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Dec 6

The Incomplete Wolverine: 1977

Posted on Sunday, December 6, 2020 by Paul in Wolverine

Part 1: Origin to Origin II | Part 2: 1907 to 1914
Part 3: 1914 to 1939 | Part 4: World War II
Part 5: The postwar era | Part 6: Team X
Part 7: Post Team X | Part 8: Weapon X
Part 9: Department H | Part 10: The Silver Age
1974-1975 | 1976

1977 is the last year in Wolverine’s history that could honestly be described as quiet – well, unless you count 2015-2017, when he was dead. At this point, he’s still only appearing in X-Men, and that book is still only shipping six times a year. Nobody is interested in using him as a guest star yet – well, nobody except Chris Claremont. And his lengthy storylines run directly from one issue into the next, leaving only occasional gaps for guest appearances anyway… with none of those gaps actually falling during 1977.

It won’t stay this way.

The February 1977 issue is the tail end of the Cassidy Keep storyline, which we covered last time.

X-MEN vol 1 #104
“The Gentleman’s Name is Magneto”
by Chris Claremont, Dave Cockrum & Sam Grainger
April 1977

Worried that she hasn’t heard from Muir Isle in a while, Moira MacTaggert drops her “housekeeper” act – which never really gets explained – and asks the holidaying X-Men to drop by and check the place out. Muir Isle turns out to be a combined mutant research facility and prison, and Magneto (Erik Lehnsherr) has just escaped. Thanks to later retcons, Wolverine has met Erik before – in First X-Men. Neither of them seems to recognise the other here. That’s fair enough; aside from the fact that Wolverine’s had his memory messed about with since then, neither of them was in costume last time they met.

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Dec 5

Charts – 4 December 2020

Posted on Saturday, December 5, 2020 by Paul in Music

There’s a school of thought that says the singles chart shouldn’t get overrun with Christmas singles every year, because it exists to promote new music. There’s a degree of truth to this. The chart exists because the music industry funds it. And the music industry funds it because they see it as a useful promotional tool. And until streaming came along, nobody expected the charts to tell us that people kept playing records they already owned.

But. The charts only work as a promotional tool because they’re not perceived as a promotional tool – or at least, because they’re perceived as some objective measure of popularity. In a streaming era, where sales are dwindling into irrelevance, you’re talking about measuring the music that people listen to. And in December, they listen to Christmas records.

God, do they listen to Christmas records.

1. Ariana Grande – “Positions”
13. Ariana Grande – “34+35”
16. Ariana Grande – “Santa Tell Me”

I mean, not all of them. Some of them are still listening to Ariana Grande’s “Positions”, which has now been number one for six weeks. Further down the chart, “34+35” climbs back to 13 (still below its initial peak). And the third track from her album… ah, that vanishes. Because the chart rules only allow three tracks by the same lead artist at one time, and… well, here’s “Santa Tell Me”, again.

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Dec 4

Review: New Mutants #8-12

Posted on Friday, December 4, 2020 by Paul in x-axis

NEW MUTANTS vol 4 #8-12
Issue #8 and #12 by Ed Brisson, Marco Failla & Carlos Lopez; issues #9-11 by Ed Brisson, Flaviano & Carlos Lopez

New Mutants is a book with something of an identity problem. If you step back and view it as a series… well, what is it? The first seven issues were weirdly structured, cutting back and forth between a comedy storyline by Jonathan Hickman with the original New Mutants in space, and an Ed Brisson story about a drugs gang besieging a Nebraskan farm. And those stories had pretty much nothing in common – not the creators, not the cast, not the themes, not plot point, not even tone.

Now that the Hickman issues have dropped out of the picture, their inclusion in the first place looks all the weirder. The book is now running Ed Brisson stories, using both casts, and so the tone is more consistent. But it’s still a slightly haphazard read.

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Dec 3

X-Factor #5 annotations

Posted on Thursday, December 3, 2020 by Paul in Uncategorized

As always, this post contains spoilers, and page numbers go by the digital edition.

X-FACTOR vol 4 #5
“Suite No. 5: First Movement Finale: ‘After a Summer of Allostatic Overload”
by Leah Williams, David Baldeon & Israel Silva

“Allostatic load” is wear and tear on the body as a result of stress.

COVER / PAGE 1: Aurora and Northstar using their powers together. More of that later.

PAGES 2-4. X-Factor show the Five proof of Wind Dancer’s death.

This is picking up the storyline that was in progress before “X of Swords”. Presumably Wind Dancer’s plight was put on hold while the Five had a more pressing crisis to deal with, in the form of disruption to the whole resurrection operation.

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Dec 2

Hellions #7 annotations

Posted on Wednesday, December 2, 2020 by Paul in Annotations

As always, this post contains spoilers, and page numbers go by the digital edition.

HELLIONS #7
“Whetstone”
by Zeb Wells, Stephen Segovia & David Curiel

COVER / PAGE 1: Mister Sinister pretends to mourn the deaths of the Hellions. (Not something that literally happens in the issue, since they don’t have a gravestone, but the thrust is there.)

