Charts – 16 September 2022
Behold, the first new number 1 of the reign of His Majesty King Charles III.
1. Lewis Capaldi – “Forget Me”
We haven’t heard from Lewis Capaldi since before the pandemic; he had two number 1 hits and a total of five top 10 hits in 2018-19, plus an album that spent ten weeks at number 1 and 168 weeks in the top 40 (it rebounds to 9 this week). So a strong debut for his comeback single is not a surprise. The record itself is unrelentingly middling. The blandly retro arrangement does it no favours. The video is meant to be a homage to Wham!’s “Club Tropicana”, which was nearly 40 years ago, so who knows how many people get the reference today. It was number 1 by a pretty tight margin, pushed over the edge by first-week physical sales pre-ordered by the fanbase. But you never know. It could grow – his previous hits all took a while to reach their peak.
A.X.E.: Judgment Day #4 annotations
As always, this post contains spoilers, and page numbers go by the digital edition.
A.X.E.: JUDGMENT DAY #4
Writer: Kieron Gillen
Artist: Valerio Schiti
Colour artist: Marte Gracia
Letterer: Clayton Cowles
Editor: Tom Brevoort
COVER / PAGE 1. Various characters look alarmed as the Progenitor poses with thumb poised.
PAGES 2-3. Recap and credits.
PAGES 4-5. Captain America tries to calm the crowd at the Treehouse.
The Progenitor’s narration here seems to confirm that everyone is being judged by their own standards, something which becomes even clearer as the issue goes on. (“They must decide what ‘hero’ means… He needs to believe the world is fundamentally a good place… The world may think differently.”)
“He failed his test…” Last issue. Of course, since Captain America is fundamentally modest, and aware of the gap between his values and reality, he’s going to judge himself as a failure. Clearly, he’s having little or no impact on this crowd.
PAGE 6. The Avengers Mountain cast make plans.
Left to right in page 6 panel 2, that’s Ajak, Iron Man, Sersi, Starfox, Makkari, Mr Sinister and Phastos.
X-Men Red #6 annotations
As always, this post contains spoilers, and page numbers go by the digital edition.
X-MEN RED vol 2 #6
“The Hour of Magneto”
Writer: Al Ewing
Artist: Stefano Caselli
Colourist: Federico Blee
Letterer & Production: Ariana Maher
Design: Tom Muller
Editor: Jordan D White
COVER / PAGE 1: Magneto’s broken helmet in the foreground, while Storm fights in the background.
PAGE 2. Data page. A transcript of Craig Marshall’s field recording, which continues into the following scene. As far as I know, he’s a new character. He’s also the first indication we’ve had that ordinary humans are welcome to explore Arakko beyond the Diplomatic Zone, if they’re actually able to get to Mars in the first place. (This being the Marvel Universe, it seems to be just taken for granted that NASA has access to technology that can reach the Moon – it’s possible that he got a lift to Phobos from Feilong, of course.)
House to Astonish Presents: The Lightning Round Episode 11
The Thunderbolts are back, and Graviton is making heavy weather of things for them. Can Archangel tip the scales in the heroes’ favour? Can you imagine how embarrassed he would be if he didn’t? We’re looking at issues 27-30 of Thunderbolts (1997) this time out, and there’s a guy with too many baguettes, some highly unfortunate kerning, and a high society scandal in the world of military robotics to deal with.
The podcast is here, or here on Mixcloud, or available via the embedded player below. You can get our frankly delightful shirts over at our Redbubble store, and you can let us know what you think of the show in the comments below, on Twitter, via email, or on our Facebook fan page.
Charts – 9 September 2022
The regular Radio 1 chart show didn’t air on Friday for the obvious reason, but the charts were published as usual.
1. Eliza Rose & Interplanetary Criminal – “B.O.T.A. (Baddest of Them All)”
Two weeks. The main challenger this week is David Guetta featuring Bebe Rexha’s “I’m Good (Blue)” at number 2, although the midweeks have a new Lewis Capaldi single entering at number one. We’ll see if that holds up – records that enter really high tend to be fanbase records, and fanbase records have front-loaded sales.
