me” by Example is still number one – though it was behind in the midweeks, so it was clearly a close run thing. It probably won’t manage a third, but stranger things have happened.
The thwarted single that topped the midweek charts, only to find itself at number 2 on Sunday, is “Bounce” by Calvin Harris featuring Kelis.