PAGE 2: Mister Sinister addresses the Quiet Council.

“My Hellions are dead!” In the last two issues, Mr Sinister sent the Hellions on a suicide mission, supposedly to try and stop Saturnyne’s contest of swords, but actually with a view to retrieving DNA samples of mutants from Amenth / Arakko – something even the Hellions didn’t find out until it was too late. Some of them died in Amenth, while the others made it back to Krakoa only to be murdered by Sinister in order to cover his tracks. Although he knows that the Krakoans will resurrect them, they’ll only have memories up to their most recent back-up, and so they won’t know what happened on the Amenth mission.

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Nov 28

Charts – 27 November 2020

Posted on Saturday, November 28, 2020 by Paul in Music

It’s a month to Christmas, and you all know what that means. But regular service hasn’t quite packed in just yet.

1. Ariana Grande – “Positions”

That’s five weeks, though the margins are getting smaller. “34+35” is already being promoted as the next single; it climbs 17-13 this week, though it already made the top 10 as an album track in the week of release. Not quite her longest – “Thank U, Next” managed six. The top 3 is static, with Billie Eilish at 2 and Little Mix at 3. “Levitating” by Dua Lipa climbs 10-5.

8. Miley Cyrus featuring Dua Lipa – “Prisoner”

Ah, Miley Cyrus videos – never knowingly subtle. This continues the 80s throwback approach of “Midnight Sky”, which is still sitting in the top 10 at number 7. And Dua Lipa’s “Levitating” climbs to 5. Miley Cyrus’s singles chart record is patchy – the occasional huge hit and a whole load of middling places – but this style seems to be working for her.

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Nov 27

X of Swords: Destruction #1 annotations

Posted on Friday, November 27, 2020 by Paul in Annotations

As always, this post contains spoilers and page numbers go by the digital edition.

X OF SWORDS: DESTRUCTION #1
“X of Swords, Chapter 22”
by Jonathan Hickman, Tini Howard, Pepe Larraz & Matte Garcia

This is the final chapter of the “X of Swords” crossover, and the third one-shot – the others being X of Swords: Creation and X of Swords: Stasis. All three officially have a #1 attached, because that’s how these things work.

COVER / PAGE 1. Fighting.

PAGE 2. Epigraph from Apocalypse. Until now he’s been carrying the burden of losing Arakko and Genesis in his youth; he’s evidently willing, in this issue, to take on the burden of Annihilation instead in order to rescue them. Since Apocalypse was immortal even before the Krakoan resurrection protocols took hold, he assumes that he’s likely to literally carry these burdens forever.

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Nov 26

Excalibur #15 annotations

Posted on Thursday, November 26, 2020 by Paul in Annotations

As always, this post contains spoilers, and page numbers go by the digital edition.

EXCALIBUR vol 4 #15
“X of Swords, Chapter 21”
by Tini Howard, Mahmud Asrar, Stefano Caselli, Sunny Gho & Rachelle Rosenberg

COVER / PAGE 1: Shards showing the various contest participants; in the centre of the frame, Apocalypse’s shard is held by Saturnyne. (Honestly, you can tell it’s her from the shape of the sleeve, though it’s largely obscured by the logo.)

PAGE 2. Epigraph by Saturnyne. The claim here is that magic can be directed with willpower; therefore, magic will respond more readily to true desperation, but not so much to things that you merely desire. This ties to the advice to spellcasters on the data page about love spells later on.

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Nov 25

X-Men #15 annotations

Posted on Wednesday, November 25, 2020 by Paul in Annotations

As always, this post contains spoilers, and page numbers go by the digital edition.

X-MEN vol 5 #15
“X of Swords, Chapter 20”
by Jonathan Hickman, Mahmud Asrar & Sunny Gho

COVER / PAGE 1: Apocalypse’s bloodstained sword, reflecting the Annihilation mask.

PAGES 2-5. Cyclops and Marvel Girl prepare to address the Quiet Council.

Krakoa is presented at its most utopian here, to hammer home the point that Cyclops sees it as a home worth fighting for. He says that he “dreamed” of a home like this but “never thought” they would have it – implicitly referencing “Xavier’s dream” of peaceful coexistence between humans and mutants, which the X-Men used to go on about all the time. Of course, Krakoa is only very debatably an example of that dream, since it’s a separatist project – it’s only coexistence when viewed on the global level. But as Cyclops says, what good did that version of the X-Men’s dream ever do them? They never made any obvious progress towards achieving it.

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Nov 23

Charts – 20 November 2020

Posted on Monday, November 23, 2020 by Paul in Music

Another quiet week on the singles chart, beyond a couple of major releases…

1 Ariana Grande – “Positions”

Four weeks, though apparently this one was very close – the equivalent of just a few hundred sales. “34+35” and “POV” are still on the chart, at 17 and 19 respectively.

2. Billie Eilish – “Therefore I Am”

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