20. Tom Odell – “Another Love”
New Mutants #29 annotations
As always, this post contains spoilers, and page numbers go by the digital edition.
NEW MUTANTS vol 4 #29
“Fights and Feelings”
Writer: Danny Lore
Artist: Guillermo Sanna
Colourist: Dan Brown
Letterer & production: Travis Lanham
Editor: Sarah Brunstad
COVER / PAGE 1. Warpath and Akihiro (as we’re calling him in this story) fight, with a looming villain in the background. The cover strapline is not what happens in the story, though it is Akihiro’s perspective at the start of the story.
This issue has a guest creative team, which means it’s what we used to call a fill-in issue back in the day.
PAGES 2-4. Akihiro attacks Warpath.
Akihiro is normally referred to as Daken, but his real name Akihiro is used throughout this issue, including on the recap page. Over in this week’s Marauders, he seems to be dumping the Daken name.
Akihiro is upset that his younger sister Scout is missing, and blames the New Mutants for reasons we’ll get to. Quite why that leads him to attack Warpath without explaining himself isn’t clear, nor is it really behaviour that’s consistent with the way he’s written in his home book Marauders. (Strictly speaking, Scout is a clone of X-23, who in turn is the lab-grown genetic daughter of Akihiro’s father Wolverine. But he and Scout – and X-23 – have treated each other as family for years now.)
Wolverine #24 annotations
As always, this post contains spoilers and page numbers go by the digital edition.
WOLVERINE vol 7 #24
“Hell to Pay”
Writer: Benjamin Percy
Artist: Federico Vicentini
Colourist: Frank D’Armata
Letterer: Cory Petit
Design: Tom Muller with Jay Bowen
Editor: Mark Basso
COVER / PAGE 1. Wolverine fights a pack of hellhound things with glowing eyes. The Hellbride has one of them later in the issue.
PAGES 2-4. The Progenitor challenges Wolverine to prove that his value is greater than the value of the people he killed.
The Progenitor. This is an A.X.E. tie-in, and the Progenitor is busily judging everyone on the planet. Like most people, Wolverine is confronted by the Progenitor in the form of people to whom he feels the need to justify himself. In Wolverine’s case, that’s obviously going to be all the people he’s killed over the years, since it’s practically a trope of the character anyway. The novel point is about him having to positively justify himself.
Marauders #6 annotations
As always, this post contains spoilers, and page numbers go by the digital edition.
MARAUDERS vol 2 #6
“Even Odds of Destruction”
Writer: Steve Orlando
Artist: Andrea Broccardo
Colour artist: Matt Milla
Letterer & production: Ariana Maher
Design: Tom Muller
Editor: Jordan D White
COVER / PAGE 1: A group shot of the Marauders with the Progenitor looming behind them.
PAGE 2. Lockheed watches the Theater of Pain.
This is picking up on the subplot from the opening page of issue #2, where Lockheed found some mutilated corpses in a ruined church with “X” symbols on the altar, and “LOVE” spray painted on the walls. The same symbols appear on the wall here, confirming that Lockheed has been on the trail of the Theater of Pain. The Marauders fought the Theater’s leader Brimstone Love in Marauders Annual #1 (effectively the first issue of Steve Orlando’s run). That issue also saw Brimstone Love pushing the angle that the Xavier’s dream of coexistence was the right one, the point being that the mutant separatism of Krakoa was a betrayal of it.
Immortal X-Men #6 annotations
As always, this post contains spoilers, and page numbers go by the digital edition.
IMMORTAL X-MEN #6
“The Devil’s Party”
Writer: Kieron Gillen
Artist: Lucas Werneck
Colour artist: David Curiel
Letterer: Clayton Cowles
Design: Tom Muller & Jay Bowen
Editor: Jordan D White
COVER / PAGE 1: Sebastian Shaw, apparently in the middle of the ritual from the end of the story.
PAGES 2-3. Mr Sinister tells Destiny about the plan to attack the Progenitor.
