Daredevil Villains #67: Crossbow
DAREDEVIL #204 (March 1984)
“Vengeance of the Victim!”
Writer: Denny O’Neil
Penciller: Luke McDonnell
Inker: Danny Bulanadi
Colourist: Bob Sharen
Letterer: Joe Rosen
Editor: Bob Budiansky
Denny O’Neil doesn’t like the English, part two.
William Johnson was still notionally the regular artist at this point, but by all accounts he struggled badly with deadlines. Issue #203 was an inventory story. This issue returns to the regular storyline, but with a fill-in artist. Luke McDonnell was the regular artist on Iron Man at this point, but over the course of the 1984 cover dates he somehow found time to pencil not only this issue, but also the back-up strip in issue #202 and the whole of Further Adventures of Indiana Jones #20. He did skip one issue of Iron Man, to be fair, but then again he also drew that year’s annual. He was seriously fast.
Daredevil #204 doesn’t even look like a rush job; the opening splash page on the streets of New York is full of properly designed individual bystanders and journalists. Regular inker Danny Bulanadi must have helped, but it’s still remarkable.
This is the second part of the Micah Synn storyline that began in issue #202. Crossbow is a hitman, who’s been hired by Lord Barrington Synn to kill Micah. Barrington is a stereotypical simpering aristocrat, who wants Micah dead “before anyone learns that he and I are of the same ancestry”. Apparently, Micah is a brutal, savage heathen and “a blot on the Synn honour”. Later on, there will be mention of Matt and Foggy pursuing some sort of claim that Micah might have on the Synn estate, but at this point Barrington seems simply to regard Micah as a family embarrassment. Of course, Micah really is awful, but Barrington doesn’t know about any of that. His objection appears to be simply that the man has gone a bit African.
Charts – 2 January 2026
Welcome to the post-Christmas chart. Christmas Day fell on a Thursday this year – the end of the chart week – and predictably, the Christmas tracks mostly vanish, leading to a vast number of re-entries filling the void. A mere four manage to cling on – apparently there were still a decent number of Christmas records being played on Boxing Day – and none of them were in the top 10.
1. Raye – “Where is My Husband”
This is Raye’s second number 1, after “Escapism” reached number 1 in January 2023. To be honest, it’s something of a post-Christmas glitch. It wasn’t even in the top 40 last week, and it has the lowest number 1 sales in months. It’s been out for 15 weeks by now and it would have been behind Olivia Dean’s “Man I Need” if it wasn’t for the downweighting rule.
The X-Axis – w/c 29 December 2025
X-MEN: AGE OF REVELATION INFINITY COMIC #9. By Alex Paknadel, Edoardo Audino, KJ Díaz & Clayton Cowles. We wrap up the “Age of Revelation” back stories with Glob Herman. In fact, this story doesn’t take us up to the point where he becomes the gun-toting killer from the main books; he simply gets taken in by the X-Men after the Punisher dies heroically to save him from Kid Omega. But maybe that’s better, since it avoids being overly trite and still gestures in the direction of Glob trying to emulate a mentor. Anyway…
X-MEN: AGE OF REVELATION FINALE #1. (Annotations here.) This is the only actual X-book this week – the final week of the year often being set aside for such things – and it’s the end of the three-month “Age of Revelation” event. It seems like a good moment to take stock.
Some criticisms of the post-Krakoa X-books seem to have unrealistic expectations. The decision to move away from Krakoa wasn’t taken by the current editorial office, and besides, even Krakoa’s creator Jonathan Hickman always intended it to end earlier than it did. Taking over the X-books after Krakoa was always going to be a poisoned chalice, since it was never going to be able to compete with Hickman in terms of a big attention-grabbing idea – all the more so if the aim was to steer the books back in a more congenial direction for cross-media synergy. And the back end of the Krakoan era didn’t help, with six months of unrelating fascist misery that left the books with no real alternative but to tack in favour of normalcy, at precisely the time when that wasn’t the story to be telling.
X-Men: Age of Revelation Finale #1 annotations
X-MEN: AGE OF REVELATION FINALE #1
Writer: Jed MacKay
Pencillers: Ryan Stegman with Netho Diaz
Inker: JP Mayer
Colourist: Marcio Menyz
Letterer: Clayton Cowles
Editor: Tom Brevoort
COVER: Revelation stands over Wolverine, Cyclops, Kid Omega and Psylocke as the last survivor.