This is a significantly expanded version of a sequence on pages 8 and 9 of A.X.E.: Judgment Day #3. All we see in that version is Sinister making contact with Destiny and telling her “I have some most useful information… just time it right.” This version makes clear that Sinister tells Destiny about the actual risk, but encourages her to conceal it from the rest of the Quiet Council. Jean does accuse him of concealing the risks in Judgment Day #3, but he denies it and claims that she would have known the full picture if she’d been on the Quiet Council.
The Incomplete Wolverine – 2004
Part 1: Origin to Origin II | Part 2: 1907 to 1914
Part 3: 1914 to 1939 | Part 4: World War II
Part 5: The postwar era | Part 6: Team X
Part 7: Post Team X | Part 8: Weapon X
Part 9: Department H | Part 10: The Silver Age
1974-1975 | 1976 | 1977 | 1978 | 1979
1980 | 1981 | 1982 | 1983 | 1984 | 1985
1986 | 1987 | 1988 | 1989 | 1990 | 1991
1992 | 1993 | 1994 | 1995 | 1996 | 1997
1998 | 1999 | 2000 | 2001 | 2002 | 2003
We’re in the Greg Rucka run, which so far has been a detour from regular superheroics into something more down to earth. Meanwhile, Grant Morrison has just left the X-Men. We left off with Rucka’s “Coyote Crossing” arc, which ran through to February 2004, and so we pick up with…
WOLVERINE vol 3 #12
“Dreams”
by Greg Rucka, Darick Robertson & Studio F
March 2004
After eleven comparatively low-key, real-world issues, this is a drastic departure – a surrealist stream-of-conscious issue depicting one of Logan’s nightmares. Recurring themes include an animalistic version of himself hiding in the closet and a bright red bird who symbolises Jean, but it defies summary. Darick Robertson’s slight edge of cartooning is perfect for it. In the morning, Cassie Lathrop asks Logan if he had dreams, and he just answers “no.” They’re a couple at this point, by the way, but nothing will come of it.
WOLVERINE vol 3 #13-19
“Return of the Native”
by Greg Rucka, Darick Robertson, Tom Palmer & Studio F
April to September 2004Sabretooth is hired by Mr Willoughby and his aide Mr Murray – both connected with the Weapon X Project – to find and capture the Native. Rather than do it himself, Sabretooth gives the Native’s file to Logan and lets him do the hunting. Ostensibly it’s the easiest way of doing the job, but mainly Sabretooth just wants to screw with Logan.
Logan duly tracks down the Native, a feral woman living in the wilderness, who turns out to be another survivor of the Weapon X Project. She clearly remembers him, but he doesn’t remember him at all. Her attitude to him swings wildly from violence to sex. Logan tries to help her escape and they wind up in a cabin that they vaguely recognises; she tells him in broken English that it is “home”. Eventually, Willoughby and Murray manage to capture the Native; their plan is to harvest her eggs to create new super-soldiers. Having fallen out with his employers, Sabretooth switches sides and offers to help Logan rescue Native, mainly just to annoy everyone. Logan plays along until he gets the chance to run Sabretooth over and claw him in the head. Meanwhile, Weapon X’s Dr Vapor discovers that Native is pregnant (apparently with Logan’s child). Logan kills Vapor and rescues Native. He tries to persuade her to come back to the X-Men with him, but she says she can’t. (“Don’t belong, Logan.”) Sabretooth attacks Logan again, claiming that they both know Native needs to be put out of her misery, and that only he has the strength to do it. Sabretooth wins the fight and kills Native before Wolverine can recover, leaving a note reading “I did you a favour, runt – you can thank me later.”
This seven-parter is the end of the Greg Rucka run, and his only arc that really engages with wider continuity. Surprisingly, Native never appears again – yes, she dies at the end, but when did that ever stop anyone? She’s an interesting character, in that she’s an “animal” in a different sense from the usual Wolverine stories – she’s too animalistic even for Logan to interact with meaningfully, and in some ways the character is limited by design. There’s a definite hint that Creed is sincere in his view that she is better off dead.