This one-shot ends the Age of Revelation event, and since it’s the only X-book out this week (aside from the Infinity Comic), we’ll talk about how it went in this week’s X-Axis post. First, though…
PAGE 1. Professor X and Apocalypse lead the Arakko army through the portal.
This is the same scene that we saw at the end of Amazing X-Men #3 and X-Men: Book of Revelation #3, although the dialogue is new. Professor X tells us that he’s been in “exile” from Earth for years, though we never did get an explanation of what he was doing on Arakko in the first place. The obvious reading would be that he’s been in space since “X-Manhunt” – he’s meant to be appearing in an Exiles book in 2026, after all – but why he returns to Arakko rather than Earth is unclear. Perhaps he was always trying to raise forces to help deal with Revelation.
Daredevil Villains #66: The Trump
DAREDEVIL #203 (February 1984)
“Trumps!”
Writer: Steven Grant
Penciler: Geof Isherwood
Inker: Danny Bulanadi
Letterer: Jim Noavk
Colourist: George Roussos
Editor: Dennis O’Neil
Daredevil went into 1984 with regular penciller William Johnson struggling to keep up a monthly schedule. Having started his run on issue #197, he managed to do six consecutive issues. But this is where we hit our first fill-in, evidently commissioned back when Denny O’Neil was still the editor. Johnson only manages two further issues – #205 and #207 – before leaving the book.
Steven Grant had been writing for Marvel on and off since 1979, but hadn’t yet had a regular run on a series, unless you count seven issues of Marvel Team-Up. We’re still a couple of years away from him writing the first Punisher miniseries. Penciller Geof Isherwood was relatively new to Marvel: prior to this, he’d done an anthology story for Bizarre Adventures #33, and a fill-in issue of Power Man & Iron Fist (also written by Grant). In the same month as this, another Grant/Isherwood fill-in story appeared in G.I. Joe. You get the idea.
Charts – 26 December 2025
This is the dead chart – it covers sales and streams from 19-25 December, but it’s not the Christmas Number One, because that was last week. So it’s pretty much just what people had on their Christmas playlists. The BBC don’t even broadcast the post-Christmas chart because it’s so irrelevant; they use the week to do the top 100 of the year instead, despite the minor technicality that the year hasn’t finished yet. So, now that I’ve really sold you on reading this…
Returning to number 1 for its second week this year, and its twelfth week in total. We do have some entries at the lower end of the chart, though, as the Christmas also-rans make their big push to scrape above the number 40 mark.
29. Ed Sheeran & Elton John – “Merry Christmas”
This was number 1 for three weeks at Christmas 2021, although the actual Christmas number one that year was Ladbaby’s charity cover of the song. It passed its third anniversary during last year’s Christmas season, meaning that it went onto permanent ACR. Number 29 is where it ended up last year too.
The X-Axis – w/c 22 December 2025
X-MEN: AGE OF REVELATION INFINITY COMIC #8. By Alex Paknadel, Edoardo Audino, KJ Díaz & Clayton Cowles. Well, it’s an issue of the Punisher taking Glob Herman under his wing, ultimately leading to him going off on his own to seek revenge. The idea here is that the Punisher isn’t even trying to groom a successor, and thinks he’s just helping the poor kid to defend himself. That kind of works for Glob. It’s kind of weird for the Punisher, who’s apparently given up on vigilante homicide after the X-virus affected his hands, and has retired into a life of general niceness. I don’t really buy the Punisher reacting like that, as opposed to immediately setting about finding another way of pursuing his obsessional agenda – his one dimensionality is the point of him. But viewed as a Glob story, there’s a certain charm to it, and the story kind of requires the Punisher to present himself as a sympathetic figure to Glob. Perhaps it needs to be a bit more of an act for Glob’s sake.
EXPATRIATE X-MEN #3. (Annotations here.) So here we are, at the tail end of the “Age of Revelation” crossover, with just next week’s Finale one-shot to go. And this issue is… a bit of a mess, to be honest. There’s a lot of double-crossing going on and it doesn’t really come together. As near as I can tell, the plot is that the X-Men on the Flotilla thought that they were being hired by Mystique to take this Lyrebird guy to the Darkchild for reasons unknown, in exchange for unspecified intelligence. In fact, Lyrebird was tricking the X-Men into going to Darkchild’s territory as part of a deal with her. But Darkchild never explains why she wanted them, and ultimately just lets them go… and Lyrebird actually did want to go there all along, because and Illyana have a daughter from before she became Darkchild. Conceived at what point on the timeline? Oh god, don’t ask. Oh, and Melée had a side deal with 3K to get their technology into Limbo, for… reasons. And 3K didn’t want Lyrebird to wind up with Darkchild for… reasons? I mean, I think the idea is that Lyrebird was also working with 3K, but in that case, what was up with Melée and Lyrebird last issue? And then the payoff seems to be that everyone learns the lesson that they shouldn’t have got involved in these convoluted machinations, which would be a weird message for an X-Men story to begin with… except the next thing they do is announce that they’re spontaneously going to Philadelphia to appear in Finale, for no apparent reason.
Expatriate X-Men #3 annotations
EXPATRIATE X-MEN #3
Writer: Eve L Ewing
Artist: Francesco Mortarino
Colourist: Raúl Angulo
Letterer: Ariana Maher
Editor: Tom Brevoort
COVER: The Darkchild holds the X-Men in her hand.
This is the final issue of Expatriate X-Men. The parent title Exceptional X-Men isn’t returning in 2026, but X-Men United appears to be its spiritual successor.
PAGES 1-4. The Providence city wall attacks the X-Men.
This picks up directly from the end of issue #2, which ended with Ms Marvel discovering that there was 3K technology underneath the Flotilla – on re-reading, the idea seems to be that it’s on the hull of the boats, and the storytelling problem is that issue #2 jumps from Ms Marvel reaching underwater to retrieve Lyrebird to being underwater with him, with no apparent moment where she actually goes underwater. Anyway, as soon as this secret is exposed, Melée and Rift teleport the ship to the edges of the Limbo Lands, where they immediately come under attack. The opening caption here establishes that the attacker is the city wall itself, which is “semi-sentient”.
The X-Axis – w/c 15 December 2025
X-MEN: AGE OF REVELATION INFINITY COMIC #7. By Alex Paknadel, Adoardo Audino, KJ Díaz & Clayton Cowles. One last back story arc for the Age of Revelation, then. This one is about how Glob Herman wound up becoming a violent radical. He starts off the way we normally see him in Alaska, just a bit disappointed about the how same-y Revelation’s paradise is. He winds up being accused of counter-revolutionary thought on the basis of a single conversation with an old school friend (and yes, Radian really is a very minor New X-Men character). And he gets rescued by a mutated version of the Punisher. So apparently we’re getting “Punisher mentors Glob Herman” for the next two issues. And that sounds like it could be quite fun, since it’s such a ridiculous clash of characters. The Punisher doesn’t belong in this storyline at all, in a good way. This is apparently Alex Paknadel’s last contribution to the Infinity comics – if they’re even continuing after Age of Revelation, given how many other ones have been wrapped up lately – but it seems like a pretty solid entry.
X-MEN: BOOK OF REVELATION #3. (Annotations here.) For such a sprawling event, Age of Revelation has only two books you really need to read, and they’re the Jed MacKay ones. Amazing X-Men and Book of Revelation are both behaving like an actual crossover, converging for the finale issue. Last Wolverine might possibly be feeding into the finale, but pretty much everything else feels peripheral – or at most as if they’re setting up future plot points for the 2026 titles. But these two books are at least bringing us to some sense of events coming to a head, with the X-Men showing up in Philadelphia just as Arakko invades.
Last Wolverine #3 annotations
LAST WOLVERINE #3
Writer: Saladin Ahmed
Artist: Edgar Salazar
Colour artist: Carlos Lopez
Letterer: Cory Petit
Editor: Mark Basso
COVER: Leonard fights the original Wolverine.
This is the final issue of the miniseries, with Wolverine resuming next month.
PAGES 1-3. Nightcrawler rescues Leonard from Wolverine.
The previous issue ended with Leonard waking at night to find that Vindicator’s plan to free Wolverine from mind control was simply to kill him with the Muramasa Blade. Leonard and Kurt’s role was simply to get her close enough.
Incidentally, the recap pages on issues #2-3 of this series give Leonard’s full name as Leonard Two Bears, which I don’t think has ever appeared in the body of a story. (Issue #1’s recap page just calls him “Leonard”.)
For the purposes of this story, we seem to be workings on the original, Wolverine: Origins concept of the Muramasa Blade, where its magical powers can cut through adamantium and leave wounds that won’t heal.
